{"id":418,"date":"2019-10-01T09:26:33","date_gmt":"2019-10-01T09:26:33","guid":{"rendered":"http:\/\/www.phainomena.com\/en\/?page_id=418"},"modified":"2025-12-30T10:47:02","modified_gmt":"2025-12-30T09:47:02","slug":"archive","status":"publish","type":"page","link":"https:\/\/www.phainomena.com\/en\/archive\/","title":{"rendered":"ARCHIVE"},"content":{"rendered":"

[et_pb_section fb_built=”1″ fullwidth=”on” _builder_version=”4.16″ z_index_tablet=”500″ box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” global_colors_info=”{}”][et_pb_fullwidth_header title=”ARCHIVE OF PUBLISHED ISSUES” text_orientation=”center” _builder_version=”4.16″ title_font=”Roboto Condensed|300|||||||” title_font_size=”35px” content_font=”Roboto||||||||” custom_margin=”||” custom_padding=”0px||0px” z_index_tablet=”500″ title_text_shadow_horizontal_length_tablet=”0px” title_text_shadow_vertical_length_tablet=”0px” title_text_shadow_blur_strength_tablet=”1px” content_text_shadow_horizontal_length_tablet=”0px” content_text_shadow_vertical_length_tablet=”0px” content_text_shadow_blur_strength_tablet=”1px” subhead_text_shadow_horizontal_length_tablet=”0px” subhead_text_shadow_vertical_length_tablet=”0px” subhead_text_shadow_blur_strength_tablet=”1px” content_link_text_shadow_horizontal_length_tablet=”0px” content_link_text_shadow_vertical_length_tablet=”0px” content_link_text_shadow_blur_strength_tablet=”1px” content_ul_text_shadow_horizontal_length_tablet=”0px” content_ul_text_shadow_vertical_length_tablet=”0px” content_ul_text_shadow_blur_strength_tablet=”1px” content_ol_text_shadow_horizontal_length_tablet=”0px” content_ol_text_shadow_vertical_length_tablet=”0px” content_ol_text_shadow_blur_strength_tablet=”1px” content_quote_text_shadow_horizontal_length_tablet=”0px” content_quote_text_shadow_vertical_length_tablet=”0px” content_quote_text_shadow_blur_strength_tablet=”1px” button_one_text_shadow_horizontal_length_tablet=”0px” button_one_text_shadow_vertical_length_tablet=”0px” button_one_text_shadow_blur_strength_tablet=”1px” button_two_text_shadow_horizontal_length_tablet=”0px” button_two_text_shadow_vertical_length_tablet=”0px” button_two_text_shadow_blur_strength_tablet=”1px” box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” box_shadow_horizontal_image_tablet=”0px” box_shadow_vertical_image_tablet=”0px” box_shadow_blur_image_tablet=”40px” box_shadow_spread_image_tablet=”0px” box_shadow_horizontal_button_one_tablet=”0px” box_shadow_vertical_button_one_tablet=”0px” box_shadow_blur_button_one_tablet=”40px” box_shadow_spread_button_one_tablet=”0px” box_shadow_horizontal_button_two_tablet=”0px” box_shadow_vertical_button_two_tablet=”0px” box_shadow_blur_button_two_tablet=”40px” box_shadow_spread_button_two_tablet=”0px” text_shadow_horizontal_length_tablet=”0px” text_shadow_vertical_length_tablet=”0px” text_shadow_blur_strength_tablet=”1px” global_colors_info=”{}”]
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PUBLISHED:<\/strong> December 23, 2025<\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=”3_5″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.27.5″ text_font_size=”18px” hover_enabled=”0″ z_index_tablet=”500″ text_text_shadow_horizontal_length_tablet=”0px” text_text_shadow_vertical_length_tablet=”0px” text_text_shadow_blur_strength_tablet=”1px” link_text_shadow_horizontal_length_tablet=”0px” link_text_shadow_vertical_length_tablet=”0px” link_text_shadow_blur_strength_tablet=”1px” ul_text_shadow_horizontal_length_tablet=”0px” ul_text_shadow_vertical_length_tablet=”0px” ul_text_shadow_blur_strength_tablet=”1px” ol_text_shadow_horizontal_length_tablet=”0px” ol_text_shadow_vertical_length_tablet=”0px” ol_text_shadow_blur_strength_tablet=”1px” quote_text_shadow_horizontal_length_tablet=”0px” quote_text_shadow_vertical_length_tablet=”0px” quote_text_shadow_blur_strength_tablet=”1px” header_text_shadow_horizontal_length_tablet=”0px” header_text_shadow_vertical_length_tablet=”0px” header_text_shadow_blur_strength_tablet=”1px” header_2_text_shadow_horizontal_length_tablet=”0px” header_2_text_shadow_vertical_length_tablet=”0px” header_2_text_shadow_blur_strength_tablet=”1px” header_3_text_shadow_horizontal_length_tablet=”0px” header_3_text_shadow_vertical_length_tablet=”0px” header_3_text_shadow_blur_strength_tablet=”1px” header_4_text_shadow_horizontal_length_tablet=”0px” header_4_text_shadow_vertical_length_tablet=”0px” header_4_text_shadow_blur_strength_tablet=”1px” header_5_text_shadow_horizontal_length_tablet=”0px” header_5_text_shadow_vertical_length_tablet=”0px” header_5_text_shadow_blur_strength_tablet=”1px” header_6_text_shadow_horizontal_length_tablet=”0px” header_6_text_shadow_vertical_length_tablet=”0px” header_6_text_shadow_blur_strength_tablet=”1px” box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” global_colors_info=”{}” sticky_enabled=”0″]<\/p>\n

Phainomena 34 | 134-135 | June 2025<\/em><\/p>\n

Witold P\u0142otka & Andrej Bo\u017ei\u010d (Eds.)<\/p>\n

The Thought of Leopold Blaustein in Context. Critical Essays and Materials<\/strong><\/p>\n

>>><\/a><\/p>\n

[\/et_pb_text][et_pb_toggle title=” KAZALO | TABLE OF CONTENTS ” open_toggle_background_color=”#ffffff” closed_toggle_background_color=”#ffffff” icon_color=”#8cc63f” use_icon_font_size=”on” icon_font_size=”18px” open_icon_color=”#8cc63f” open_use_icon_font_size=”on” open_icon_font_size=”18px” _builder_version=”4.27.5″ title_level=”h6″ width=”80%” custom_padding=”10px||10px” hover_enabled=”0″ z_index_tablet=”500″ title_text_shadow_horizontal_length_tablet=”0px” title_text_shadow_vertical_length_tablet=”0px” title_text_shadow_blur_strength_tablet=”1px” closed_title_text_shadow_horizontal_length_tablet=”0px” closed_title_text_shadow_vertical_length_tablet=”0px” closed_title_text_shadow_blur_strength_tablet=”1px” body_text_shadow_horizontal_length_tablet=”0px” body_text_shadow_vertical_length_tablet=”0px” body_text_shadow_blur_strength_tablet=”1px” body_link_text_shadow_horizontal_length_tablet=”0px” body_link_text_shadow_vertical_length_tablet=”0px” body_link_text_shadow_blur_strength_tablet=”1px” body_ul_text_shadow_horizontal_length_tablet=”0px” body_ul_text_shadow_vertical_length_tablet=”0px” body_ul_text_shadow_blur_strength_tablet=”1px” body_ol_text_shadow_horizontal_length_tablet=”0px” body_ol_text_shadow_vertical_length_tablet=”0px” body_ol_text_shadow_blur_strength_tablet=”1px” body_quote_text_shadow_horizontal_length_tablet=”0px” body_quote_text_shadow_vertical_length_tablet=”0px” body_quote_text_shadow_blur_strength_tablet=”1px” border_radii=”on|5px|5px|5px|5px” border_color_all=”#8cc63f” box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” text_shadow_horizontal_length_tablet=”0px” text_shadow_vertical_length_tablet=”0px” text_shadow_blur_strength_tablet=”1px” global_colors_info=”{}” sticky_enabled=”0″]<\/p>\n

TABLE OF CONTENTS | KAZALO<\/strong><\/p>\n

 <\/p>\n

INTRODUCTION | UVOD<\/p>\n

 <\/p>\n

Witold P\u0142otka<\/p>\n

The Thought of Leopold Blaustein in Context. An Introduction >>><\/strong><\/a><\/p>\n

Konteksti misli Leopolda Blausteina. Uvod<\/em><\/p>\n

 <\/p>\n

CRITICAL ESSAYS | KRITI\u010cNE RAZPRAVE<\/p>\n

 <\/p>\n

Aleksandra Gomu\u0142czak<\/p>\n

Phenomenology from the Standpoint of the Lvov\u2013Warsaw School >>><\/strong><\/a><\/p>\n

Fenomenologija s stali\u0161\u010da lvovsko-var\u0161avske \u0161ole<\/em><\/p>\n

 <\/p>\n

Amadeusz Citlak<\/p>\n

Leopold Blaustein\u2019s Unique Phenomenological-Psychological Thought. The Psychological Perspective<\/strong>\u00a0<\/span>>>><\/strong><\/a><\/p>\n

Edinstvena fenomenolo\u0161ko-psiholo\u0161ka misel Leopolda Blausteina. Psiholo\u0161ka perspektiva<\/em><\/p>\n

 <\/p>\n

Witold P\u0142otka<\/p>\n

How Technology Shapes Our Experience. Blaustein on Mediated Phenomena >>><\/strong><\/a><\/p>\n

Kako tehnologija oblikuje na\u0161e izkustvo. Blaustein o posredovanih fenomenih<\/em><\/p>\n

 <\/p>\n

Wojciech Starzy\u0144ski<\/p>\n

Between Critique and Affirmation. Blaustein\u2019s Functional Metaphysics of Culture >>><\/strong><\/a><\/p>\n

Med kritiko in afirmacijo. Blausteinova funkcionalna metafizika kulture<\/em><\/p>\n

 <\/p>\n

Hicham Jakha<\/p>\n

Did I Just See Romeo Commit Suicide? Meinong and Blaustein on Theater >>><\/strong><\/a><\/p>\n

Ali sem ravnokar videl Romea storiti samomor? Meinong in Blaustein o gledali\u0161\u010du<\/em><\/p>\n

 <\/p>\n

Daniele Nuccilli<\/p>\n

Intentionality and the Perceptual World. Husserl, Schapp, and Blaustein on the Content of Sensations >>><\/strong><\/a><\/p>\n

Intencionalnost in zaznavni svet. Husserl, Schapp in Blaustein o vsebini ob\u010dutkov<\/em><\/p>\n

 <\/p>\n

Magdalena Gilicka<\/p>\n

Leopold Blaustein\u00a0<\/span>vs.<\/em>\u00a0<\/span>Edmund Husserl. Active Consciousness and the Search for Essence >>><\/strong><\/a><\/p>\n

Leopold Blaustein\u00a0<\/span><\/em>vs. Edmund Husserl. Aktivna zavest in iskanje bistva<\/em><\/p>\n

 <\/p>\n

Filip Borek<\/p>\n

Blaustein\u2019s Phenomenological Psychology. Between Husserl and Stumpf >>><\/strong><\/a><\/p>\n

Blausteinova fenomenolo\u0161ka psihologija. Med Husserlom in Stumpfom<\/em><\/p>\n

 <\/p>\n

Filip Go\u0142aszewski<\/p>\n

Blaustein\u2019s Humanistic Psychology in a Hermeneutical Key >>><\/strong><\/a><\/p>\n

Blausteinova humanisti\u010dna psihologija v hermenevti\u010dnem klju\u010du<\/em><\/p>\n

 <\/p>\n

MATERIALS | GRADIVO<\/p>\n

 <\/p>\n

Leopold Blaustein<\/p>\n

The Lived Experience of God in Hebbel\u2019s Dramas (\u00a7 1) >>><\/strong><\/a><\/p>\n

Do\u017eivljanje Boga v Hebblovih dramah (\u00a7 1)<\/em><\/p>\n

 <\/p>\n

Leopold Blaustein<\/p>\n

Reviews of Ajdukiewicz\u2019s and Kotarbi\u0144ski\u2019s Publications >>><\/strong><\/a><\/p>\n

Oceni publikacij Ajdukiewicza in Kotarbi\u0144skega<\/em><\/p>\n

 <\/p>\n

Leopold Blaustein<\/p>\n

Contributions to the Psychology of the Cinemagoer >>><\/strong><\/a><\/p>\n

Prispevki h psihologiji obiskovalca kina<\/em><\/p>\n

 <\/p>\n

Leopold Blaustein<\/p>\n

On the Tasks of Humanistic Psychology >>><\/strong><\/a><\/p>\n

O nalogah humanisti\u010dne psihologije<\/em><\/p>\n

 <\/p>\n

Leopold Blaustein<\/p>\n

Review of Ingarden\u2019s\u00a0<\/span>The Literary Work of Art<\/em>\u00a0<\/span>>>><\/strong><\/a><\/p>\n

Ocena Ingardnovega dela\u00a0<\/span><\/em>Literarna umetnina<\/p>\n

 <\/p>\n

Leopold Blaustein<\/p>\n

The Imaginative Work of Art and Its Way of Manifestation >>><\/a><\/strong><\/p>\n

Domi\u0161ljijska umetnina in na\u010din njene danosti<\/em><\/p>\n

 <\/p>\n

Leopold Blaustein<\/p>\n

Carl Stumpf >>><\/strong><\/a><\/p>\n

Carl Stumpf<\/em><\/p>\n

 <\/p>\n

Leopold Blaustein<\/p>\n

On Apprehending Aesthetic Objects >>><\/strong><\/a><\/p>\n

O dojemanju estetskih predmetnosti<\/em><\/p>\n

 <\/p>\n

Leopold Blaustein<\/p>\n

On the Perception of the Radio Play >>><\/strong><\/a><\/p>\n

O zaznavanju radijske igre<\/em><\/p>\n

 <\/p>\n

IN CONVERSATION | V RAZGOVORU<\/p>\n

 <\/p>\n

Ma\u0142gorzata Ho\u0142da<\/p>\n

An Odyssey into the Ethical Self. In Conversation with Laura Colombino\u2019s\u00a0<\/span>Kazuo Ishiguro and Ethics<\/em>\u00a0<\/span>>>><\/strong><\/a><\/p>\n

Odiseja v eti\u010dno sebstvo. V razgovoru s knjigo\u00a0<\/span><\/em>Kazuo Ishiguro in etika\u00a0<\/span>Laure Colombino<\/em><\/p>\n

[\/et_pb_toggle][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”2_5,3_5″ _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” module_alignment=”center” z_index_tablet=”500″ box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” global_colors_info=”{}”][et_pb_column type=”2_5″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_image src=”https:\/\/www.phainomena.com\/en\/wp-content\/uploads\/2025\/08\/E-PHI_34_132-133_2025.png” alt=”The COVID-19 Crisis” title_text=”E-PHI_32_126-127_2023-naslovnica” _builder_version=”4.27.0″ width=”80%” custom_margin=”||10px||false|false” custom_padding=”||||false|false” global_colors_info=”{}”][\/et_pb_image][et_pb_text _builder_version=”4.27.0″ text_orientation=”right” custom_margin=”0px|80px|0px|0px|false|false” custom_padding=”0px|0px||0px|false|false” z_index_tablet=”500″ text_text_shadow_horizontal_length_tablet=”0px” text_text_shadow_vertical_length_tablet=”0px” text_text_shadow_blur_strength_tablet=”1px” link_text_shadow_horizontal_length_tablet=”0px” link_text_shadow_vertical_length_tablet=”0px” link_text_shadow_blur_strength_tablet=”1px” ul_text_shadow_horizontal_length_tablet=”0px” ul_text_shadow_vertical_length_tablet=”0px” ul_text_shadow_blur_strength_tablet=”1px” ol_text_shadow_horizontal_length_tablet=”0px” ol_text_shadow_vertical_length_tablet=”0px” ol_text_shadow_blur_strength_tablet=”1px” quote_text_shadow_horizontal_length_tablet=”0px” quote_text_shadow_vertical_length_tablet=”0px” quote_text_shadow_blur_strength_tablet=”1px” header_text_shadow_horizontal_length_tablet=”0px” header_text_shadow_vertical_length_tablet=”0px” header_text_shadow_blur_strength_tablet=”1px” header_2_text_shadow_horizontal_length_tablet=”0px” header_2_text_shadow_vertical_length_tablet=”0px” header_2_text_shadow_blur_strength_tablet=”1px” header_3_text_shadow_horizontal_length_tablet=”0px” header_3_text_shadow_vertical_length_tablet=”0px” header_3_text_shadow_blur_strength_tablet=”1px” header_4_text_shadow_horizontal_length_tablet=”0px” header_4_text_shadow_vertical_length_tablet=”0px” header_4_text_shadow_blur_strength_tablet=”1px” header_5_text_shadow_horizontal_length_tablet=”0px” header_5_text_shadow_vertical_length_tablet=”0px” header_5_text_shadow_blur_strength_tablet=”1px” header_6_text_shadow_horizontal_length_tablet=”0px” header_6_text_shadow_vertical_length_tablet=”0px” header_6_text_shadow_blur_strength_tablet=”1px” box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” global_colors_info=”{}”]<\/p>\n

PUBLISHED:<\/strong> July 23, 2025<\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=”3_5″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.27.0″ text_font_size=”18px” z_index_tablet=”500″ text_text_shadow_horizontal_length_tablet=”0px” text_text_shadow_vertical_length_tablet=”0px” text_text_shadow_blur_strength_tablet=”1px” link_text_shadow_horizontal_length_tablet=”0px” link_text_shadow_vertical_length_tablet=”0px” link_text_shadow_blur_strength_tablet=”1px” ul_text_shadow_horizontal_length_tablet=”0px” ul_text_shadow_vertical_length_tablet=”0px” ul_text_shadow_blur_strength_tablet=”1px” ol_text_shadow_horizontal_length_tablet=”0px” ol_text_shadow_vertical_length_tablet=”0px” ol_text_shadow_blur_strength_tablet=”1px” quote_text_shadow_horizontal_length_tablet=”0px” quote_text_shadow_vertical_length_tablet=”0px” quote_text_shadow_blur_strength_tablet=”1px” header_text_shadow_horizontal_length_tablet=”0px” header_text_shadow_vertical_length_tablet=”0px” header_text_shadow_blur_strength_tablet=”1px” header_2_text_shadow_horizontal_length_tablet=”0px” header_2_text_shadow_vertical_length_tablet=”0px” header_2_text_shadow_blur_strength_tablet=”1px” header_3_text_shadow_horizontal_length_tablet=”0px” header_3_text_shadow_vertical_length_tablet=”0px” header_3_text_shadow_blur_strength_tablet=”1px” header_4_text_shadow_horizontal_length_tablet=”0px” header_4_text_shadow_vertical_length_tablet=”0px” header_4_text_shadow_blur_strength_tablet=”1px” header_5_text_shadow_horizontal_length_tablet=”0px” header_5_text_shadow_vertical_length_tablet=”0px” header_5_text_shadow_blur_strength_tablet=”1px” header_6_text_shadow_horizontal_length_tablet=”0px” header_6_text_shadow_vertical_length_tablet=”0px” header_6_text_shadow_blur_strength_tablet=”1px” box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” global_colors_info=”{}”]<\/p>\n

Phainomena 34<\/em>\u00a0<\/span>|\u00a0<\/span>132-133<\/em>\u00a0<\/span>|\u00a0<\/span>June 2025<\/em><\/p>\n

Transitions | Prehajanja<\/strong><\/p>\n

>>><\/a><\/p>\n

[\/et_pb_text][et_pb_toggle title=” KAZALO | TABLE OF CONTENTS ” open_toggle_background_color=”#ffffff” closed_toggle_background_color=”#ffffff” icon_color=”#8cc63f” use_icon_font_size=”on” icon_font_size=”18px” open_icon_color=”#8cc63f” open_use_icon_font_size=”on” open_icon_font_size=”18px” _builder_version=”4.27.0″ title_level=”h6″ width=”80%” custom_padding=”10px||10px” z_index_tablet=”500″ title_text_shadow_horizontal_length_tablet=”0px” title_text_shadow_vertical_length_tablet=”0px” title_text_shadow_blur_strength_tablet=”1px” closed_title_text_shadow_horizontal_length_tablet=”0px” closed_title_text_shadow_vertical_length_tablet=”0px” closed_title_text_shadow_blur_strength_tablet=”1px” body_text_shadow_horizontal_length_tablet=”0px” body_text_shadow_vertical_length_tablet=”0px” body_text_shadow_blur_strength_tablet=”1px” body_link_text_shadow_horizontal_length_tablet=”0px” body_link_text_shadow_vertical_length_tablet=”0px” body_link_text_shadow_blur_strength_tablet=”1px” body_ul_text_shadow_horizontal_length_tablet=”0px” body_ul_text_shadow_vertical_length_tablet=”0px” body_ul_text_shadow_blur_strength_tablet=”1px” body_ol_text_shadow_horizontal_length_tablet=”0px” body_ol_text_shadow_vertical_length_tablet=”0px” body_ol_text_shadow_blur_strength_tablet=”1px” body_quote_text_shadow_horizontal_length_tablet=”0px” body_quote_text_shadow_vertical_length_tablet=”0px” body_quote_text_shadow_blur_strength_tablet=”1px” border_radii=”on|5px|5px|5px|5px” border_color_all=”#8cc63f” box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” text_shadow_horizontal_length_tablet=”0px” text_shadow_vertical_length_tablet=”0px” text_shadow_blur_strength_tablet=”1px” global_colors_info=”{}”]<\/p>\n

TABLE OF CONTENTS | KAZALO<\/strong><\/p>\n

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  1. SOCIALITIES | DRU\u017dBENOSTI<\/li>\n<\/ol>\n

     <\/p>\n

    Dean Komel<\/p>\n

    Tveganje dru\u017ebe tveganja >>><\/strong><\/a><\/p>\n

    The Risk of the Risk Society<\/em><\/p>\n

     <\/p>\n

    Paulina Sosnowska<\/p>\n

    Carl Schmitt and Simone Weil. Philosophy and Naked Force >>><\/strong><\/a><\/p>\n

    Carl Schmitt in Simone Weil. Filozofija in gola sila<\/em><\/p>\n

     <\/p>\n

    Jaroslava Vydrov\u00e1<\/p>\n

    Phenomenology and Action Art. A Special Contribution to Phenomenology from the Czechoslovak Environment >>><\/strong><\/a><\/p>\n

    Fenomenologija in akcijska umetnost. Poseben prispevek k fenomenologiji iz \u010de\u0161koslova\u0161kega okolja<\/em><\/p>\n

     <\/p>\n

    David-Augustin M\u00e2ndru\u021b<\/p>\n

    The Moment of Surprise and Dialogical Play. A Hermeneutical Inquiry into the Interhuman >>><\/strong><\/a><\/p>\n

    Trenutek presene\u010denja in dialo\u0161ka igra. Hermenevti\u010dna raziskava o med\u010dlove\u0161kem<\/em><\/p>\n

     <\/p>\n

    Manca Erzeti\u010d<\/p>\n

    Testimony as a Co-Existential Extension of Deliberative Practices >>><\/strong><\/a><\/p>\n

    Pri\u010devanje kot ko-eksistencialna raz\u0161iritev deliberativnih praks<\/em><\/p>\n

     <\/p>\n

    Dragan Prole<\/p>\n

    Community Ending Phenomenologically Explained >>><\/strong><\/a><\/p>\n

    Konec skupnosti, fenomenolo\u0161ko razjasnjen<\/em><\/p>\n

    \u00a0<\/em><\/p>\n

      \n
    1. TRANSITIONS | PREHAJANJA<\/li>\n<\/ol>\n

       <\/p>\n

      Mindaugas Briedis<\/p>\n

      Gnosis<\/em><\/strong>\u00a0<\/span>and\u00a0<\/span>Pistis\u00a0<\/span><\/em>in Tillich\u2019s and Kierkegaard\u2019s Philosophical Theology >>><\/strong><\/a><\/p>\n

      Gnosis\u00a0<\/span>in\u00a0<\/span><\/em>pistis\u00a0<\/span>v Tillichovi in Kierkegaardovi filozofski teologiji<\/em><\/p>\n

       <\/p>\n

      Irakli Batiashvili<\/p>\n

      The Latent Implications of Husserl\u2019s\u00a0<\/span>The Idea of Phenomenology\u00a0<\/span><\/em>>>><\/strong><\/a><\/p>\n

      Latentne implikacije Husserlovega dela<\/em>\u00a0<\/span>Ideja fenomenologije<\/p>\n

       <\/p>\n

      Dragan Jakovljevi\u0107<\/p>\n

      Early Heidegger and Biology >>><\/strong><\/a><\/p>\n

      Zgodnji Heidegger in biologija<\/em><\/p>\n

       <\/p>\n

      Johannes Vorlaufer<\/p>\n

      \u00dcber die Brunnentiefe eines R\u00e4tsels. Anmerkungen zur Frage nach der Tiefe des menschlichen Daseins im Denken Martin Heideggers >>><\/strong><\/a><\/p>\n

      O globini vodnjaka uganke. Pripombe k vpra\u0161anju o globini \u010dlovekove tubiti v mi\u0161ljenju Martina Heideggra<\/em><\/p>\n

       <\/p>\n

      Petar \u0160egedin<\/p>\n

      \u201eRettung\u201c und \u201eGefahr\u201c. Zum \u201ezweideutigen Wesen\u201c der Technik >>><\/strong><\/a><\/p>\n

      \u00bbRe\u0161itev\u00ab in \u00bbnevarnost\u00ab. O \u00bbdvozna\u010dnem bistvu\u00ab tehnike<\/em><\/p>\n

       <\/p>\n

      \u017deljko Radinkovi\u0107<\/p>\n

      Hermeneutik der Zukunft als Hermeneutik der technischen Zukunft >>><\/strong><\/a><\/p>\n

      Hermenevtika prihodnosti kot hermenevtika tehni\u010dne prihodnosti<\/em><\/p>\n

       <\/p>\n

      III. LITERATURES | KNJI\u017dEVNOSTI<\/p>\n

       <\/p>\n

      Ren\u00e9 Dentz<\/p>\n

      Lamentation and Poetic Imagination of Psalm 22. A Dialogue with Ricoeur on Secularization and Eschatological Hope >>><\/strong><\/a><\/p>\n

      To\u017eba in pesni\u0161ka domi\u0161ljija v psalmu 22. Razgovor z Ricoeurjem o sekularizaciji in eshatolo\u0161kem upanju<\/em><\/p>\n

       <\/p>\n

      Malwina Rolka<\/p>\n

      Journey as a Philosophical Topos in Early Romantic Literary Narratives. Jean-Jacques Rousseau and the Jenaers >>><\/strong><\/a><\/p>\n

      Potovanje kot filozofski topos v zgodnjeromanti\u010dnih literarnih pripovedih. Jean-Jacques Rousseau in jenska \u0161ola<\/em><\/p>\n

       <\/p>\n

      Mimoza Hasani Pllana<\/p>\n

      Unlocking Borders. Albanian Literature in Translation >>><\/strong><\/a><\/p>\n

      Odklepanje mej. Albanska knji\u017eevnost v prevodu<\/em><\/p>\n

       <\/p>\n

      TRANSLATION | PREVOD<\/p>\n

       <\/p>\n

      Audran Aulanier<\/p>\n

      Attention and Hospitality. An Attempt at a Socio-Phenomenological Definition of the Relationships Between Asylum Seekers and \u201cHelpers\u201d >>><\/strong><\/a><\/p>\n

      Pozornost in gostoljubje. Poskus socio-fenomenolo\u0161ke definicije odnosov med iskalci azila in \u00bbpomo\u010dniki\u00ab<\/em><\/p>\n

       <\/p>\n

      CONVERSATION | RAZGOVOR<\/p>\n

       <\/p>\n

      Damir Smiljani\u0107<\/p>\n

      Das Pathos des Sozialen.\u00a0<\/span><\/strong>Neue Ph\u00e4nomenologie und Soziologie<\/strong>\u00a0<\/span>(Ein Gespr\u00e4ch mit Robert Gugutzer) >>><\/strong><\/a><\/p>\n

      Patos socialnega. Nova fenomenologija in sociologija (Pogovor z Robertom Gugutzerjem)<\/em><\/p>\n

       <\/p>\n

      REVIEWS | RECENZIJE<\/p>\n

       <\/p>\n

      Teoria. Rivista di filosofia<\/em>: Topographies of Risk (Silvia Dad\u00e0<\/em>) >>><\/strong><\/a><\/p>\n

      [\/et_pb_toggle][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”2_5,3_5″ _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” module_alignment=”center” z_index_tablet=”500″ box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” global_colors_info=”{}”][et_pb_column type=”2_5″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_image src=”https:\/\/www.phainomena.com\/en\/wp-content\/uploads\/2024\/12\/E-PHI_33_130-131_2024.png” alt=”The COVID-19 Crisis” title_text=”E-PHI_32_126-127_2023-naslovnica” _builder_version=”4.27.0″ width=”80%” custom_margin=”||10px||false|false” custom_padding=”||||false|false” global_colors_info=”{}”][\/et_pb_image][et_pb_text _builder_version=”4.27.0″ text_orientation=”right” custom_margin=”0px|80px|0px|0px|false|false” custom_padding=”0px|0px||0px|false|false” z_index_tablet=”500″ text_text_shadow_horizontal_length_tablet=”0px” text_text_shadow_vertical_length_tablet=”0px” text_text_shadow_blur_strength_tablet=”1px” link_text_shadow_horizontal_length_tablet=”0px” link_text_shadow_vertical_length_tablet=”0px” link_text_shadow_blur_strength_tablet=”1px” ul_text_shadow_horizontal_length_tablet=”0px” ul_text_shadow_vertical_length_tablet=”0px” ul_text_shadow_blur_strength_tablet=”1px” ol_text_shadow_horizontal_length_tablet=”0px” ol_text_shadow_vertical_length_tablet=”0px” ol_text_shadow_blur_strength_tablet=”1px” quote_text_shadow_horizontal_length_tablet=”0px” quote_text_shadow_vertical_length_tablet=”0px” quote_text_shadow_blur_strength_tablet=”1px” header_text_shadow_horizontal_length_tablet=”0px” header_text_shadow_vertical_length_tablet=”0px” header_text_shadow_blur_strength_tablet=”1px” header_2_text_shadow_horizontal_length_tablet=”0px” header_2_text_shadow_vertical_length_tablet=”0px” header_2_text_shadow_blur_strength_tablet=”1px” header_3_text_shadow_horizontal_length_tablet=”0px” header_3_text_shadow_vertical_length_tablet=”0px” header_3_text_shadow_blur_strength_tablet=”1px” header_4_text_shadow_horizontal_length_tablet=”0px” header_4_text_shadow_vertical_length_tablet=”0px” header_4_text_shadow_blur_strength_tablet=”1px” header_5_text_shadow_horizontal_length_tablet=”0px” header_5_text_shadow_vertical_length_tablet=”0px” header_5_text_shadow_blur_strength_tablet=”1px” header_6_text_shadow_horizontal_length_tablet=”0px” header_6_text_shadow_vertical_length_tablet=”0px” header_6_text_shadow_blur_strength_tablet=”1px” box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” global_colors_info=”{}”]<\/p>\n

      PUBLISHED:<\/strong> December 23, 2024<\/p>\n

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      Phainomena 33 | 130-131 | November 2024<\/em><\/p>\n

      Human Existence and Coexistence in the Epoch of Nihilism<\/strong><\/p>\n

      Menschliche Existenz und Koexistenz in der Epoche des Nihilismus<\/strong><\/p>\n

      \u010clove\u0161ka eksistenca in koeksistenca v epohi nihilizma<\/strong><\/p>\n

      >>><\/a><\/p>\n

      [\/et_pb_text][et_pb_toggle title=” KAZALO | TABLE OF CONTENTS ” open_toggle_background_color=”#ffffff” closed_toggle_background_color=”#ffffff” icon_color=”#8cc63f” use_icon_font_size=”on” icon_font_size=”18px” open_icon_color=”#8cc63f” open_use_icon_font_size=”on” open_icon_font_size=”18px” _builder_version=”4.27.0″ title_level=”h6″ width=”80%” custom_padding=”10px||10px” z_index_tablet=”500″ title_text_shadow_horizontal_length_tablet=”0px” title_text_shadow_vertical_length_tablet=”0px” title_text_shadow_blur_strength_tablet=”1px” closed_title_text_shadow_horizontal_length_tablet=”0px” closed_title_text_shadow_vertical_length_tablet=”0px” closed_title_text_shadow_blur_strength_tablet=”1px” body_text_shadow_horizontal_length_tablet=”0px” body_text_shadow_vertical_length_tablet=”0px” body_text_shadow_blur_strength_tablet=”1px” body_link_text_shadow_horizontal_length_tablet=”0px” body_link_text_shadow_vertical_length_tablet=”0px” body_link_text_shadow_blur_strength_tablet=”1px” body_ul_text_shadow_horizontal_length_tablet=”0px” body_ul_text_shadow_vertical_length_tablet=”0px” body_ul_text_shadow_blur_strength_tablet=”1px” body_ol_text_shadow_horizontal_length_tablet=”0px” body_ol_text_shadow_vertical_length_tablet=”0px” body_ol_text_shadow_blur_strength_tablet=”1px” body_quote_text_shadow_horizontal_length_tablet=”0px” body_quote_text_shadow_vertical_length_tablet=”0px” body_quote_text_shadow_blur_strength_tablet=”1px” border_radii=”on|5px|5px|5px|5px” border_color_all=”#8cc63f” box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” text_shadow_horizontal_length_tablet=”0px” text_shadow_vertical_length_tablet=”0px” text_shadow_blur_strength_tablet=”1px” global_colors_info=”{}”]<\/p>\n

      TABLE OF CONTENTS | INHALTSVERZEICHNIS | KAZALO<\/strong><\/p>\n

       <\/p>\n

      Introductory Word<\/strong>\u00a0<\/span>>>><\/strong><\/a><\/p>\n

      Einleitungswort >>><\/strong><\/a><\/p>\n

      Uvodna beseda >>><\/strong><\/a><\/p>\n

      \u00a0<\/strong><\/p>\n

      Damir Barbari\u0107<\/p>\n

      Der Wille zum Nichts >>><\/strong><\/a><\/p>\n

      Volja do ni\u010da<\/em><\/p>\n

       <\/p>\n

      Jon Stewart<\/p>\n

      William James\u2019s Assessment of Nihilism as a Psychological Phenomenon >>><\/strong><\/a><\/p>\n

      Opredelitev nihilizma kot psiholo\u0161kega pojava pri Williamu Jamesu<\/em><\/p>\n

       <\/p>\n

      Cathrin Nielsen<\/p>\n

      \u201eDer Grundri\u00df unseres Lebens ist in der Tat ein \u201aRi\u00df\u2018\u201c. Ans\u00e4tze zu einer Anthropologie der Negativit\u00e4t bei Eugen Fink >>><\/strong><\/a><\/p>\n

      \u00bbObris na\u0161ega \u017eivljenja je dejansko \u2018ris\u2019\u00ab.\u00a0 Pristopi k antropologiji negativnosti pri Eugenu Finku<\/em><\/p>\n

      \u00a0<\/em><\/strong><\/p>\n

      Ilia Inishev<\/p>\n

      Hermeneutics and Nihilism. Meaning, Agency, and the Dialectics of Negativity in Gadamer\u2019s<\/strong>\u00a0<\/span>Thought >>><\/strong><\/a><\/p>\n

      Hermenevtika in nihilizem. Smisel, delovanje in dialektika negativnosti v Gadamerjevi misli<\/em><\/p>\n

       <\/p>\n

      Petar Bojani\u0107<\/p>\n

      Moments of the Negative. Two Small Nihilist Episodes from the 1940s >>><\/strong><\/a><\/p>\n

      Momenti negativnega. Dve mali nihilisti\u010dni epizodi iz \u0161tiridesetih let prej\u0161njega stoletja<\/em><\/p>\n

      \u00a0<\/strong><\/p>\n

      Holger Zaborowski<\/p>\n

      Thinking God\u2014Today? >>><\/strong><\/a><\/p>\n

      Misliti Boga \u2013 danes?<\/em><\/p>\n

      \u00a0<\/strong><\/p>\n

      Dragan D. Prole<\/p>\n

      Banalisierung und Nivellierung >>><\/strong><\/a><\/p>\n

      Banalizacija in nivelizacija<\/em><\/p>\n

      \u00a0<\/strong><\/p>\n

      Susanna Lindberg<\/p>\n

      Wounded Thinking of the Wounded World. Nihilism and Global Warming >>><\/strong><\/a><\/p>\n

      Ranjeno razmi\u0161ljanje o ranjenem svetu. Nihilizem in globalno segrevanje<\/em><\/p>\n

      \u00a0<\/strong><\/p>\n

      Jeff Malpas<\/p>\n

      Nihilism, Homelessness, and Place >>><\/strong><\/a><\/p>\n

      Nihilizem, brezdomnost in kraj<\/em><\/p>\n

      \u00a0<\/strong><\/p>\n

      Azelarabe Lahkim Bennani<\/p>\n

      Selbstverteidigung und Selbstbestimmung gegen moralischen Nihilismus im Kontext des Strafrechts >>><\/strong><\/a><\/p>\n

      Samoobramba in samoopredelitev proti moralnemu nihilizmu v okviru kazenskega prava<\/em><\/p>\n

       <\/p>\n

      Josef Estermann<\/p>\n

      Progress as Barbarism. Epistemic Violence and Philosophicide of the West Against Indigenous Cosmo-Spiritualities >>><\/strong><\/a><\/p>\n

      Napredek kot barbarstvo. Epistemi\u010dno nasilje in filozoficid Zahoda nad domorodnimi kozmo-duhovnostmi<\/em><\/p>\n

       <\/p>\n

      Chung-Chi Yu<\/p>\n

      A Phenomenological Explication of Cultural Difference. With Reference to the Cultural Situation in Taiwan >>><\/strong><\/a><\/p>\n

      Fenomenolo\u0161ka razlaga kulturnih razlik. Z upo\u0161tevanjem kulturne situacije na Tajvanu<\/em><\/p>\n

       <\/p>\n

      Alfredo Rocha de la Torre<\/p>\n

      Sprache und Nihilismus. Eine Kritik an der Homogenisierung der Sprache >>><\/strong><\/a><\/p>\n

      Jezik in nihilizem. Kritika homogenizacije jezika<\/em><\/p>\n

       <\/p>\n

      Jes\u00fas Adri\u00e1n Escudero<\/p>\n

      Heidegger. Technik, Gestell und Nihilismus >>><\/strong><\/a><\/p>\n

      Heidegger. Tehnika, postavje in nihilizem<\/em><\/p>\n

      \u00a0<\/strong><\/p>\n

      Veronica Neri<\/p>\n

      Images, Artificial Intelligence, and Informational Nihilism >>><\/strong><\/a><\/p>\n

      Podobe, umetna inteligenca in informacijski nihilizem<\/em><\/p>\n

      \u00a0<\/em><\/p>\n

      \u017darko Pai\u0107<\/p>\n

      The Technosphere and Nihilism. Autopoiesis as the End of Metaphysics >>><\/strong><\/a><\/p>\n

      Tehnosfera in nihilizem. Avtopoeza kot konec metafizike<\/em><\/p>\n

      \u00a0<\/strong><\/p>\n

      Werner Stegmaier<\/p>\n

      Orientierung als Antwort auf den Nihilismus. Philosophische Neuorientierung mit Nietzsche >>><\/strong><\/a><\/p>\n

      Orientacija kot odgovor na nihilizem. Filozofska reorientacija z Nietzschejem<\/em><\/p>\n

      \u00a0<\/em><\/p>\n

      Adriano Fabris<\/p>\n

      Transformations of the Idea of Humanity in the Age of Technological Nihilism >>><\/strong><\/a><\/p>\n

      Preobrazbe ideje \u010dlove\u0161kosti v dobi tehnolo\u0161kega nihilizma<\/em><\/p>\n

      \u00a0<\/strong><\/p>\n

      Dean Komel<\/p>\n

      Die unzeitgem\u00e4\u00dfe Situation der Philosophie in der Epoche des Nihilismus >>><\/strong><\/a><\/p>\n

      Nesodobna situacija filozofije v epohi nihilizma<\/em><\/p>\n

       <\/p>\n

      About the Authors >>><\/strong><\/a><\/p>\n

      O avtorjih<\/em><\/p>\n

      [\/et_pb_toggle][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”2_5,3_5″ _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” module_alignment=”center” z_index_tablet=”500″ box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” global_colors_info=”{}”][et_pb_column type=”2_5″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_image src=”https:\/\/www.phainomena.com\/en\/wp-content\/uploads\/2024\/08\/E-PHI_33_128-129_2024_naslovnica.png” alt=”The COVID-19 Crisis” title_text=”E-PHI_32_126-127_2023-naslovnica” _builder_version=”4.27.0″ width=”80%” custom_margin=”||10px||false|false” custom_padding=”||||false|false” global_colors_info=”{}”][\/et_pb_image][et_pb_text _builder_version=”4.27.0″ text_orientation=”right” custom_margin=”0px|80px|0px|0px|false|false” custom_padding=”0px|0px||0px|false|false” z_index_tablet=”500″ text_text_shadow_horizontal_length_tablet=”0px” text_text_shadow_vertical_length_tablet=”0px” text_text_shadow_blur_strength_tablet=”1px” link_text_shadow_horizontal_length_tablet=”0px” link_text_shadow_vertical_length_tablet=”0px” link_text_shadow_blur_strength_tablet=”1px” ul_text_shadow_horizontal_length_tablet=”0px” ul_text_shadow_vertical_length_tablet=”0px” ul_text_shadow_blur_strength_tablet=”1px” ol_text_shadow_horizontal_length_tablet=”0px” ol_text_shadow_vertical_length_tablet=”0px” ol_text_shadow_blur_strength_tablet=”1px” quote_text_shadow_horizontal_length_tablet=”0px” quote_text_shadow_vertical_length_tablet=”0px” quote_text_shadow_blur_strength_tablet=”1px” header_text_shadow_horizontal_length_tablet=”0px” header_text_shadow_vertical_length_tablet=”0px” header_text_shadow_blur_strength_tablet=”1px” header_2_text_shadow_horizontal_length_tablet=”0px” header_2_text_shadow_vertical_length_tablet=”0px” header_2_text_shadow_blur_strength_tablet=”1px” header_3_text_shadow_horizontal_length_tablet=”0px” header_3_text_shadow_vertical_length_tablet=”0px” header_3_text_shadow_blur_strength_tablet=”1px” header_4_text_shadow_horizontal_length_tablet=”0px” header_4_text_shadow_vertical_length_tablet=”0px” header_4_text_shadow_blur_strength_tablet=”1px” header_5_text_shadow_horizontal_length_tablet=”0px” header_5_text_shadow_vertical_length_tablet=”0px” header_5_text_shadow_blur_strength_tablet=”1px” header_6_text_shadow_horizontal_length_tablet=”0px” header_6_text_shadow_vertical_length_tablet=”0px” header_6_text_shadow_blur_strength_tablet=”1px” box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” global_colors_info=”{}”]<\/p>\n

      \u00a0<\/span>PUBLISHED:<\/b> July 23, 2024<\/span><\/p>\n

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      Phainomena 33 | 128-129 | June 2024\u00a0<\/span><\/i><\/p>\n

      Marcations | Zazna\u010dbe<\/b><\/p>\n

      >>><\/a><\/p>\n

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      TABLE OF CONTENTS | KAZALO<\/strong><\/p>\n

       <\/p>\n

      Mindaugas Briedis<\/span><\/p>\n

      Kant\u2019s Transcendentalism and Tillich\u2019s Ontological Theology >>><\/b><\/a><\/p>\n

      Kantov transcendentalizem in Tillichova ontolo\u0161ka teologija<\/span><\/i><\/p>\n

       <\/p>\n

      Irfan Muhammad<\/span><\/p>\n

      The Significance of the Phenomenon in Immanuel Kant\u2019s and Edmund Husserl\u2019s Transcendental Philosophy >>><\/b><\/a><\/p>\n

      Pomen fenomena v transcendentalni filozofiji Immanuela Kanta in Edmunda Husserla<\/span><\/i><\/p>\n

       <\/p>\n

      Bence Peter Marosan<\/span><\/p>\n

      Normalit\u00e4t als Grundph\u00e4nomen des Lebens. Versuch einer ph\u00e4nomenologischen Ann\u00e4herung >>><\/b><\/a><\/p>\n

      Normalnost kot temeljni fenomen \u017eivljenja. Poskus fenomenolo\u0161kega pribli\u017eanja<\/span><\/i><\/p>\n

       <\/p>\n

      Sazan Kryeziu\u00a0<\/span><\/p>\n

      Ontological Aspects of the Literary Work of Art in Roman Ingarden and Nicolai Hartmann >>><\/b><\/a><\/p>\n

      Ontolo\u0161ki vidiki literarne umetnine pri Romanu Ingardnu in Nicolaiju Hartmannu<\/span><\/i><\/p>\n

       <\/p>\n

      Petar \u0160egedin<\/span><\/p>\n

      Das Freisein. Zum Begriff des Seink\u00f6nnens in <\/b>Sein und Zeit<\/i><\/b> >>><\/b><\/a><\/p>\n

      Prostost. O pojmu m\u00f4\u010di-biti v <\/span><\/i>Biti in \u010dasu<\/span><\/p>\n

       <\/p>\n

      Johannes Vorlaufer<\/span><\/p>\n

      Die Stille des Seyns und die F\u00fclle des Nichts. Zur Erfahrung des Heilsamen im Denken Martin Heideggers >>><\/b><\/a><\/p>\n

      Ti\u0161ina biti in polnost ni\u010da. K izkustvu re\u0161ilnega v mi\u0161ljenju Martina Heideggra<\/span><\/i><\/p>\n

       <\/p>\n

      Manca Erzeti\u010d<\/span><\/p>\n

      Pri\u010devanje in prebivanje. Biti-pri\u010da in biti-v-svetu >>><\/b><\/a><\/p>\n

      Dwelling and Witnessing. Being-Witness and Being-in-the-World<\/span><\/i><\/p>\n

       <\/p>\n

      David-Augustin M\u00e2ndru<\/span>\u021b<\/span><\/p>\n

      Being-at-Home. Winnicott, Levinas, and Bachelard >>><\/b><\/a><\/p>\n

      Biti-doma. Winnicott, Levinas in Bachelard<\/span><\/i><\/p>\n

       <\/p>\n

      Ren\u00e9 Dentz<\/span><\/p>\n

      Philosophical Foundations of Postmodernity >>><\/b><\/a><\/p>\n

      Filozofski temelji postmoderne<\/span><\/i><\/p>\n

       <\/p>\n

      Olena Budnyk<\/span><\/p>\n

      In Search of New Concepts. The Challenges of the Modern Humanities in the Pedagogical Focus >>><\/b><\/a><\/p>\n

      V iskanju novih konceptov. Izzivi moderne humanistike z vidika pedagogike<\/span><\/i><\/p>\n

       <\/p>\n

      Maxim D. Miroshnichenko<\/span><\/p>\n

      Nurturing the Ecosoma. Immune System and Impersonal (Dis)Cognition >>><\/b><\/a><\/p>\n

      Kultiviranje ekosome. Imunski sistem in neosebna (dis)kognicija<\/span><\/i><\/p>\n

       <\/p>\n

      Luka Hrovat<\/span><\/p>\n

      Vpra\u0161anje epohalnega obrata. Ob \u010dlanku Ivana Urban\u010di\u010da \u00bbJugoslovanska ‘nacionalisti\u010dna kriza’ in Slovenci v perspektivi konca nacije\u00ab >>><\/b><\/a><\/p>\n

      The Question of an Epochal Turn. On Ivan Urban\u010di\u010d\u2019s Article \u201cThe Yugoslav \u2018Nationalist Crisis\u2019 and Slovenians in the Perspective of an End of the Nation\u201d<\/span><\/i><\/p>\n

       <\/p>\n

      Ton\u010di Valenti\u0107<\/span><\/p>\n

      The End of the Political Subject. Wars without Revolutions >>><\/b><\/a><\/p>\n

      Konec politi\u010dnega subjekta. Vojne brez revolucij<\/span><\/i><\/p>\n

       <\/p>\n

      Dean Komel<\/span><\/p>\n

      O vojni nihilizma >>><\/b><\/a><\/p>\n

      On the War of Nihilism<\/span><\/i>\u00a0<\/span><\/p>\n

       <\/p>\n

      CONVERSATION | RAZGOVOR<\/strong><\/p>\n

       <\/p>\n

      Dean Komel<\/span><\/p>\n

      Gespr\u00e4ch mit Bernhard Waldenfels >>><\/b><\/a><\/p>\n

      Pogovor z Bernhardom Waldenfelsom<\/span><\/i><\/p>\n

       <\/p>\n

      IN MEMORIAM<\/strong><\/p>\n

       <\/p>\n

      Damir Barbari\u0107<\/span><\/p>\n

      Die N\u00e4he zu den Dingen. Zum philosophischen Werk G\u00fcnter Figals >>><\/b><\/a><\/p>\n

      Bli\u017eina stvarem. K filozofskemu delu G\u00fcnterja Figala<\/span><\/i><\/p>\n

       <\/p>\n

      CALL FOR PAPERS | POZIV ZA PRISPEVKE<\/strong><\/p>\n

       <\/p>\n

      The Thought of Leopold Blaustein in Context. Critical Essays and Materials >>><\/b><\/a><\/p>\n

      Misel Leopolda Blausteina v kontekstu. Kriti\u010dni prispevki in gradiva<\/span><\/i><\/p>\n

      [\/et_pb_toggle][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”2_5,3_5″ _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” module_alignment=”center” z_index_tablet=”500″ box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” global_colors_info=”{}”][et_pb_column type=”2_5″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_image src=”https:\/\/www.phainomena.com\/en\/wp-content\/uploads\/2023\/12\/E-PHI_32_126-127_2023-naslovnica-1.png” alt=”The COVID-19 Crisis” title_text=”E-PHI_32_126-127_2023-naslovnica” _builder_version=”4.23.4″ width=”80%” custom_margin=”||10px||false|false” custom_padding=”||||false|false” global_colors_info=”{}”][\/et_pb_image][et_pb_text _builder_version=”4.23.4″ text_orientation=”right” custom_margin=”0px|80px|0px|0px|false|false” custom_padding=”0px|0px||0px|false|false” z_index_tablet=”500″ text_text_shadow_horizontal_length_tablet=”0px” text_text_shadow_vertical_length_tablet=”0px” text_text_shadow_blur_strength_tablet=”1px” link_text_shadow_horizontal_length_tablet=”0px” link_text_shadow_vertical_length_tablet=”0px” link_text_shadow_blur_strength_tablet=”1px” ul_text_shadow_horizontal_length_tablet=”0px” ul_text_shadow_vertical_length_tablet=”0px” ul_text_shadow_blur_strength_tablet=”1px” ol_text_shadow_horizontal_length_tablet=”0px” ol_text_shadow_vertical_length_tablet=”0px” ol_text_shadow_blur_strength_tablet=”1px” quote_text_shadow_horizontal_length_tablet=”0px” quote_text_shadow_vertical_length_tablet=”0px” quote_text_shadow_blur_strength_tablet=”1px” header_text_shadow_horizontal_length_tablet=”0px” header_text_shadow_vertical_length_tablet=”0px” header_text_shadow_blur_strength_tablet=”1px” header_2_text_shadow_horizontal_length_tablet=”0px” header_2_text_shadow_vertical_length_tablet=”0px” header_2_text_shadow_blur_strength_tablet=”1px” header_3_text_shadow_horizontal_length_tablet=”0px” header_3_text_shadow_vertical_length_tablet=”0px” header_3_text_shadow_blur_strength_tablet=”1px” header_4_text_shadow_horizontal_length_tablet=”0px” header_4_text_shadow_vertical_length_tablet=”0px” header_4_text_shadow_blur_strength_tablet=”1px” header_5_text_shadow_horizontal_length_tablet=”0px” header_5_text_shadow_vertical_length_tablet=”0px” header_5_text_shadow_blur_strength_tablet=”1px” header_6_text_shadow_horizontal_length_tablet=”0px” header_6_text_shadow_vertical_length_tablet=”0px” header_6_text_shadow_blur_strength_tablet=”1px” box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” global_colors_info=”{}”]<\/p>\n

      PUBLISHED:<\/strong> December 26, 2023<\/p>\n

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      Phainomena 32 | 126-127 | November 2023<\/em><\/p>\n

      Demarcations | Razmejitve<\/strong><\/p>\n

      >>><\/a><\/p>\n

      [\/et_pb_text][et_pb_toggle title=” KAZALO | TABLE OF CONTENTS ” open_toggle_background_color=”#ffffff” closed_toggle_background_color=”#ffffff” icon_color=”#8cc63f” use_icon_font_size=”on” icon_font_size=”18px” open_icon_color=”#8cc63f” open_use_icon_font_size=”on” open_icon_font_size=”18px” _builder_version=”4.23.4″ title_level=”h6″ width=”80%” custom_padding=”10px||10px” z_index_tablet=”500″ title_text_shadow_horizontal_length_tablet=”0px” title_text_shadow_vertical_length_tablet=”0px” title_text_shadow_blur_strength_tablet=”1px” closed_title_text_shadow_horizontal_length_tablet=”0px” closed_title_text_shadow_vertical_length_tablet=”0px” closed_title_text_shadow_blur_strength_tablet=”1px” body_text_shadow_horizontal_length_tablet=”0px” body_text_shadow_vertical_length_tablet=”0px” body_text_shadow_blur_strength_tablet=”1px” body_link_text_shadow_horizontal_length_tablet=”0px” body_link_text_shadow_vertical_length_tablet=”0px” body_link_text_shadow_blur_strength_tablet=”1px” body_ul_text_shadow_horizontal_length_tablet=”0px” body_ul_text_shadow_vertical_length_tablet=”0px” body_ul_text_shadow_blur_strength_tablet=”1px” body_ol_text_shadow_horizontal_length_tablet=”0px” body_ol_text_shadow_vertical_length_tablet=”0px” body_ol_text_shadow_blur_strength_tablet=”1px” body_quote_text_shadow_horizontal_length_tablet=”0px” body_quote_text_shadow_vertical_length_tablet=”0px” body_quote_text_shadow_blur_strength_tablet=”1px” border_radii=”on|5px|5px|5px|5px” border_color_all=”#8cc63f” box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” text_shadow_horizontal_length_tablet=”0px” text_shadow_vertical_length_tablet=”0px” text_shadow_blur_strength_tablet=”1px” global_colors_info=”{}”]<\/p>\n

      TABLE OF CONTENTS | KAZALO<\/strong><\/p>\n

       <\/p>\n

      I. EUGEN FINK AND THE QUESTION OF NIHILISM | I. EUGEN FINK IN VPRA\u0160ANJE NIHILIZMA<\/p>\n

       <\/p>\n

      Damir Barbari\u0107<\/p>\n

      Die moderne Barbarei<\/strong>\u00a0<\/span>>>><\/strong><\/a><\/p>\n

      Moderno barbarstvo<\/em><\/p>\n

       <\/p>\n

      Dragan Prole<\/p>\n

      Nihilismus als operativer Begriff >>><\/strong><\/a><\/p>\n

      Nihilizem kot operativni pojem<\/em><\/p>\n

       <\/p>\n

      Artur R. Boelderl<\/p>\n

      Gemeinschaft als Denkform. Wie man Kant mit Fink, Nancy und Esposito sozialphilosophisch wendet >>><\/strong><\/a><\/p>\n

      Skupnost kot miselna forma. Kako s Finkom, Nancyjem in Espositom socialnofilozofsko zaobrniti Kanta<\/em><\/p>\n

       <\/p>\n

      II. DEMARCATIONS | II. RAZMEJITVE<\/p>\n

       <\/p>\n

      Johannes Vorlaufer<\/p>\n

      \u00dcber das nichts-sagende Schweigen. Ein ph\u00e4nomenologischer Versuch einer Ann\u00e4herung an das Fragw\u00fcrdige in Martin Heideggers Sigetik >>><\/strong><\/a><\/p>\n

      O ni\u010d-upovedujo\u010dem molku. Fenomenolo\u0161ki poskus pribli\u017eanja k vpra\u0161ljivosti sigetike pri Martinu Heideggru<\/em><\/p>\n

       <\/p>\n

      Cathrin Nielsen<\/p>\n

      \u201eTendenz auf mehr Leben\u201c. Arnold Gehlen als Philosoph >>><\/strong><\/a><\/p>\n

      \u00bbTe\u017enja po ve\u010d \u017eivljenja\u00ab. Arnold Gehlen kot filozof<\/em><\/p>\n

       <\/p>\n

      Virgilio Cesarone<\/p>\n

      Gesture and Liturgical Gesture >>><\/strong><\/a><\/p>\n

      Gesta in liturgi\u010dna gesta<\/em><\/p>\n

       <\/p>\n

      Mario Kopi\u0107<\/p>\n

      Narcis bez narcizma >>><\/strong><\/a><\/p>\n

      Narcissus without Narcissism<\/em><\/p>\n

       <\/p>\n

      Petr Pr\u00e1\u0161ek<\/p>\n

      Levinas\u00a0<\/span>vs.<\/em>\u00a0<\/span>Maldiney. On the Face of Sensible Nature >>><\/strong><\/a><\/p>\n

      Levinas proti Maldineyju. O obli\u010dju ob\u010dutljive narave<\/em><\/p>\n

       <\/p>\n

      \u017darko Pai\u0107<\/p>\n

      The Achievements of the Politics of Friendship. Jacques Derrida\u2019s\u00a0Upcoming Community >>><\/strong><\/a><\/p>\n

      Dose\u017eki politike prijateljstva. Prihajajo\u010da skupnost pri Jacquesu Derridaju<\/em><\/p>\n

       <\/p>\n

      Ton\u010di Valenti\u0107<\/p>\n

      Metaphysics and Transhumanism. Reflections on \u201cCalculative Rationality\u201d >>><\/strong><\/a><\/p>\n

      Metafizika in transhumanizem. Refleksije o \u201ckalkulativni racionalnosti\u201d<\/em><\/p>\n

       <\/p>\n

      Dean Komel<\/p>\n

      O totalitariumu >>><\/strong><\/a><\/p>\n

      On Totalitarium<\/em><\/p>\n

       <\/p>\n

      III. EMANUELE SEVERINO AND THE QUESTION OF TIME | III. EMANUELE SEVERINO IN VPRA\u0160ANJE \u010cASA<\/p>\n

       <\/p>\n

      Emanuele Severino<\/p>\n

      \u010cas in odtujitev >>><\/strong><\/a><\/p>\n

      Time and Alienation<\/em><\/p>\n

       <\/p>\n

      Jonel Koli\u0107<\/p>\n

      Prisotnost in prostor. Kritika \u010dasa >>><\/strong><\/a><\/p>\n

      Presence and Space. A Critique of Time<\/em><\/p>\n

       <\/p>\n

      REPORT | PORO\u010cILO<\/p>\n

       <\/p>\n

      Jordan Huston<\/p>\n

      The Art of Lingering Hospitably >>><\/strong><\/a><\/p>\n

      Umetnost gostoljubnega zadr\u017eevanja<\/em><\/p>\n

       <\/p>\n

      IN MEMORIAM<\/p>\n

      \u00a0<\/strong><\/p>\n

      Dean Komel<\/p>\n

      Friedrich-Wilhelm von Herrmann >>><\/strong><\/a><\/p>\n

      \u00a0<\/strong><\/p>\n

      Mario Kopi\u0107<\/p>\n

      Gianni Vattimo >>><\/strong><\/a><\/p>\n

       <\/p>\n

      Dean Komel<\/p>\n

      Klaus Held >>><\/strong><\/a><\/p>\n

      [\/et_pb_toggle][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”2_5,3_5″ _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” module_alignment=”center” z_index_tablet=”500″ box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” global_colors_info=”{}”][et_pb_column type=”2_5″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_image src=”https:\/\/www.phainomena.com\/en\/wp-content\/uploads\/2023\/07\/E-PHI_32_124-125_2023.png” alt=”The COVID-19 Crisis” title_text=”E-PHI_31_122-123_2022″ _builder_version=”4.27.0″ width=”80%” custom_margin=”||10px||false|false” custom_padding=”||||false|false” global_colors_info=”{}”][\/et_pb_image][et_pb_text _builder_version=”4.27.0″ text_orientation=”right” custom_margin=”0px|80px|0px|0px|false|false” custom_padding=”0px|0px||0px|false|false” z_index_tablet=”500″ text_text_shadow_horizontal_length_tablet=”0px” text_text_shadow_vertical_length_tablet=”0px” text_text_shadow_blur_strength_tablet=”1px” link_text_shadow_horizontal_length_tablet=”0px” link_text_shadow_vertical_length_tablet=”0px” link_text_shadow_blur_strength_tablet=”1px” ul_text_shadow_horizontal_length_tablet=”0px” ul_text_shadow_vertical_length_tablet=”0px” ul_text_shadow_blur_strength_tablet=”1px” ol_text_shadow_horizontal_length_tablet=”0px” ol_text_shadow_vertical_length_tablet=”0px” ol_text_shadow_blur_strength_tablet=”1px” quote_text_shadow_horizontal_length_tablet=”0px” quote_text_shadow_vertical_length_tablet=”0px” quote_text_shadow_blur_strength_tablet=”1px” header_text_shadow_horizontal_length_tablet=”0px” header_text_shadow_vertical_length_tablet=”0px” header_text_shadow_blur_strength_tablet=”1px” header_2_text_shadow_horizontal_length_tablet=”0px” header_2_text_shadow_vertical_length_tablet=”0px” header_2_text_shadow_blur_strength_tablet=”1px” header_3_text_shadow_horizontal_length_tablet=”0px” header_3_text_shadow_vertical_length_tablet=”0px” header_3_text_shadow_blur_strength_tablet=”1px” header_4_text_shadow_horizontal_length_tablet=”0px” header_4_text_shadow_vertical_length_tablet=”0px” header_4_text_shadow_blur_strength_tablet=”1px” header_5_text_shadow_horizontal_length_tablet=”0px” header_5_text_shadow_vertical_length_tablet=”0px” header_5_text_shadow_blur_strength_tablet=”1px” header_6_text_shadow_horizontal_length_tablet=”0px” header_6_text_shadow_vertical_length_tablet=”0px” header_6_text_shadow_blur_strength_tablet=”1px” box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” global_colors_info=”{}”]<\/p>\n

      PUBLISHED:<\/strong> June 23, 2023<\/span><\/p>\n

      [\/et_pb_text][\/et_pb_column][et_pb_column type=”3_5″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.27.0″ text_font_size=”18px” z_index_tablet=”500″ text_text_shadow_horizontal_length_tablet=”0px” text_text_shadow_vertical_length_tablet=”0px” text_text_shadow_blur_strength_tablet=”1px” link_text_shadow_horizontal_length_tablet=”0px” link_text_shadow_vertical_length_tablet=”0px” link_text_shadow_blur_strength_tablet=”1px” ul_text_shadow_horizontal_length_tablet=”0px” ul_text_shadow_vertical_length_tablet=”0px” ul_text_shadow_blur_strength_tablet=”1px” ol_text_shadow_horizontal_length_tablet=”0px” ol_text_shadow_vertical_length_tablet=”0px” ol_text_shadow_blur_strength_tablet=”1px” quote_text_shadow_horizontal_length_tablet=”0px” quote_text_shadow_vertical_length_tablet=”0px” quote_text_shadow_blur_strength_tablet=”1px” header_text_shadow_horizontal_length_tablet=”0px” header_text_shadow_vertical_length_tablet=”0px” header_text_shadow_blur_strength_tablet=”1px” header_2_text_shadow_horizontal_length_tablet=”0px” header_2_text_shadow_vertical_length_tablet=”0px” header_2_text_shadow_blur_strength_tablet=”1px” header_3_text_shadow_horizontal_length_tablet=”0px” header_3_text_shadow_vertical_length_tablet=”0px” header_3_text_shadow_blur_strength_tablet=”1px” header_4_text_shadow_horizontal_length_tablet=”0px” header_4_text_shadow_vertical_length_tablet=”0px” header_4_text_shadow_blur_strength_tablet=”1px” header_5_text_shadow_horizontal_length_tablet=”0px” header_5_text_shadow_vertical_length_tablet=”0px” header_5_text_shadow_blur_strength_tablet=”1px” header_6_text_shadow_horizontal_length_tablet=”0px” header_6_text_shadow_vertical_length_tablet=”0px” header_6_text_shadow_blur_strength_tablet=”1px” box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” global_colors_info=”{}”]<\/p>\n

      Phainomena 32<\/em>\u00a0<\/span>|\u00a0<\/span>124-125<\/em>\u00a0<\/span>|\u00a0<\/span>June 2023<\/em><\/p>\n

      Passages | Prehodi<\/strong><\/p>\n

      >>><\/a><\/p>\n

      [\/et_pb_text][et_pb_toggle title=” KAZALO | TABLE OF CONTENTS ” open_toggle_background_color=”#ffffff” closed_toggle_background_color=”#ffffff” icon_color=”#8cc63f” use_icon_font_size=”on” icon_font_size=”18px” open_icon_color=”#8cc63f” open_use_icon_font_size=”on” open_icon_font_size=”18px” _builder_version=”4.27.0″ title_level=”h6″ width=”80%” custom_padding=”10px||10px” z_index_tablet=”500″ title_text_shadow_horizontal_length_tablet=”0px” title_text_shadow_vertical_length_tablet=”0px” title_text_shadow_blur_strength_tablet=”1px” closed_title_text_shadow_horizontal_length_tablet=”0px” closed_title_text_shadow_vertical_length_tablet=”0px” closed_title_text_shadow_blur_strength_tablet=”1px” body_text_shadow_horizontal_length_tablet=”0px” body_text_shadow_vertical_length_tablet=”0px” body_text_shadow_blur_strength_tablet=”1px” body_link_text_shadow_horizontal_length_tablet=”0px” body_link_text_shadow_vertical_length_tablet=”0px” body_link_text_shadow_blur_strength_tablet=”1px” body_ul_text_shadow_horizontal_length_tablet=”0px” body_ul_text_shadow_vertical_length_tablet=”0px” body_ul_text_shadow_blur_strength_tablet=”1px” body_ol_text_shadow_horizontal_length_tablet=”0px” body_ol_text_shadow_vertical_length_tablet=”0px” body_ol_text_shadow_blur_strength_tablet=”1px” body_quote_text_shadow_horizontal_length_tablet=”0px” body_quote_text_shadow_vertical_length_tablet=”0px” body_quote_text_shadow_blur_strength_tablet=”1px” border_radii=”on|5px|5px|5px|5px” border_color_all=”#8cc63f” box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” text_shadow_horizontal_length_tablet=”0px” text_shadow_vertical_length_tablet=”0px” text_shadow_blur_strength_tablet=”1px” global_colors_info=”{}”]<\/p>\n

      TABLE OF CONTENTS | KAZALO<\/strong><\/p>\n

       <\/p>\n

      Alfredo Rocha de la Torre<\/p>\n

      La crisi dell\u2019abitare. L\u2019ethos dell\u2019occidente\u00a0<\/span>>>><\/a><\/strong><\/p>\n

      Kriza prebivanja. Etos zahoda<\/em><\/p>\n

       <\/p>\n

      Mikl\u00f3s Ny\u00edr\u0151<\/p>\n

      Hermeneutics, Practice, Event. An Attempt at Re-Conceptualizing Human Agency\u00a0<\/span>>>><\/a><\/strong><\/p>\n

      Hermenevtika, praksa, dogodek. Poskus re-konceptualizacije \u010dlove\u0161kega delovanja<\/em><\/p>\n

       <\/p>\n

      Dario Vuger<\/p>\n

      Spektakel in \u010das v sodobni filozofiji\u00a0<\/span>>>><\/a><\/strong><\/p>\n

      Spectacle and Time in Contemporary Philosophy<\/em><\/p>\n

       <\/p>\n

      Ming-Hon Chu<\/p>\n

      La primaut\u00e9 de la constitution de l\u2019objet transitionnel chez Marc Richir\u00a0<\/span>>>><\/a><\/strong><\/p>\n

      Primarnost konstitucije tranzicijskega objekta pri Marcu Richirju<\/em><\/p>\n

       <\/p>\n

      Maxim D. Miroshnichenko<\/p>\n

      The Silent Biomedical Others. Intimacy, Communication, and Neurological Queerness\u00a0<\/span>>>><\/a><\/strong><\/p>\n

      Nemi biomedicinski drugi. Intimnost, komunikacija in nevrolo\u0161ka kvirnost<\/em><\/p>\n

       <\/p>\n

      Jaroslava Vydrov\u00e1<\/p>\n

      Man as a Being of Hygiene in a Phenomenological and Anthropological Perspective\u00a0<\/span>>>><\/a><\/strong><\/p>\n

      \u010clovek kot bitje higiene s fenomenolo\u0161kega in antropolo\u0161kega stali\u0161\u010da<\/em><\/p>\n

       <\/p>\n

      Malwina Rolka<\/p>\n

      Between Philosophy and Literature. Friedrich Schlegel\u2019s Concept of Romantic Irony in\u00a0<\/span>Fragments\u00a0<\/span><\/em>and in\u00a0<\/span>Lucinde\u00a0<\/span><\/em>>>><\/a><\/strong><\/p>\n

      Med filozofijo in literaturo. Pojem romanti\u010dne ironije v\u00a0<\/span><\/em>Fragmentih\u00a0<\/span>in v\u00a0<\/span><\/em>Lucinde\u00a0<\/span>Friedricha Schlegla<\/em><\/p>\n

       <\/p>\n

      Ren\u00e9 Dentz<\/p>\n

      Biblical Hermeneutics and the Word about the Ineffable\u00a0<\/span>>>><\/a><\/strong><\/p>\n

      Bibli\u010dna hermenevtika in beseda o neizgovorljivem<\/em><\/p>\n

       <\/p>\n

      Igor W. Kirsberg<\/p>\n

      Is Causality Admissible in Phenomenology? A Corrective to Edmund Husserl\u2019s Idea\u00a0<\/span>>>><\/a><\/strong><\/p>\n

      Je v fenomenologiji kavzalnost sprejemljiva? Korektiv k ideji Edmunda Husserla<\/em><\/p>\n

       <\/p>\n

      Izak Hudnik Zajec<\/p>\n

      O dveh fizikah. Utele\u0161ena formalnost matemati\u010dnih znanosti\u00a0<\/span>>>><\/a><\/strong><\/p>\n

      On Two Physics. The Embodied Formality of Mathematical Sciences<\/em><\/p>\n

       <\/p>\n

      Primo\u017e Turk<\/p>\n

      Aristotel in Descartes o zmo\u017enostih du\u0161e\u00a0<\/span>>>><\/a><\/strong><\/p>\n

      Aristotle and Descartes on the Capacities of the Soul<\/em><\/p>\n

       <\/p>\n

      TRANSLATION | PREVOD<\/p>\n

       <\/p>\n

      Adriano Fabris<\/p>\n

      Etika u\u017eivanja hrane. Hrana in mi: vpra\u0161anje nekega odnosa\u00a0<\/span>>>><\/a><\/strong><\/p>\n

      The Ethics of Eating. Food and Relationship<\/em><\/p>\n

       <\/p>\n

      *<\/p>\n

      [\/et_pb_toggle][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”2_5,3_5″ _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” module_alignment=”center” z_index_tablet=”500″ box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” global_colors_info=”{}”][et_pb_column type=”2_5″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_image src=”https:\/\/www.phainomena.com\/en\/wp-content\/uploads\/2022\/12\/E-PHI_31_122-123_2022.png” alt=”The COVID-19 Crisis” title_text=”E-PHI_31_122-123_2022″ _builder_version=”4.18.0″ width=”80%” custom_margin=”||10px||false|false” custom_padding=”||||false|false” global_colors_info=”{}”][\/et_pb_image][et_pb_text _builder_version=”4.18.0″ text_orientation=”right” custom_margin=”0px|80px|0px|0px|false|false” custom_padding=”0px|0px||0px|false|false” z_index_tablet=”500″ text_text_shadow_horizontal_length_tablet=”0px” text_text_shadow_vertical_length_tablet=”0px” text_text_shadow_blur_strength_tablet=”1px” link_text_shadow_horizontal_length_tablet=”0px” link_text_shadow_vertical_length_tablet=”0px” link_text_shadow_blur_strength_tablet=”1px” ul_text_shadow_horizontal_length_tablet=”0px” ul_text_shadow_vertical_length_tablet=”0px” ul_text_shadow_blur_strength_tablet=”1px” ol_text_shadow_horizontal_length_tablet=”0px” ol_text_shadow_vertical_length_tablet=”0px” ol_text_shadow_blur_strength_tablet=”1px” quote_text_shadow_horizontal_length_tablet=”0px” quote_text_shadow_vertical_length_tablet=”0px” quote_text_shadow_blur_strength_tablet=”1px” header_text_shadow_horizontal_length_tablet=”0px” header_text_shadow_vertical_length_tablet=”0px” header_text_shadow_blur_strength_tablet=”1px” header_2_text_shadow_horizontal_length_tablet=”0px” header_2_text_shadow_vertical_length_tablet=”0px” header_2_text_shadow_blur_strength_tablet=”1px” header_3_text_shadow_horizontal_length_tablet=”0px” header_3_text_shadow_vertical_length_tablet=”0px” header_3_text_shadow_blur_strength_tablet=”1px” header_4_text_shadow_horizontal_length_tablet=”0px” header_4_text_shadow_vertical_length_tablet=”0px” header_4_text_shadow_blur_strength_tablet=”1px” header_5_text_shadow_horizontal_length_tablet=”0px” header_5_text_shadow_vertical_length_tablet=”0px” header_5_text_shadow_blur_strength_tablet=”1px” header_6_text_shadow_horizontal_length_tablet=”0px” header_6_text_shadow_vertical_length_tablet=”0px” header_6_text_shadow_blur_strength_tablet=”1px” box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” global_colors_info=”{}”]<\/p>\n

      PUBLISHED:<\/strong> November 29, 2022<\/span><\/p>\n

      [\/et_pb_text][\/et_pb_column][et_pb_column type=”3_5″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.18.0″ text_font_size=”18px” z_index_tablet=”500″ text_text_shadow_horizontal_length_tablet=”0px” text_text_shadow_vertical_length_tablet=”0px” text_text_shadow_blur_strength_tablet=”1px” link_text_shadow_horizontal_length_tablet=”0px” link_text_shadow_vertical_length_tablet=”0px” link_text_shadow_blur_strength_tablet=”1px” ul_text_shadow_horizontal_length_tablet=”0px” ul_text_shadow_vertical_length_tablet=”0px” ul_text_shadow_blur_strength_tablet=”1px” ol_text_shadow_horizontal_length_tablet=”0px” ol_text_shadow_vertical_length_tablet=”0px” ol_text_shadow_blur_strength_tablet=”1px” quote_text_shadow_horizontal_length_tablet=”0px” quote_text_shadow_vertical_length_tablet=”0px” quote_text_shadow_blur_strength_tablet=”1px” header_text_shadow_horizontal_length_tablet=”0px” header_text_shadow_vertical_length_tablet=”0px” header_text_shadow_blur_strength_tablet=”1px” header_2_text_shadow_horizontal_length_tablet=”0px” header_2_text_shadow_vertical_length_tablet=”0px” header_2_text_shadow_blur_strength_tablet=”1px” header_3_text_shadow_horizontal_length_tablet=”0px” header_3_text_shadow_vertical_length_tablet=”0px” header_3_text_shadow_blur_strength_tablet=”1px” header_4_text_shadow_horizontal_length_tablet=”0px” header_4_text_shadow_vertical_length_tablet=”0px” header_4_text_shadow_blur_strength_tablet=”1px” header_5_text_shadow_horizontal_length_tablet=”0px” header_5_text_shadow_vertical_length_tablet=”0px” header_5_text_shadow_blur_strength_tablet=”1px” header_6_text_shadow_horizontal_length_tablet=”0px” header_6_text_shadow_vertical_length_tablet=”0px” header_6_text_shadow_blur_strength_tablet=”1px” box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” global_colors_info=”{}”]<\/p>\n

      Phainomena 31<\/em>\u00a0<\/span>|\u00a0<\/span>122-123<\/em>\u00a0<\/span>|\u00a0<\/span>November 2022<\/em><\/p>\n

      Cathrin Nielsen \u2013 Hans Rainer Sepp \u2013 Dean Komel (Hrsg. | Eds. | Dirs.)<\/p>\n

      Eugen Fink
      Ann\u00e4herungen | Approaches | Rapprochements<\/p>\n

      >>><\/a><\/p>\n

      [\/et_pb_text][et_pb_toggle title=” KAZALO | TABLE OF CONTENTS ” open_toggle_background_color=”#ffffff” closed_toggle_background_color=”#ffffff” icon_color=”#8cc63f” use_icon_font_size=”on” icon_font_size=”18px” open_icon_color=”#8cc63f” open_use_icon_font_size=”on” open_icon_font_size=”18px” _builder_version=”4.18.0″ title_level=”h6″ width=”80%” custom_padding=”10px||10px” z_index_tablet=”500″ title_text_shadow_horizontal_length_tablet=”0px” title_text_shadow_vertical_length_tablet=”0px” title_text_shadow_blur_strength_tablet=”1px” closed_title_text_shadow_horizontal_length_tablet=”0px” closed_title_text_shadow_vertical_length_tablet=”0px” closed_title_text_shadow_blur_strength_tablet=”1px” body_text_shadow_horizontal_length_tablet=”0px” body_text_shadow_vertical_length_tablet=”0px” body_text_shadow_blur_strength_tablet=”1px” body_link_text_shadow_horizontal_length_tablet=”0px” body_link_text_shadow_vertical_length_tablet=”0px” body_link_text_shadow_blur_strength_tablet=”1px” body_ul_text_shadow_horizontal_length_tablet=”0px” body_ul_text_shadow_vertical_length_tablet=”0px” body_ul_text_shadow_blur_strength_tablet=”1px” body_ol_text_shadow_horizontal_length_tablet=”0px” body_ol_text_shadow_vertical_length_tablet=”0px” body_ol_text_shadow_blur_strength_tablet=”1px” body_quote_text_shadow_horizontal_length_tablet=”0px” body_quote_text_shadow_vertical_length_tablet=”0px” body_quote_text_shadow_blur_strength_tablet=”1px” border_radii=”on|5px|5px|5px|5px” border_color_all=”#8cc63f” box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” text_shadow_horizontal_length_tablet=”0px” text_shadow_vertical_length_tablet=”0px” text_shadow_blur_strength_tablet=”1px” global_colors_info=”{}”]<\/p>\n

      INHALTSVERZEICHNIS | KAZALO<\/p>\n

       <\/p>\n

      EINLEITUNG | UVOD<\/p>\n

      Cathrin Nielsen \u2013 Hans Rainer Sepp<\/a>
      Vorwort >>><\/a>
      Predgovor<\/a><\/p>\n

      I. FINK IM KONTEXT PHILOSOPHISCHER POSITIONEN | I. FINK V KONTEKSTU FILOZOFSKIH STALI\u0160\u010c<\/p>\n

      Alexander Schnell<\/a>
      Finks ph\u00e4nomenologische Auslegung des Schematismus-Kapitels in der Kritik der reinen Vernunft >>><\/a>
      Finkova fenomenolo\u0161ka interpretacija poglavja o shematizmu v Kritiki \u010distega uma<\/p>\n

      Cathrin Nielsen<\/a>
      \u201eTorweg Augenblick\u201c. Zu Finks Nietzsche-Deutung >>><\/a>
      \u00bbVrata trenutka\u00ab. O Finkovi interpretaciji Nietzscheja<\/p>\n

      Giovanni Jan Giubilato<\/a>
      Individuation und ontologische Erfahrung. Die philosophische Entwicklung des fr\u00fchen Fink im Lichte seiner Auseinandersetzung mit Heidegger >>><\/a>
      Individuacija in ontolo\u0161ko izkustvo. Filozofski razvoj zgodnjega Finka v lu\u010di njegovega spoprijema s Heideggrom<\/p>\n

      Lutz Niemann<\/a>
      Tag, Nacht, Zwielicht. Eine Ann\u00e4herung an Fink und Levinas >>><\/a>
      Dan, no\u010d, somrak. Pribli\u017eanje k Finku in Levinasu<\/p>\n

      Karel Novotn\u00fd<\/a>
      L\u2019espace et le corps v\u00e9cus du point de vue cosmologique. Eugen Fink et Renaud Barbaras >>><\/a>
      Izkustvo prostora in telesa s kozmolo\u0161kega vidika. Eugen Fink in Renaud Barbaras<\/p>\n

      II. SOZIALPHILOSOPHIE | II. SOCIALNA FILOZOFIJA<\/p>\n

      Artur R. Boelderl<\/a>
      The Sense of Community Is the Community of Sense. On Discovering the \u201cWe\u201d with Eugen Fink and Jean-Luc Nancy >>><\/a>
      Smisel skupnosti je skupnost smisla. O odkrivanju \u00bbmi\u00ab-ja z Eugenom Finkom in Jeanom-Lucom Nancyjem<\/p>\n

      Jakub \u010capek<\/a>
      Mit Fink am Tisch. Zu Eugen Finks Philosophie der Sozialit\u00e4t >>><\/a>
      S Finkom za mizo. O filozofiji dru\u017ebenosti pri Eugenu Finku<\/p>\n

      Marcia S\u00e1 Cavalcante Schuback<\/a>
      The Philosophical Question of Community in the Light of Cosmologic Difference. Some Notes on Eugen Fink >>><\/a>
      Filozofsko vpra\u0161anje skupnosti v lu\u010di kozmolo\u0161ke diference. Nekaj bele\u017ek o Eugenu Finku<\/p>\n

      Dominique F. Epple<\/a>
      Arbeit als Weltverh\u00e4ltnis. Ann\u00e4herungen an Finks Grundph\u00e4nomen der Arbeit >>><\/a>
      Delo kot svetni odnos. Pristopi k Finkovemu temeljnemu fenomenu dela<\/p>\n

      III. ONTOLOGIE UND KOSMOLOGIE | III. ONTOLOGIJA IN KOZMOLOGIJA<\/p>\n

      Anna Luiza Coli<\/a>
      \u00dcberlegungen zur Ontologie und zur \u201eontologischen Erfahrung\u201c bei Eugen Fink >>><\/a>
      Razmisleki o ontologiji in o \u00bbontolo\u0161kem izkustvu\u00ab pri Eugenu Finku<\/p>\n

      Annika Schlitte<\/a>
      Ortswelt und Weltraum. Eugen Fink und die Philosophie des Ortes im Gespr\u00e4ch >>><\/a>
      Svet kraja in prostor sveta. Eugen Fink in filozofija kraja v razgovoru<\/p>\n

      Istv\u00e1n Fazakas<\/a>
      Dem Horizont entgegen. Die kosmische Welt bei Fink und Barbaras >>><\/a>
      Horizontu naproti. Kozmi\u010dni svet pri Finku in Barbarasu<\/p>\n

      ANHANG | DODATEK<\/p>\n

      Cathrin Nielsen \u2013 Hans Rainer Sepp<\/a>
      Die Eugen Fink Gesamtausgabe (EFGA) >>><\/a>
      Celokupna izdaja del Eugena Finka (EFGA)<\/p>\n

      Manuscript Submission Guidelines<\/p>\n

      Navodila za pripravo rokopisa<\/p>\n

      [\/et_pb_toggle][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”2_5,3_5″ _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” module_alignment=”center” z_index_tablet=”500″ box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” global_colors_info=”{}”][et_pb_column type=”2_5″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_image src=”https:\/\/www.phainomena.com\/en\/wp-content\/uploads\/2022\/08\/Phainomena-120-121.jpg” alt=”The COVID-19 Crisis” title_text=”Phainomena 120-121″ _builder_version=”4.18.0″ width=”80%” custom_margin=”||10px||false|false” custom_padding=”||||false|false” global_colors_info=”{}”][\/et_pb_image][et_pb_text _builder_version=”4.18.0″ text_orientation=”right” custom_margin=”0px|80px|0px|0px|false|false” custom_padding=”0px|0px||0px|false|false” z_index_tablet=”500″ text_text_shadow_horizontal_length_tablet=”0px” text_text_shadow_vertical_length_tablet=”0px” text_text_shadow_blur_strength_tablet=”1px” link_text_shadow_horizontal_length_tablet=”0px” link_text_shadow_vertical_length_tablet=”0px” link_text_shadow_blur_strength_tablet=”1px” ul_text_shadow_horizontal_length_tablet=”0px” ul_text_shadow_vertical_length_tablet=”0px” ul_text_shadow_blur_strength_tablet=”1px” ol_text_shadow_horizontal_length_tablet=”0px” ol_text_shadow_vertical_length_tablet=”0px” ol_text_shadow_blur_strength_tablet=”1px” quote_text_shadow_horizontal_length_tablet=”0px” quote_text_shadow_vertical_length_tablet=”0px” quote_text_shadow_blur_strength_tablet=”1px” header_text_shadow_horizontal_length_tablet=”0px” header_text_shadow_vertical_length_tablet=”0px” header_text_shadow_blur_strength_tablet=”1px” header_2_text_shadow_horizontal_length_tablet=”0px” header_2_text_shadow_vertical_length_tablet=”0px” header_2_text_shadow_blur_strength_tablet=”1px” header_3_text_shadow_horizontal_length_tablet=”0px” header_3_text_shadow_vertical_length_tablet=”0px” header_3_text_shadow_blur_strength_tablet=”1px” header_4_text_shadow_horizontal_length_tablet=”0px” header_4_text_shadow_vertical_length_tablet=”0px” header_4_text_shadow_blur_strength_tablet=”1px” header_5_text_shadow_horizontal_length_tablet=”0px” header_5_text_shadow_vertical_length_tablet=”0px” header_5_text_shadow_blur_strength_tablet=”1px” header_6_text_shadow_horizontal_length_tablet=”0px” header_6_text_shadow_vertical_length_tablet=”0px” header_6_text_shadow_blur_strength_tablet=”1px” box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” global_colors_info=”{}”]<\/p>\n

      PUBLISHED:<\/strong> June 23, 2021<\/span><\/p>\n

      [\/et_pb_text][\/et_pb_column][et_pb_column type=”3_5″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.18.0″ text_font_size=”18px” z_index_tablet=”500″ text_text_shadow_horizontal_length_tablet=”0px” text_text_shadow_vertical_length_tablet=”0px” text_text_shadow_blur_strength_tablet=”1px” link_text_shadow_horizontal_length_tablet=”0px” link_text_shadow_vertical_length_tablet=”0px” link_text_shadow_blur_strength_tablet=”1px” ul_text_shadow_horizontal_length_tablet=”0px” ul_text_shadow_vertical_length_tablet=”0px” ul_text_shadow_blur_strength_tablet=”1px” ol_text_shadow_horizontal_length_tablet=”0px” ol_text_shadow_vertical_length_tablet=”0px” ol_text_shadow_blur_strength_tablet=”1px” quote_text_shadow_horizontal_length_tablet=”0px” quote_text_shadow_vertical_length_tablet=”0px” quote_text_shadow_blur_strength_tablet=”1px” header_text_shadow_horizontal_length_tablet=”0px” header_text_shadow_vertical_length_tablet=”0px” header_text_shadow_blur_strength_tablet=”1px” header_2_text_shadow_horizontal_length_tablet=”0px” header_2_text_shadow_vertical_length_tablet=”0px” header_2_text_shadow_blur_strength_tablet=”1px” header_3_text_shadow_horizontal_length_tablet=”0px” header_3_text_shadow_vertical_length_tablet=”0px” header_3_text_shadow_blur_strength_tablet=”1px” header_4_text_shadow_horizontal_length_tablet=”0px” header_4_text_shadow_vertical_length_tablet=”0px” header_4_text_shadow_blur_strength_tablet=”1px” header_5_text_shadow_horizontal_length_tablet=”0px” header_5_text_shadow_vertical_length_tablet=”0px” header_5_text_shadow_blur_strength_tablet=”1px” header_6_text_shadow_horizontal_length_tablet=”0px” header_6_text_shadow_vertical_length_tablet=”0px” header_6_text_shadow_blur_strength_tablet=”1px” box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” global_colors_info=”{}”]<\/p>\n

      Phainomena 31<\/em>\u00a0<\/span>|\u00a0<\/span>120-121<\/em>\u00a0<\/span>|\u00a0<\/span>June 2022<\/em><\/p>\n

      Andrzej Wierci\u0144ski & Andrej Bo\u017ei\u010d (Eds.)<\/p>\n

      \u201cHermeneutics and Literature\u201d<\/strong><\/p>\n

      >>><\/a><\/p>\n

      [\/et_pb_text][et_pb_toggle title=” KAZALO | TABLE OF CONTENTS ” open_toggle_background_color=”#ffffff” closed_toggle_background_color=”#ffffff” icon_color=”#8cc63f” use_icon_font_size=”on” icon_font_size=”18px” open_icon_color=”#8cc63f” open_use_icon_font_size=”on” open_icon_font_size=”18px” _builder_version=”4.18.0″ title_level=”h6″ width=”80%” custom_padding=”10px||10px” z_index_tablet=”500″ title_text_shadow_horizontal_length_tablet=”0px” title_text_shadow_vertical_length_tablet=”0px” title_text_shadow_blur_strength_tablet=”1px” closed_title_text_shadow_horizontal_length_tablet=”0px” closed_title_text_shadow_vertical_length_tablet=”0px” closed_title_text_shadow_blur_strength_tablet=”1px” body_text_shadow_horizontal_length_tablet=”0px” body_text_shadow_vertical_length_tablet=”0px” body_text_shadow_blur_strength_tablet=”1px” body_link_text_shadow_horizontal_length_tablet=”0px” body_link_text_shadow_vertical_length_tablet=”0px” body_link_text_shadow_blur_strength_tablet=”1px” body_ul_text_shadow_horizontal_length_tablet=”0px” body_ul_text_shadow_vertical_length_tablet=”0px” body_ul_text_shadow_blur_strength_tablet=”1px” body_ol_text_shadow_horizontal_length_tablet=”0px” body_ol_text_shadow_vertical_length_tablet=”0px” body_ol_text_shadow_blur_strength_tablet=”1px” body_quote_text_shadow_horizontal_length_tablet=”0px” body_quote_text_shadow_vertical_length_tablet=”0px” body_quote_text_shadow_blur_strength_tablet=”1px” border_radii=”on|5px|5px|5px|5px” border_color_all=”#8cc63f” box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” text_shadow_horizontal_length_tablet=”0px” text_shadow_vertical_length_tablet=”0px” text_shadow_blur_strength_tablet=”1px” global_colors_info=”{}”]<\/p>\n

      TABLE OF CONTENTS | KAZALO<\/strong><\/p>\n

       <\/p>\n

      INTRODUCTION | UVOD<\/p>\n

       <\/p>\n

      Andrzej Wierci\u0144ski<\/p>\n

      De Profundis. Fragilitas Boni, Dolorum Tempus et Capacitas Interpretandi<\/em>\u00a0<\/span>>>><\/a><\/strong><\/p>\n

       <\/p>\n

      HERMENEUTICS AND LITERATURE | HERMENEVTIKA IN LITERATURA<\/p>\n

       <\/p>\n

      John T. Hamilton<\/p>\n

      Parentheses of Reception. What are Philologists for in a Destitute Time?\u00a0<\/span>>>><\/a><\/strong><\/p>\n

      Parenteze recepcije. \u010cemu filologi v ubo\u017enem \u010dasu?<\/em><\/p>\n

       <\/p>\n

      Holger Zaborowski<\/p>\n

      Zur N\u00e4he von Denken und Dichten beim fr\u00fchen Heidegger. Eine Spurensuche\u00a0<\/span>>>><\/a><\/strong><\/p>\n

      O bli\u017eini mi\u0161ljenja in pesnjenja pri zgodnjem Heideggru. Iskanje sledi<\/em><\/p>\n

      \u00a0<\/em><\/p>\n

      Alfred Denker<\/p>\n

      Martin Heidegger und Georg Trakl. Die andere Zwiesprache zwischen Denken und Dichten\u00a0<\/span>>>><\/a><\/strong><\/p>\n

      Martin Heidegger in Georg Trakl. Drugi razgovor med mi\u0161ljenjem in pesnjenjem<\/em><\/p>\n

      \u00a0<\/em><\/p>\n

      Jafe Arnold<\/p>\n

      The Eternal (Re)Turn. Heidegger and the \u201cAbsolutes Getragensein\u201d\u00a0<\/span><\/em>of Myth\u00a0<\/span>>>><\/a><\/strong><\/p>\n

      Ve\u010dno (pre)obra\u010danje. Heidegger in \u00bbabsolutes Getragensein\u00ab mita<\/em><\/p>\n

       <\/p>\n

      Mateja Kurir Borov\u010di\u0107<\/p>\n

      On Home (das Heim<\/em>) and the Uncanny (das Unheimliche<\/em>) in Heidegger\u00a0<\/span>>>><\/a><\/strong><\/p>\n

      O domu (<\/em>das Heim) in nedoma\u010dnem (<\/em>das Unheimliche) pri Heideggru<\/em><\/p>\n

       <\/p>\n

      Kanchana Mahadevan<\/p>\n

      The Gadamer\u2013Habermas Debate through\u00a0<\/span>Mahabharata<\/em>\u2019s Women. Intersectional Feminist Engagements with Tradition and Critique\u00a0<\/span>>>><\/a><\/strong><\/p>\n

      Diskusija med Gadamerjem in Habermasom skoz perspektivo \u017eensk v\u00a0<\/span><\/em>Mahabharati. Intersekcijski feministi\u010dni spoprijemi s tradicijo in kritiko<\/em><\/p>\n

       <\/p>\n

      Alenka Ko\u017eelj<\/p>\n

      \u201cMolt greignour senefiance.\u201d The Role of Interpreters in\u00a0<\/span>The Quest of the Holy Grail<\/em>\u00a0<\/span>>>><\/a><\/strong><\/p>\n

      \u00bbMolt greignour senefiance\u00ab. Vloga interpretov v\u00a0<\/span><\/em>Iskanju svetega Grala<\/p>\n

       <\/p>\n

      William Franke<\/p>\n

      Hamlet<\/em><\/strong>\u00a0<\/span>and the Philosophical Interpretation of Literature\u00a0<\/span>>>><\/a><\/strong><\/p>\n

      Hamlet\u00a0<\/span>in filozofska interpretacija literature<\/em><\/p>\n

       <\/p>\n

      Monika Brz\u00f3stowicz-Klajn<\/p>\n

      Tolerance in Utopian Discourse\u00a0<\/span>>>><\/a><\/strong><\/p>\n

      Toleranca v utopi\u010dnem diskurzu<\/em><\/p>\n

       <\/p>\n

      Julio Jensen<\/p>\n

      The Interweaving of Life and Text. Authorial Inscription and Readerly Self-Understanding Exemplified in\u00a0<\/span>Les Fleurs du mal\u00a0<\/span><\/em>>>><\/a><\/strong><\/p>\n

      Prepletanje \u017eivljenja in besedila. Avtorska inskripcija in bralsko samo-razumevanje, kakor ju ponazarjajo\u00a0<\/span><\/em>Les Fleurs du mal<\/p>\n

       <\/p>\n

      Ma\u0142gorzata Ho\u0142da<\/p>\n

      Between In-Vocation<\/em>\u00a0<\/span>and Pro-Vocation<\/em>. A Hermeneutics of the Poetic Prayer\u00a0<\/span>>>><\/a><\/strong><\/p>\n

      Med in-<\/em>vokacijo\u00a0<\/span>in pro-<\/em>vokacijo. Hermenevtika poeti\u010dne molitve<\/em><\/p>\n

       <\/p>\n

      Ramsey Eric Ramsey<\/p>\n

      Quests and Questioning or Again and Again\u00a0<\/span><\/strong>>>><\/a><\/p>\n

      Iskanja in spra\u0161evanja ali spet in spet<\/em><\/p>\n

       <\/p>\n

      Beata Przymusza\u0142a<\/p>\n

      Mood as Interpretive Category.\u00a0<\/span><\/strong>Experience<\/strong>\u00a0<\/span>as\u00a0<\/span><\/strong>a\u00a0<\/span><\/strong>Form of Understanding\u00a0<\/span><\/strong>>>><\/a><\/p>\n

      Razpolo\u017eenje kot interpretativna kategorija. Izkustvo kot oblika razumevanja<\/em><\/p>\n

       <\/p>\n

      Michele Olzi<\/p>\n

      Power, Authority, and the Future of Mankind. Rereading William Golding\u2019s\u00a0<\/span>Lord of the Flies\u00a0<\/span><\/em>>>><\/a><\/strong><\/p>\n

      Mo\u010d, avtoriteta in prihodnost \u010dlove\u0161tva. Ponovno branje\u00a0<\/span><\/em>Gospodarja muh\u00a0<\/span>Williama Goldinga<\/em><\/p>\n

       <\/p>\n

      Simeon Theojaya<\/p>\n

      Personambiguity in Kobo Abe\u2019s\u00a0<\/span>The Face of Another<\/em>\u00a0<\/span>and the Abyssal Surface of Responsibility\u00a0<\/span>>>><\/a><\/strong><\/p>\n

      Dvoumnost osebe v romanu\u00a0<\/span><\/em>Obraz drugega\u00a0<\/span>Koba Abeja in brezdanja povr\u0161ina odgovornosti<\/em><\/p>\n

       <\/p>\n

      Sazan Kryeziu<\/p>\n

      Hermeneutics within the Temporal Horizon. The Problem of Time in Narrative Fiction\u00a0<\/span>>>><\/a><\/strong><\/p>\n

      Hermenevtika znotraj temporalnega horizonta. Problem \u010dasa v narativni fikciji<\/em><\/p>\n

      \u00a0<\/em><\/p>\n

      Nysret Krasniqi<\/p>\n

      Genuine Hermeneutics in the Canon of Literature\u00a0<\/span>>>><\/a><\/strong><\/p>\n

      Pristna hermenevtika znotraj kanona literature<\/em><\/p>\n

       <\/p>\n

      Patryk Szaj<\/p>\n

      Poetry and the Challenge of Understanding. Towards a Deconstructive Hermeneutics\u00a0<\/span>>>><\/a><\/strong><\/p>\n

      Poezija in izziv razumevanja. Na poti k dekonstrukcijski hermenevtiki<\/em><\/p>\n

       <\/p>\n

      Monika Jaworska-Witkowska<\/p>\n

      Passages and the\u00a0<\/span>episteme<\/em>\u00a0<\/span>of Crossing a Threshold. About the Reading of What Was Never Written Down, but the Body Inscribed in the Text\u00a0<\/span>>>><\/a><\/strong><\/p>\n

      Pasa\u017ee in\u00a0<\/span><\/em>episteme\u00a0<\/span>prehajanja praga. O branju tistega, kar nikdar ni bilo zapisano, a je telo vpisalo v tekst<\/em><\/p>\n

       <\/p>\n

      Constantinos V. Proimos<\/p>\n

      Beauty and the Beast. The Dark Sides of Love\u00a0<\/span>>>><\/a><\/strong><\/p>\n

      Lepotica in zver. Temne strani ljubezni<\/em><\/p>\n

       <\/p>\n

      CONVERSATION | RAZGOVOR<\/p>\n

       <\/p>\n

      Kamila Drapa\u0142o<\/p>\n

      Imagination Now<\/em><\/strong>. In Conversation with Richard Kearney\u00a0<\/span>>>><\/a><\/strong><\/p>\n

      Domi\u0161ljija zdaj.\u00a0<\/span>V razgovoru z Richardom Kearneyjem<\/em><\/p>\n

       <\/p>\n

      Andrzej Wierci\u0144ski<\/p>\n

      Poetic (Dis)closures. In Conversation with Ma\u0142gorzata Ho\u0142da\u2019s Hermeneutic Reading of Literature\u00a0<\/span>>>><\/a><\/strong><\/p>\n

      Pesni\u0161ka (raz)kritja. V razgovoru s hermenevti\u010dnim branjem literature pri Ma\u0142gorzati Ho\u0142da<\/em><\/p>\n

       <\/p>\n

      AFTERWORD | SKLEPNA BESEDA<\/p>\n

       <\/p>\n

      Andrej Bo\u017ei\u010d<\/p>\n

      \u201c. . . the power of language to transcend itself.\u201d A Postscript\u00a0<\/span><\/strong>>>><\/a><\/p>\n

      \u00bb\u2026 v prese\u017enosti jezika.\u00ab Pripis<\/em><\/p>\n

       <\/p>\n

      REVIEWS | RECENZIJE<\/p>\n

       <\/p>\n

      Mateja Kurir:\u00a0<\/span>Arhitektura moderne in\u00a0<\/span>das Unhemliche<\/em>. Heidegger, Freud in Le Corbusier<\/strong>\u00a0<\/span>(Ale\u0161 Ko\u0161ar<\/em>)\u00a0<\/span>>>><\/a><\/strong><\/p>\n

       <\/p>\n

      IN MEMORIAM<\/p>\n

       <\/p>\n

      Babette Babich<\/p>\n

      Dimitri Ginev\u00a0<\/span>>>><\/a><\/strong><\/p>\n

      \u00a0<\/strong><\/p>\n

      Manuscript Submission Guidelines<\/em><\/p>\n

      Navodila za pripravo rokopisa<\/em><\/p>\n

      [\/et_pb_toggle][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”2_5,3_5″ _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” module_alignment=”center” z_index_tablet=”500″ box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” global_colors_info=”{}”][et_pb_column type=”2_5″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_image src=”https:\/\/www.phainomena.com\/en\/wp-content\/uploads\/2021\/12\/118-119.jpg” alt=”The COVID-19 Crisis” title_text=”118-119″ _builder_version=”4.16″ width=”80%” custom_margin=”||10px||false|false” custom_padding=”||||false|false” global_colors_info=”{}”][\/et_pb_image][et_pb_text _builder_version=”4.16″ text_orientation=”right” custom_margin=”0px|80px|0px|0px|false|false” custom_padding=”0px|0px||0px|false|false” z_index_tablet=”500″ text_text_shadow_horizontal_length_tablet=”0px” text_text_shadow_vertical_length_tablet=”0px” text_text_shadow_blur_strength_tablet=”1px” link_text_shadow_horizontal_length_tablet=”0px” link_text_shadow_vertical_length_tablet=”0px” link_text_shadow_blur_strength_tablet=”1px” ul_text_shadow_horizontal_length_tablet=”0px” ul_text_shadow_vertical_length_tablet=”0px” ul_text_shadow_blur_strength_tablet=”1px” ol_text_shadow_horizontal_length_tablet=”0px” ol_text_shadow_vertical_length_tablet=”0px” ol_text_shadow_blur_strength_tablet=”1px” quote_text_shadow_horizontal_length_tablet=”0px” quote_text_shadow_vertical_length_tablet=”0px” quote_text_shadow_blur_strength_tablet=”1px” header_text_shadow_horizontal_length_tablet=”0px” header_text_shadow_vertical_length_tablet=”0px” header_text_shadow_blur_strength_tablet=”1px” header_2_text_shadow_horizontal_length_tablet=”0px” header_2_text_shadow_vertical_length_tablet=”0px” header_2_text_shadow_blur_strength_tablet=”1px” header_3_text_shadow_horizontal_length_tablet=”0px” header_3_text_shadow_vertical_length_tablet=”0px” header_3_text_shadow_blur_strength_tablet=”1px” header_4_text_shadow_horizontal_length_tablet=”0px” header_4_text_shadow_vertical_length_tablet=”0px” header_4_text_shadow_blur_strength_tablet=”1px” header_5_text_shadow_horizontal_length_tablet=”0px” header_5_text_shadow_vertical_length_tablet=”0px” header_5_text_shadow_blur_strength_tablet=”1px” header_6_text_shadow_horizontal_length_tablet=”0px” header_6_text_shadow_vertical_length_tablet=”0px” header_6_text_shadow_blur_strength_tablet=”1px” box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” global_colors_info=”{}”]<\/p>\n

      PUBLISHED:<\/strong>\u00a0December 25, 2021<\/span><\/p>\n

      [\/et_pb_text][\/et_pb_column][et_pb_column type=”3_5″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.16″ text_font_size=”18px” z_index_tablet=”500″ text_text_shadow_horizontal_length_tablet=”0px” text_text_shadow_vertical_length_tablet=”0px” text_text_shadow_blur_strength_tablet=”1px” link_text_shadow_horizontal_length_tablet=”0px” link_text_shadow_vertical_length_tablet=”0px” link_text_shadow_blur_strength_tablet=”1px” ul_text_shadow_horizontal_length_tablet=”0px” ul_text_shadow_vertical_length_tablet=”0px” ul_text_shadow_blur_strength_tablet=”1px” ol_text_shadow_horizontal_length_tablet=”0px” ol_text_shadow_vertical_length_tablet=”0px” ol_text_shadow_blur_strength_tablet=”1px” quote_text_shadow_horizontal_length_tablet=”0px” quote_text_shadow_vertical_length_tablet=”0px” quote_text_shadow_blur_strength_tablet=”1px” header_text_shadow_horizontal_length_tablet=”0px” header_text_shadow_vertical_length_tablet=”0px” header_text_shadow_blur_strength_tablet=”1px” header_2_text_shadow_horizontal_length_tablet=”0px” header_2_text_shadow_vertical_length_tablet=”0px” header_2_text_shadow_blur_strength_tablet=”1px” header_3_text_shadow_horizontal_length_tablet=”0px” header_3_text_shadow_vertical_length_tablet=”0px” header_3_text_shadow_blur_strength_tablet=”1px” header_4_text_shadow_horizontal_length_tablet=”0px” header_4_text_shadow_vertical_length_tablet=”0px” header_4_text_shadow_blur_strength_tablet=”1px” header_5_text_shadow_horizontal_length_tablet=”0px” header_5_text_shadow_vertical_length_tablet=”0px” header_5_text_shadow_blur_strength_tablet=”1px” header_6_text_shadow_horizontal_length_tablet=”0px” header_6_text_shadow_vertical_length_tablet=”0px” header_6_text_shadow_blur_strength_tablet=”1px” box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” global_colors_info=”{}”]<\/p>\n

      Phainomena 30 | 118-119 | November 2021<\/span><\/em><\/p>\n

      \u201cApproachments | Pristopanja<\/span><\/strong>\u00ab<\/strong><\/p>\n

      >>><\/a><\/p>\n

      [\/et_pb_text][et_pb_toggle title=” KAZALO | TABLE OF CONTENTS ” open_toggle_background_color=”#ffffff” closed_toggle_background_color=”#ffffff” icon_color=”#8cc63f” use_icon_font_size=”on” icon_font_size=”18px” open_icon_color=”#8cc63f” open_use_icon_font_size=”on” open_icon_font_size=”18px” _builder_version=”4.16″ title_level=”h6″ width=”80%” custom_padding=”10px||10px” z_index_tablet=”500″ title_text_shadow_horizontal_length_tablet=”0px” title_text_shadow_vertical_length_tablet=”0px” title_text_shadow_blur_strength_tablet=”1px” closed_title_text_shadow_horizontal_length_tablet=”0px” closed_title_text_shadow_vertical_length_tablet=”0px” closed_title_text_shadow_blur_strength_tablet=”1px” body_text_shadow_horizontal_length_tablet=”0px” body_text_shadow_vertical_length_tablet=”0px” body_text_shadow_blur_strength_tablet=”1px” body_link_text_shadow_horizontal_length_tablet=”0px” body_link_text_shadow_vertical_length_tablet=”0px” body_link_text_shadow_blur_strength_tablet=”1px” body_ul_text_shadow_horizontal_length_tablet=”0px” body_ul_text_shadow_vertical_length_tablet=”0px” body_ul_text_shadow_blur_strength_tablet=”1px” body_ol_text_shadow_horizontal_length_tablet=”0px” body_ol_text_shadow_vertical_length_tablet=”0px” body_ol_text_shadow_blur_strength_tablet=”1px” body_quote_text_shadow_horizontal_length_tablet=”0px” body_quote_text_shadow_vertical_length_tablet=”0px” body_quote_text_shadow_blur_strength_tablet=”1px” border_radii=”on|5px|5px|5px|5px” border_color_all=”#8cc63f” box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” text_shadow_horizontal_length_tablet=”0px” text_shadow_vertical_length_tablet=”0px” text_shadow_blur_strength_tablet=”1px” global_colors_info=”{}”]<\/p>\n

      KAZALO | TABLE OF CONTENTS<\/strong><\/p>\n

      <\/span><\/p>\n

      Sebastjan V\u00f6r\u00f6s<\/span><\/p>\n

      Minding the Body. From Corporeal Mind to Minded Corporeality\u00a0>>><\/a><\/span><\/strong><\/p>\n

      Umljenje telesa. Od telesnega uma do umljene telesnosti<\/em><\/p>\n

      \u00a0<\/span><\/p>\n

      Ale\u0161 Oblak, Hanna Randall, and David J. Schwartzmann<\/span><\/p>\n

      \u201cBecoming the Color.\u201d Synesthetic Gesture in a Case Study of Multiple Forms of Synesthesia\u00a0>>><\/a><\/span><\/strong><\/p>\n

      \u00bbPostajati barva.\u00ab Sinesteti\u010dna gesta v \u0161tudiji primera z ve\u010d oblikami sinestezije<\/em><\/p>\n

      \u00a0<\/span><\/p>\n

      Lech Witkowski<\/span><\/p>\n

      Transformations and Their Dominants. Between Dynamics and Processual Structure\u00a0>>><\/a><\/span><\/strong><\/p>\n

      Transformacije in njihove dominante. Med dinamiko in procesno strukturo<\/em><\/p>\n

      \u00a0<\/span><\/p>\n

      Martin Urani\u010d<\/span><\/p>\n

      Bit, videz in gola navideznost. Od Parmenida k Platonu\u00a0>>><\/a><\/span><\/strong><\/p>\n

      Being, Seeming, and Mere Seemingness. From Parmenides Towards Plato<\/span><\/em><\/p>\n

      \u00a0<\/span><\/p>\n

      Matija Jan<\/span><\/p>\n

      Arnauld in Descartes. Narava idej in problem metode\u00a0>>><\/a><\/span><\/strong><\/p>\n

      Arnauld and Descartes. The Nature of Ideas and the Problem of Method<\/span><\/em><\/p>\n

      \u00a0<\/span><\/p>\n

      Wei Zhang<\/span><\/p>\n

      Max Scheler\u2019s Socratesism. An Introduction of a Phenomenological Normative Ethics\u00a0>>><\/a><\/span><\/strong><\/p>\n

      Sokratizem Maxa Schelerja. Vpeljava fenomenolo\u0161ke normativne etike<\/em><\/p>\n

      \u00a0<\/span><\/p>\n

      Dragan Jakovljevi\u0107<\/span><\/p>\n

      Nelsons Infragestellung der Erkenntnistheorie. Ein Beitrag zur systematischen Rekonstruktion und Diskussion, unter Ber\u00fccksichtigung des Kommentars von Victor Kraft\u00a0<\/span>>>><\/a><\/strong><\/p>\n

      Nelsonova postavitev spoznavne teorije pod vpra\u0161aj. Prispevek k sistemati\u010dni rekonstrukciji in diskusiji, z upo\u0161tevanjem komentarja Victorja Krafta<\/em><\/p>\n

      \u00a0<\/span><\/p>\n

      Mart\u00edn Prest\u00eda<\/span><\/p>\n

      Carlos Astrada and Tetsur\u014d Watsuji on the Phenomenology of Landscape\u00a0>>><\/a><\/span><\/strong><\/p>\n

      Carlos Astrada in Tetsur\u014d Watsuji o fenomenologiji pokrajine<\/span><\/em><\/p>\n

      \u00a0<\/span><\/p>\n

      Alfredo Rocha de la Torre<\/span><\/p>\n

      Pensiero calcolante e nichilismo. Il caso del linguaggio e la terra natale\u00a0>>><\/a><\/span><\/strong><\/p>\n

      Ra\u010dunajo\u010de mi\u0161ljenje in nihilizem. Primer govorice in domovine<\/em><\/p>\n

      \u00a0<\/span><\/p>\n

      Dean Komel<\/span><\/p>\n

      O materin\u0161\u010dini\u00a0>>><\/a><\/span><\/strong><\/p>\n

      On Mother Tongue<\/span><\/em><\/p>\n

      \u00a0<\/span><\/p>\n

      Christophe Perrin<\/span><\/p>\n

      La vie est une r\u00e9ussite. Petite dialectique de l\u2019\u00e9chec\u00a0<\/span>>>><\/a><\/strong><\/p>\n

      \u017divljenje je uspeh. Mala dialektika poraza<\/span><\/em><\/p>\n

      \u00a0<\/span><\/p>\n

      REVIEWS | RECENZIJE<\/span><\/p>\n

      Damir Barbari\u0107:\u00a0Iz radionice duha\u00a0<\/strong>(Mario Kopi\u0107<\/em>)\u00a0>>><\/a><\/span><\/p>\n

      \u00a0<\/span><\/p>\n

      Manuscript Submission Guidelines<\/span><\/em><\/p>\n

      \u00a0<\/span><\/em><\/p>\n

      Navodila za pripravo rokopisa<\/em><\/p>\n

      [\/et_pb_toggle][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”2_5,3_5″ _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” module_alignment=”center” z_index_tablet=”500″ box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” global_colors_info=”{}”][et_pb_column type=”2_5″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_image src=”https:\/\/www.phainomena.com\/en\/wp-content\/uploads\/2021\/05\/E-PHI_30_116-117_2021.jpg” alt=”The COVID-19 Crisis” title_text=”E-PHI_30_116-117_2021″ _builder_version=”4.16″ width=”80%” custom_margin=”||10px||false|false” custom_padding=”||||false|false” global_colors_info=”{}”][\/et_pb_image][et_pb_text _builder_version=”4.16″ text_orientation=”right” custom_margin=”0px|80px|0px|0px|false|false” custom_padding=”0px|0px||0px|false|false” z_index_tablet=”500″ text_text_shadow_horizontal_length_tablet=”0px” text_text_shadow_vertical_length_tablet=”0px” text_text_shadow_blur_strength_tablet=”1px” link_text_shadow_horizontal_length_tablet=”0px” link_text_shadow_vertical_length_tablet=”0px” link_text_shadow_blur_strength_tablet=”1px” ul_text_shadow_horizontal_length_tablet=”0px” ul_text_shadow_vertical_length_tablet=”0px” ul_text_shadow_blur_strength_tablet=”1px” ol_text_shadow_horizontal_length_tablet=”0px” ol_text_shadow_vertical_length_tablet=”0px” ol_text_shadow_blur_strength_tablet=”1px” quote_text_shadow_horizontal_length_tablet=”0px” quote_text_shadow_vertical_length_tablet=”0px” quote_text_shadow_blur_strength_tablet=”1px” header_text_shadow_horizontal_length_tablet=”0px” header_text_shadow_vertical_length_tablet=”0px” header_text_shadow_blur_strength_tablet=”1px” header_2_text_shadow_horizontal_length_tablet=”0px” header_2_text_shadow_vertical_length_tablet=”0px” header_2_text_shadow_blur_strength_tablet=”1px” header_3_text_shadow_horizontal_length_tablet=”0px” header_3_text_shadow_vertical_length_tablet=”0px” header_3_text_shadow_blur_strength_tablet=”1px” header_4_text_shadow_horizontal_length_tablet=”0px” header_4_text_shadow_vertical_length_tablet=”0px” header_4_text_shadow_blur_strength_tablet=”1px” header_5_text_shadow_horizontal_length_tablet=”0px” header_5_text_shadow_vertical_length_tablet=”0px” header_5_text_shadow_blur_strength_tablet=”1px” header_6_text_shadow_horizontal_length_tablet=”0px” header_6_text_shadow_vertical_length_tablet=”0px” header_6_text_shadow_blur_strength_tablet=”1px” box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” global_colors_info=”{}”]<\/p>\n

      PUBLISHED:<\/strong> May 10, 2021<\/p>\n

      [\/et_pb_text][\/et_pb_column][et_pb_column type=”3_5″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.16″ text_font_size=”18px” z_index_tablet=”500″ text_text_shadow_horizontal_length_tablet=”0px” text_text_shadow_vertical_length_tablet=”0px” text_text_shadow_blur_strength_tablet=”1px” link_text_shadow_horizontal_length_tablet=”0px” link_text_shadow_vertical_length_tablet=”0px” link_text_shadow_blur_strength_tablet=”1px” ul_text_shadow_horizontal_length_tablet=”0px” ul_text_shadow_vertical_length_tablet=”0px” ul_text_shadow_blur_strength_tablet=”1px” ol_text_shadow_horizontal_length_tablet=”0px” ol_text_shadow_vertical_length_tablet=”0px” ol_text_shadow_blur_strength_tablet=”1px” quote_text_shadow_horizontal_length_tablet=”0px” quote_text_shadow_vertical_length_tablet=”0px” quote_text_shadow_blur_strength_tablet=”1px” header_text_shadow_horizontal_length_tablet=”0px” header_text_shadow_vertical_length_tablet=”0px” header_text_shadow_blur_strength_tablet=”1px” header_2_text_shadow_horizontal_length_tablet=”0px” header_2_text_shadow_vertical_length_tablet=”0px” header_2_text_shadow_blur_strength_tablet=”1px” header_3_text_shadow_horizontal_length_tablet=”0px” header_3_text_shadow_vertical_length_tablet=”0px” header_3_text_shadow_blur_strength_tablet=”1px” header_4_text_shadow_horizontal_length_tablet=”0px” header_4_text_shadow_vertical_length_tablet=”0px” header_4_text_shadow_blur_strength_tablet=”1px” header_5_text_shadow_horizontal_length_tablet=”0px” header_5_text_shadow_vertical_length_tablet=”0px” header_5_text_shadow_blur_strength_tablet=”1px” header_6_text_shadow_horizontal_length_tablet=”0px” header_6_text_shadow_vertical_length_tablet=”0px” header_6_text_shadow_blur_strength_tablet=”1px” box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” global_colors_info=”{}”]<\/p>\n

      Phainomena 30 <\/em>| 116-117 <\/em>| April 2021<\/em><\/p>\n

      Andrej Bo\u017ei\u010d (Ed.<\/em>)<\/p>\n

      \u201cThe COVID-19 Crisis\u201d<\/strong><\/p>\n

      >>><\/a><\/p>\n

      [\/et_pb_text][et_pb_toggle title=” KAZALO | TABLE OF CONTENTS ” open_toggle_background_color=”#ffffff” closed_toggle_background_color=”#ffffff” icon_color=”#8cc63f” use_icon_font_size=”on” icon_font_size=”18px” open_icon_color=”#8cc63f” open_use_icon_font_size=”on” open_icon_font_size=”18px” _builder_version=”4.16″ title_level=”h6″ width=”80%” custom_padding=”10px||10px” z_index_tablet=”500″ title_text_shadow_horizontal_length_tablet=”0px” title_text_shadow_vertical_length_tablet=”0px” title_text_shadow_blur_strength_tablet=”1px” closed_title_text_shadow_horizontal_length_tablet=”0px” closed_title_text_shadow_vertical_length_tablet=”0px” closed_title_text_shadow_blur_strength_tablet=”1px” body_text_shadow_horizontal_length_tablet=”0px” body_text_shadow_vertical_length_tablet=”0px” body_text_shadow_blur_strength_tablet=”1px” body_link_text_shadow_horizontal_length_tablet=”0px” body_link_text_shadow_vertical_length_tablet=”0px” body_link_text_shadow_blur_strength_tablet=”1px” body_ul_text_shadow_horizontal_length_tablet=”0px” body_ul_text_shadow_vertical_length_tablet=”0px” body_ul_text_shadow_blur_strength_tablet=”1px” body_ol_text_shadow_horizontal_length_tablet=”0px” body_ol_text_shadow_vertical_length_tablet=”0px” body_ol_text_shadow_blur_strength_tablet=”1px” body_quote_text_shadow_horizontal_length_tablet=”0px” body_quote_text_shadow_vertical_length_tablet=”0px” body_quote_text_shadow_blur_strength_tablet=”1px” border_radii=”on|5px|5px|5px|5px” border_color_all=”#8cc63f” box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” text_shadow_horizontal_length_tablet=”0px” text_shadow_vertical_length_tablet=”0px” text_shadow_blur_strength_tablet=”1px” global_colors_info=”{}”]<\/p>\n

      INTRODUCTION | UVOD >>><\/p>\n

      Andrej Bo\u017ei\u010d<\/p>\n

      The Fragility of Virality | The Virality of Fragility\u00a0<\/span>>>><\/a><\/strong><\/p>\n

      Krhkost virulence | Virulenca krhkosti<\/span><\/em><\/p>\n

       <\/p>\n

      THE COVID-19 CRISIS | KRIZA COVID-19<\/p>\n

      Daniel R. Sobota<\/p>\n

      The Virus of the Question. The Phenomenology of\u00a0 the COVID-19 Pandemic\u00a0<\/span>>>><\/a><\/strong><\/p>\n

      Virus vpra\u0161anja. Fenomenologija pandemije COVID-19<\/em><\/p>\n

       <\/p>\n

      Svetlana Sabeva<\/p>\n

      \u201cLife with the Virus.\u201d A Phenomenology of Infectious Sociality\u00a0<\/span>>>><\/a><\/strong><\/p>\n

      \u00bb\u017divljenje z virusom\u00ab. Fenomenologija nalezljive dru\u017ebenosti<\/em><\/p>\n

       <\/p>\n

      Jaros\u0142aw Gara<\/p>\n

      Initial Reflections on Man in the COVID-19 Pandemic. The Reality That Is an Is Not the Same Reality\u00a0<\/span>>>><\/a><\/strong><\/p>\n

      Za\u010detna razmi\u0161ljanja o \u010dloveku v pandemiji COVID-19. Resni\u010dnost, ki je in ni enaka resni\u010dnost<\/span><\/em><\/p>\n

       <\/p>\n

      Victor Molchanov<\/p>\n

      Common Sense and Common Disease. The Pandemic and the Expansion of the Non-real\u00a0<\/span>>>><\/a><\/strong><\/p>\n

      Skupnostni \u010dut in skupna bolezen. Pandemija in razmah ne-realnega<\/em><\/p>\n

       <\/p>\n

      Silvia Pierosara<\/p>\n

      Narrative Autonomy as Means of Vulnerability Management\u00a0<\/span>>>><\/a><\/strong><\/p>\n

      Narativna avtonomija kot sredstvo obvladovanja ranljivosti<\/em><\/p>\n

       <\/p>\n

      Veronica Neri<\/p>\n

      The Words of Ethics across the Media in a Time of Pandemic. From Misinformation to Solidarity\u00a0<\/span>>>><\/a><\/strong><\/p>\n

      Medijsko posredovane besede etike v \u010dasu pandemije. Od napa\u010dnih informacij do solidarnosti<\/em><\/p>\n

       <\/p>\n

      Uro\u0161 Mili\u0107<\/p>\n

      A Hermeneutical Account of Social Distance as a Form of Negative Solidarity. Exploring the Peculiar Case of \u201cCoronationalism\u201d\u00a0<\/span>>>><\/a><\/strong><\/p>\n

      Hermenevti\u010dni premislek socialne distance kot oblike negativne solidarnosti. Raziskava o nenavadnem primeru \u00bbkoronacionalizma\u00ab<\/em><\/p>\n

       <\/p>\n

      Zmago \u0160vajncer Vre\u010dko<\/p>\n

      Zrenje v masko kot pogled v kon\u010dnost. Strah pred krizo kot strah pred smrtjo in sodobni stoicizem\u00a0<\/span>>>><\/a><\/strong><\/p>\n

      Gazing at Masks as Staring into Finality. The Fear of Crisis, as Fear of Death, and Modern Stoicism<\/em><\/p>\n

       <\/p>\n

      Paulina Sosnowska<\/p>\n

      Medical Workers as the\u00a0<\/span>Pharmakoi<\/em>\u00a0<\/span>of 2020. The Pandemic in Poland through a Girardian Lens\u00a0<\/span>>>><\/a><\/strong><\/p>\n

      Zdravstveni delavci kot\u00a0<\/span><\/em>pharmakoi\u00a0<\/span>leta 2020. Pandemija na Poljskem skoz girardovsko le\u010do<\/em><\/p>\n

       <\/p>\n

      Lea-Marija Colari\u010d-Jak\u0161e<\/p>\n

      Innovation Potential of Social Capital in Tourism during the Pandemic of COVID-19\u00a0<\/span>>>><\/a><\/strong><\/p>\n

      Inovacijski potencial dru\u017ebenega kapitala v turizmu med pandemijo COVID-19<\/em><\/p>\n

       <\/p>\n

      Holger Zaborowski<\/p>\n

      Mitten im Sturm. Freiheit, Verantwortung und Menschenw\u00fcrde angesichts der Corona-Pandemie\u00a0<\/span>>>><\/a><\/strong><\/p>\n

      Sredi viharja. Svoboda, odgovornost in \u010dlove\u0161ko dostojanstvo z ozirom na pandemijo koronavirusa<\/em><\/p>\n

       <\/p>\n

      DOCUMENTS | DOKUMENTI\u00a0<\/span>>>><\/a><\/p>\n

      Hans-Georg Gadamer<\/p>\n

      Was ist der Mensch?<\/strong><\/p>\n

      What is Man?<\/strong><\/p>\n

      Kaj je \u010dlovek?<\/strong><\/p>\n

       <\/p>\n

      ANNOUNCEMENT | OBVESTILO\u00a0<\/span>>>><\/a><\/p>\n

      Polona Tratnik<\/p>\n

      \u00c9galit\u00e9<\/strong><\/p>\n

      [\/et_pb_toggle][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”2_5,3_5″ _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” module_alignment=”center” z_index_tablet=”500″ box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” global_colors_info=”{}”][et_pb_column type=”2_5″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_image src=”https:\/\/www.phainomena.com\/en\/wp-content\/uploads\/2020\/12\/E-PHI_29_114-115.png” title_text=”E-PHI_29_114-115″ _builder_version=”4.16″ width=”80%” custom_margin=”||10px||false|false” custom_padding=”||||false|false” global_colors_info=”{}”][\/et_pb_image][et_pb_text _builder_version=”4.16″ text_orientation=”right” custom_margin=”0px|80px|0px|0px|false|false” custom_padding=”0px|0px||0px|false|false” z_index_tablet=”500″ text_text_shadow_horizontal_length_tablet=”0px” text_text_shadow_vertical_length_tablet=”0px” text_text_shadow_blur_strength_tablet=”1px” link_text_shadow_horizontal_length_tablet=”0px” link_text_shadow_vertical_length_tablet=”0px” link_text_shadow_blur_strength_tablet=”1px” ul_text_shadow_horizontal_length_tablet=”0px” ul_text_shadow_vertical_length_tablet=”0px” ul_text_shadow_blur_strength_tablet=”1px” ol_text_shadow_horizontal_length_tablet=”0px” ol_text_shadow_vertical_length_tablet=”0px” ol_text_shadow_blur_strength_tablet=”1px” quote_text_shadow_horizontal_length_tablet=”0px” quote_text_shadow_vertical_length_tablet=”0px” quote_text_shadow_blur_strength_tablet=”1px” header_text_shadow_horizontal_length_tablet=”0px” header_text_shadow_vertical_length_tablet=”0px” header_text_shadow_blur_strength_tablet=”1px” header_2_text_shadow_horizontal_length_tablet=”0px” header_2_text_shadow_vertical_length_tablet=”0px” header_2_text_shadow_blur_strength_tablet=”1px” header_3_text_shadow_horizontal_length_tablet=”0px” header_3_text_shadow_vertical_length_tablet=”0px” header_3_text_shadow_blur_strength_tablet=”1px” header_4_text_shadow_horizontal_length_tablet=”0px” header_4_text_shadow_vertical_length_tablet=”0px” header_4_text_shadow_blur_strength_tablet=”1px” header_5_text_shadow_horizontal_length_tablet=”0px” header_5_text_shadow_vertical_length_tablet=”0px” header_5_text_shadow_blur_strength_tablet=”1px” header_6_text_shadow_horizontal_length_tablet=”0px” header_6_text_shadow_vertical_length_tablet=”0px” header_6_text_shadow_blur_strength_tablet=”1px” box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” global_colors_info=”{}”]<\/p>\n

      PUBLISHED:<\/strong> December 1, 2020<\/p>\n

      [\/et_pb_text][\/et_pb_column][et_pb_column type=”3_5″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.16″ text_font_size=”18px” z_index_tablet=”500″ text_text_shadow_horizontal_length_tablet=”0px” text_text_shadow_vertical_length_tablet=”0px” text_text_shadow_blur_strength_tablet=”1px” link_text_shadow_horizontal_length_tablet=”0px” link_text_shadow_vertical_length_tablet=”0px” link_text_shadow_blur_strength_tablet=”1px” ul_text_shadow_horizontal_length_tablet=”0px” ul_text_shadow_vertical_length_tablet=”0px” ul_text_shadow_blur_strength_tablet=”1px” ol_text_shadow_horizontal_length_tablet=”0px” ol_text_shadow_vertical_length_tablet=”0px” ol_text_shadow_blur_strength_tablet=”1px” quote_text_shadow_horizontal_length_tablet=”0px” quote_text_shadow_vertical_length_tablet=”0px” quote_text_shadow_blur_strength_tablet=”1px” header_text_shadow_horizontal_length_tablet=”0px” header_text_shadow_vertical_length_tablet=”0px” header_text_shadow_blur_strength_tablet=”1px” header_2_text_shadow_horizontal_length_tablet=”0px” header_2_text_shadow_vertical_length_tablet=”0px” header_2_text_shadow_blur_strength_tablet=”1px” header_3_text_shadow_horizontal_length_tablet=”0px” header_3_text_shadow_vertical_length_tablet=”0px” header_3_text_shadow_blur_strength_tablet=”1px” header_4_text_shadow_horizontal_length_tablet=”0px” header_4_text_shadow_vertical_length_tablet=”0px” header_4_text_shadow_blur_strength_tablet=”1px” header_5_text_shadow_horizontal_length_tablet=”0px” header_5_text_shadow_vertical_length_tablet=”0px” header_5_text_shadow_blur_strength_tablet=”1px” header_6_text_shadow_horizontal_length_tablet=”0px” header_6_text_shadow_vertical_length_tablet=”0px” header_6_text_shadow_blur_strength_tablet=”1px” box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” global_colors_info=”{}”]<\/p>\n

      Phainomena 29 <\/em>| 114-115 <\/em>| November 2020<\/em><\/p>\n

      \u00bbTransfiguracije | Transfigurations\u201d<\/strong><\/p>\n

      >>><\/a><\/p>\n

      [\/et_pb_text][et_pb_toggle title=” KAZALO | TABLE OF CONTENTS ” open_toggle_background_color=”#ffffff” closed_toggle_background_color=”#ffffff” icon_color=”#8cc63f” use_icon_font_size=”on” icon_font_size=”18px” open_icon_color=”#8cc63f” open_use_icon_font_size=”on” open_icon_font_size=”18px” _builder_version=”4.16″ title_level=”h6″ width=”80%” custom_padding=”10px||10px” z_index_tablet=”500″ title_text_shadow_horizontal_length_tablet=”0px” title_text_shadow_vertical_length_tablet=”0px” title_text_shadow_blur_strength_tablet=”1px” closed_title_text_shadow_horizontal_length_tablet=”0px” closed_title_text_shadow_vertical_length_tablet=”0px” closed_title_text_shadow_blur_strength_tablet=”1px” body_text_shadow_horizontal_length_tablet=”0px” body_text_shadow_vertical_length_tablet=”0px” body_text_shadow_blur_strength_tablet=”1px” body_link_text_shadow_horizontal_length_tablet=”0px” body_link_text_shadow_vertical_length_tablet=”0px” body_link_text_shadow_blur_strength_tablet=”1px” body_ul_text_shadow_horizontal_length_tablet=”0px” body_ul_text_shadow_vertical_length_tablet=”0px” body_ul_text_shadow_blur_strength_tablet=”1px” body_ol_text_shadow_horizontal_length_tablet=”0px” body_ol_text_shadow_vertical_length_tablet=”0px” body_ol_text_shadow_blur_strength_tablet=”1px” body_quote_text_shadow_horizontal_length_tablet=”0px” body_quote_text_shadow_vertical_length_tablet=”0px” body_quote_text_shadow_blur_strength_tablet=”1px” border_radii=”on|5px|5px|5px|5px” border_color_all=”#8cc63f” box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” text_shadow_horizontal_length_tablet=”0px” text_shadow_vertical_length_tablet=”0px” text_shadow_blur_strength_tablet=”1px” global_colors_info=”{}”]<\/p>\n

      Petar \u0160egedin<\/p>\n

      Logos<\/em><\/strong>\u00a0<\/span>in nesmrtnost\u00a0<\/span>>>><\/a><\/strong><\/p>\n

      Logos\u00a0<\/span>and Immortality<\/em><\/p>\n

       <\/p>\n

      Maxim Miroshnichenko<\/p>\n

      The Locus of Affection. Intersubjective Life from Enaction to Epigenesis\u00a0<\/span>>>><\/a><\/strong><\/p>\n

      Kraj afekcije. Intersubjektivno \u017eivljenje od udejanjenja do epigeneze<\/em><\/p>\n

       <\/p>\n

      Dino Manzoni<\/p>\n

      Fenomenologija telesa in odnosi z drugimi. Intersubjektivnost skozi medtelesnost\u00a0<\/span>>>><\/a><\/strong><\/p>\n

      Phenomenology of the Body and the Relationships with Others. Intersubjectivity through Intercorporeality<\/em><\/p>\n

       <\/p>\n

      Andra\u017e Dolin\u0161ek<\/p>\n

      Nerazumevanje in obvladovanje tujega. Iz-rednost na ozadju modernega mi\u0161ljenja reda\u00a0<\/span>>>><\/a><\/strong><\/p>\n

      Disagreement and the Controlling of the Alien. The Extra-Ordinary against the Backdrop of the Modern Thought of Order<\/em><\/p>\n

       <\/p>\n

      Manca Erzeti\u010d<\/p>\n

      Eksistencialna opredelitev pri\u010devanja\u00a0<\/span>>>><\/a><\/strong><\/p>\n

      The Existential Definition of Testimony\u00a0<\/em><\/p>\n

      \u00a0<\/em><\/p>\n

      Micha\u0142 Wieczorek<\/p>\n

      The Movement of Truth. On the Revealing of Poetry\u00a0<\/span>>>><\/a><\/strong><\/p>\n

      Gibanje resnice. O pesni\u0161kem razodevanju<\/em><\/p>\n

       <\/p>\n

      Joaquim Braga<\/p>\n

      Doubt and Possibility. On the Symbolic Structures of Philosophical Thought\u00a0<\/span>>>><\/a><\/strong><\/p>\n

      Dvom in mo\u017enost. O simbolnih strukturah filozofske misli<\/em><\/p>\n

       <\/p>\n

      Ren\u00e9 Dentz<\/p>\n

      Justice, Rights, and the Law in Paul Ricoeur\u2019s Political Philosophy\u00a0<\/span>>>><\/a><\/strong><\/p>\n

      Pravi\u010dnost, pravice in pravo v politi\u010dni filozofiji Paula Ricoeurja<\/em><\/p>\n

       <\/p>\n

      Tea Golob<\/p>\n

      Notranji dialog, refleksivnost in odgovorno delovanje mladih\u00a0<\/span>>>><\/a><\/strong><\/p>\n

      Internal Dialogue, Reflexivity, and Responsible Behavior of the Young<\/em><\/p>\n

       <\/p>\n

      RECENZIJE | REVIEWS<\/p>\n

       <\/p>\n

      Christopher A. Fuchs:\u00a0<\/span>Coming of Age with Quantum Information\u00a0<\/span><\/strong>(Tina Bilban<\/em>)\u00a0<\/span>>>><\/a><\/strong><\/p>\n

      [\/et_pb_toggle][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”2_5,3_5″ _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” module_alignment=”center” z_index_tablet=”500″ box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” global_colors_info=”{}”][et_pb_column type=”2_5″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_image src=”https:\/\/www.phainomena.com\/en\/wp-content\/uploads\/2020\/07\/PHI-112-113.png” title_text=”PHI 112-113″ _builder_version=”4.16″ width=”80%” custom_margin=”||10px||false|false” custom_padding=”||||false|false” global_colors_info=”{}”][\/et_pb_image][et_pb_text _builder_version=”4.16″ text_orientation=”right” custom_margin=”0px|80px|0px|0px|false|false” custom_padding=”0px|0px||0px|false|false” z_index_tablet=”500″ text_text_shadow_horizontal_length_tablet=”0px” text_text_shadow_vertical_length_tablet=”0px” text_text_shadow_blur_strength_tablet=”1px” link_text_shadow_horizontal_length_tablet=”0px” link_text_shadow_vertical_length_tablet=”0px” link_text_shadow_blur_strength_tablet=”1px” ul_text_shadow_horizontal_length_tablet=”0px” ul_text_shadow_vertical_length_tablet=”0px” ul_text_shadow_blur_strength_tablet=”1px” ol_text_shadow_horizontal_length_tablet=”0px” ol_text_shadow_vertical_length_tablet=”0px” ol_text_shadow_blur_strength_tablet=”1px” quote_text_shadow_horizontal_length_tablet=”0px” quote_text_shadow_vertical_length_tablet=”0px” quote_text_shadow_blur_strength_tablet=”1px” header_text_shadow_horizontal_length_tablet=”0px” header_text_shadow_vertical_length_tablet=”0px” header_text_shadow_blur_strength_tablet=”1px” header_2_text_shadow_horizontal_length_tablet=”0px” header_2_text_shadow_vertical_length_tablet=”0px” header_2_text_shadow_blur_strength_tablet=”1px” header_3_text_shadow_horizontal_length_tablet=”0px” header_3_text_shadow_vertical_length_tablet=”0px” header_3_text_shadow_blur_strength_tablet=”1px” header_4_text_shadow_horizontal_length_tablet=”0px” header_4_text_shadow_vertical_length_tablet=”0px” header_4_text_shadow_blur_strength_tablet=”1px” header_5_text_shadow_horizontal_length_tablet=”0px” header_5_text_shadow_vertical_length_tablet=”0px” header_5_text_shadow_blur_strength_tablet=”1px” header_6_text_shadow_horizontal_length_tablet=”0px” header_6_text_shadow_vertical_length_tablet=”0px” header_6_text_shadow_blur_strength_tablet=”1px” box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” global_colors_info=”{}”]<\/p>\n

      PUBLISHED:<\/strong> July 15, 2020<\/span><\/p>\n

      [\/et_pb_text][\/et_pb_column][et_pb_column type=”3_5″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.16″ text_font_size=”18px” z_index_tablet=”500″ text_text_shadow_horizontal_length_tablet=”0px” text_text_shadow_vertical_length_tablet=”0px” text_text_shadow_blur_strength_tablet=”1px” link_text_shadow_horizontal_length_tablet=”0px” link_text_shadow_vertical_length_tablet=”0px” link_text_shadow_blur_strength_tablet=”1px” ul_text_shadow_horizontal_length_tablet=”0px” ul_text_shadow_vertical_length_tablet=”0px” ul_text_shadow_blur_strength_tablet=”1px” ol_text_shadow_horizontal_length_tablet=”0px” ol_text_shadow_vertical_length_tablet=”0px” ol_text_shadow_blur_strength_tablet=”1px” quote_text_shadow_horizontal_length_tablet=”0px” quote_text_shadow_vertical_length_tablet=”0px” quote_text_shadow_blur_strength_tablet=”1px” header_text_shadow_horizontal_length_tablet=”0px” header_text_shadow_vertical_length_tablet=”0px” header_text_shadow_blur_strength_tablet=”1px” header_2_text_shadow_horizontal_length_tablet=”0px” header_2_text_shadow_vertical_length_tablet=”0px” header_2_text_shadow_blur_strength_tablet=”1px” header_3_text_shadow_horizontal_length_tablet=”0px” header_3_text_shadow_vertical_length_tablet=”0px” header_3_text_shadow_blur_strength_tablet=”1px” header_4_text_shadow_horizontal_length_tablet=”0px” header_4_text_shadow_vertical_length_tablet=”0px” header_4_text_shadow_blur_strength_tablet=”1px” header_5_text_shadow_horizontal_length_tablet=”0px” header_5_text_shadow_vertical_length_tablet=”0px” header_5_text_shadow_blur_strength_tablet=”1px” header_6_text_shadow_horizontal_length_tablet=”0px” header_6_text_shadow_vertical_length_tablet=”0px” header_6_text_shadow_blur_strength_tablet=”1px” box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” global_colors_info=”{}”]<\/p>\n

      Phainomena 29 <\/em>| 112-113 <\/em>| June 2020<\/em><\/p>\n

      \u201cEo Ipso\u201d<\/strong><\/p>\n

      >>><\/strong><\/a><\/p>\n

      [\/et_pb_text][et_pb_toggle title=” KAZALO | TABLE OF CONTENTS ” open_toggle_background_color=”#ffffff” closed_toggle_background_color=”#ffffff” icon_color=”#8cc63f” use_icon_font_size=”on” icon_font_size=”18px” open_icon_color=”#8cc63f” open_use_icon_font_size=”on” open_icon_font_size=”18px” _builder_version=”4.16″ title_level=”h6″ width=”80%” custom_padding=”10px||10px” z_index_tablet=”500″ title_text_shadow_horizontal_length_tablet=”0px” title_text_shadow_vertical_length_tablet=”0px” title_text_shadow_blur_strength_tablet=”1px” closed_title_text_shadow_horizontal_length_tablet=”0px” closed_title_text_shadow_vertical_length_tablet=”0px” closed_title_text_shadow_blur_strength_tablet=”1px” body_text_shadow_horizontal_length_tablet=”0px” body_text_shadow_vertical_length_tablet=”0px” body_text_shadow_blur_strength_tablet=”1px” body_link_text_shadow_horizontal_length_tablet=”0px” body_link_text_shadow_vertical_length_tablet=”0px” body_link_text_shadow_blur_strength_tablet=”1px” body_ul_text_shadow_horizontal_length_tablet=”0px” body_ul_text_shadow_vertical_length_tablet=”0px” body_ul_text_shadow_blur_strength_tablet=”1px” body_ol_text_shadow_horizontal_length_tablet=”0px” body_ol_text_shadow_vertical_length_tablet=”0px” body_ol_text_shadow_blur_strength_tablet=”1px” body_quote_text_shadow_horizontal_length_tablet=”0px” body_quote_text_shadow_vertical_length_tablet=”0px” body_quote_text_shadow_blur_strength_tablet=”1px” border_radii=”on|5px|5px|5px|5px” border_color_all=”#8cc63f” box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” text_shadow_horizontal_length_tablet=”0px” text_shadow_vertical_length_tablet=”0px” text_shadow_blur_strength_tablet=”1px” global_colors_info=”{}”]<\/p>\n

      Bence Peter Marosan<\/p>\n

      Edmund Husserl\u2019s Constructive Phenomenology in the C-Manuscripts and Other Late Research Manuscripts\u00a0<\/span>>>><\/a><\/strong><\/p>\n

      Konstruktivna fenomenologija v C-rokopisih in drugih poznih raziskovalnih rokopisih Edmunda Husserla<\/em><\/p>\n

       <\/p>\n

      Christian Ivanoff-Sabogal<\/p>\n

      Die Mehrdeutigkeit der \u201eformalen Anzeige\u201c im hindeutenden Blick auf\u00a0<\/span>Sein und Zeit\u00a0<\/span><\/em>>>><\/a><\/strong><\/p>\n

      Mnogopomenskost \u00bbformalne naznake\u00ab s pogledom proti\u00a0<\/span><\/em>Biti in \u010dasu<\/p>\n

       <\/p>\n

      Virgilio Cesarone<\/p>\n

      Metaphysics and Death in Eugen Fink\u2019s Thought\u00a0<\/span>>>><\/a><\/strong><\/p>\n

      Metafizika in smrt v misli Eugena Finka<\/em><\/p>\n

       <\/p>\n

      Daniel Ross<\/p>\n

      The End of the Metaphysics of Being and the Beginning of the Metacosmics of Entropy\u00a0<\/span>>>><\/a><\/strong><\/p>\n

      Konec metafizike biti in za\u010detek metakozmike entropije<\/em><\/p>\n

       <\/p>\n

      Rok Svetli\u010d<\/p>\n

      Pojmovanje biti pri K. Marxu. Spodletelost Marxove kritike Hegla\u00a0<\/span>>>><\/a><\/strong><\/p>\n

      Conceptualization of Being in K. Marx. The Failure of Marx\u2019s Critique of Hegel<\/em><\/p>\n

       <\/p>\n

      Fabio Polidori<\/p>\n

      Med \u010dlove\u0161kim in \u017eivalskim\u00a0<\/span>>>><\/a><\/strong><\/p>\n

      Between the Human and the Animal<\/em><\/p>\n

       <\/p>\n

      Patrick M. Whitehead<\/p>\n

      Neuroscience Cannot Reach Existence. A Heideggerian Critique of Neuropsychology\u00a0<\/span>>>><\/a><\/strong><\/p>\n

      Nevroznanost ne zmore dose\u010di eksistence. Heideggrovska kritika nevropsihologije<\/em><\/p>\n

       <\/p>\n

      Zmago \u0160vajncer Vre\u010dko<\/p>\n

      Dismorfna telesna motnja v fenomenologiji, estetiki in psihiatriji\u00a0<\/span>>>><\/a><\/strong><\/p>\n

      Body Dysmorphic Disorder in Phenomenology, Aesthetics, and Psychiatry<\/em><\/p>\n

       <\/p>\n

      Mirt Komel<\/p>\n

      \u201cLess Than Touching.\u201d Nancy\u2019s Philosophy of Touch from\u00a0<\/span>Corpus<\/em>\u00a0<\/span>to\u00a0<\/span>Noli me tangere\u00a0<\/span><\/em>>>><\/a><\/strong><\/p>\n

      \u00bbManj kot dotik\u00ab. Nancyjeva filozofija dotika od\u00a0<\/span><\/em>Corpus\u00a0<\/span>do\u00a0<\/span><\/em>Noli me tangere<\/p>\n

       <\/p>\n

      Marijan Krivak<\/p>\n

      What is Aura?\u00a0<\/span>>>><\/a><\/strong><\/p>\n

      Kaj je avra?<\/em><\/p>\n

       <\/p>\n

      Jonas Miklav\u010di\u010d<\/p>\n

      Med kadrom in monta\u017eo. Koncept \u010dasa v filmski teoriji in praksi Andreja Tarkovskega\u00a0<\/span>>>><\/a><\/strong><\/p>\n

      Between Shot and Montage. The Concept of Time in Film Theory and Practice of Andrei Tarkovsky<\/em><\/p>\n

       <\/p>\n

      Polona Tratnik<\/p>\n

      Anthropocentric and Non-Anthropocentric Perspectives of\u00a0<\/span><\/strong>Proteus Anguinus<\/em><\/strong>, Axolotl,\u00a0<\/span>Vampyroteuthis Infernalis<\/em>, and their Environmental Systems\u00a0<\/span>>>><\/a><\/strong><\/p>\n

      Antropocentri\u010dni in neantropocentri\u010dni pogledi na\u00a0<\/span><\/em>Proteusa anguinusa, aksolotla,\u00a0<\/span><\/em>Vampyroteuthis infernalis\u00a0<\/span>in na njihove okolijske sisteme<\/em><\/p>\n

       <\/p>\n

      Timotej Prosen<\/p>\n

      Posthumanisti\u010dna znanost. Husserl, Sellars, moderno naravoslovje in koncept \u010dloveka\u00a0<\/span>>>><\/a><\/strong><\/p>\n

      Posthuman Science. Husserl, Sellars, modern natural science, and the concept of man<\/em><\/p>\n

       <\/p>\n

      REVIEWS | RECENZIJE\u00a0<\/span>>>><\/a><\/strong><\/p>\n

       <\/p>\n

      Marijan Krivak:\u00a0<\/span>Filozofija otpora<\/strong>\u00a0<\/span>(Ton\u010di Valenti\u0107<\/em>)<\/p>\n

      \u017darko Pai\u0107:\u00a0<\/span>Neoliberalism, Oligarchy and Politics of the Event: At the Edge of Chaos\u00a0<\/span><\/strong>(Ton\u010di Valenti\u0107<\/em>)<\/p>\n

      Paulina Sosnowska:\u00a0<\/span>Hannah Arendt and Martin Heidegger. Philosophy, Modernity, and Education<\/strong>\u00a0<\/span>(Andrej Bo\u017ei\u010d<\/em>)<\/p>\n

       <\/p>\n

      CONVERSATION | RAZGOVOR\u00a0<\/span>>>><\/a><\/strong><\/p>\n

       <\/p>\n

      Ma\u0142gorzata Ho\u0142da<\/p>\n

      The Welcoming Gesture of Hermeneutics. In Conversation with Andrzej Wierci\u0144ski\u2019s\u00a0<\/span>Existentia Hermeneutica<\/em><\/strong><\/p>\n

      Gostoljubna gesta hermenevtike. V razgovoru s knjigo\u00a0<\/span><\/em>Existentia Hermeneutica\u00a0<\/span>Andrzeja Wierci\u0144skega<\/em><\/p>\n

       <\/p>\n

      IN MEMORIAM\u00a0<\/span>>>><\/a><\/strong><\/p>\n

       <\/p>\n

      Mario Kopi\u0107<\/p>\n

      Emanuele Severino (1929\u20132020)<\/strong><\/p>\n

      [\/et_pb_toggle][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”2_5,3_5″ _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” module_alignment=”center” z_index_tablet=”500″ box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” global_colors_info=”{}”][et_pb_column type=”2_5″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_image src=”https:\/\/www.phainomena.com\/en\/wp-content\/uploads\/2019\/12\/PHI-110-111.jpg” _builder_version=”4.16″ width=”80%” custom_margin=”||10px||false|false” custom_padding=”||||false|false” global_colors_info=”{}”][\/et_pb_image][et_pb_text _builder_version=”4.16″ text_orientation=”right” custom_margin=”0px|80px|0px|0px|false|false” custom_padding=”0px|0px||0px|false|false” z_index_tablet=”500″ text_text_shadow_horizontal_length_tablet=”0px” text_text_shadow_vertical_length_tablet=”0px” text_text_shadow_blur_strength_tablet=”1px” link_text_shadow_horizontal_length_tablet=”0px” link_text_shadow_vertical_length_tablet=”0px” link_text_shadow_blur_strength_tablet=”1px” ul_text_shadow_horizontal_length_tablet=”0px” ul_text_shadow_vertical_length_tablet=”0px” ul_text_shadow_blur_strength_tablet=”1px” ol_text_shadow_horizontal_length_tablet=”0px” ol_text_shadow_vertical_length_tablet=”0px” ol_text_shadow_blur_strength_tablet=”1px” quote_text_shadow_horizontal_length_tablet=”0px” quote_text_shadow_vertical_length_tablet=”0px” quote_text_shadow_blur_strength_tablet=”1px” header_text_shadow_horizontal_length_tablet=”0px” header_text_shadow_vertical_length_tablet=”0px” header_text_shadow_blur_strength_tablet=”1px” header_2_text_shadow_horizontal_length_tablet=”0px” header_2_text_shadow_vertical_length_tablet=”0px” header_2_text_shadow_blur_strength_tablet=”1px” header_3_text_shadow_horizontal_length_tablet=”0px” header_3_text_shadow_vertical_length_tablet=”0px” header_3_text_shadow_blur_strength_tablet=”1px” header_4_text_shadow_horizontal_length_tablet=”0px” header_4_text_shadow_vertical_length_tablet=”0px” header_4_text_shadow_blur_strength_tablet=”1px” header_5_text_shadow_horizontal_length_tablet=”0px” header_5_text_shadow_vertical_length_tablet=”0px” header_5_text_shadow_blur_strength_tablet=”1px” header_6_text_shadow_horizontal_length_tablet=”0px” header_6_text_shadow_vertical_length_tablet=”0px” header_6_text_shadow_blur_strength_tablet=”1px” box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” global_colors_info=”{}”]<\/p>\n

      PUBLISHED:<\/strong> December 25, 2019<\/p>\n

      [\/et_pb_text][\/et_pb_column][et_pb_column type=”3_5″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.16″ text_font_size=”18px” z_index_tablet=”500″ text_text_shadow_horizontal_length_tablet=”0px” text_text_shadow_vertical_length_tablet=”0px” text_text_shadow_blur_strength_tablet=”1px” link_text_shadow_horizontal_length_tablet=”0px” link_text_shadow_vertical_length_tablet=”0px” link_text_shadow_blur_strength_tablet=”1px” ul_text_shadow_horizontal_length_tablet=”0px” ul_text_shadow_vertical_length_tablet=”0px” ul_text_shadow_blur_strength_tablet=”1px” ol_text_shadow_horizontal_length_tablet=”0px” ol_text_shadow_vertical_length_tablet=”0px” ol_text_shadow_blur_strength_tablet=”1px” quote_text_shadow_horizontal_length_tablet=”0px” quote_text_shadow_vertical_length_tablet=”0px” quote_text_shadow_blur_strength_tablet=”1px” header_text_shadow_horizontal_length_tablet=”0px” header_text_shadow_vertical_length_tablet=”0px” header_text_shadow_blur_strength_tablet=”1px” header_2_text_shadow_horizontal_length_tablet=”0px” header_2_text_shadow_vertical_length_tablet=”0px” header_2_text_shadow_blur_strength_tablet=”1px” header_3_text_shadow_horizontal_length_tablet=”0px” header_3_text_shadow_vertical_length_tablet=”0px” header_3_text_shadow_blur_strength_tablet=”1px” header_4_text_shadow_horizontal_length_tablet=”0px” header_4_text_shadow_vertical_length_tablet=”0px” header_4_text_shadow_blur_strength_tablet=”1px” header_5_text_shadow_horizontal_length_tablet=”0px” header_5_text_shadow_vertical_length_tablet=”0px” header_5_text_shadow_blur_strength_tablet=”1px” header_6_text_shadow_horizontal_length_tablet=”0px” header_6_text_shadow_vertical_length_tablet=”0px” header_6_text_shadow_blur_strength_tablet=”1px” box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” global_colors_info=”{}”]<\/p>\n

      Phainomena<\/em>\u00a028 <\/em>| 110-111<\/em>| November 2019<\/em><\/p>\n

      Andrzej Wierci\u0144ski & Andrej Bo\u017ei\u010d (eds.):<\/p>\n

      \u201cPhilosophy of Education\u201d<\/strong><\/p>\n

      >>><\/strong><\/a><\/p>\n

      [\/et_pb_text][et_pb_toggle title=” KAZALO | TABLE OF CONTENTS ” open_toggle_background_color=”#ffffff” closed_toggle_background_color=”#ffffff” icon_color=”#8cc63f” use_icon_font_size=”on” icon_font_size=”18px” open_icon_color=”#8cc63f” open_use_icon_font_size=”on” open_icon_font_size=”18px” _builder_version=”4.16″ title_level=”h6″ width=”80%” custom_padding=”10px||10px” z_index_tablet=”500″ title_text_shadow_horizontal_length_tablet=”0px” title_text_shadow_vertical_length_tablet=”0px” title_text_shadow_blur_strength_tablet=”1px” closed_title_text_shadow_horizontal_length_tablet=”0px” closed_title_text_shadow_vertical_length_tablet=”0px” closed_title_text_shadow_blur_strength_tablet=”1px” body_text_shadow_horizontal_length_tablet=”0px” body_text_shadow_vertical_length_tablet=”0px” body_text_shadow_blur_strength_tablet=”1px” body_link_text_shadow_horizontal_length_tablet=”0px” body_link_text_shadow_vertical_length_tablet=”0px” body_link_text_shadow_blur_strength_tablet=”1px” body_ul_text_shadow_horizontal_length_tablet=”0px” body_ul_text_shadow_vertical_length_tablet=”0px” body_ul_text_shadow_blur_strength_tablet=”1px” body_ol_text_shadow_horizontal_length_tablet=”0px” body_ol_text_shadow_vertical_length_tablet=”0px” body_ol_text_shadow_blur_strength_tablet=”1px” body_quote_text_shadow_horizontal_length_tablet=”0px” body_quote_text_shadow_vertical_length_tablet=”0px” body_quote_text_shadow_blur_strength_tablet=”1px” border_radii=”on|5px|5px|5px|5px” border_color_all=”#8cc63f” box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” text_shadow_horizontal_length_tablet=”0px” text_shadow_vertical_length_tablet=”0px” text_shadow_blur_strength_tablet=”1px” global_colors_info=”{}”]<\/p>\n

      INTRODUCTION | UVOD<\/p>\n

      \u00a0<\/p>\n

      Andrzej Wierci\u0144ski<\/p>\n

      Phronetic Education to Integrity. Capability, Courage, and Passion for Thinking\u00a0>>><\/a><\/strong><\/p>\n

      Froneti\u010dno izobra\u017eevanje na poti k integriteti. Sposobnost, pogum in strast za mi\u0161ljenje<\/em><\/p>\n

      \u00a0<\/p>\n

      PHILOSOPHY OF EDUCATION | FILOZOFIJA IZOBRA\u017dEVANJA<\/p>\n

      \u00a0<\/p>\n

      Micha\u0142 Federowicz \u2013 Daniel R. Sobota \u2013 Jaros\u0142aw Gara<\/p>\n

      Education as a Problem Vis-\u00e0-Vis the Question about Education\u00a0>>><\/a><\/strong><\/p>\n

      Izobra\u017eevanje kot problem z ozirom na vpra\u0161anje o izobra\u017eevanju<\/em><\/p>\n

      \u00a0<\/p>\n

      Oreste Tolone<\/p>\n

      The \u201cIntroduction of the Subject.\u201d Anthropology, Medicine, Education\u00a0>>><\/a><\/strong><\/p>\n

      \u00bbVpeljava subjekta\u00ab. Antropologija, medicina, izobra\u017eevanje<\/em><\/p>\n

      \u00a0<\/p>\n

      Carmelo Galioto<\/p>\n

      Schools without Quality? Elements for a Phenomenological Exploration of the Concept of Quality in Education\u00a0>>><\/a><\/strong><\/p>\n

      \u0160ole brez kakovosti? Elementi za fenomenolo\u0161ko raziskavo koncepta kakovosti v izobra\u017eevanju<\/em><\/p>\n

      \u00a0<\/p>\n

      Mindaugas Briedis<\/p>\n

      Phenomenology of Online Education. The Other\u2019s Look (J.-P. Sartre) and Intersubjective Perceptual Phantasy (E. Husserl)\u00a0>>><\/a><\/strong><\/p>\n

      Fenomenologija spletnega izobra\u017eevanja. Pogled Drugega (J.-P. Sartre) in intersubjektivna perceptivna domi\u0161ljija (E. Husserl)<\/em><\/p>\n

      \u00a0<\/p>\n

      Ma\u0142gorzata Ho\u0142da<\/p>\n

      The Imperative of Phronetic Education for Practicing Freedom in Light of the Bible\u2019s Literary Discourse\u00a0>>><\/a><\/strong><\/p>\n

      Imperativ froneti\u010dnega izobra\u017eevanja za udejanjanje svobode v lu\u010di bibli\u010dnega literarnega diskurza<\/em><\/p>\n

      \u00a0<\/p>\n

      Urszula Zbrze\u017aniak<\/p>\n

      In Whose Name? Some Reflections on the Notion of Voice in Philosophy and Education\u00a0>>><\/a><\/strong><\/p>\n

      V \u010digavem imenu? Nekaj refleksij o pojmu glasu v filozofiji in pedagogiki<\/em><\/p>\n

      \u00a0<\/p>\n

      Katarzyna Dworakowska<\/p>\n

      The Foucauldian Art of the Self and the Pedagogic Problem\u00a0>>><\/a><\/strong><\/p>\n

      Foucaultovska umetnost sebstva in pedago\u0161ki problem<\/em><\/p>\n

      \u00a0<\/p>\n

      Anna Zieli\u0144ska<\/p>\n

      Dilemmas of Education for Democratic Imperatives and Good Citizenship\u00a0>>><\/a><\/strong><\/p>\n

      Dileme izobra\u017eevanja za demokrati\u010dne imperative in zgledno dr\u017eavljanstvo<\/em><\/p>\n

      \u00a0<\/p>\n

      Anna Wi\u0142komirska<\/p>\n

      Democratic Values and Patriotism. The Educational Challenge\u00a0>>><\/a><\/strong><\/p>\n

      Demokrati\u010dne vrednote in patriotizem. Izobra\u017eevalni izziv<\/em><\/p>\n

      \u00a0<\/p>\n

      Paulina Sosnowska<\/p>\n

      Tragedy, Solidarity, and Impartiality. The Meaning of Hannah Arendt\u2019s Thinking for Our Narrational Identity\u00a0>>><\/a><\/strong><\/p>\n

      Tragedija, solidarnost in nepristranskost. Pomen misli Hannah Arendt za na\u0161o narativno identiteto<\/em><\/p>\n

      \u00a0<\/p>\n

      Toma\u017e Gru\u0161ovnik<\/p>\n

      Education and Active Ignorance\u00a0>>><\/a><\/strong><\/p>\n

      Izobra\u017eevanje in hotena nevednost<\/em><\/p>\n

      \u00a0<\/p>\n

      Jernej Kalu\u017ea<\/p>\n

      The Rejection of Teaching in Philosophy. Deleuze, Nietzsche, and Stirner\u00a0>>><\/a><\/strong><\/p>\n

      Zavra\u010danje pou\u010devanja v filozofiji. Deleuze, Nietzsche in Stirner<\/em><\/p>\n

      \u00a0<\/p>\n

      Ramsey Eric Ramsey<\/p>\n

      Before the Work of Art. Education as Yielding to Art\u2019s Address\u00a0>>><\/a><\/strong><\/p>\n

      Pred umetni\u0161kim delom. Izobra\u017eevanje kot predajanje nagovoru umetnosti<\/em><\/p>\n

      \u00a0<\/p>\n

      Tina Bilban<\/p>\n

      The Potential Role of Literature in Overcoming the Denialism of Ageing\u00a0>>><\/a><\/strong><\/p>\n

      Potencialna vloga knji\u017eevnosti pri premagovanju zanikovanja staranja<\/em><\/p>\n

      \u00a0<\/p>\n

      REVIEWS | RECENZIJE\u00a0>>><\/a><\/p>\n

      \u00a0<\/p>\n

      Ma\u0142gorzata Przanowska:\u00a0Listening and Acouological Education<\/strong>\u00a0(Andrej Bo\u017ei\u010d<\/em>)<\/p>\n

      \u00a0<\/p>\n

      CONVERSATION | RAZGOVOR\u00a0>>><\/a><\/p>\n

      \u00a0<\/p>\n

      Ma\u0142gorzata Ho\u0142da<\/p>\n

      The Poetics of Education. In Conversation with Andrzej Wierci\u0144ski\u2019s Hermeneutics of Education<\/strong><\/p>\n

      Poetika izobra\u017eevanja. V razgovoru s Hermenevtiko izobra\u017eevanja Andrzeja Wierci\u0144skega<\/em><\/p>\n

      \u00a0<\/p>\n

      REPORT | PORO\u010cILO\u00a0>>><\/a><\/p>\n

      \u00a0<\/p>\n

      Andrej Bo\u017ei\u010d<\/p>\n

      Fragility of Existence<\/strong><\/p>\n

      Krhkost eksistence<\/em><\/p>\n

      \u00a0<\/p>\n

      Manuscript Submission Guidelines<\/em><\/p>\n

      \u00a0<\/p>\n

      Navodila za pripravo rokopisa<\/em><\/p>\n

      [\/et_pb_toggle][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”2_5,3_5″ _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” module_alignment=”center” z_index_tablet=”500″ box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” global_colors_info=”{}”][et_pb_column type=”2_5″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_image src=”https:\/\/www.phainomena.com\/en\/wp-content\/uploads\/2020\/08\/PHI-108-109-scaled.jpg” title_text=”PHI-108-109″ _builder_version=”4.16″ width=”80%” custom_margin=”||10px||false|false” custom_padding=”||||false|false” global_colors_info=”{}”][\/et_pb_image][et_pb_text _builder_version=”4.16″ text_orientation=”right” custom_margin=”0px|80px|0px|0px|false|false” custom_padding=”0px|0px||0px|false|false” z_index_tablet=”500″ text_text_shadow_horizontal_length_tablet=”0px” text_text_shadow_vertical_length_tablet=”0px” text_text_shadow_blur_strength_tablet=”1px” link_text_shadow_horizontal_length_tablet=”0px” link_text_shadow_vertical_length_tablet=”0px” link_text_shadow_blur_strength_tablet=”1px” ul_text_shadow_horizontal_length_tablet=”0px” ul_text_shadow_vertical_length_tablet=”0px” ul_text_shadow_blur_strength_tablet=”1px” ol_text_shadow_horizontal_length_tablet=”0px” ol_text_shadow_vertical_length_tablet=”0px” ol_text_shadow_blur_strength_tablet=”1px” quote_text_shadow_horizontal_length_tablet=”0px” quote_text_shadow_vertical_length_tablet=”0px” quote_text_shadow_blur_strength_tablet=”1px” header_text_shadow_horizontal_length_tablet=”0px” header_text_shadow_vertical_length_tablet=”0px” header_text_shadow_blur_strength_tablet=”1px” header_2_text_shadow_horizontal_length_tablet=”0px” header_2_text_shadow_vertical_length_tablet=”0px” header_2_text_shadow_blur_strength_tablet=”1px” header_3_text_shadow_horizontal_length_tablet=”0px” header_3_text_shadow_vertical_length_tablet=”0px” header_3_text_shadow_blur_strength_tablet=”1px” header_4_text_shadow_horizontal_length_tablet=”0px” header_4_text_shadow_vertical_length_tablet=”0px” header_4_text_shadow_blur_strength_tablet=”1px” header_5_text_shadow_horizontal_length_tablet=”0px” header_5_text_shadow_vertical_length_tablet=”0px” header_5_text_shadow_blur_strength_tablet=”1px” header_6_text_shadow_horizontal_length_tablet=”0px” header_6_text_shadow_vertical_length_tablet=”0px” header_6_text_shadow_blur_strength_tablet=”1px” box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” global_colors_info=”{}”]<\/p>\n

      PUBLISHED:<\/strong> September<\/span> 12, 2019<\/p>\n

      [\/et_pb_text][\/et_pb_column][et_pb_column type=”3_5″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.16″ text_font_size=”18px” z_index_tablet=”500″ text_text_shadow_horizontal_length_tablet=”0px” text_text_shadow_vertical_length_tablet=”0px” text_text_shadow_blur_strength_tablet=”1px” link_text_shadow_horizontal_length_tablet=”0px” link_text_shadow_vertical_length_tablet=”0px” link_text_shadow_blur_strength_tablet=”1px” ul_text_shadow_horizontal_length_tablet=”0px” ul_text_shadow_vertical_length_tablet=”0px” ul_text_shadow_blur_strength_tablet=”1px” ol_text_shadow_horizontal_length_tablet=”0px” ol_text_shadow_vertical_length_tablet=”0px” ol_text_shadow_blur_strength_tablet=”1px” quote_text_shadow_horizontal_length_tablet=”0px” quote_text_shadow_vertical_length_tablet=”0px” quote_text_shadow_blur_strength_tablet=”1px” header_text_shadow_horizontal_length_tablet=”0px” header_text_shadow_vertical_length_tablet=”0px” header_text_shadow_blur_strength_tablet=”1px” header_2_text_shadow_horizontal_length_tablet=”0px” header_2_text_shadow_vertical_length_tablet=”0px” header_2_text_shadow_blur_strength_tablet=”1px” header_3_text_shadow_horizontal_length_tablet=”0px” header_3_text_shadow_vertical_length_tablet=”0px” header_3_text_shadow_blur_strength_tablet=”1px” header_4_text_shadow_horizontal_length_tablet=”0px” header_4_text_shadow_vertical_length_tablet=”0px” header_4_text_shadow_blur_strength_tablet=”1px” header_5_text_shadow_horizontal_length_tablet=”0px” header_5_text_shadow_vertical_length_tablet=”0px” header_5_text_shadow_blur_strength_tablet=”1px” header_6_text_shadow_horizontal_length_tablet=”0px” header_6_text_shadow_vertical_length_tablet=”0px” header_6_text_shadow_blur_strength_tablet=”1px” box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” global_colors_info=”{}”]<\/p>\n

      Phainomena<\/em>\u00a028\u00a0<\/span><\/em>|\u00a0<\/span>108-109\u00a0<\/span><\/em>|\u00a0<\/span>June 2019<\/em><\/p>\n

      \u201cAddresses: Naslovi\u00ab<\/strong><\/p>\n

      >>><\/strong><\/a><\/p>\n

      [\/et_pb_text][et_pb_toggle title=” KAZALO | TABLE OF CONTENTS ” open_toggle_background_color=”#ffffff” closed_toggle_background_color=”#ffffff” icon_color=”#8cc63f” use_icon_font_size=”on” icon_font_size=”18px” open_icon_color=”#8cc63f” open_use_icon_font_size=”on” open_icon_font_size=”18px” _builder_version=”4.16″ title_level=”h6″ width=”80%” custom_padding=”10px||10px” z_index_tablet=”500″ title_text_shadow_horizontal_length_tablet=”0px” title_text_shadow_vertical_length_tablet=”0px” title_text_shadow_blur_strength_tablet=”1px” closed_title_text_shadow_horizontal_length_tablet=”0px” closed_title_text_shadow_vertical_length_tablet=”0px” closed_title_text_shadow_blur_strength_tablet=”1px” body_text_shadow_horizontal_length_tablet=”0px” body_text_shadow_vertical_length_tablet=”0px” body_text_shadow_blur_strength_tablet=”1px” body_link_text_shadow_horizontal_length_tablet=”0px” body_link_text_shadow_vertical_length_tablet=”0px” body_link_text_shadow_blur_strength_tablet=”1px” body_ul_text_shadow_horizontal_length_tablet=”0px” body_ul_text_shadow_vertical_length_tablet=”0px” body_ul_text_shadow_blur_strength_tablet=”1px” body_ol_text_shadow_horizontal_length_tablet=”0px” body_ol_text_shadow_vertical_length_tablet=”0px” body_ol_text_shadow_blur_strength_tablet=”1px” body_quote_text_shadow_horizontal_length_tablet=”0px” body_quote_text_shadow_vertical_length_tablet=”0px” body_quote_text_shadow_blur_strength_tablet=”1px” border_radii=”on|5px|5px|5px|5px” border_color_all=”#8cc63f” box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” text_shadow_horizontal_length_tablet=”0px” text_shadow_vertical_length_tablet=”0px” text_shadow_blur_strength_tablet=”1px” global_colors_info=”{}”]<\/p>\n

      Wei Zhang<\/p>\n

      Eine philosophische \u00dcberpr\u00fcfung des Begriffs der \u201ePerson\u201c\u00a0>>><\/a><\/strong><\/p>\n

      Filozofski premislek pojma \u00bboseba\u00ab<\/em><\/p>\n

      \u00a0<\/em><\/p>\n

      Marco Russo<\/p>\n

      Die Gesichter der Welt. Darstellung einer anthropologischen\u00a0Kritik der Sinne\u00a0>>><\/a><\/em><\/strong><\/p>\n

      Obrazi sveta. Predstavitev antropolo\u0161ke\u00a0<\/em>kritike \u010dutov<\/p>\n

       <\/p>\n

      Alfredo Rocha de la Torre<\/p>\n

      Stimmung und Verstehen. Implikationen einer wesentlichen Beziehung\u00a0>>><\/a><\/em><\/strong><\/p>\n

      Razpolo\u017eenje in razumevanje. Implikacije bistvenega odnosa<\/em><\/p>\n

      \u00a0<\/strong><\/p>\n

      Marko Marki\u010d<\/p>\n

      Kon\u010dnost kot temelj samolastne biti-v-svetu\u00a0>>><\/a><\/em><\/strong><\/p>\n

      Finitude as Foundation of the Authentic Being-In-The-World<\/em><\/p>\n

      \u00a0<\/strong><\/p>\n

      Veronica Neri<\/p>\n

      Homo consumens<\/em><\/strong>,\u00a0ludus<\/em>, and the Need for a New Relationship of Trust. Potential Ethical Issues Raised by the Advergames Phenomenon\u00a0>>><\/a><\/em><\/strong><\/p>\n

      Homo consumens,\u00a0<\/em>ludus\u00a0in potreba po novem razmerju zaupanja. Morebitni eti\u010dni problemi fenomena oglasnih iger<\/em><\/p>\n

      \u00a0<\/strong><\/p>\n

      Jo\u017eef Muhovi\u010d<\/p>\n

      Rethinking Painting Style from the Phenomeno-Logical Perspective. Fine Art and Axiomatic Method\u00a0>>><\/a><\/em><\/strong><\/p>\n

      Ponovni premislek o slikarskem stilu s fenomeno-logi\u010dne perspektive. Likovna umetnost in aksiomatska metoda<\/em><\/p>\n

      \u00a0<\/strong><\/p>\n

      Jurij Selan<\/p>\n

      Likovni artefakt kot objekt fascinacije. K razumevanju semioti\u010dne narave likovnih del\u00a0>>><\/a><\/em><\/strong><\/p>\n

      Artwork as an Object of Fascination. Towards an Understanding of the Semiotic Nature of Artworks<\/em><\/p>\n

      \u00a0<\/strong><\/p>\n

      Ton\u010di Valenti\u0107 \u2013 \u017darko Pai\u0107<\/p>\n

      The Dark Core of Mimesis. Art, Body, and Image in the Thought of Jean-Luc Nancy\u00a0>>><\/a><\/em><\/strong><\/p>\n

      Temno jedro mimesis. Umetnost, telo in podoba v misli Jeana-Luca Nancyja<\/em><\/p>\n

       <\/p>\n

      Brane Senega\u010dnik<\/p>\n

      Illusion or Fusion? Poetry and Reality in Plato, Proclus, and Erich Neumann\u00a0>>><\/a><\/em><\/strong><\/p>\n

      Iluzija ali zlitje? Pesni\u0161tvo in resni\u010dnost pri Platonu, Proklu in Erichu Neumannu<\/em><\/p>\n

      \u00a0<\/strong><\/p>\n

      Dragan Prole<\/p>\n

      Querelle des classiques et des avant-gardes\u00a0>>><\/a><\/em><\/strong><\/p>\n

      Spor med klasiki in avantgardisti<\/em><\/p>\n

      \u00a0<\/strong><\/p>\n

      Petra Kleindienst<\/p>\n

      Zgodovinski temelji sodobne paradigme \u010dlovekovega dostojanstva\u00a0>>><\/a><\/em><\/strong><\/p>\n

      Historical Foundations of the Contemporary Paradigm of Human Dignity<\/em><\/p>\n

      \u00a0<\/em><\/p>\n

      Uro\u0161 Mili\u0107<\/p>\n

      A Critical Exposition of the Ethnocentric Worldview. In Dialogue with Karl Jaspers, Hannah Arendt, and Zygmunt Bauman on the Matters of Xenophobia and Social Ostracism\u00a0>>><\/a><\/em><\/strong><\/p>\n

      Kriti\u010dna obravnava etnocentri\u010dnega svetovnega nazora. V razgovoru s Karlom Jaspersom, Hannah Arendt in Zygmuntom Baumanom o zadevah ksenofobije in dru\u017ebenega ostrakizma<\/em><\/p>\n

      \u00a0<\/strong><\/p>\n

      Luka \u0110eki\u0107<\/p>\n

      Razumevanje razmerja med politiko in gospodarstvom skozi redefinirano Rawlsovo politi\u010dno pravi\u010dnost\u00a0>>><\/a><\/em><\/strong><\/p>\n

      The Relationship between Politics and Economy through Redefined Rawls\u2019s Political Justice<\/em><\/p>\n

      \u00a0<\/em><\/p>\n

      Matija Jan<\/p>\n

      Drugi teoreticizem Louisa Althusserja\u00a0>>><\/a><\/em><\/strong><\/p>\n

      The Second Theoreticism of Louis Althusser<\/em><\/p>\n

       <\/p>\n

      REVIEWS | RECENZIJE\u00a0>>><\/a><\/em><\/strong><\/p>\n

       <\/p>\n

      Adriano Fabris:\u00a0Ethics of Information and Communication Technologies\u00a0<\/strong>(Veronica Neri<\/em>)<\/p>\n

      \u017darko Pai\u0107:\u00a0Tehnosfera I \u2013 Tehnosfera II\u00a0<\/strong>(Dario Vuger<\/em>)<\/p>\n

      Igor Mikecin:\u00a0Parmenid<\/strong>\u00a0(Tomislav \u0160krbi\u0107<\/em>)<\/p>\n

       <\/p>\n

      TRANSLATIONS | PREVODI<\/strong><\/p>\n

      On Language and Listening | O govorici in poslu\u0161anju\u00a0>>><\/a><\/strong><\/em><\/p>\n

       <\/p>\n

      Wilhelm von Humboldt<\/p>\n

      O dvojini<\/strong><\/p>\n

      On the Dual<\/em><\/p>\n

       <\/p>\n

      Hans-Georg Gadamer<\/p>\n

      Mnogoterost jezikov in razumevanje sveta<\/strong><\/p>\n

      The Diversity of Languages and the Understanding of the World<\/em><\/p>\n

       <\/p>\n

      Hans-Georg Gadamer<\/p>\n

      Glas in govorica<\/strong><\/p>\n

      Voice and Language<\/em><\/p>\n

       <\/p>\n

      Damir Barbari\u0107<\/p>\n

      O poslu\u0161anju in mislenju<\/strong><\/p>\n

      On Listening and Thinking<\/em><\/p>\n

       <\/p>\n

      ON THE MARGIN | OB ROBU<\/strong><\/p>\n

       <\/p>\n

      Dean Komel<\/p>\n

      Med pojasnili in jasnitvijo\u00a0>>><\/a><\/em><\/strong><\/p>\n

      Between Explanations and Clarifying<\/em><\/p>\n

       <\/p>\n

      NOTIFICATION | OBVESTILO<\/strong><\/p>\n

       <\/p>\n

      Karl-Otto Apel International Prize for Philosophy:\u00a0Adriano Fabris<\/strong><\/p>\n

      Mednarodna nagrada Karla-Otta Apla za filozofijo:\u00a0Adriano Fabris<\/strong><\/em><\/p>\n

       <\/p>\n

      Manuscript Submission Guidelines<\/em><\/p>\n

      Navodila za pripravo rokopisa<\/em><\/p>\n

      [\/et_pb_toggle][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”2_5,3_5″ _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” module_alignment=”center” z_index_tablet=”500″ box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” global_colors_info=”{}”][et_pb_column type=”2_5″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_image src=”https:\/\/www.phainomena.com\/en\/wp-content\/uploads\/2019\/10\/november-2018.jpg” _builder_version=”4.16″ width=”80%” custom_margin=”||10px||false|false” global_colors_info=”{}”][\/et_pb_image][et_pb_text _builder_version=”4.16″ text_orientation=”right” custom_margin=”0px|80px|0px|0px|false|false” custom_padding=”0px|0px|0px|0px|false|false” z_index_tablet=”500″ text_text_shadow_horizontal_length_tablet=”0px” text_text_shadow_vertical_length_tablet=”0px” text_text_shadow_blur_strength_tablet=”1px” link_text_shadow_horizontal_length_tablet=”0px” link_text_shadow_vertical_length_tablet=”0px” link_text_shadow_blur_strength_tablet=”1px” ul_text_shadow_horizontal_length_tablet=”0px” ul_text_shadow_vertical_length_tablet=”0px” ul_text_shadow_blur_strength_tablet=”1px” ol_text_shadow_horizontal_length_tablet=”0px” ol_text_shadow_vertical_length_tablet=”0px” ol_text_shadow_blur_strength_tablet=”1px” quote_text_shadow_horizontal_length_tablet=”0px” quote_text_shadow_vertical_length_tablet=”0px” quote_text_shadow_blur_strength_tablet=”1px” header_text_shadow_horizontal_length_tablet=”0px” header_text_shadow_vertical_length_tablet=”0px” header_text_shadow_blur_strength_tablet=”1px” header_2_text_shadow_horizontal_length_tablet=”0px” header_2_text_shadow_vertical_length_tablet=”0px” header_2_text_shadow_blur_strength_tablet=”1px” header_3_text_shadow_horizontal_length_tablet=”0px” header_3_text_shadow_vertical_length_tablet=”0px” header_3_text_shadow_blur_strength_tablet=”1px” header_4_text_shadow_horizontal_length_tablet=”0px” header_4_text_shadow_vertical_length_tablet=”0px” header_4_text_shadow_blur_strength_tablet=”1px” header_5_text_shadow_horizontal_length_tablet=”0px” header_5_text_shadow_vertical_length_tablet=”0px” header_5_text_shadow_blur_strength_tablet=”1px” header_6_text_shadow_horizontal_length_tablet=”0px” header_6_text_shadow_vertical_length_tablet=”0px” header_6_text_shadow_blur_strength_tablet=”1px” box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” global_colors_info=”{}”]<\/p>\n

      PUBLISHED:<\/strong> 3. December 2018<\/p>\n

      [\/et_pb_text][\/et_pb_column][et_pb_column type=”3_5″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.16″ text_font=”||||||||” text_font_size=”18px” z_index_tablet=”500″ text_text_shadow_horizontal_length_tablet=”0px” text_text_shadow_vertical_length_tablet=”0px” text_text_shadow_blur_strength_tablet=”1px” link_text_shadow_horizontal_length_tablet=”0px” link_text_shadow_vertical_length_tablet=”0px” link_text_shadow_blur_strength_tablet=”1px” ul_text_shadow_horizontal_length_tablet=”0px” ul_text_shadow_vertical_length_tablet=”0px” ul_text_shadow_blur_strength_tablet=”1px” ol_text_shadow_horizontal_length_tablet=”0px” ol_text_shadow_vertical_length_tablet=”0px” ol_text_shadow_blur_strength_tablet=”1px” quote_text_shadow_horizontal_length_tablet=”0px” quote_text_shadow_vertical_length_tablet=”0px” quote_text_shadow_blur_strength_tablet=”1px” header_text_shadow_horizontal_length_tablet=”0px” header_text_shadow_vertical_length_tablet=”0px” header_text_shadow_blur_strength_tablet=”1px” header_2_text_shadow_horizontal_length_tablet=”0px” header_2_text_shadow_vertical_length_tablet=”0px” header_2_text_shadow_blur_strength_tablet=”1px” header_3_text_shadow_horizontal_length_tablet=”0px” header_3_text_shadow_vertical_length_tablet=”0px” header_3_text_shadow_blur_strength_tablet=”1px” header_4_text_shadow_horizontal_length_tablet=”0px” header_4_text_shadow_vertical_length_tablet=”0px” header_4_text_shadow_blur_strength_tablet=”1px” header_5_text_shadow_horizontal_length_tablet=”0px” header_5_text_shadow_vertical_length_tablet=”0px” header_5_text_shadow_blur_strength_tablet=”1px” header_6_text_shadow_horizontal_length_tablet=”0px” header_6_text_shadow_vertical_length_tablet=”0px” header_6_text_shadow_blur_strength_tablet=”1px” box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” global_colors_info=”{}”]<\/p>\n

      Phainomena 27<\/em> | 106-107<\/em> | November 2018<\/em><\/p>\n

      “Philosophy & Values”<\/strong><\/p>\n

      >>><\/strong><\/a><\/p>\n

      [\/et_pb_text][et_pb_toggle title=” KAZALO | TABLE OF CONTENTS ” open_toggle_background_color=”#ffffff” closed_toggle_background_color=”#ffffff” icon_color=”#8cc63f” use_icon_font_size=”on” icon_font_size=”18px” open_icon_color=”#8cc63f” open_use_icon_font_size=”on” open_icon_font_size=”18px” _builder_version=”4.16″ title_level=”h6″ width=”80%” custom_padding=”10px||10px” z_index_tablet=”500″ title_text_shadow_horizontal_length_tablet=”0px” title_text_shadow_vertical_length_tablet=”0px” title_text_shadow_blur_strength_tablet=”1px” closed_title_text_shadow_horizontal_length_tablet=”0px” closed_title_text_shadow_vertical_length_tablet=”0px” closed_title_text_shadow_blur_strength_tablet=”1px” body_text_shadow_horizontal_length_tablet=”0px” body_text_shadow_vertical_length_tablet=”0px” body_text_shadow_blur_strength_tablet=”1px” body_link_text_shadow_horizontal_length_tablet=”0px” body_link_text_shadow_vertical_length_tablet=”0px” body_link_text_shadow_blur_strength_tablet=”1px” body_ul_text_shadow_horizontal_length_tablet=”0px” body_ul_text_shadow_vertical_length_tablet=”0px” body_ul_text_shadow_blur_strength_tablet=”1px” body_ol_text_shadow_horizontal_length_tablet=”0px” body_ol_text_shadow_vertical_length_tablet=”0px” body_ol_text_shadow_blur_strength_tablet=”1px” body_quote_text_shadow_horizontal_length_tablet=”0px” body_quote_text_shadow_vertical_length_tablet=”0px” body_quote_text_shadow_blur_strength_tablet=”1px” border_radii=”on|5px|5px|5px|5px” border_color_all=”#8cc63f” box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” text_shadow_horizontal_length_tablet=”0px” text_shadow_vertical_length_tablet=”0px” text_shadow_blur_strength_tablet=”1px” global_colors_info=”{}”]<\/p>\n

      Peter Trawny<\/p>\n

      Das Unertr\u00e4gliche und die Ethik der Revolution >>><\/a><\/strong><\/p>\n

      Neznosno in etika revolucije<\/em><\/p>\n

       <\/p>\n

      Adriano Fabris<\/p>\n

      Arendt in Jerusalem. A Report on the Relevance of Responsibility >>><\/a><\/strong><\/p>\n

      Arendtova v Jeruzalemu. Poro\u010dilo o pomembnosti odgovornosti<\/em><\/p>\n

       <\/p>\n

      Jo\u017eef Muhovi\u010d<\/p>\n

      Diesseits und jenseits. Slowenische Kunst nach den politischen Umbr\u00fcchen 1945 und 1991. Eine Reflexion >>><\/a><\/strong><\/p>\n

      Tostran in onstran. Slovenska umetnost po politi\u010dnih prelomih v letih 1945 in 1991. Refleksija<\/em><\/p>\n

       <\/p>\n

      Jeff Malpas<\/p>\n

      The Spatialization of the World. Technology, Modernity, and the Effacement of the Human >>><\/a><\/strong><\/p>\n

      Spacializacija sveta. Tehnologija, modernost in izbris \u010dlove\u0161kega<\/em><\/p>\n

       <\/p>\n

      Kentaro Otagiri<\/p>\n

      \u201eHerd\u201c bei Heidegger und Schelling. Eine Erl\u00e4uterung aus mythologischer Perspektive >>><\/a><\/strong><\/p>\n

      \u00bbOgnji\u0161\u010de\u00ab pri Heideggru in Schellingu. Razjasnitev iz mitolo\u0161ke perspektive<\/em><\/p>\n

       <\/p>\n

      Ugo Vlaisavljevi\u0107<\/p>\n

      Man\u2019s Un-Natural Life. Towards an Ontology of\u00a0Ressentiment >>><\/a><\/em><\/strong><\/p>\n

      \u010clovekovo ne-naravno \u017eivljenje. Na poti k ontologiji resentimenta<\/em><\/p>\n

       <\/p>\n

      Wei Zhang<\/p>\n

      Max Scheler\u2019s Phenomenology of Solidarism. \u201cThe Third Path\u201d of Normative Political Philosophy >>><\/a><\/strong><\/p>\n

      Fenomenologija solidarizma pri Maxu Schelerju. \u00bbTretja pot\u00ab normativne politi\u010dne filozofije<\/em><\/p>\n

       <\/p>\n

      Eleni Leontsini<\/p>\n

      The Moral Power of the Narrative. Art, Literature, and Moral Knowledge >>><\/a><\/strong><\/p>\n

      Moralna mo\u010d pripovedi. Umetnost, literatura in moralna vednost<\/em><\/p>\n

       <\/p>\n

      Ga\u0161per Pirc<\/p>\n

      Kant and Critical Hermeneutics. Historicity and Teleology in Kant\u2019s Later Philosophy, and Its Ethical and Political Potential >>><\/a><\/strong><\/p>\n

      Kant in kriti\u010dna hermenevtika. Zgodovinskost in teleologija v Kantovi poznej\u0161i\u00a0filozofiji ter njen eti\u010dni in politi\u010dni potencial<\/em><\/p>\n

       <\/p>\n

      Fernando Manuel Ferreira da Silva<\/p>\n

      Returning to Itself, in Itself. On the Meta-Hermeneutic Dimension of Fichte\u2019s Principle of Identity >>><\/a><\/strong><\/p>\n

      Vra\u010danje k sebi, v sebi. O meta-hermenevti\u010dni dimenziji Fichtejevega na\u010dela identitete<\/em><\/p>\n

       <\/p>\n

      Yichun Hao<\/p>\n

      From Transcendent Existence, Intentional Existence to Real Existence. The Problem of F. Brentano\u2019s \u201cIntentionality\u201d >>><\/a><\/strong><\/p>\n

      Od transcendentne eksistence, intencionalne eksistence do realne eksistence. Problem \u00bbintencionalnosti\u00ab pri F. Brentanu<\/em><\/p>\n

      \u00a0<\/strong><\/p>\n

      Navodila za pripravo rokopisa<\/em><\/p>\n

      Manuscript Submission Guidelines<\/em><\/p>\n

      [\/et_pb_toggle][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”2_5,3_5″ _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” module_alignment=”center” z_index_tablet=”500″ box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” global_colors_info=”{}”][et_pb_column type=”2_5″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_image src=”https:\/\/www.phainomena.com\/en\/wp-content\/uploads\/2019\/10\/Protomoderna.jpg” _builder_version=”4.16″ width=”80%” custom_margin=”||10px||false|false” global_colors_info=”{}”][\/et_pb_image][et_pb_text _builder_version=”4.16″ text_orientation=”right” custom_margin=”0px|80px|0px|0px|false|false” custom_padding=”0px|0px|0px|0px|false|false” z_index_tablet=”500″ text_text_shadow_horizontal_length_tablet=”0px” text_text_shadow_vertical_length_tablet=”0px” text_text_shadow_blur_strength_tablet=”1px” link_text_shadow_horizontal_length_tablet=”0px” link_text_shadow_vertical_length_tablet=”0px” link_text_shadow_blur_strength_tablet=”1px” ul_text_shadow_horizontal_length_tablet=”0px” ul_text_shadow_vertical_length_tablet=”0px” ul_text_shadow_blur_strength_tablet=”1px” ol_text_shadow_horizontal_length_tablet=”0px” ol_text_shadow_vertical_length_tablet=”0px” ol_text_shadow_blur_strength_tablet=”1px” quote_text_shadow_horizontal_length_tablet=”0px” quote_text_shadow_vertical_length_tablet=”0px” quote_text_shadow_blur_strength_tablet=”1px” header_text_shadow_horizontal_length_tablet=”0px” header_text_shadow_vertical_length_tablet=”0px” header_text_shadow_blur_strength_tablet=”1px” header_2_text_shadow_horizontal_length_tablet=”0px” header_2_text_shadow_vertical_length_tablet=”0px” header_2_text_shadow_blur_strength_tablet=”1px” header_3_text_shadow_horizontal_length_tablet=”0px” header_3_text_shadow_vertical_length_tablet=”0px” header_3_text_shadow_blur_strength_tablet=”1px” header_4_text_shadow_horizontal_length_tablet=”0px” header_4_text_shadow_vertical_length_tablet=”0px” header_4_text_shadow_blur_strength_tablet=”1px” header_5_text_shadow_horizontal_length_tablet=”0px” header_5_text_shadow_vertical_length_tablet=”0px” header_5_text_shadow_blur_strength_tablet=”1px” header_6_text_shadow_horizontal_length_tablet=”0px” header_6_text_shadow_vertical_length_tablet=”0px” header_6_text_shadow_blur_strength_tablet=”1px” box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” global_colors_info=”{}”]<\/p>\n

      PUBLISHED:<\/strong> 29. June 2018<\/p>\n

      [\/et_pb_text][\/et_pb_column][et_pb_column type=”3_5″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.16″ text_font=”||||||||” text_font_size=”18px” z_index_tablet=”500″ text_text_shadow_horizontal_length_tablet=”0px” text_text_shadow_vertical_length_tablet=”0px” text_text_shadow_blur_strength_tablet=”1px” link_text_shadow_horizontal_length_tablet=”0px” link_text_shadow_vertical_length_tablet=”0px” link_text_shadow_blur_strength_tablet=”1px” ul_text_shadow_horizontal_length_tablet=”0px” ul_text_shadow_vertical_length_tablet=”0px” ul_text_shadow_blur_strength_tablet=”1px” ol_text_shadow_horizontal_length_tablet=”0px” ol_text_shadow_vertical_length_tablet=”0px” ol_text_shadow_blur_strength_tablet=”1px” quote_text_shadow_horizontal_length_tablet=”0px” quote_text_shadow_vertical_length_tablet=”0px” quote_text_shadow_blur_strength_tablet=”1px” header_text_shadow_horizontal_length_tablet=”0px” header_text_shadow_vertical_length_tablet=”0px” header_text_shadow_blur_strength_tablet=”1px” header_2_text_shadow_horizontal_length_tablet=”0px” header_2_text_shadow_vertical_length_tablet=”0px” header_2_text_shadow_blur_strength_tablet=”1px” header_3_text_shadow_horizontal_length_tablet=”0px” header_3_text_shadow_vertical_length_tablet=”0px” header_3_text_shadow_blur_strength_tablet=”1px” header_4_text_shadow_horizontal_length_tablet=”0px” header_4_text_shadow_vertical_length_tablet=”0px” header_4_text_shadow_blur_strength_tablet=”1px” header_5_text_shadow_horizontal_length_tablet=”0px” header_5_text_shadow_vertical_length_tablet=”0px” header_5_text_shadow_blur_strength_tablet=”1px” header_6_text_shadow_horizontal_length_tablet=”0px” header_6_text_shadow_vertical_length_tablet=”0px” header_6_text_shadow_blur_strength_tablet=”1px” box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” global_colors_info=”{}”]<\/p>\n

      Phainomena 27<\/em> | 104-105 <\/em>| Junij 2018<\/em><\/p>\n

      \u00bbProtomoderna\u00ab<\/strong><\/p>\n

      >>><\/strong><\/a><\/strong><\/a><\/p>\n

      [\/et_pb_text][et_pb_toggle title=” KAZALO | TABLE OF CONTENTS ” open_toggle_background_color=”#ffffff” closed_toggle_background_color=”#ffffff” icon_color=”#8cc63f” use_icon_font_size=”on” icon_font_size=”18px” open_icon_color=”#8cc63f” open_use_icon_font_size=”on” open_icon_font_size=”18px” _builder_version=”4.16″ title_level=”h6″ width=”80%” custom_padding=”10px||10px” z_index_tablet=”500″ title_text_shadow_horizontal_length_tablet=”0px” title_text_shadow_vertical_length_tablet=”0px” title_text_shadow_blur_strength_tablet=”1px” closed_title_text_shadow_horizontal_length_tablet=”0px” closed_title_text_shadow_vertical_length_tablet=”0px” closed_title_text_shadow_blur_strength_tablet=”1px” body_text_shadow_horizontal_length_tablet=”0px” body_text_shadow_vertical_length_tablet=”0px” body_text_shadow_blur_strength_tablet=”1px” body_link_text_shadow_horizontal_length_tablet=”0px” body_link_text_shadow_vertical_length_tablet=”0px” body_link_text_shadow_blur_strength_tablet=”1px” body_ul_text_shadow_horizontal_length_tablet=”0px” body_ul_text_shadow_vertical_length_tablet=”0px” body_ul_text_shadow_blur_strength_tablet=”1px” body_ol_text_shadow_horizontal_length_tablet=”0px” body_ol_text_shadow_vertical_length_tablet=”0px” body_ol_text_shadow_blur_strength_tablet=”1px” body_quote_text_shadow_horizontal_length_tablet=”0px” body_quote_text_shadow_vertical_length_tablet=”0px” body_quote_text_shadow_blur_strength_tablet=”1px” border_radii=”on|5px|5px|5px|5px” border_color_all=”#8cc63f” box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” text_shadow_horizontal_length_tablet=”0px” text_shadow_vertical_length_tablet=”0px” text_shadow_blur_strength_tablet=”1px” global_colors_info=”{}”]<\/p>\n

      Damir Barbari\u0107<\/p>\n

      Ob izvoru demokracije >>><\/a><\/strong><\/p>\n

      At the Source of Democracy<\/em><\/p>\n

      \u00a0<\/strong><\/p>\n

      Mario Kopi\u0107<\/p>\n

      Te\u017eave z Machiavellijem >>><\/a><\/strong><\/p>\n

      Trouble with Machiavelli<\/em><\/p>\n

      \u00a0<\/strong><\/p>\n

      Jernej Kalu\u017ea<\/p>\n

      \u00bbMno\u017eica\u00ab kot politi\u010dni problem moderne filozofije >>><\/a><\/strong><\/p>\n

      \u201cMultitude\u201d as a Political Problem of Modern Philosophy<\/em><\/p>\n

       <\/p>\n

      Luka Trebe\u017enik<\/p>\n

      Avtoimunost in gostoljubj<\/strong>e. Dekonstrukcija telesnih in protitelesnih metafor >>><\/a><\/strong><\/p>\n

      Autoimmunity and Hospitality. A Deconstruction of Body and Antibody Metaphors<\/em><\/p>\n

       <\/p>\n

      Dragan Prole<\/p>\n

      Pri\u010denjanje na drugi strani za\u010detka. Husserl in zgodnje avantgarde o primitivnem in za\u010detnem >>><\/a><\/strong><\/p>\n

      Beginning beyond Start. Husserl and the Early Avant-Garde on the Primitive and Originary<\/em><\/p>\n

       <\/p>\n

      \u017darko Pai\u0107<\/p>\n

      Pessoa? Metafizi\u010dna norost epohe >>><\/a><\/strong><\/p>\n

      Pessoa? The Metaphysical Madness of the Epoch<\/em><\/p>\n

       <\/p>\n

      Harry Lehmann<\/p>\n

      Perceptivna primerjava kot temelj filozofije umetnosti >>><\/a><\/strong><\/p>\n

      Perceptual Comparison as the Foundation for Art Philosophy<\/em><\/p>\n

       <\/p>\n

      Dario Vuger<\/p>\n

      Situacionisti\u010dno mesto in situacija arhitekture \u2013 pogled na urbanizem komunikacije >>><\/a><\/strong><\/p>\n

      The Situationist City and the Situation of Architecture \u2013 A Look at the Urbanism of Communication<\/em><\/p>\n

      \u00a0<\/strong><\/p>\n

      Marjan \u0160imenc<\/p>\n

      Cilji pouka filozofije, instrumentalizacija in didaktike filozofije >>><\/a><\/strong><\/p>\n

      The Aims of Teaching Philosophy, Instrumentalization, and Didactics of Philosophy<\/em><\/p>\n

       <\/p>\n

      Boris Zizek<\/p>\n

      Izvr\u0161evanje in utemeljevanje, objektivni in subjektivni podatki \u2013 vzporednica? >>><\/a><\/strong><\/p>\n

      Performance and Elaboration of Reasons, Objective and Subjective Data \u2013 a Parallel?\u00a0 <\/em><\/p>\n

       <\/p>\n

      Primo\u017e Turk<\/p>\n

      Aristotel o nujnosti \u010dutnega zaznavanja >>><\/a><\/strong><\/p>\n

      Aristotle on the Necessity of Sense Perception<\/em><\/p>\n

       <\/p>\n

      Marijan Krivak<\/p>\n

      Kaj je filozofija? O metafiziki dejanske sre\u010de >>><\/a><\/strong><\/p>\n

      What Is Philosophy? On Metaphysics of True Happiness<\/em><\/p>\n

      \u00a0<\/strong><\/p>\n

      Tina Bilban<\/p>\n

      O \u010dlove\u0161ki naravi in filozofskem premisleku znanstvenega napredka >>><\/a><\/strong><\/em><\/p>\n

      On Human Nature and Philosophical Reflection of Scientific Progress<\/em><\/p>\n

       <\/p>\n

      OCENE | REVIEWS >>><\/a><\/strong><\/p>\n

      Damir Barbari\u0107: Skladba svijeta. Platonov Timej<\/em><\/strong> (Stjepan \u0160tivi\u0107<\/em>)<\/p>\n

      Dragan Jakovljevi\u0107: Erkenntnisgestalten und Handlungsanweisungen<\/strong> (Dean Komel<\/em>)<\/p>\n

      Martin Heidegger: Kaj se pravi misliti? (<\/strong>Dean Komel<\/em>)<\/p>\n

      \u00a0<\/strong><\/p>\n

      DOKUMENTI | DOCUMENTS >>><\/a><\/strong><\/p>\n

      Schleiermacher o prevajanju <\/em>| Schleiermacher on Translation<\/em><\/p>\n

      \u00a0<\/strong><\/p>\n

      Friedrich Schleiermacher<\/p>\n

      Platonova dela<\/strong><\/p>\n

      Plato\u2019s Works<\/em><\/p>\n

      \u00a0<\/em><\/p>\n

      Friedrich Schleiermacher<\/p>\n

      O razli\u010dnih metodah prevajanja<\/strong><\/p>\n

      On the Different Methods of Translating<\/em><\/p>\n

       <\/p>\n

      Lucija Arzen\u0161ek\u00a0 <\/strong><\/p>\n

      Hermenevti\u010dni vidiki prevajanja pri Friedrichu Schleiermacherju >>><\/a><\/strong><\/p>\n

      Friedrich Schleiermacher\u2019s Hermeneutical Aspects of Translation<\/em><\/p>\n

       <\/p>\n

      Navodila za pripravo rokopisa<\/em><\/p>\n

      Manuscript Submission Guidelines<\/em><\/p>\n

      [\/et_pb_toggle][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”2_5,3_5″ _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” module_alignment=”center” z_index_tablet=”500″ box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” global_colors_info=”{}”][et_pb_column type=”2_5″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_image src=”https:\/\/www.phainomena.com\/en\/wp-content\/uploads\/2019\/10\/One-hundred-per-cent.jpg” _builder_version=”4.16″ width=”80%” z_index_tablet=”500″ box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”3_5″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.16″ text_font=”||||||||” text_font_size=”18px” width=”80%” z_index_tablet=”500″ text_text_shadow_horizontal_length_tablet=”0px” text_text_shadow_vertical_length_tablet=”0px” text_text_shadow_blur_strength_tablet=”1px” link_text_shadow_horizontal_length_tablet=”0px” link_text_shadow_vertical_length_tablet=”0px” link_text_shadow_blur_strength_tablet=”1px” ul_text_shadow_horizontal_length_tablet=”0px” ul_text_shadow_vertical_length_tablet=”0px” ul_text_shadow_blur_strength_tablet=”1px” ol_text_shadow_horizontal_length_tablet=”0px” ol_text_shadow_vertical_length_tablet=”0px” ol_text_shadow_blur_strength_tablet=”1px” quote_text_shadow_horizontal_length_tablet=”0px” quote_text_shadow_vertical_length_tablet=”0px” quote_text_shadow_blur_strength_tablet=”1px” header_text_shadow_horizontal_length_tablet=”0px” header_text_shadow_vertical_length_tablet=”0px” header_text_shadow_blur_strength_tablet=”1px” header_2_text_shadow_horizontal_length_tablet=”0px” header_2_text_shadow_vertical_length_tablet=”0px” header_2_text_shadow_blur_strength_tablet=”1px” header_3_text_shadow_horizontal_length_tablet=”0px” header_3_text_shadow_vertical_length_tablet=”0px” header_3_text_shadow_blur_strength_tablet=”1px” header_4_text_shadow_horizontal_length_tablet=”0px” header_4_text_shadow_vertical_length_tablet=”0px” header_4_text_shadow_blur_strength_tablet=”1px” header_5_text_shadow_horizontal_length_tablet=”0px” header_5_text_shadow_vertical_length_tablet=”0px” header_5_text_shadow_blur_strength_tablet=”1px” header_6_text_shadow_horizontal_length_tablet=”0px” header_6_text_shadow_vertical_length_tablet=”0px” header_6_text_shadow_blur_strength_tablet=”1px” box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” global_colors_info=”{}”]<\/p>\n

      Phainomena 26 <\/em>| 102-103 <\/em>| November 2017<\/em><\/p>\n

      “One Hundred per Cent”<\/strong><\/p>\n

      >>><\/strong><\/a><\/p>\n

      [\/et_pb_text][et_pb_toggle title=” KAZALO | TABLE OF CONTENTS ” open_toggle_background_color=”#ffffff” closed_toggle_background_color=”#ffffff” icon_color=”#8cc63f” use_icon_font_size=”on” icon_font_size=”18px” open_icon_color=”#8cc63f” open_use_icon_font_size=”on” open_icon_font_size=”18px” _builder_version=”4.16″ title_level=”h6″ title_font=”||||||||” closed_title_font=”||||||||” body_font=”||||||||” width=”80%” custom_padding=”10px||10px” z_index_tablet=”500″ title_text_shadow_horizontal_length_tablet=”0px” title_text_shadow_vertical_length_tablet=”0px” title_text_shadow_blur_strength_tablet=”1px” closed_title_text_shadow_horizontal_length_tablet=”0px” closed_title_text_shadow_vertical_length_tablet=”0px” closed_title_text_shadow_blur_strength_tablet=”1px” body_text_shadow_horizontal_length_tablet=”0px” body_text_shadow_vertical_length_tablet=”0px” body_text_shadow_blur_strength_tablet=”1px” body_link_text_shadow_horizontal_length_tablet=”0px” body_link_text_shadow_vertical_length_tablet=”0px” body_link_text_shadow_blur_strength_tablet=”1px” body_ul_text_shadow_horizontal_length_tablet=”0px” body_ul_text_shadow_vertical_length_tablet=”0px” body_ul_text_shadow_blur_strength_tablet=”1px” body_ol_text_shadow_horizontal_length_tablet=”0px” body_ol_text_shadow_vertical_length_tablet=”0px” body_ol_text_shadow_blur_strength_tablet=”1px” body_quote_text_shadow_horizontal_length_tablet=”0px” body_quote_text_shadow_vertical_length_tablet=”0px” body_quote_text_shadow_blur_strength_tablet=”1px” border_radii=”on|5px|5px|5px|5px” border_color_all=”#8cc63f” box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” text_shadow_horizontal_length_tablet=”0px” text_shadow_vertical_length_tablet=”0px” text_shadow_blur_strength_tablet=”1px” global_colors_info=”{}”]<\/p>\n

      Michael Marder<\/p>\n

      Revolutionary Categories<\/strong><\/p>\n

       <\/p>\n

      Andrzej Gniazdowski<\/p>\n

      The Anthropology of Sovietization. Leszek Ko\u0142akowski and Czes\u0142aw Mi\u0142osz about the Roads to Mental Captivity<\/strong><\/p>\n

       <\/p>\n

      Babette Babich<\/p>\n

      Auf dem Weg zur Gro\u00dfen Politik. \u201eDer europ\u00e4ische Mensch und die Vernichtung der Nationen\u201c<\/strong><\/p>\n

       <\/p>\n

      Virgilio Cesarone<\/p>\n

      Revolution und seinsgeschichtliches Denken<\/strong><\/p>\n

       <\/p>\n

      Jes\u00fas Adri\u00e1n Escudero<\/p>\n

      Eigentlichkeit und Agency in Sein und Zeit<\/em><\/strong><\/p>\n

       <\/p>\n

      Trong Hieu Truong<\/p>\n

      Differenz und Revolution<\/strong><\/p>\n

       <\/p>\n

      Victor Molchanov<\/p>\n

      History and Space. Destruction of Temporal Historicity<\/strong><\/p>\n

       <\/p>\n

      Cathrin Nielsen<\/p>\n

      Verwandte des Lebens. \u201eInklusion\u201c nach Fink<\/strong><\/p>\n

       <\/p>\n

      James Mensch<\/p>\n

      Social Change and Embodiment<\/strong><\/p>\n

       <\/p>\n

      Massimo De Carolis<\/p>\n

      The Neoliberal (Counter)Revolution. Its Parabola and Decline<\/strong><\/p>\n

       <\/p>\n

      \u013dubica U\u010dn\u00edk<\/p>\n

      Neoliberalism and Jan Pato\u010dka on Supercivilization and Education<\/strong><\/p>\n

       <\/p>\n

      Urszula Zbrze\u017aniak<\/p>\n

      Equality and Emancipation in Education and Politics<\/strong><\/p>\n

       <\/p>\n

      REPORT<\/p>\n

       <\/p>\n

      Andrej Bo\u017ei\u010d<\/p>\n

      Hospitable Dwelling<\/strong><\/p>\n

       <\/p>\n

      Abstracts\/Povzetki<\/em><\/p>\n

       <\/p>\n

      Addresses of Contributors<\/em><\/p>\n

       <\/p>\n

      Instructions for Authors<\/em><\/p>\n

      [\/et_pb_toggle][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”2_5,3_5″ _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” module_alignment=”center” z_index_tablet=”500″ box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” global_colors_info=”{}”][et_pb_column type=”2_5″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_image src=”https:\/\/www.phainomena.com\/en\/wp-content\/uploads\/2019\/11\/PHI-100-101.jpg” _builder_version=”4.16″ width=”80%” z_index_tablet=”500″ box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”3_5″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.16″ text_font=”||||||||” text_font_size=”18px” width=”80%” z_index_tablet=”500″ text_text_shadow_horizontal_length_tablet=”0px” text_text_shadow_vertical_length_tablet=”0px” text_text_shadow_blur_strength_tablet=”1px” link_text_shadow_horizontal_length_tablet=”0px” link_text_shadow_vertical_length_tablet=”0px” link_text_shadow_blur_strength_tablet=”1px” ul_text_shadow_horizontal_length_tablet=”0px” ul_text_shadow_vertical_length_tablet=”0px” ul_text_shadow_blur_strength_tablet=”1px” ol_text_shadow_horizontal_length_tablet=”0px” ol_text_shadow_vertical_length_tablet=”0px” ol_text_shadow_blur_strength_tablet=”1px” quote_text_shadow_horizontal_length_tablet=”0px” quote_text_shadow_vertical_length_tablet=”0px” quote_text_shadow_blur_strength_tablet=”1px” header_text_shadow_horizontal_length_tablet=”0px” header_text_shadow_vertical_length_tablet=”0px” header_text_shadow_blur_strength_tablet=”1px” header_2_text_shadow_horizontal_length_tablet=”0px” header_2_text_shadow_vertical_length_tablet=”0px” header_2_text_shadow_blur_strength_tablet=”1px” header_3_text_shadow_horizontal_length_tablet=”0px” header_3_text_shadow_vertical_length_tablet=”0px” header_3_text_shadow_blur_strength_tablet=”1px” header_4_text_shadow_horizontal_length_tablet=”0px” header_4_text_shadow_vertical_length_tablet=”0px” header_4_text_shadow_blur_strength_tablet=”1px” header_5_text_shadow_horizontal_length_tablet=”0px” header_5_text_shadow_vertical_length_tablet=”0px” header_5_text_shadow_blur_strength_tablet=”1px” header_6_text_shadow_horizontal_length_tablet=”0px” header_6_text_shadow_vertical_length_tablet=”0px” header_6_text_shadow_blur_strength_tablet=”1px” box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” global_colors_info=”{}”]<\/p>\n

      Phainomena 26 <\/em>| 100-101 <\/em>| June 2017<\/em><\/p>\n

      >>><\/strong><\/a><\/p>\n

      [\/et_pb_text][et_pb_toggle title=” KAZALO | TABLE OF CONTENTS ” open_toggle_background_color=”#ffffff” closed_toggle_background_color=”#ffffff” icon_color=”#8cc63f” use_icon_font_size=”on” icon_font_size=”18px” open_icon_color=”#8cc63f” open_use_icon_font_size=”on” open_icon_font_size=”18px” _builder_version=”4.16″ title_level=”h6″ title_font=”||||||||” closed_title_font=”||||||||” body_font=”||||||||” width=”80%” custom_padding=”10px||10px” z_index_tablet=”500″ title_text_shadow_horizontal_length_tablet=”0px” title_text_shadow_vertical_length_tablet=”0px” title_text_shadow_blur_strength_tablet=”1px” closed_title_text_shadow_horizontal_length_tablet=”0px” closed_title_text_shadow_vertical_length_tablet=”0px” closed_title_text_shadow_blur_strength_tablet=”1px” body_text_shadow_horizontal_length_tablet=”0px” body_text_shadow_vertical_length_tablet=”0px” body_text_shadow_blur_strength_tablet=”1px” body_link_text_shadow_horizontal_length_tablet=”0px” body_link_text_shadow_vertical_length_tablet=”0px” body_link_text_shadow_blur_strength_tablet=”1px” body_ul_text_shadow_horizontal_length_tablet=”0px” body_ul_text_shadow_vertical_length_tablet=”0px” body_ul_text_shadow_blur_strength_tablet=”1px” body_ol_text_shadow_horizontal_length_tablet=”0px” body_ol_text_shadow_vertical_length_tablet=”0px” body_ol_text_shadow_blur_strength_tablet=”1px” body_quote_text_shadow_horizontal_length_tablet=”0px” body_quote_text_shadow_vertical_length_tablet=”0px” body_quote_text_shadow_blur_strength_tablet=”1px” border_radii=”on|5px|5px|5px|5px” border_color_all=”#8cc63f” box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” text_shadow_horizontal_length_tablet=”0px” text_shadow_vertical_length_tablet=”0px” text_shadow_blur_strength_tablet=”1px” global_colors_info=”{}”]<\/p>\n

      Klaus Held<\/p>\n

      Zur Vorgeschichte der Unterscheidung von Natur und Kultur<\/strong><\/p>\n

       <\/p>\n

      Liankang Ni<\/p>\n

      \u201eDas geistige Auge\u201c. K. G\u00f6dels mathematische Intuition und E. Husserls Wesensschau<\/strong><\/p>\n

       <\/p>\n

      Christophe Perrin<\/p>\n

      Heidegger, philosophe de la libert\u00e9\u00a0?<\/strong><\/p>\n

       <\/p>\n

      Rasmus Gahrn-Andersen<\/p>\n

      Experience, Poetry, and Truth. On the Phenomenology of Ernst J\u00fcnger\u2019s The Adventurous Heart<\/em><\/strong><\/p>\n

       <\/p>\n

      Xia Hong<\/p>\n

      Relationship between Two Conceptual Perspectives of Life-World<\/strong><\/p>\n

       <\/p>\n

      Salvatore Italia<\/p>\n

      Deleting Individualities. Habermas\u2019 Worry about Autonomy<\/strong><\/p>\n

       <\/p>\n

      Bo\u0161ko Pe\u0161i\u0107 \u2013 Martina Ivanko<\/p>\n

      Parrhesia as Alethurgic Practice<\/strong><\/p>\n

       <\/p>\n

      Harris B. Bechtol<\/p>\n

      Abrahamic Figurations of Responsibility. Religion without Religion in Jacques Derrida and Jean-Luc Marion<\/strong><\/p>\n

       <\/p>\n

      Andrej Bo\u017ei\u010d<\/p>\n

      The Other in Dialogue. Between Hermeneutic Experience and Responsive Rationality<\/strong><\/p>\n

       <\/p>\n

      Ilya Inishev<\/p>\n

      Die bedeutenden Fl\u00e4chen. Die fehlende Materialit\u00e4tsanalyse in hermeneutischer Bildtheorie<\/strong><\/p>\n

       <\/p>\n

      Kre\u0161imir Purgar<\/p>\n

      Modalities of Pictorial Appearing: Fundamental Concepts<\/strong><\/p>\n

       <\/p>\n

      Veronica Neri<\/p>\n

      The Autonomy and Responsibilities of the Image in Cyberspace<\/strong><\/p>\n

       <\/p>\n

      Chung-Chi Yu<\/p>\n

      Game Objects as Intentional Objects<\/strong><\/p>\n

       <\/p>\n

      In memoriam: Lester E. Embree <\/strong>(Michael Barber<\/em>)<\/p>\n

       <\/p>\n

      Abstracts<\/em><\/p>\n

      \u00a0<\/em><\/p>\n

      Addresses of Contributors<\/em><\/p>\n

      \u00a0<\/em><\/p>\n

      Instructions for Authors<\/em><\/p>\n

      [\/et_pb_toggle][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”2_5,3_5″ _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” module_alignment=”center” z_index_tablet=”500″ box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” global_colors_info=”{}”][et_pb_column type=”2_5″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_image src=”https:\/\/www.phainomena.com\/en\/wp-content\/uploads\/2019\/11\/PHI-98-99.jpg” _builder_version=”4.16″ width=”80%” z_index_tablet=”500″ box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”3_5″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.16″ text_font=”||||||||” text_font_size=”18px” width=”80%” z_index_tablet=”500″ text_text_shadow_horizontal_length_tablet=”0px” text_text_shadow_vertical_length_tablet=”0px” text_text_shadow_blur_strength_tablet=”1px” link_text_shadow_horizontal_length_tablet=”0px” link_text_shadow_vertical_length_tablet=”0px” link_text_shadow_blur_strength_tablet=”1px” ul_text_shadow_horizontal_length_tablet=”0px” ul_text_shadow_vertical_length_tablet=”0px” ul_text_shadow_blur_strength_tablet=”1px” ol_text_shadow_horizontal_length_tablet=”0px” ol_text_shadow_vertical_length_tablet=”0px” ol_text_shadow_blur_strength_tablet=”1px” quote_text_shadow_horizontal_length_tablet=”0px” quote_text_shadow_vertical_length_tablet=”0px” quote_text_shadow_blur_strength_tablet=”1px” header_text_shadow_horizontal_length_tablet=”0px” header_text_shadow_vertical_length_tablet=”0px” header_text_shadow_blur_strength_tablet=”1px” header_2_text_shadow_horizontal_length_tablet=”0px” header_2_text_shadow_vertical_length_tablet=”0px” header_2_text_shadow_blur_strength_tablet=”1px” header_3_text_shadow_horizontal_length_tablet=”0px” header_3_text_shadow_vertical_length_tablet=”0px” header_3_text_shadow_blur_strength_tablet=”1px” header_4_text_shadow_horizontal_length_tablet=”0px” header_4_text_shadow_vertical_length_tablet=”0px” header_4_text_shadow_blur_strength_tablet=”1px” header_5_text_shadow_horizontal_length_tablet=”0px” header_5_text_shadow_vertical_length_tablet=”0px” header_5_text_shadow_blur_strength_tablet=”1px” header_6_text_shadow_horizontal_length_tablet=”0px” header_6_text_shadow_vertical_length_tablet=”0px” header_6_text_shadow_blur_strength_tablet=”1px” box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” global_colors_info=”{}”]<\/p>\n

      Phainomena 25 <\/em>| 98-99 <\/em>| November 2016<\/em><\/p>\n

      Sebastjan V\u00f6r\u00f6s \u2013 Peter Gaitsch (eds.):<\/p>\n

      \u201cThe Horizons of Embodiment\u201d<\/strong><\/p>\n

      >>><\/strong><\/a><\/p>\n

      [\/et_pb_text][et_pb_toggle title=” KAZALO | TABLE OF CONTENTS ” open_toggle_background_color=”#ffffff” closed_toggle_background_color=”#ffffff” icon_color=”#8cc63f” use_icon_font_size=”on” icon_font_size=”18px” open_icon_color=”#8cc63f” open_use_icon_font_size=”on” open_icon_font_size=”18px” _builder_version=”4.16″ title_level=”h6″ title_font=”||||||||” closed_title_font=”||||||||” body_font=”||||||||” width=”80%” custom_padding=”10px||10px” z_index_tablet=”500″ title_text_shadow_horizontal_length_tablet=”0px” title_text_shadow_vertical_length_tablet=”0px” title_text_shadow_blur_strength_tablet=”1px” closed_title_text_shadow_horizontal_length_tablet=”0px” closed_title_text_shadow_vertical_length_tablet=”0px” closed_title_text_shadow_blur_strength_tablet=”1px” body_text_shadow_horizontal_length_tablet=”0px” body_text_shadow_vertical_length_tablet=”0px” body_text_shadow_blur_strength_tablet=”1px” body_link_text_shadow_horizontal_length_tablet=”0px” body_link_text_shadow_vertical_length_tablet=”0px” body_link_text_shadow_blur_strength_tablet=”1px” body_ul_text_shadow_horizontal_length_tablet=”0px” body_ul_text_shadow_vertical_length_tablet=”0px” body_ul_text_shadow_blur_strength_tablet=”1px” body_ol_text_shadow_horizontal_length_tablet=”0px” body_ol_text_shadow_vertical_length_tablet=”0px” body_ol_text_shadow_blur_strength_tablet=”1px” body_quote_text_shadow_horizontal_length_tablet=”0px” body_quote_text_shadow_vertical_length_tablet=”0px” body_quote_text_shadow_blur_strength_tablet=”1px” border_radii=”on|5px|5px|5px|5px” border_color_all=”#8cc63f” box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” text_shadow_horizontal_length_tablet=”0px” text_shadow_vertical_length_tablet=”0px” text_shadow_blur_strength_tablet=”1px” global_colors_info=”{}”]<\/p>\n

      Sebastjan V\u00f6r\u00f6s \u2013 Peter Gaitsch<\/p>\n

      The Horizons of Embodiment. Corporeality in Humans, Animals, and Beyond<\/strong><\/p>\n

       <\/p>\n

      Paulo De Jesus<\/p>\n

      Making Sense of (Autopoietic) Enactive Embodiment. A Gentle Appraisal<\/strong><\/p>\n

       <\/p>\n

      Peter Kaiser<\/p>\n

      Taking Bodily Self-Awareness in Animals Seriously<\/strong><\/p>\n

       <\/p>\n

      Toma Strle<\/p>\n

      Embodied, Enacted, and Experienced Decision-Making<\/strong><\/p>\n

       <\/p>\n

      Ema Dem\u0161ar<\/p>\n

      I Understand You Because I Know You. The Influence of Past Embodied Encounters on Social Understanding<\/strong><\/p>\n

       <\/p>\n

      Julia Garstenauer<\/p>\n

      Temporalization of Touch and Its Consequences for Embodiment<\/strong><\/p>\n

       <\/p>\n

      Martin Huth<\/p>\n

      Interanimality and Animal Encounters. The Phenomenology of Human-Animal Relations<\/strong><\/p>\n

       <\/p>\n

      Lucia Zaietta<\/p>\n

      Humanity is Another Corporeity. Animal and Human Bodies in the Philosophy of Merleau-Ponty<\/strong><\/p>\n

       <\/p>\n

      Peter Gaitsch \u2013 Sebastjan V\u00f6r\u00f6s<\/p>\n

      Husserl\u2019s Somatology Reconsidered. Leib<\/em> as a Methodological Guide for the Explication of (Plant) Life<\/strong><\/p>\n

       <\/p>\n

      Michael Marder<\/p>\n

      The Vertical and the Vertiginous. A Phenomenology of the Mountains<\/strong><\/p>\n

       <\/p>\n

      Povzetki\/Abstracts<\/em><\/p>\n

       <\/p>\n

      Addresses of Contributors<\/em><\/p>\n

       <\/p>\n

      Navodila pri oddaji tekstov<\/em><\/p>\n

      \u00a0<\/em><\/p>\n

      Instructions for Authors<\/em><\/p>\n

      [\/et_pb_toggle][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”2_5,3_5″ _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” module_alignment=”center” z_index_tablet=”500″ box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” global_colors_info=”{}”][et_pb_column type=”2_5″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_image src=”https:\/\/www.phainomena.com\/en\/wp-content\/uploads\/2019\/11\/PHI-96-97.jpg” _builder_version=”4.16″ width=”80%” z_index_tablet=”500″ box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”3_5″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.16″ text_font=”||||||||” text_font_size=”18px” width=”80%” z_index_tablet=”500″ text_text_shadow_horizontal_length_tablet=”0px” text_text_shadow_vertical_length_tablet=”0px” text_text_shadow_blur_strength_tablet=”1px” link_text_shadow_horizontal_length_tablet=”0px” link_text_shadow_vertical_length_tablet=”0px” link_text_shadow_blur_strength_tablet=”1px” ul_text_shadow_horizontal_length_tablet=”0px” ul_text_shadow_vertical_length_tablet=”0px” ul_text_shadow_blur_strength_tablet=”1px” ol_text_shadow_horizontal_length_tablet=”0px” ol_text_shadow_vertical_length_tablet=”0px” ol_text_shadow_blur_strength_tablet=”1px” quote_text_shadow_horizontal_length_tablet=”0px” quote_text_shadow_vertical_length_tablet=”0px” quote_text_shadow_blur_strength_tablet=”1px” header_text_shadow_horizontal_length_tablet=”0px” header_text_shadow_vertical_length_tablet=”0px” header_text_shadow_blur_strength_tablet=”1px” header_2_text_shadow_horizontal_length_tablet=”0px” header_2_text_shadow_vertical_length_tablet=”0px” header_2_text_shadow_blur_strength_tablet=”1px” header_3_text_shadow_horizontal_length_tablet=”0px” header_3_text_shadow_vertical_length_tablet=”0px” header_3_text_shadow_blur_strength_tablet=”1px” header_4_text_shadow_horizontal_length_tablet=”0px” header_4_text_shadow_vertical_length_tablet=”0px” header_4_text_shadow_blur_strength_tablet=”1px” header_5_text_shadow_horizontal_length_tablet=”0px” header_5_text_shadow_vertical_length_tablet=”0px” header_5_text_shadow_blur_strength_tablet=”1px” header_6_text_shadow_horizontal_length_tablet=”0px” header_6_text_shadow_vertical_length_tablet=”0px” header_6_text_shadow_blur_strength_tablet=”1px” box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” global_colors_info=”{}”]<\/p>\n

      Phainomena 25 <\/em>| 96-97 <\/em>| Junij 2016<\/em><\/p>\n

      \u00bbNaznake\u00ab<\/strong><\/p>\n

      >>><\/strong><\/a><\/p>\n

      [\/et_pb_text][et_pb_toggle title=” KAZALO | TABLE OF CONTENTS ” open_toggle_background_color=”#ffffff” closed_toggle_background_color=”#ffffff” icon_color=”#8cc63f” use_icon_font_size=”on” icon_font_size=”18px” open_icon_color=”#8cc63f” open_use_icon_font_size=”on” open_icon_font_size=”18px” _builder_version=”4.16″ title_level=”h6″ title_font=”||||||||” closed_title_font=”||||||||” body_font=”||||||||” width=”80%” custom_padding=”10px||10px” z_index_tablet=”500″ title_text_shadow_horizontal_length_tablet=”0px” title_text_shadow_vertical_length_tablet=”0px” title_text_shadow_blur_strength_tablet=”1px” closed_title_text_shadow_horizontal_length_tablet=”0px” closed_title_text_shadow_vertical_length_tablet=”0px” closed_title_text_shadow_blur_strength_tablet=”1px” body_text_shadow_horizontal_length_tablet=”0px” body_text_shadow_vertical_length_tablet=”0px” body_text_shadow_blur_strength_tablet=”1px” body_link_text_shadow_horizontal_length_tablet=”0px” body_link_text_shadow_vertical_length_tablet=”0px” body_link_text_shadow_blur_strength_tablet=”1px” body_ul_text_shadow_horizontal_length_tablet=”0px” body_ul_text_shadow_vertical_length_tablet=”0px” body_ul_text_shadow_blur_strength_tablet=”1px” body_ol_text_shadow_horizontal_length_tablet=”0px” body_ol_text_shadow_vertical_length_tablet=”0px” body_ol_text_shadow_blur_strength_tablet=”1px” body_quote_text_shadow_horizontal_length_tablet=”0px” body_quote_text_shadow_vertical_length_tablet=”0px” body_quote_text_shadow_blur_strength_tablet=”1px” border_radii=”on|5px|5px|5px|5px” border_color_all=”#8cc63f” box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” text_shadow_horizontal_length_tablet=”0px” text_shadow_vertical_length_tablet=”0px” text_shadow_blur_strength_tablet=”1px” global_colors_info=”{}”]<\/p>\n

      Stjepan \u0160tivi\u0107<\/p>\n

      Kako filozofsko \u017eiveti? Fakti\u010dno \u017eivljenjsko izkustvo in prakr\u0161\u010danska skupnost v filozofiji religije M. Heideggra<\/strong><\/p>\n

       <\/p>\n

      Ga\u0161per Pirc<\/p>\n

      Znamenje formalne naznake. O metodi v zgodnji filozofiji Martina Heideggra<\/strong><\/p>\n

       <\/p>\n

      Tadej Urbanija<\/p>\n

      Po\u010dutje tesnobe in njegova metodolo\u0161ka relevanca<\/strong><\/p>\n

       <\/p>\n

      Marko Marki\u010d<\/p>\n

      Sopripadnost uma in dejanskosti. Mo\u017enost fenomenolo\u0161ke presoje in utemeljitve<\/strong><\/p>\n

       <\/p>\n

      Jo\u017eef Muhovi\u010d<\/p>\n

      Slasti in pasti sekularne metafizike v umetnosti. Transformacije artikulacijskih paradigem v likovni umetnosti zgodnjega, visokega in poznega modernizma<\/strong><\/p>\n

       <\/p>\n

      Igor Po\u017ear<\/p>\n

      Wittgensteinova Kundmanngasse<\/em>. Sub specie aeternitatis<\/em> skozi o\u010di Lefevbreja in Florenskega<\/strong><\/p>\n

       <\/p>\n

      Jan\u017e Snoj<\/p>\n

      Razmi\u0161ljanja o \u00bbnezvestem\u00ab filmu. Andrej Tarkovski in vpra\u0161anje filmske adaptacije<\/strong><\/p>\n

       <\/p>\n

      Sa\u0161o Stojanovi\u010d Len\u010di\u010d<\/p>\n

      Potro\u0161ni\u0161tvo skozi Simmlovo filozofijo kulture<\/strong><\/p>\n

       <\/p>\n

      Mario Kopi\u0107<\/p>\n

      Foucaultova obramba liberalizma<\/strong><\/p>\n

       <\/p>\n

      PORO\u010cILA<\/p>\n

       <\/p>\n

      Mateja Kurir Borov\u010di\u0107<\/p>\n

      Urbana doba zahteva prenovo arhitekture. 15. Arhitekturni bienale v Benetkah<\/strong><\/p>\n

       <\/p>\n

      Timotej Prosen \u2013 Dali Regent \u2013 Nika Bergant<\/p>\n

      Poletna \u0161ola fenomenologije in filozofije duha v Kopenhagnu 2016<\/strong><\/p>\n

       <\/p>\n

      DOKUMENTI: ZGODOVINSKO MISLENJE<\/p>\n

       <\/p>\n

      Vanja Sutli\u0107<\/p>\n

      Zgodovinski odnos in zgodovinsko mislenje<\/strong><\/p>\n

       <\/p>\n

      Martin Heidegger<\/p>\n

      Glede \u00bbBiti in \u010dasa\u00ab v lu\u010di dose\u017eenega ustanitvenega mislenja<\/strong><\/p>\n

       <\/p>\n

      Protokol seminarja \u00bbZgodovinski sklop\u00ab (10. 6. 2016)<\/strong><\/p>\n

       <\/p>\n

      In memoriam: Ivan Urban\u010di\u010d <\/strong>(Dean Komel<\/em>)<\/p>\n

      \u00a0<\/strong><\/p>\n

      In memoriam: Thomas Luckmann <\/strong><\/p>\n

      \u00a0<\/strong><\/p>\n

      In memoriam: Heinrich H\u00fcni <\/strong><\/p>\n

       <\/p>\n

      Povzetki\/Abstracts<\/em><\/p>\n

       <\/p>\n

      Naslovi avtorjev<\/em><\/p>\n

       <\/p>\n

      Navodila pri oddaji tekstov<\/em><\/p>\n

      \u00a0<\/em><\/p>\n

      Instructions for Authors<\/em><\/p>\n

      [\/et_pb_toggle][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”2_5,3_5″ _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” module_alignment=”center” z_index_tablet=”500″ box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” global_colors_info=”{}”][et_pb_column type=”2_5″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_image src=”https:\/\/www.phainomena.com\/en\/wp-content\/uploads\/2019\/11\/PHI-94-95.jpg” _builder_version=”4.16″ width=”80%” z_index_tablet=”500″ box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”3_5″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.16″ text_font=”||||||||” text_font_size=”18px” width=”80%” z_index_tablet=”500″ text_text_shadow_horizontal_length_tablet=”0px” text_text_shadow_vertical_length_tablet=”0px” text_text_shadow_blur_strength_tablet=”1px” link_text_shadow_horizontal_length_tablet=”0px” link_text_shadow_vertical_length_tablet=”0px” link_text_shadow_blur_strength_tablet=”1px” ul_text_shadow_horizontal_length_tablet=”0px” ul_text_shadow_vertical_length_tablet=”0px” ul_text_shadow_blur_strength_tablet=”1px” ol_text_shadow_horizontal_length_tablet=”0px” ol_text_shadow_vertical_length_tablet=”0px” ol_text_shadow_blur_strength_tablet=”1px” quote_text_shadow_horizontal_length_tablet=”0px” quote_text_shadow_vertical_length_tablet=”0px” quote_text_shadow_blur_strength_tablet=”1px” header_text_shadow_horizontal_length_tablet=”0px” header_text_shadow_vertical_length_tablet=”0px” header_text_shadow_blur_strength_tablet=”1px” header_2_text_shadow_horizontal_length_tablet=”0px” header_2_text_shadow_vertical_length_tablet=”0px” header_2_text_shadow_blur_strength_tablet=”1px” header_3_text_shadow_horizontal_length_tablet=”0px” header_3_text_shadow_vertical_length_tablet=”0px” header_3_text_shadow_blur_strength_tablet=”1px” header_4_text_shadow_horizontal_length_tablet=”0px” header_4_text_shadow_vertical_length_tablet=”0px” header_4_text_shadow_blur_strength_tablet=”1px” header_5_text_shadow_horizontal_length_tablet=”0px” header_5_text_shadow_vertical_length_tablet=”0px” header_5_text_shadow_blur_strength_tablet=”1px” header_6_text_shadow_horizontal_length_tablet=”0px” header_6_text_shadow_vertical_length_tablet=”0px” header_6_text_shadow_blur_strength_tablet=”1px” box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” global_colors_info=”{}”]<\/p>\n

      Phainomena 24 <\/em>| 94-95 <\/em>| November 2015<\/em><\/p>\n

      \u00bbRespondenca\u00ab<\/strong><\/p>\n

      >>><\/strong><\/a><\/p>\n

      [\/et_pb_text][et_pb_toggle title=” KAZALO | TABLE OF CONTENTS ” open_toggle_background_color=”#ffffff” closed_toggle_background_color=”#ffffff” icon_color=”#8cc63f” use_icon_font_size=”on” icon_font_size=”18px” open_icon_color=”#8cc63f” open_use_icon_font_size=”on” open_icon_font_size=”18px” _builder_version=”4.16″ title_level=”h6″ title_font=”||||||||” closed_title_font=”||||||||” body_font=”||||||||” width=”80%” custom_padding=”10px||10px” z_index_tablet=”500″ title_text_shadow_horizontal_length_tablet=”0px” title_text_shadow_vertical_length_tablet=”0px” title_text_shadow_blur_strength_tablet=”1px” closed_title_text_shadow_horizontal_length_tablet=”0px” closed_title_text_shadow_vertical_length_tablet=”0px” closed_title_text_shadow_blur_strength_tablet=”1px” body_text_shadow_horizontal_length_tablet=”0px” body_text_shadow_vertical_length_tablet=”0px” body_text_shadow_blur_strength_tablet=”1px” body_link_text_shadow_horizontal_length_tablet=”0px” body_link_text_shadow_vertical_length_tablet=”0px” body_link_text_shadow_blur_strength_tablet=”1px” body_ul_text_shadow_horizontal_length_tablet=”0px” body_ul_text_shadow_vertical_length_tablet=”0px” body_ul_text_shadow_blur_strength_tablet=”1px” body_ol_text_shadow_horizontal_length_tablet=”0px” body_ol_text_shadow_vertical_length_tablet=”0px” body_ol_text_shadow_blur_strength_tablet=”1px” body_quote_text_shadow_horizontal_length_tablet=”0px” body_quote_text_shadow_vertical_length_tablet=”0px” body_quote_text_shadow_blur_strength_tablet=”1px” border_radii=”on|5px|5px|5px|5px” border_color_all=”#8cc63f” box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” text_shadow_horizontal_length_tablet=”0px” text_shadow_vertical_length_tablet=”0px” text_shadow_blur_strength_tablet=”1px” global_colors_info=”{}”]<\/p>\n

      Bernhard Waldenfels<\/p>\n

      Homo respondens<\/strong><\/p>\n

       <\/p>\n

      Goran Star\u010devi\u0107<\/p>\n

      Nomad, odpadnik, upornik. Koncepti in taktike odpora v ustrojenem svetu<\/strong><\/p>\n

       <\/p>\n

      \u017darko Pai\u0107<\/p>\n

      Eksistenca, dogodek in kapital. Kako misliti brez zgodovine<\/strong><\/p>\n

       <\/p>\n

      Valentin Kalan<\/p>\n

      Evropa, demokracija in velika politika. O nekaterih aktualnih temah Nietzschejeve politi\u010dne filozofije<\/strong><\/p>\n

       <\/p>\n

      Petar Bojani\u0107<\/p>\n

      Skupinska identiteta in nichtsoziale Akte<\/em> (ne-socialna dejanja)<\/strong><\/p>\n

       <\/p>\n

      Adolf Reinach<\/p>\n

      Nesocialna in socialna dejanja (1911)<\/strong><\/p>\n

       <\/p>\n

      Simona Su\u0161ec<\/p>\n

      O branju in interpretiranju<\/strong><\/p>\n

       <\/p>\n

      Anja Skapin<\/p>\n

      Red, tradicija in literarnost<\/strong><\/p>\n

       <\/p>\n

      Andrina Tonkli Komel<\/p>\n

      Dialog, mnogoglasna po\u0161ast ali kak\u0161na bolj krotka \u017eival?<\/strong><\/p>\n

       <\/p>\n

      Andrej Markovi\u0107<\/p>\n

      Dobro \u017eivljenje pri Aristotelu; \u010dlovekovo politi\u010dno in filozofsko \u017eivljenje<\/strong><\/p>\n

       <\/p>\n

      Primo\u017e Turk<\/p>\n

      O pojmu zadr\u017eanja (<\/strong>\u1f15<\/strong>\u03be\u03b9\u03c2) v Aristotelovi etiki<\/strong><\/p>\n

       <\/p>\n

      Plotin<\/p>\n

      Prva Eneada 8: 1.8 (51): O tem, katere so slabe stvari, in od kod zlo?<\/strong><\/p>\n

       <\/p>\n

      RECENZIJA<\/p>\n

       <\/p>\n

      Petar \u0160egedin: Pojam uma u Platona<\/strong> (Marko Marki\u010d<\/em>)<\/p>\n

       <\/p>\n

      ZGODOVINSKO MISLENJE<\/p>\n

       <\/p>\n

      Vanja Sutli\u0107<\/p>\n

      O zgodovinskem mislenju<\/strong><\/p>\n

       <\/p>\n

      Vanja Sutli\u0107<\/p>\n

      Kaj ni zgodovinsko mislenje? Osnovni obrisi zgodovinskega mislenja<\/strong><\/p>\n

       <\/p>\n

      Protokol seminarja \u00bbZgodovinsko mislenje\u00ab (12. 5. 2015)<\/strong><\/p>\n

       <\/p>\n

      Immanuel Kant<\/p>\n

      Zmo\u017enost po\u017eelenja<\/strong><\/p>\n

       <\/p>\n

      Anton \u017dvan<\/p>\n

      Um in razum <\/strong><\/p>\n

       <\/p>\n

      Friedrich Nietzsche<\/p>\n

      \u00bbGospodarji Zemlje\u00ab (zapisi iz pomladi leta 1884)<\/strong><\/p>\n

       <\/p>\n

      Walter Benjanim<\/p>\n

      Zapisi o pojmu zgodovine<\/strong><\/p>\n

       <\/p>\n

      Martin Heidegger<\/p>\n

      Pribele\u017eenja<\/strong><\/p>\n

       <\/p>\n

      Herbert Marcuse \u2013 Martin Heidegger<\/p>\n

      Tri pisma<\/strong><\/p>\n

       <\/p>\n

      Peter Trawny<\/p>\n

      Predpostavke in kriteriji ne-filozofskega delovanja<\/strong><\/p>\n

       <\/p>\n

      Povzetki\/Abstracts<\/em><\/p>\n

       <\/p>\n

      Addresses of Contributors<\/em><\/p>\n

       <\/p>\n

      Navodila pri oddaji tekstov<\/em><\/p>\n

      \u00a0<\/em><\/p>\n

      Instructions for Authors<\/em><\/p>\n

      [\/et_pb_toggle][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”2_5,3_5″ _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” module_alignment=”center” z_index_tablet=”500″ box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” global_colors_info=”{}”][et_pb_column type=”2_5″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_image src=”https:\/\/www.phainomena.com\/en\/wp-content\/uploads\/2019\/11\/PHI-92-93.jpg” _builder_version=”4.16″ width=”80%” z_index_tablet=”500″ box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”3_5″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.16″ text_font=”||||||||” text_font_size=”18px” width=”80%” z_index_tablet=”500″ text_text_shadow_horizontal_length_tablet=”0px” text_text_shadow_vertical_length_tablet=”0px” text_text_shadow_blur_strength_tablet=”1px” link_text_shadow_horizontal_length_tablet=”0px” link_text_shadow_vertical_length_tablet=”0px” link_text_shadow_blur_strength_tablet=”1px” ul_text_shadow_horizontal_length_tablet=”0px” ul_text_shadow_vertical_length_tablet=”0px” ul_text_shadow_blur_strength_tablet=”1px” ol_text_shadow_horizontal_length_tablet=”0px” ol_text_shadow_vertical_length_tablet=”0px” ol_text_shadow_blur_strength_tablet=”1px” quote_text_shadow_horizontal_length_tablet=”0px” quote_text_shadow_vertical_length_tablet=”0px” quote_text_shadow_blur_strength_tablet=”1px” header_text_shadow_horizontal_length_tablet=”0px” header_text_shadow_vertical_length_tablet=”0px” header_text_shadow_blur_strength_tablet=”1px” header_2_text_shadow_horizontal_length_tablet=”0px” header_2_text_shadow_vertical_length_tablet=”0px” header_2_text_shadow_blur_strength_tablet=”1px” header_3_text_shadow_horizontal_length_tablet=”0px” header_3_text_shadow_vertical_length_tablet=”0px” header_3_text_shadow_blur_strength_tablet=”1px” header_4_text_shadow_horizontal_length_tablet=”0px” header_4_text_shadow_vertical_length_tablet=”0px” header_4_text_shadow_blur_strength_tablet=”1px” header_5_text_shadow_horizontal_length_tablet=”0px” header_5_text_shadow_vertical_length_tablet=”0px” header_5_text_shadow_blur_strength_tablet=”1px” header_6_text_shadow_horizontal_length_tablet=”0px” header_6_text_shadow_vertical_length_tablet=”0px” header_6_text_shadow_blur_strength_tablet=”1px” box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” global_colors_info=”{}”]<\/p>\n

      Phainomena 24 <\/em>| 92-93 <\/em>| June 2015<\/em><\/p>\n

      \u201cOpen Forums\u2014Open Forms\u201d<\/strong><\/p>\n

      >>><\/strong><\/a><\/p>\n

      [\/et_pb_text][et_pb_toggle title=” KAZALO | TABLE OF CONTENTS ” open_toggle_background_color=”#ffffff” closed_toggle_background_color=”#ffffff” icon_color=”#8cc63f” use_icon_font_size=”on” icon_font_size=”18px” open_icon_color=”#8cc63f” open_use_icon_font_size=”on” open_icon_font_size=”18px” _builder_version=”4.16″ title_level=”h6″ title_font=”||||||||” closed_title_font=”||||||||” body_font=”||||||||” width=”80%” custom_padding=”10px||10px” z_index_tablet=”500″ title_text_shadow_horizontal_length_tablet=”0px” title_text_shadow_vertical_length_tablet=”0px” title_text_shadow_blur_strength_tablet=”1px” closed_title_text_shadow_horizontal_length_tablet=”0px” closed_title_text_shadow_vertical_length_tablet=”0px” closed_title_text_shadow_blur_strength_tablet=”1px” body_text_shadow_horizontal_length_tablet=”0px” body_text_shadow_vertical_length_tablet=”0px” body_text_shadow_blur_strength_tablet=”1px” body_link_text_shadow_horizontal_length_tablet=”0px” body_link_text_shadow_vertical_length_tablet=”0px” body_link_text_shadow_blur_strength_tablet=”1px” body_ul_text_shadow_horizontal_length_tablet=”0px” body_ul_text_shadow_vertical_length_tablet=”0px” body_ul_text_shadow_blur_strength_tablet=”1px” body_ol_text_shadow_horizontal_length_tablet=”0px” body_ol_text_shadow_vertical_length_tablet=”0px” body_ol_text_shadow_blur_strength_tablet=”1px” body_quote_text_shadow_horizontal_length_tablet=”0px” body_quote_text_shadow_vertical_length_tablet=”0px” body_quote_text_shadow_blur_strength_tablet=”1px” border_radii=”on|5px|5px|5px|5px” border_color_all=”#8cc63f” box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” text_shadow_horizontal_length_tablet=”0px” text_shadow_vertical_length_tablet=”0px” text_shadow_blur_strength_tablet=”1px” global_colors_info=”{}”]<\/p>\n

      FORUMS<\/p>\n

       <\/p>\n

      Bernhard Waldenfels<\/p>\n

      Homo respondens<\/strong><\/p>\n

       <\/p>\n

      Dean Komel<\/p>\n

      Crisis as the Discrimen of Philosophy<\/strong><\/p>\n

       <\/p>\n

      Massimo De Carolis<\/p>\n

      Stop Saving Us. Concerning the Ritual Vocation of Financial Markets<\/strong><\/p>\n

       <\/p>\n

      Jeff Malpas<\/p>\n

      Making Sense of Ethics in the Everyday<\/strong><\/p>\n

       <\/p>\n

      Alfred Denker<\/p>\n

      Die soziale Welt \u2013 Vollzugsstrukturen. Hermeneutik der Faktizit\u00e4t<\/strong><\/p>\n

       <\/p>\n

      Uro\u0161 Mili\u0107<\/p>\n

      Kierkegaard, Heidegger, and the Question of Method behind the Search for Authenticity<\/strong><\/p>\n

       <\/p>\n

      FORMS<\/p>\n

       <\/p>\n

      Victor Molchanov<\/p>\n

      Raumverwandlung und Zeiterfahrung. Die Frage nach dem Ursprung der Zeit<\/strong><\/p>\n

       <\/p>\n

      Adriano Fabris<\/p>\n

      Questioning the Body Today<\/strong><\/p>\n

       <\/p>\n

      Kre\u0161imir Purgar<\/p>\n

      What Is Not an Image (Anymore)? Iconic Difference, Immersion, and Iconic Simultaneity in the Age of Screens<\/strong><\/p>\n

       <\/p>\n

      Sanja Milutinovi\u0107 Bojani\u0107<\/p>\n

      Use and Misuse of Cathartic Impulse: Dysfunctional Democracy<\/strong><\/p>\n

       <\/p>\n

      Rolf Elberfeld<\/p>\n

      Sinnlichkeit unterscheiden<\/strong><\/p>\n

       <\/p>\n

      In memoriam: Anton \u017dvan<\/strong><\/p>\n

       <\/p>\n

      Abstracts\/Povzetki<\/em><\/p>\n

      \u00a0<\/em><\/p>\n

      Addresses of Contributors<\/em><\/p>\n

      \u00a0<\/em><\/p>\n

      Instructions for Authors<\/em><\/p>\n

      \u00a0<\/em><\/p>\n

      Navodila za avtorje<\/em><\/p>\n

      [\/et_pb_toggle][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”2_5,3_5″ _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” module_alignment=”center” z_index_tablet=”500″ box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” global_colors_info=”{}”][et_pb_column type=”2_5″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_image src=”https:\/\/www.phainomena.com\/en\/wp-content\/uploads\/2019\/11\/PHI-90-91.jpg” _builder_version=”4.16″ width=”80%” z_index_tablet=”500″ box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”3_5″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.16″ text_font=”||||||||” text_font_size=”18px” width=”80%” z_index_tablet=”500″ text_text_shadow_horizontal_length_tablet=”0px” text_text_shadow_vertical_length_tablet=”0px” text_text_shadow_blur_strength_tablet=”1px” link_text_shadow_horizontal_length_tablet=”0px” link_text_shadow_vertical_length_tablet=”0px” link_text_shadow_blur_strength_tablet=”1px” ul_text_shadow_horizontal_length_tablet=”0px” ul_text_shadow_vertical_length_tablet=”0px” ul_text_shadow_blur_strength_tablet=”1px” ol_text_shadow_horizontal_length_tablet=”0px” ol_text_shadow_vertical_length_tablet=”0px” ol_text_shadow_blur_strength_tablet=”1px” quote_text_shadow_horizontal_length_tablet=”0px” quote_text_shadow_vertical_length_tablet=”0px” quote_text_shadow_blur_strength_tablet=”1px” header_text_shadow_horizontal_length_tablet=”0px” header_text_shadow_vertical_length_tablet=”0px” header_text_shadow_blur_strength_tablet=”1px” header_2_text_shadow_horizontal_length_tablet=”0px” header_2_text_shadow_vertical_length_tablet=”0px” header_2_text_shadow_blur_strength_tablet=”1px” header_3_text_shadow_horizontal_length_tablet=”0px” header_3_text_shadow_vertical_length_tablet=”0px” header_3_text_shadow_blur_strength_tablet=”1px” header_4_text_shadow_horizontal_length_tablet=”0px” header_4_text_shadow_vertical_length_tablet=”0px” header_4_text_shadow_blur_strength_tablet=”1px” header_5_text_shadow_horizontal_length_tablet=”0px” header_5_text_shadow_vertical_length_tablet=”0px” header_5_text_shadow_blur_strength_tablet=”1px” header_6_text_shadow_horizontal_length_tablet=”0px” header_6_text_shadow_vertical_length_tablet=”0px” header_6_text_shadow_blur_strength_tablet=”1px” box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” global_colors_info=”{}”]<\/p>\n

      Phainomena 23 <\/em>| 90-91 <\/em>| November 2014<\/em><\/p>\n

      \u00bbNotice\u00ab<\/strong><\/p>\n

      >>><\/strong><\/a><\/p>\n

      [\/et_pb_text][et_pb_toggle title=” KAZALO | TABLE OF CONTENTS ” open_toggle_background_color=”#ffffff” closed_toggle_background_color=”#ffffff” icon_color=”#8cc63f” use_icon_font_size=”on” icon_font_size=”18px” open_icon_color=”#8cc63f” open_use_icon_font_size=”on” open_icon_font_size=”18px” _builder_version=”4.16″ title_level=”h6″ title_font=”||||||||” closed_title_font=”||||||||” body_font=”||||||||” width=”80%” custom_padding=”10px||10px” z_index_tablet=”500″ title_text_shadow_horizontal_length_tablet=”0px” title_text_shadow_vertical_length_tablet=”0px” title_text_shadow_blur_strength_tablet=”1px” closed_title_text_shadow_horizontal_length_tablet=”0px” closed_title_text_shadow_vertical_length_tablet=”0px” closed_title_text_shadow_blur_strength_tablet=”1px” body_text_shadow_horizontal_length_tablet=”0px” body_text_shadow_vertical_length_tablet=”0px” body_text_shadow_blur_strength_tablet=”1px” body_link_text_shadow_horizontal_length_tablet=”0px” body_link_text_shadow_vertical_length_tablet=”0px” body_link_text_shadow_blur_strength_tablet=”1px” body_ul_text_shadow_horizontal_length_tablet=”0px” body_ul_text_shadow_vertical_length_tablet=”0px” body_ul_text_shadow_blur_strength_tablet=”1px” body_ol_text_shadow_horizontal_length_tablet=”0px” body_ol_text_shadow_vertical_length_tablet=”0px” body_ol_text_shadow_blur_strength_tablet=”1px” body_quote_text_shadow_horizontal_length_tablet=”0px” body_quote_text_shadow_vertical_length_tablet=”0px” body_quote_text_shadow_blur_strength_tablet=”1px” border_radii=”on|5px|5px|5px|5px” border_color_all=”#8cc63f” box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” text_shadow_horizontal_length_tablet=”0px” text_shadow_vertical_length_tablet=”0px” text_shadow_blur_strength_tablet=”1px” global_colors_info=”{}”]<\/p>\n

      Andrina Tonkli Komel<\/p>\n

      Dru\u017eice, dru\u017eabnice, druge<\/strong><\/p>\n

       <\/p>\n

      \u0160pela Ziherl<\/p>\n

      Vloga prolepsis<\/em> v Epikurjevi filozofiji<\/strong><\/p>\n

       <\/p>\n

      Goran Star\u010devi\u0107<\/p>\n

      Narava kot ogledalo filozofije. Vodi\u010d skozi galaksije skupnega sveta<\/strong><\/p>\n

       <\/p>\n

      Toma\u017e Gru\u0161ovnik<\/p>\n

      Cavell, skepticizem in samovzgoja<\/strong><\/p>\n

       <\/p>\n

      Jurij Selan<\/p>\n

      K razumevanju pogojev sodobne umetnosti. Diskurzivna analiza<\/strong><\/p>\n

       <\/p>\n

      Ga\u0161per Pirc<\/p>\n

      Pravni diskurz in pravna zavest. O\u010drt filozofskih temeljev hermenevtike prava<\/strong><\/p>\n

       <\/p>\n

      Miroslav Gri\u0161ko<\/p>\n

      Sveta vojna in totalna mobilizacija<\/strong><\/p>\n

       <\/p>\n

      Jernej Kalu\u017ea<\/p>\n

      Nietzsche in navada<\/strong><\/p>\n

       <\/p>\n

      Mateja Kurir Borov\u010di\u0107<\/p>\n

      Rez moderne: Martin Heidegger in Sigmund Freud<\/strong><\/p>\n

       <\/p>\n

      Sebastjan V\u00f6r\u00f6s<\/p>\n

      Okrogel trikotnik ali miljo visok monocikel? O mo\u017enosti naturalizacije fenomenologije<\/strong><\/p>\n

       <\/p>\n

      PREVOD<\/p>\n

       <\/p>\n

      Martin Heidegger<\/p>\n

      Premisleki<\/strong><\/p>\n

       <\/p>\n

      Dean Komel<\/p>\n

      \u010crno na belem in chiaroscuro<\/em> v Heideggrovih \u010crnih zvezkih<\/em><\/strong><\/p>\n

       <\/p>\n

      RECENZIJE<\/p>\n

       <\/p>\n

      Lee Hardy: Nature\u2019s Suit. Husserl\u2019s Phenomenological Philosophy of the Physical Sciences<\/strong> (Tina Bilban<\/em>)<\/p>\n

      Boris Zizek: Probleme und Formationen des modernen Subjekts<\/strong> (Andrej Bo\u017ei\u010d<\/em>)<\/p>\n

      Hans Rainer Sepp: Bild. Ph\u00e4nomenologie der Epoch\u00e9 I<\/strong> (Andrej Bo\u017ei\u010d<\/em>)<\/p>\n

       <\/p>\n

      Povzetki\/Abstracts<\/em><\/p>\n

      \u00a0<\/em><\/p>\n

      Addresses of Contributors<\/em><\/p>\n

      \u00a0<\/em><\/p>\n

      Instructions for Authors<\/em><\/p>\n

      [\/et_pb_toggle][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”2_5,3_5″ _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” module_alignment=”center” z_index_tablet=”500″ box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” global_colors_info=”{}”][et_pb_column type=”2_5″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_image src=”https:\/\/www.phainomena.com\/en\/wp-content\/uploads\/2019\/11\/PHI-88-89.jpg” _builder_version=”4.16″ width=”80%” z_index_tablet=”500″ box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”3_5″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.16″ text_font=”||||||||” text_font_size=”18px” width=”80%” z_index_tablet=”500″ text_text_shadow_horizontal_length_tablet=”0px” text_text_shadow_vertical_length_tablet=”0px” text_text_shadow_blur_strength_tablet=”1px” link_text_shadow_horizontal_length_tablet=”0px” link_text_shadow_vertical_length_tablet=”0px” link_text_shadow_blur_strength_tablet=”1px” ul_text_shadow_horizontal_length_tablet=”0px” ul_text_shadow_vertical_length_tablet=”0px” ul_text_shadow_blur_strength_tablet=”1px” ol_text_shadow_horizontal_length_tablet=”0px” ol_text_shadow_vertical_length_tablet=”0px” ol_text_shadow_blur_strength_tablet=”1px” quote_text_shadow_horizontal_length_tablet=”0px” quote_text_shadow_vertical_length_tablet=”0px” quote_text_shadow_blur_strength_tablet=”1px” header_text_shadow_horizontal_length_tablet=”0px” header_text_shadow_vertical_length_tablet=”0px” header_text_shadow_blur_strength_tablet=”1px” header_2_text_shadow_horizontal_length_tablet=”0px” header_2_text_shadow_vertical_length_tablet=”0px” header_2_text_shadow_blur_strength_tablet=”1px” header_3_text_shadow_horizontal_length_tablet=”0px” header_3_text_shadow_vertical_length_tablet=”0px” header_3_text_shadow_blur_strength_tablet=”1px” header_4_text_shadow_horizontal_length_tablet=”0px” header_4_text_shadow_vertical_length_tablet=”0px” header_4_text_shadow_blur_strength_tablet=”1px” header_5_text_shadow_horizontal_length_tablet=”0px” header_5_text_shadow_vertical_length_tablet=”0px” header_5_text_shadow_blur_strength_tablet=”1px” header_6_text_shadow_horizontal_length_tablet=”0px” header_6_text_shadow_vertical_length_tablet=”0px” header_6_text_shadow_blur_strength_tablet=”1px” box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” global_colors_info=”{}”]<\/p>\n

      Phainomena 23 <\/em>| 88-89 <\/em>| June 2014<\/em><\/p>\n

      \u00a0\u201cVirtualities\u201d<\/span><\/strong><\/p>\n

      >>><\/strong><\/a><\/p>\n

      [\/et_pb_text][et_pb_toggle title=” KAZALO | TABLE OF CONTENTS ” open_toggle_background_color=”#ffffff” closed_toggle_background_color=”#ffffff” icon_color=”#8cc63f” use_icon_font_size=”on” icon_font_size=”18px” open_icon_color=”#8cc63f” open_use_icon_font_size=”on” open_icon_font_size=”18px” _builder_version=”4.16″ title_level=”h6″ title_font=”||||||||” closed_title_font=”||||||||” body_font=”||||||||” width=”80%” custom_padding=”10px||10px” z_index_tablet=”500″ title_text_shadow_horizontal_length_tablet=”0px” title_text_shadow_vertical_length_tablet=”0px” title_text_shadow_blur_strength_tablet=”1px” closed_title_text_shadow_horizontal_length_tablet=”0px” closed_title_text_shadow_vertical_length_tablet=”0px” closed_title_text_shadow_blur_strength_tablet=”1px” body_text_shadow_horizontal_length_tablet=”0px” body_text_shadow_vertical_length_tablet=”0px” body_text_shadow_blur_strength_tablet=”1px” body_link_text_shadow_horizontal_length_tablet=”0px” body_link_text_shadow_vertical_length_tablet=”0px” body_link_text_shadow_blur_strength_tablet=”1px” body_ul_text_shadow_horizontal_length_tablet=”0px” body_ul_text_shadow_vertical_length_tablet=”0px” body_ul_text_shadow_blur_strength_tablet=”1px” body_ol_text_shadow_horizontal_length_tablet=”0px” body_ol_text_shadow_vertical_length_tablet=”0px” body_ol_text_shadow_blur_strength_tablet=”1px” body_quote_text_shadow_horizontal_length_tablet=”0px” body_quote_text_shadow_vertical_length_tablet=”0px” body_quote_text_shadow_blur_strength_tablet=”1px” border_radii=”on|5px|5px|5px|5px” border_color_all=”#8cc63f” box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” text_shadow_horizontal_length_tablet=”0px” text_shadow_vertical_length_tablet=”0px” text_shadow_blur_strength_tablet=”1px” global_colors_info=”{}”]<\/p>\n

      Christophe Perrin<\/p>\n

      \u00ab\u00a0Cogito me cogitare.\u00a0\u00bb Note pour servir la g\u00e9n\u00e9alogie et la t\u00e9l\u00e9ologie d\u2019une formule-cl\u00e9 de G. W. Leibniz \u00e0 J. L. Marion<\/strong><\/p>\n

       <\/p>\n

      Denis D\u017eani\u0107<\/p>\n

      The Phenomenological Origin of Difference in Derrida and Deleuze<\/strong><\/p>\n

       <\/p>\n

      Katarina Peovi\u0107 Vukovi\u0107<\/p>\n

      Virtual Worlds and Lacan. Transference in Computer Games<\/strong><\/p>\n

       <\/p>\n

      Polona Tratnik<\/p>\n

      Entering Brave New Sociality with Super Intelligent, Emotional, and Wet Brained Robots<\/strong><\/p>\n

       <\/p>\n

      Laura Potrovi\u0107<\/p>\n

      Neuro-Transformative Performance Processes. From Neuroplasticity to the Reorganization of Performer\u2019s Body Partiture<\/strong><\/p>\n

       <\/p>\n

      Adriano Fabris<\/p>\n

      Kommunikationsethik<\/strong><\/p>\n

       <\/p>\n

      Dean Komel<\/p>\n

      Virtualit\u00e4t und die Vollendung der Metaphysik<\/strong><\/p>\n

       <\/p>\n

      Peter Trawny<\/p>\n

      Europa und die Revolution<\/strong><\/p>\n

       <\/p>\n

      Petar Bojani\u0107<\/p>\n

      \u201cAs.\u201d Person as Corporation \u2013 Corporation as Person. What is (in)corporatio?<\/strong><\/p>\n

       <\/p>\n

      Holger Zaborowski<\/p>\n

      Abschied vom \u201eewigen Frieden\u201c? Neue Kriege und ihre Herausforderungen f\u00fcr Moral und Recht<\/strong><\/p>\n

       <\/p>\n

      Philip Ogo Ujomu \u2013 Felix O. Olatunji<\/p>\n

      Insecurity and Instability as Challenges to the Nigerian State. Philosophical Reflections on the Meaning<\/strong><\/p>\n

      of Social Order<\/strong><\/p>\n

       <\/p>\n

      Athanasia Glycofrydi-Leontsini<\/p>\n

      Perceptions of the Oriental in Modern Greek Painting<\/strong><\/p>\n

       <\/p>\n

      \u017darko Pai\u0107<\/p>\n

      Theory of Contemporary Art: Lines and Curves. Post-History and the Discomforts of Periodization<\/strong><\/p>\n

       <\/p>\n

      In memoriam: L\u00e1szl\u00f3 Tengelyi<\/strong> (Klaus Held<\/em>)<\/p>\n

      \u00a0<\/strong><\/p>\n

      In memoriam: Anna-Teresa Tymieniecka<\/strong><\/p>\n

       <\/p>\n

      Abstracts\/Povzetki<\/em><\/p>\n

      \u00a0<\/em><\/p>\n

      Addresses of Contributors<\/em><\/p>\n

      \u00a0<\/em><\/p>\n

      Instructions for Authors<\/em><\/p>\n

      [\/et_pb_toggle][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”2_5,3_5″ _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” module_alignment=”center” z_index_tablet=”500″ box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” global_colors_info=”{}”][et_pb_column type=”2_5″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_image src=”https:\/\/www.phainomena.com\/en\/wp-content\/uploads\/2019\/11\/PHI-86-87.jpg” _builder_version=”4.16″ width=”80%” z_index_tablet=”500″ box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”3_5″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.16″ text_font=”||||||||” text_font_size=”18px” width=”80%” z_index_tablet=”500″ text_text_shadow_horizontal_length_tablet=”0px” text_text_shadow_vertical_length_tablet=”0px” text_text_shadow_blur_strength_tablet=”1px” link_text_shadow_horizontal_length_tablet=”0px” link_text_shadow_vertical_length_tablet=”0px” link_text_shadow_blur_strength_tablet=”1px” ul_text_shadow_horizontal_length_tablet=”0px” ul_text_shadow_vertical_length_tablet=”0px” ul_text_shadow_blur_strength_tablet=”1px” ol_text_shadow_horizontal_length_tablet=”0px” ol_text_shadow_vertical_length_tablet=”0px” ol_text_shadow_blur_strength_tablet=”1px” quote_text_shadow_horizontal_length_tablet=”0px” quote_text_shadow_vertical_length_tablet=”0px” quote_text_shadow_blur_strength_tablet=”1px” header_text_shadow_horizontal_length_tablet=”0px” header_text_shadow_vertical_length_tablet=”0px” header_text_shadow_blur_strength_tablet=”1px” header_2_text_shadow_horizontal_length_tablet=”0px” header_2_text_shadow_vertical_length_tablet=”0px” header_2_text_shadow_blur_strength_tablet=”1px” header_3_text_shadow_horizontal_length_tablet=”0px” header_3_text_shadow_vertical_length_tablet=”0px” header_3_text_shadow_blur_strength_tablet=”1px” header_4_text_shadow_horizontal_length_tablet=”0px” header_4_text_shadow_vertical_length_tablet=”0px” header_4_text_shadow_blur_strength_tablet=”1px” header_5_text_shadow_horizontal_length_tablet=”0px” header_5_text_shadow_vertical_length_tablet=”0px” header_5_text_shadow_blur_strength_tablet=”1px” header_6_text_shadow_horizontal_length_tablet=”0px” header_6_text_shadow_vertical_length_tablet=”0px” header_6_text_shadow_blur_strength_tablet=”1px” box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” global_colors_info=”{}”]<\/p>\n

      Phainomena 22 <\/em>| 86-87 <\/em>| November 2013<\/em><\/p>\n

      \u00bbPrizma\u00ab<\/strong><\/p>\n

      >>><\/strong><\/a><\/p>\n

      [\/et_pb_text][et_pb_toggle title=” KAZALO | TABLE OF CONTENTS ” open_toggle_background_color=”#ffffff” closed_toggle_background_color=”#ffffff” icon_color=”#8cc63f” use_icon_font_size=”on” icon_font_size=”18px” open_icon_color=”#8cc63f” open_use_icon_font_size=”on” open_icon_font_size=”18px” _builder_version=”4.16″ title_level=”h6″ title_font=”||||||||” closed_title_font=”||||||||” body_font=”||||||||” width=”80%” custom_padding=”10px||10px” z_index_tablet=”500″ title_text_shadow_horizontal_length_tablet=”0px” title_text_shadow_vertical_length_tablet=”0px” title_text_shadow_blur_strength_tablet=”1px” closed_title_text_shadow_horizontal_length_tablet=”0px” closed_title_text_shadow_vertical_length_tablet=”0px” closed_title_text_shadow_blur_strength_tablet=”1px” body_text_shadow_horizontal_length_tablet=”0px” body_text_shadow_vertical_length_tablet=”0px” body_text_shadow_blur_strength_tablet=”1px” body_link_text_shadow_horizontal_length_tablet=”0px” body_link_text_shadow_vertical_length_tablet=”0px” body_link_text_shadow_blur_strength_tablet=”1px” body_ul_text_shadow_horizontal_length_tablet=”0px” body_ul_text_shadow_vertical_length_tablet=”0px” body_ul_text_shadow_blur_strength_tablet=”1px” body_ol_text_shadow_horizontal_length_tablet=”0px” body_ol_text_shadow_vertical_length_tablet=”0px” body_ol_text_shadow_blur_strength_tablet=”1px” body_quote_text_shadow_horizontal_length_tablet=”0px” body_quote_text_shadow_vertical_length_tablet=”0px” body_quote_text_shadow_blur_strength_tablet=”1px” border_radii=”on|5px|5px|5px|5px” border_color_all=”#8cc63f” box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” text_shadow_horizontal_length_tablet=”0px” text_shadow_vertical_length_tablet=”0px” text_shadow_blur_strength_tablet=”1px” global_colors_info=”{}”]<\/p>\n

      Tze-Wan Kwan<\/p>\n

      Tvorba abstraktnih pojmov v arhai\u010dnih kitajskih pisavah. Nekaj humboldtovskih perspektiv<\/strong><\/p>\n

       <\/p>\n

      Toru Tani<\/p>\n

      Fenomenologiziranje kulture<\/strong><\/p>\n

       <\/p>\n

      Alenka Ko\u017eelj<\/p>\n

      Vloga in pomen simbola znotraj srednjeve\u0161kega kulturno-filozofskega obzorja<\/strong><\/p>\n

       <\/p>\n

      Ga\u0161per Pirc<\/p>\n

      \u017divljenje \u017eive metafore. O metafori v filozofiji Paula Ricoeurja<\/strong><\/p>\n

       <\/p>\n

      Chan Fai Cheung<\/p>\n

      Zamrznitev \u010dasa in prostora. Fenomenologiji fotografije naproti<\/strong><\/p>\n

       <\/p>\n

      Alja\u017e Poto\u010dnik<\/p>\n

      Diaboli\u010dno pripoznanje pri Kantu<\/strong><\/p>\n

       <\/p>\n

      Silvia Stoller<\/p>\n

      Preplet \u010dasa pri de Beauvoirjevi in Merleau-Pontyju<\/strong><\/p>\n

       <\/p>\n

      Izar Luna\u010dek<\/p>\n

      Heideggrova roka. Komi\u010dni objekt ideologije<\/strong><\/p>\n

       <\/p>\n

      Jernej Kalu\u017ea<\/p>\n

      (Ne) gre samo za \u010drko! Vzporedno branje: Darwin-Derrida<\/strong><\/p>\n

       <\/p>\n

      Robert Simoni\u010d<\/p>\n

      Filozofija tehnike med Ernstom Kappom in Martinom Heideggrom<\/strong><\/p>\n

       <\/p>\n

      Tina Bilban<\/p>\n

      Kako misliti znanost? Husserlov in Bohrov pretres znanosti<\/strong><\/p>\n

       <\/p>\n

      Jan Pato\u010dka<\/p>\n

      Duhovni \u010dlovek in intelektualec<\/strong><\/p>\n

       <\/p>\n

      Nejc Lo\u017ear<\/p>\n

      Prevajanje Jana Pato\u010dke<\/strong><\/p>\n

       <\/p>\n

      Andrina Tonkli Komel<\/p>\n

      Politi\u010dno in druge pojavnosti: Hannah Arendt<\/strong><\/p>\n

       <\/p>\n

      RECENZIJA<\/p>\n

       <\/p>\n

      Matthias Flatscher: Logos und Lethe<\/strong> (Branko Klun<\/em>)<\/p>\n

       <\/p>\n

      Povzetki\/Abstracts<\/em><\/p>\n

      \u00a0<\/em><\/p>\n

      Addresses of Contributors<\/em><\/p>\n

      \u00a0<\/em><\/p>\n

      Navodila pri oddaji tekstov<\/em><\/p>\n

      \u00a0<\/em><\/p>\n

      Instructions for Authors<\/em><\/p>\n

      [\/et_pb_toggle][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”2_5,3_5″ _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” module_alignment=”center” z_index_tablet=”500″ box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” global_colors_info=”{}”][et_pb_column type=”2_5″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_image src=”https:\/\/www.phainomena.com\/en\/wp-content\/uploads\/2019\/11\/PHI-84-85.jpg” _builder_version=”4.16″ width=”80%” z_index_tablet=”500″ box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”3_5″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.16″ text_font=”||||||||” text_font_size=”18px” width=”80%” z_index_tablet=”500″ text_text_shadow_horizontal_length_tablet=”0px” text_text_shadow_vertical_length_tablet=”0px” text_text_shadow_blur_strength_tablet=”1px” link_text_shadow_horizontal_length_tablet=”0px” link_text_shadow_vertical_length_tablet=”0px” link_text_shadow_blur_strength_tablet=”1px” ul_text_shadow_horizontal_length_tablet=”0px” ul_text_shadow_vertical_length_tablet=”0px” ul_text_shadow_blur_strength_tablet=”1px” ol_text_shadow_horizontal_length_tablet=”0px” ol_text_shadow_vertical_length_tablet=”0px” ol_text_shadow_blur_strength_tablet=”1px” quote_text_shadow_horizontal_length_tablet=”0px” quote_text_shadow_vertical_length_tablet=”0px” quote_text_shadow_blur_strength_tablet=”1px” header_text_shadow_horizontal_length_tablet=”0px” header_text_shadow_vertical_length_tablet=”0px” header_text_shadow_blur_strength_tablet=”1px” header_2_text_shadow_horizontal_length_tablet=”0px” header_2_text_shadow_vertical_length_tablet=”0px” header_2_text_shadow_blur_strength_tablet=”1px” header_3_text_shadow_horizontal_length_tablet=”0px” header_3_text_shadow_vertical_length_tablet=”0px” header_3_text_shadow_blur_strength_tablet=”1px” header_4_text_shadow_horizontal_length_tablet=”0px” header_4_text_shadow_vertical_length_tablet=”0px” header_4_text_shadow_blur_strength_tablet=”1px” header_5_text_shadow_horizontal_length_tablet=”0px” header_5_text_shadow_vertical_length_tablet=”0px” header_5_text_shadow_blur_strength_tablet=”1px” header_6_text_shadow_horizontal_length_tablet=”0px” header_6_text_shadow_vertical_length_tablet=”0px” header_6_text_shadow_blur_strength_tablet=”1px” box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” global_colors_info=”{}”]<\/p>\n

      Phainomena 22 <\/em>| 84-85 <\/em>| June 2013<\/em><\/p>\n

      Andrina Tonkli Komel \u2013 Hans Rainer Sepp (eds.):<\/p>\n

      \u201cGenealogies\u201d<\/strong><\/p>\n

      >>><\/strong><\/a><\/p>\n

      [\/et_pb_text][et_pb_toggle title=” KAZALO | TABLE OF CONTENTS ” open_toggle_background_color=”#ffffff” closed_toggle_background_color=”#ffffff” icon_color=”#8cc63f” use_icon_font_size=”on” icon_font_size=”18px” open_icon_color=”#8cc63f” open_use_icon_font_size=”on” open_icon_font_size=”18px” _builder_version=”4.16″ title_level=”h6″ title_font=”||||||||” closed_title_font=”||||||||” body_font=”||||||||” width=”80%” custom_padding=”10px||10px” z_index_tablet=”500″ title_text_shadow_horizontal_length_tablet=”0px” title_text_shadow_vertical_length_tablet=”0px” title_text_shadow_blur_strength_tablet=”1px” closed_title_text_shadow_horizontal_length_tablet=”0px” closed_title_text_shadow_vertical_length_tablet=”0px” closed_title_text_shadow_blur_strength_tablet=”1px” body_text_shadow_horizontal_length_tablet=”0px” body_text_shadow_vertical_length_tablet=”0px” body_text_shadow_blur_strength_tablet=”1px” body_link_text_shadow_horizontal_length_tablet=”0px” body_link_text_shadow_vertical_length_tablet=”0px” body_link_text_shadow_blur_strength_tablet=”1px” body_ul_text_shadow_horizontal_length_tablet=”0px” body_ul_text_shadow_vertical_length_tablet=”0px” body_ul_text_shadow_blur_strength_tablet=”1px” body_ol_text_shadow_horizontal_length_tablet=”0px” body_ol_text_shadow_vertical_length_tablet=”0px” body_ol_text_shadow_blur_strength_tablet=”1px” body_quote_text_shadow_horizontal_length_tablet=”0px” body_quote_text_shadow_vertical_length_tablet=”0px” body_quote_text_shadow_blur_strength_tablet=”1px” border_radii=”on|5px|5px|5px|5px” border_color_all=”#8cc63f” box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” text_shadow_horizontal_length_tablet=”0px” text_shadow_vertical_length_tablet=”0px” text_shadow_blur_strength_tablet=”1px” global_colors_info=”{}”]<\/p>\n

      Bernhard Waldenfels<\/p>\n

      Es gibt Ordnung \/ Il y a de l\u2019ordre<\/strong><\/p>\n

       <\/p>\n

      \u013dubica U\u010dn\u00edk<\/p>\n

      Science and Lebenswelt<\/em><\/strong><\/p>\n

       <\/p>\n

      Azelarabe Lahkim Bennani<\/p>\n

      Agonistische Demokratie, Lebensformen und Wertpluralismus<\/strong><\/p>\n

       <\/p>\n

      Chung-Chi Yu<\/p>\n

      Husserl on China and Culture Centrism<\/strong><\/p>\n

       <\/p>\n

      Liangkang NI<\/p>\n

      Genealogy of Morality and Phenomenology of Moral Consciousness<\/strong><\/p>\n

       <\/p>\n

      Paul S. MacDonald<\/p>\n

      Leibniz, the pessimum<\/em>, and the Death Penalty<\/strong><\/p>\n

       <\/p>\n

      Silvia Stoller<\/p>\n

      Genealogy of Gender Theory? Genealogy of Gender Practice?<\/strong><\/p>\n

       <\/p>\n

      Stephan G\u00fcnzel<\/p>\n

      Deleuze und die Ph\u00e4nomenologie<\/strong><\/p>\n

       <\/p>\n

      \u017darko Pai\u0107<\/p>\n

      God without Religion? The Emptiness of the World and Event Openness<\/strong><\/p>\n

       <\/p>\n

      Ilya Inishev<\/p>\n

      Heideggers Philosophie der Kunst im Lichte gegenw\u00e4rtiger \u00c4sthetik und Bildtheorie<\/strong><\/p>\n

       <\/p>\n

      Hans Rainer Sepp<\/p>\n

      Unbeteiligtes Beteiligtsein. El Greco: Laokoon<\/em><\/strong><\/p>\n

       <\/p>\n

      Petr Kouba<\/p>\n

      Griechische Trag\u00f6die als Medium der Erfahrung<\/strong><\/p>\n

       <\/p>\n

      Benjamin Kaiser<\/p>\n

      Mitteilen und Urteilen. Eine Ann\u00e4herung an das Mitteilen mit Franz Kafkas \u201eDas Urteil\u201c<\/strong><\/p>\n

       <\/p>\n

      Povzetki\/Abstracts<\/em><\/p>\n

      \u00a0<\/em><\/p>\n

      Addresses of Contributors<\/em><\/p>\n

      \u00a0<\/em><\/p>\n

      Navodila pri oddaji tekstov<\/em><\/p>\n

      \u00a0<\/em><\/p>\n

      Instructions for Authors<\/em><\/p>\n

      [\/et_pb_toggle][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”2_5,3_5″ _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” module_alignment=”center” z_index_tablet=”500″ box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” global_colors_info=”{}”][et_pb_column type=”2_5″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_image src=”https:\/\/www.phainomena.com\/en\/wp-content\/uploads\/2019\/11\/PHI-82-83.jpg” _builder_version=”4.16″ width=”80%” z_index_tablet=”500″ box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”3_5″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.16″ text_font=”||||||||” text_font_size=”18px” width=”80%” z_index_tablet=”500″ text_text_shadow_horizontal_length_tablet=”0px” text_text_shadow_vertical_length_tablet=”0px” text_text_shadow_blur_strength_tablet=”1px” link_text_shadow_horizontal_length_tablet=”0px” link_text_shadow_vertical_length_tablet=”0px” link_text_shadow_blur_strength_tablet=”1px” ul_text_shadow_horizontal_length_tablet=”0px” ul_text_shadow_vertical_length_tablet=”0px” ul_text_shadow_blur_strength_tablet=”1px” ol_text_shadow_horizontal_length_tablet=”0px” ol_text_shadow_vertical_length_tablet=”0px” ol_text_shadow_blur_strength_tablet=”1px” quote_text_shadow_horizontal_length_tablet=”0px” quote_text_shadow_vertical_length_tablet=”0px” quote_text_shadow_blur_strength_tablet=”1px” header_text_shadow_horizontal_length_tablet=”0px” header_text_shadow_vertical_length_tablet=”0px” header_text_shadow_blur_strength_tablet=”1px” header_2_text_shadow_horizontal_length_tablet=”0px” header_2_text_shadow_vertical_length_tablet=”0px” header_2_text_shadow_blur_strength_tablet=”1px” header_3_text_shadow_horizontal_length_tablet=”0px” header_3_text_shadow_vertical_length_tablet=”0px” header_3_text_shadow_blur_strength_tablet=”1px” header_4_text_shadow_horizontal_length_tablet=”0px” header_4_text_shadow_vertical_length_tablet=”0px” header_4_text_shadow_blur_strength_tablet=”1px” header_5_text_shadow_horizontal_length_tablet=”0px” header_5_text_shadow_vertical_length_tablet=”0px” header_5_text_shadow_blur_strength_tablet=”1px” header_6_text_shadow_horizontal_length_tablet=”0px” header_6_text_shadow_vertical_length_tablet=”0px” header_6_text_shadow_blur_strength_tablet=”1px” box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” global_colors_info=”{}”]<\/p>\n

      Phainomena 21 <\/em>| 82-83 <\/em>| November 2012<\/em><\/p>\n

      Jurij Ver\u010d (ed.):<\/p>\n

      \u201cSelected Essays in Contemporary Italian Philosophy\u201d<\/strong><\/p>\n

      >>><\/strong><\/a><\/p>\n

      [\/et_pb_text][et_pb_toggle title=” KAZALO | TABLE OF CONTENTS ” open_toggle_background_color=”#ffffff” closed_toggle_background_color=”#ffffff” icon_color=”#8cc63f” use_icon_font_size=”on” icon_font_size=”18px” open_icon_color=”#8cc63f” open_use_icon_font_size=”on” open_icon_font_size=”18px” _builder_version=”4.16″ title_level=”h6″ title_font=”||||||||” closed_title_font=”||||||||” body_font=”||||||||” width=”80%” custom_padding=”10px||10px” z_index_tablet=”500″ title_text_shadow_horizontal_length_tablet=”0px” title_text_shadow_vertical_length_tablet=”0px” title_text_shadow_blur_strength_tablet=”1px” closed_title_text_shadow_horizontal_length_tablet=”0px” closed_title_text_shadow_vertical_length_tablet=”0px” closed_title_text_shadow_blur_strength_tablet=”1px” body_text_shadow_horizontal_length_tablet=”0px” body_text_shadow_vertical_length_tablet=”0px” body_text_shadow_blur_strength_tablet=”1px” body_link_text_shadow_horizontal_length_tablet=”0px” body_link_text_shadow_vertical_length_tablet=”0px” body_link_text_shadow_blur_strength_tablet=”1px” body_ul_text_shadow_horizontal_length_tablet=”0px” body_ul_text_shadow_vertical_length_tablet=”0px” body_ul_text_shadow_blur_strength_tablet=”1px” body_ol_text_shadow_horizontal_length_tablet=”0px” body_ol_text_shadow_vertical_length_tablet=”0px” body_ol_text_shadow_blur_strength_tablet=”1px” body_quote_text_shadow_horizontal_length_tablet=”0px” body_quote_text_shadow_vertical_length_tablet=”0px” body_quote_text_shadow_blur_strength_tablet=”1px” border_radii=”on|5px|5px|5px|5px” border_color_all=”#8cc63f” box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” text_shadow_horizontal_length_tablet=”0px” text_shadow_vertical_length_tablet=”0px” text_shadow_blur_strength_tablet=”1px” global_colors_info=”{}”]<\/p>\n

      Jurij Ver\u010d<\/p>\n

      Editorial<\/strong><\/p>\n

       <\/p>\n

      Adriano Fabris<\/p>\n

      The Ethics of Relations<\/strong><\/p>\n

       <\/p>\n

      Ugo Volli<\/p>\n

      The Twins or the Reasons of Contemporary Italian Philosophy<\/strong><\/p>\n

       <\/p>\n

      Carlo Sini<\/p>\n

      On Ethical Revolution in Philosophy<\/strong><\/p>\n

       <\/p>\n

      Arturo Martone<\/p>\n

      The Perception and Judgment of Flavor. Some Exemplary Cases and Some Aporias<\/strong><\/p>\n

       <\/p>\n

      Massimo De Carolis<\/p>\n

      Die Natur des Geistes<\/strong><\/p>\n

       <\/p>\n

      Maurizio Ferraris<\/p>\n

      A New Realist Approach to Hermeneutics<\/strong><\/p>\n

       <\/p>\n

      Gianni Vattimo<\/p>\n

      Realism in Two Pieces<\/strong><\/p>\n

       <\/p>\n

      Giovanni Leghissa<\/p>\n

      Qui a peur des Cultural Studies<\/em>? Sur la politisation des sciences humaines entre anthropologie et ontologie de l\u2019actualit\u00e9<\/strong><\/p>\n

       <\/p>\n

      Emanuele Severino<\/p>\n

      Technics, Nihilism, Truth<\/strong><\/p>\n

       <\/p>\n

      Umberto Galimberti<\/p>\n

      Man in the Age of Technics<\/strong><\/p>\n

       <\/p>\n

      Telmo Pievani<\/p>\n

      Denialism. What is \u201cReal\u201d in Public Debates Today? The Case of Evolution<\/strong><\/p>\n

       <\/p>\n

      Pier Aldo Rovatti<\/p>\n

      We, the Barbarians. Reflections on the Italian Anomaly<\/strong><\/p>\n

       <\/p>\n

      Giorgio Agamben<\/p>\n

      State of Exception<\/strong><\/p>\n

       <\/p>\n

      Carlo Galli<\/p>\n

      The Discontent of Democracy<\/strong><\/p>\n

       <\/p>\n

      Roberto Esposito<\/p>\n

      Democracy and Biopolitics<\/strong><\/p>\n

       <\/p>\n

      Izvle\u010dki\/Abstracts<\/em><\/p>\n

       <\/p>\n

      Addresses of Contributors<\/em><\/p>\n

       <\/p>\n

      Navodila pri oddaji tekstov<\/em><\/p>\n

      \u00a0<\/em><\/p>\n

      Instructions for Authors<\/em><\/p>\n

      [\/et_pb_toggle][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”2_5,3_5″ _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” module_alignment=”center” z_index_tablet=”500″ box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” global_colors_info=”{}”][et_pb_column type=”2_5″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_image src=”https:\/\/www.phainomena.com\/en\/wp-content\/uploads\/2019\/11\/PHI-80-81.jpg” _builder_version=”4.16″ width=”80%” z_index_tablet=”500″ box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”3_5″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.16″ text_font=”||||||||” text_font_size=”18px” width=”80%” z_index_tablet=”500″ text_text_shadow_horizontal_length_tablet=”0px” text_text_shadow_vertical_length_tablet=”0px” text_text_shadow_blur_strength_tablet=”1px” link_text_shadow_horizontal_length_tablet=”0px” link_text_shadow_vertical_length_tablet=”0px” link_text_shadow_blur_strength_tablet=”1px” ul_text_shadow_horizontal_length_tablet=”0px” ul_text_shadow_vertical_length_tablet=”0px” ul_text_shadow_blur_strength_tablet=”1px” ol_text_shadow_horizontal_length_tablet=”0px” ol_text_shadow_vertical_length_tablet=”0px” ol_text_shadow_blur_strength_tablet=”1px” quote_text_shadow_horizontal_length_tablet=”0px” quote_text_shadow_vertical_length_tablet=”0px” quote_text_shadow_blur_strength_tablet=”1px” header_text_shadow_horizontal_length_tablet=”0px” header_text_shadow_vertical_length_tablet=”0px” header_text_shadow_blur_strength_tablet=”1px” header_2_text_shadow_horizontal_length_tablet=”0px” header_2_text_shadow_vertical_length_tablet=”0px” header_2_text_shadow_blur_strength_tablet=”1px” header_3_text_shadow_horizontal_length_tablet=”0px” header_3_text_shadow_vertical_length_tablet=”0px” header_3_text_shadow_blur_strength_tablet=”1px” header_4_text_shadow_horizontal_length_tablet=”0px” header_4_text_shadow_vertical_length_tablet=”0px” header_4_text_shadow_blur_strength_tablet=”1px” header_5_text_shadow_horizontal_length_tablet=”0px” header_5_text_shadow_vertical_length_tablet=”0px” header_5_text_shadow_blur_strength_tablet=”1px” header_6_text_shadow_horizontal_length_tablet=”0px” header_6_text_shadow_vertical_length_tablet=”0px” header_6_text_shadow_blur_strength_tablet=”1px” box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” global_colors_info=”{}”]<\/p>\n

      Phainomena 21 <\/em>| 80-81<\/em> | Junij 2012<\/em><\/p>\n

      \u00bbUmetnost razumevanja\u00ab<\/strong><\/p>\n

      >>><\/strong><\/a><\/p>\n

      [\/et_pb_text][et_pb_toggle title=” KAZALO | TABLE OF CONTENTS ” open_toggle_background_color=”#ffffff” closed_toggle_background_color=”#ffffff” icon_color=”#8cc63f” use_icon_font_size=”on” icon_font_size=”18px” open_icon_color=”#8cc63f” open_use_icon_font_size=”on” open_icon_font_size=”18px” _builder_version=”4.16″ title_level=”h6″ title_font=”||||||||” closed_title_font=”||||||||” body_font=”||||||||” width=”80%” custom_padding=”10px||10px” z_index_tablet=”500″ title_text_shadow_horizontal_length_tablet=”0px” title_text_shadow_vertical_length_tablet=”0px” title_text_shadow_blur_strength_tablet=”1px” closed_title_text_shadow_horizontal_length_tablet=”0px” closed_title_text_shadow_vertical_length_tablet=”0px” closed_title_text_shadow_blur_strength_tablet=”1px” body_text_shadow_horizontal_length_tablet=”0px” body_text_shadow_vertical_length_tablet=”0px” body_text_shadow_blur_strength_tablet=”1px” body_link_text_shadow_horizontal_length_tablet=”0px” body_link_text_shadow_vertical_length_tablet=”0px” body_link_text_shadow_blur_strength_tablet=”1px” body_ul_text_shadow_horizontal_length_tablet=”0px” body_ul_text_shadow_vertical_length_tablet=”0px” body_ul_text_shadow_blur_strength_tablet=”1px” body_ol_text_shadow_horizontal_length_tablet=”0px” body_ol_text_shadow_vertical_length_tablet=”0px” body_ol_text_shadow_blur_strength_tablet=”1px” body_quote_text_shadow_horizontal_length_tablet=”0px” body_quote_text_shadow_vertical_length_tablet=”0px” body_quote_text_shadow_blur_strength_tablet=”1px” border_radii=”on|5px|5px|5px|5px” border_color_all=”#8cc63f” box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” text_shadow_horizontal_length_tablet=”0px” text_shadow_vertical_length_tablet=”0px” text_shadow_blur_strength_tablet=”1px” global_colors_info=”{}”]<\/p>\n

      Tadashi Ogawa<\/p>\n

      Transsubjektivno ustvarjanje poeti\u010dnega ozra\u010dja. Basho je mojster renge in ne haikuja<\/strong><\/p>\n

       <\/p>\n

      Peter Trawny<\/p>\n

      Brezpodobna pesem Paula Celana<\/strong><\/p>\n

       <\/p>\n

      Andrej Bo\u017ei\u010d<\/p>\n

      \u00bbIz majhnega daljnega \/ z \u017eeljami prepredenega \/ sosedstva\u00ab<\/strong><\/p>\n

       <\/p>\n

      Bo\u0161tjan Narat<\/p>\n

      \u00bbNa \u017ealost v njem ni nobene glasbe\u00ab<\/strong><\/p>\n

       <\/p>\n

      Jurij Selan<\/p>\n

      Biti vmes. Umetnost kot praxis<\/em><\/strong><\/p>\n

       <\/p>\n

      Mateja Kurir Borov\u010di\u0107<\/p>\n

      Arhitektura arhitekture. O pomenski zgradbi besede arhitektura od antike do modernizma<\/strong><\/p>\n

       <\/p>\n

      Alen \u0160irca<\/p>\n

      Od hermenevti\u010dnega k misti\u010dnemu krogu<\/strong><\/p>\n

       <\/p>\n

      Matija Poto\u010dnik<\/p>\n

      Kantov klju\u010d metafizike<\/strong><\/p>\n

       <\/p>\n

      Milosav Gudovi\u0107<\/p>\n

      Onkraj estetskega subjektivizma. Marginalije ob Kantovi Kritiki razsodne mo\u010di<\/em><\/strong><\/p>\n

       <\/p>\n

      Damir Barbari\u0107<\/p>\n

      Kaj je izobra\u017eevanje?<\/strong><\/p>\n

       <\/p>\n

      Teo Vadnjal<\/p>\n

      Finkova eksistencialna interpretacija fenomenolo\u0161ke redukcije<\/strong><\/p>\n

       <\/p>\n

      Robert Simoni\u010d<\/p>\n

      Mi\u0161ljenje zadr\u017eanja, zadr\u017eanje mi\u0161ljenja<\/strong><\/p>\n

       <\/p>\n

      Maja Murnik<\/p>\n

      Telo-v-gibanju. Razumevanje telesa v Merleau-Pontyjevi zgodnej\u0161i filozofiji<\/strong><\/p>\n

       <\/p>\n

      Jurij Ver\u010d<\/p>\n

      Vpra\u0161anje etike v postmoderni<\/strong><\/p>\n

       <\/p>\n

      Andrina Tonkli Komel<\/p>\n

      \u017denska (na) izkustvo<\/strong><\/p>\n

       <\/p>\n

      Povzetki\/Abstracts<\/em><\/p>\n

      \u00a0<\/em><\/p>\n

      Addresses of Contributors<\/em><\/p>\n

      \u00a0<\/em><\/p>\n

      Instructions for Authors<\/em><\/p>\n

      \u00a0<\/em><\/p>\n

      Navodila pri oddaji tekstov<\/em><\/p>\n

      [\/et_pb_toggle][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”2_5,3_5″ _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” module_alignment=”center” z_index_tablet=”500″ box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” global_colors_info=”{}”][et_pb_column type=”2_5″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_image src=”https:\/\/www.phainomena.com\/en\/wp-content\/uploads\/2019\/11\/PHI-79.jpg” _builder_version=”4.16″ width=”80%” z_index_tablet=”500″ box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”3_5″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.16″ text_font=”||||||||” text_font_size=”18px” width=”80%” z_index_tablet=”500″ text_text_shadow_horizontal_length_tablet=”0px” text_text_shadow_vertical_length_tablet=”0px” text_text_shadow_blur_strength_tablet=”1px” link_text_shadow_horizontal_length_tablet=”0px” link_text_shadow_vertical_length_tablet=”0px” link_text_shadow_blur_strength_tablet=”1px” ul_text_shadow_horizontal_length_tablet=”0px” ul_text_shadow_vertical_length_tablet=”0px” ul_text_shadow_blur_strength_tablet=”1px” ol_text_shadow_horizontal_length_tablet=”0px” ol_text_shadow_vertical_length_tablet=”0px” ol_text_shadow_blur_strength_tablet=”1px” quote_text_shadow_horizontal_length_tablet=”0px” quote_text_shadow_vertical_length_tablet=”0px” quote_text_shadow_blur_strength_tablet=”1px” header_text_shadow_horizontal_length_tablet=”0px” header_text_shadow_vertical_length_tablet=”0px” header_text_shadow_blur_strength_tablet=”1px” header_2_text_shadow_horizontal_length_tablet=”0px” header_2_text_shadow_vertical_length_tablet=”0px” header_2_text_shadow_blur_strength_tablet=”1px” header_3_text_shadow_horizontal_length_tablet=”0px” header_3_text_shadow_vertical_length_tablet=”0px” header_3_text_shadow_blur_strength_tablet=”1px” header_4_text_shadow_horizontal_length_tablet=”0px” header_4_text_shadow_vertical_length_tablet=”0px” header_4_text_shadow_blur_strength_tablet=”1px” header_5_text_shadow_horizontal_length_tablet=”0px” header_5_text_shadow_vertical_length_tablet=”0px” header_5_text_shadow_blur_strength_tablet=”1px” header_6_text_shadow_horizontal_length_tablet=”0px” header_6_text_shadow_vertical_length_tablet=”0px” header_6_text_shadow_blur_strength_tablet=”1px” box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” global_colors_info=”{}”]<\/p>\n

      Phainomena 20 <\/em>| 79<\/em> | November 2011<\/em><\/p>\n

      \u201cDiapositiva\u201d<\/strong><\/p>\n

      >>><\/a><\/p>\n

      [\/et_pb_text][et_pb_toggle title=” KAZALO | TABLE OF CONTENTS ” open_toggle_background_color=”#ffffff” closed_toggle_background_color=”#ffffff” icon_color=”#8cc63f” use_icon_font_size=”on” icon_font_size=”18px” open_icon_color=”#8cc63f” open_use_icon_font_size=”on” open_icon_font_size=”18px” _builder_version=”4.16″ title_level=”h6″ title_font=”||||||||” closed_title_font=”||||||||” body_font=”||||||||” width=”80%” custom_padding=”10px||10px” z_index_tablet=”500″ title_text_shadow_horizontal_length_tablet=”0px” title_text_shadow_vertical_length_tablet=”0px” title_text_shadow_blur_strength_tablet=”1px” closed_title_text_shadow_horizontal_length_tablet=”0px” closed_title_text_shadow_vertical_length_tablet=”0px” closed_title_text_shadow_blur_strength_tablet=”1px” body_text_shadow_horizontal_length_tablet=”0px” body_text_shadow_vertical_length_tablet=”0px” body_text_shadow_blur_strength_tablet=”1px” body_link_text_shadow_horizontal_length_tablet=”0px” body_link_text_shadow_vertical_length_tablet=”0px” body_link_text_shadow_blur_strength_tablet=”1px” body_ul_text_shadow_horizontal_length_tablet=”0px” body_ul_text_shadow_vertical_length_tablet=”0px” body_ul_text_shadow_blur_strength_tablet=”1px” body_ol_text_shadow_horizontal_length_tablet=”0px” body_ol_text_shadow_vertical_length_tablet=”0px” body_ol_text_shadow_blur_strength_tablet=”1px” body_quote_text_shadow_horizontal_length_tablet=”0px” body_quote_text_shadow_vertical_length_tablet=”0px” body_quote_text_shadow_blur_strength_tablet=”1px” border_radii=”on|5px|5px|5px|5px” border_color_all=”#8cc63f” box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” text_shadow_horizontal_length_tablet=”0px” text_shadow_vertical_length_tablet=”0px” text_shadow_blur_strength_tablet=”1px” global_colors_info=”{}”]<\/p>\n

      Wen-Sheng Wang<\/p>\n

      How is Aristotle\u2019s Conception of physis<\/em> Implicated in Husserl\u2019s Phenomenology? <\/strong><\/p>\n

       <\/p>\n

      Xin Yu<\/p>\n

      A Phenomenological Investigation on Einf\u00fchlung<\/em> and Einsf\u00fchlung<\/em><\/strong><\/p>\n

       <\/p>\n

      Ka-wing Leung<\/p>\n

      Heidegger\u2019s Concept of Fore-Structure and Textual Interpretation<\/strong><\/p>\n

       <\/p>\n

      Dimitri Ginev<\/p>\n

      Hermeneutic Realism as a Critical Theory<\/strong><\/p>\n

       <\/p>\n

      Cathrin Nielsen<\/p>\n

      Bildung als Plastikwort<\/strong><\/p>\n

       <\/p>\n

      \u017darko Pai\u0107<\/p>\n

      Body-Image as an Event: Deleuze and Vibrations of Contemporary Art<\/strong><\/p>\n

       <\/p>\n

      Izar Luna\u010dek<\/p>\n

      The Visual Construction of Carnival Culture<\/strong><\/p>\n

       <\/p>\n

      Povzetki\/Abstracts<\/em><\/p>\n

       <\/p>\n

      Addresses of Contributors<\/em><\/p>\n

      [\/et_pb_toggle][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”2_5,3_5″ _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” module_alignment=”center” z_index_tablet=”500″ box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” global_colors_info=”{}”][et_pb_column type=”2_5″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_image src=”https:\/\/www.phainomena.com\/en\/wp-content\/uploads\/2019\/11\/PHI-76-77-78.jpg” _builder_version=”4.16″ width=”80%” z_index_tablet=”500″ box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”3_5″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.16″ text_font=”||||||||” text_font_size=”18px” width=”80%” z_index_tablet=”500″ text_text_shadow_horizontal_length_tablet=”0px” text_text_shadow_vertical_length_tablet=”0px” text_text_shadow_blur_strength_tablet=”1px” link_text_shadow_horizontal_length_tablet=”0px” link_text_shadow_vertical_length_tablet=”0px” link_text_shadow_blur_strength_tablet=”1px” ul_text_shadow_horizontal_length_tablet=”0px” ul_text_shadow_vertical_length_tablet=”0px” ul_text_shadow_blur_strength_tablet=”1px” ol_text_shadow_horizontal_length_tablet=”0px” ol_text_shadow_vertical_length_tablet=”0px” ol_text_shadow_blur_strength_tablet=”1px” quote_text_shadow_horizontal_length_tablet=”0px” quote_text_shadow_vertical_length_tablet=”0px” quote_text_shadow_blur_strength_tablet=”1px” header_text_shadow_horizontal_length_tablet=”0px” header_text_shadow_vertical_length_tablet=”0px” header_text_shadow_blur_strength_tablet=”1px” header_2_text_shadow_horizontal_length_tablet=”0px” header_2_text_shadow_vertical_length_tablet=”0px” header_2_text_shadow_blur_strength_tablet=”1px” header_3_text_shadow_horizontal_length_tablet=”0px” header_3_text_shadow_vertical_length_tablet=”0px” header_3_text_shadow_blur_strength_tablet=”1px” header_4_text_shadow_horizontal_length_tablet=”0px” header_4_text_shadow_vertical_length_tablet=”0px” header_4_text_shadow_blur_strength_tablet=”1px” header_5_text_shadow_horizontal_length_tablet=”0px” header_5_text_shadow_vertical_length_tablet=”0px” header_5_text_shadow_blur_strength_tablet=”1px” header_6_text_shadow_horizontal_length_tablet=”0px” header_6_text_shadow_vertical_length_tablet=”0px” header_6_text_shadow_blur_strength_tablet=”1px” box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” global_colors_info=”{}”]<\/p>\n

      Phainomena 20 <\/em>| 76-77-78 <\/em>| September 2011<\/em><\/p>\n

      \u00bbHorizonti svobode\u00ab<\/strong><\/p>\n

      >>><\/a><\/p>\n

      [\/et_pb_text][et_pb_toggle title=” KAZALO | TABLE OF CONTENTS ” open_toggle_background_color=”#ffffff” closed_toggle_background_color=”#ffffff” icon_color=”#8cc63f” use_icon_font_size=”on” icon_font_size=”18px” open_icon_color=”#8cc63f” open_use_icon_font_size=”on” open_icon_font_size=”18px” _builder_version=”4.16″ title_level=”h6″ title_font=”||||||||” closed_title_font=”||||||||” body_font=”||||||||” width=”80%” custom_padding=”10px||10px” z_index_tablet=”500″ title_text_shadow_horizontal_length_tablet=”0px” title_text_shadow_vertical_length_tablet=”0px” title_text_shadow_blur_strength_tablet=”1px” closed_title_text_shadow_horizontal_length_tablet=”0px” closed_title_text_shadow_vertical_length_tablet=”0px” closed_title_text_shadow_blur_strength_tablet=”1px” body_text_shadow_horizontal_length_tablet=”0px” body_text_shadow_vertical_length_tablet=”0px” body_text_shadow_blur_strength_tablet=”1px” body_link_text_shadow_horizontal_length_tablet=”0px” body_link_text_shadow_vertical_length_tablet=”0px” body_link_text_shadow_blur_strength_tablet=”1px” body_ul_text_shadow_horizontal_length_tablet=”0px” body_ul_text_shadow_vertical_length_tablet=”0px” body_ul_text_shadow_blur_strength_tablet=”1px” body_ol_text_shadow_horizontal_length_tablet=”0px” body_ol_text_shadow_vertical_length_tablet=”0px” body_ol_text_shadow_blur_strength_tablet=”1px” body_quote_text_shadow_horizontal_length_tablet=”0px” body_quote_text_shadow_vertical_length_tablet=”0px” body_quote_text_shadow_blur_strength_tablet=”1px” border_radii=”on|5px|5px|5px|5px” border_color_all=”#8cc63f” box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” text_shadow_horizontal_length_tablet=”0px” text_shadow_vertical_length_tablet=”0px” text_shadow_blur_strength_tablet=”1px” global_colors_info=”{}”]<\/p>\n

      \u017darko Pai\u0107<\/p>\n

      Svoboda pod nadzorom. O izginotju dru\u017ebe v dobi globalitarnosti<\/strong><\/p>\n

       <\/p>\n

      Pier Aldo Rovatti<\/p>\n

      Mi, barbari. Razmi\u0161ljanja o italijanski anomaliji<\/strong><\/p>\n

       <\/p>\n

      Andrina Tonkli Komel<\/p>\n

      Figure drugosti; zasebno<\/strong><\/p>\n

       <\/p>\n

      Jurij Ver\u010d<\/p>\n

      Svoboda govora in svoboda poslu\u0161anja<\/strong><\/p>\n

       <\/p>\n

      Peter Trawny<\/p>\n

      Medij in odsotnost revolucije<\/strong><\/p>\n

       <\/p>\n

      Dean Komel<\/p>\n

      Osvobojeni lik<\/strong><\/p>\n

       <\/p>\n

      Anton Mlinar<\/p>\n

      Svoboda \u00bbna robu\u00ab. Kaj ima Dietrich Bonhoeffer povedati o svobodi?<\/strong><\/p>\n

       <\/p>\n

      Brane Senega\u010dnik<\/p>\n

      Kriza krize<\/strong><\/p>\n

       <\/p>\n

      Petar Jevremovi\u0107<\/p>\n

      Bitje\/razsutost<\/strong><\/p>\n

       <\/p>\n

      Damir Barbari\u0107<\/p>\n

      Bit kot dopu\u0161\u010danje<\/strong><\/p>\n

       <\/p>\n

      Thomas Nenon<\/p>\n

      Svoboda, odgovornost in samozavedanje pri Husserlu<\/strong><\/p>\n

       <\/p>\n

      Liangkang Ni<\/p>\n

      Husserl in budizem<\/strong><\/p>\n

       <\/p>\n

      Rolf Elberfeld<\/p>\n

      Kantov nauk o vrlinah in budisti\u010dna praksa vaj<\/strong><\/p>\n

       <\/p>\n

      Tadashi Ogawa<\/p>\n

      Je filozofija regionalna ali globalna?<\/strong><\/p>\n

       <\/p>\n

      Tina Bilban<\/p>\n

      Prestopanje meja. Kaj si lahko povesta fenomenologija in sodobna fizika?<\/strong><\/p>\n

       <\/p>\n

      Sa\u0161o Dolenc<\/p>\n

      Kaj je znanost in kaj je univerza?<\/strong><\/p>\n

       <\/p>\n

      Bernard Ne\u017emah<\/p>\n

      Humanistika kot po\u010delo medijske svobode<\/strong><\/p>\n

       <\/p>\n

      Rok Svetli\u010d<\/p>\n

      Ukrivljenost hermenevti\u010dnega prostora in svobode besede<\/strong><\/p>\n

       <\/p>\n

      Jernej Letnar \u010cerni\u010d<\/p>\n

      Od izvorov \u010dlovekovih pravic k njihovemu uresni\u010devanju<\/strong><\/p>\n

       <\/p>\n

      Gorazd Bajc<\/p>\n

      Posebne oblike \u00bbsvobode\u00ab. Prispevek o zgodovini nadzora nad delovanjem obve\u0161\u010devalnih slu\u017eb<\/strong><\/p>\n

       <\/p>\n

      Povzetki \/ Abstracts<\/em><\/p>\n

      \u00a0<\/em><\/p>\n

      Addresses<\/em><\/p>\n

      \u00a0<\/em><\/p>\n

      Instructions for Authors<\/em><\/p>\n

      \u00a0<\/em><\/p>\n

      Navodila pri oddaji tekstov<\/em><\/p>\n

      [\/et_pb_toggle][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”2_5,3_5″ _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” module_alignment=”center” z_index_tablet=”500″ box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” global_colors_info=”{}”][et_pb_column type=”2_5″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_image src=”https:\/\/www.phainomena.com\/en\/wp-content\/uploads\/2019\/11\/PHI-74-75.jpg” _builder_version=”4.16″ width=”80%” z_index_tablet=”500″ box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”3_5″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.16″ text_font=”||||||||” text_font_size=”18px” width=”80%” z_index_tablet=”500″ text_text_shadow_horizontal_length_tablet=”0px” text_text_shadow_vertical_length_tablet=”0px” text_text_shadow_blur_strength_tablet=”1px” link_text_shadow_horizontal_length_tablet=”0px” link_text_shadow_vertical_length_tablet=”0px” link_text_shadow_blur_strength_tablet=”1px” ul_text_shadow_horizontal_length_tablet=”0px” ul_text_shadow_vertical_length_tablet=”0px” ul_text_shadow_blur_strength_tablet=”1px” ol_text_shadow_horizontal_length_tablet=”0px” ol_text_shadow_vertical_length_tablet=”0px” ol_text_shadow_blur_strength_tablet=”1px” quote_text_shadow_horizontal_length_tablet=”0px” quote_text_shadow_vertical_length_tablet=”0px” quote_text_shadow_blur_strength_tablet=”1px” header_text_shadow_horizontal_length_tablet=”0px” header_text_shadow_vertical_length_tablet=”0px” header_text_shadow_blur_strength_tablet=”1px” header_2_text_shadow_horizontal_length_tablet=”0px” header_2_text_shadow_vertical_length_tablet=”0px” header_2_text_shadow_blur_strength_tablet=”1px” header_3_text_shadow_horizontal_length_tablet=”0px” header_3_text_shadow_vertical_length_tablet=”0px” header_3_text_shadow_blur_strength_tablet=”1px” header_4_text_shadow_horizontal_length_tablet=”0px” header_4_text_shadow_vertical_length_tablet=”0px” header_4_text_shadow_blur_strength_tablet=”1px” header_5_text_shadow_horizontal_length_tablet=”0px” header_5_text_shadow_vertical_length_tablet=”0px” header_5_text_shadow_blur_strength_tablet=”1px” header_6_text_shadow_horizontal_length_tablet=”0px” header_6_text_shadow_vertical_length_tablet=”0px” header_6_text_shadow_blur_strength_tablet=”1px” box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” global_colors_info=”{}”]<\/p>\n

      Phainomena 19 <\/em>| 74-75 <\/em>| November 2010<\/em><\/p>\n

      Dean Komel (ed.):<\/p>\n

      \u201cOutlook\u201d<\/strong><\/p>\n

      >>><\/a><\/p>\n

      [\/et_pb_text][et_pb_toggle title=” KAZALO | TABLE OF CONTENTS ” open_toggle_background_color=”#ffffff” closed_toggle_background_color=”#ffffff” icon_color=”#8cc63f” use_icon_font_size=”on” icon_font_size=”18px” open_icon_color=”#8cc63f” open_use_icon_font_size=”on” open_icon_font_size=”18px” _builder_version=”4.16″ title_level=”h6″ title_font=”||||||||” closed_title_font=”||||||||” body_font=”||||||||” width=”80%” custom_padding=”10px||10px” z_index_tablet=”500″ title_text_shadow_horizontal_length_tablet=”0px” title_text_shadow_vertical_length_tablet=”0px” title_text_shadow_blur_strength_tablet=”1px” closed_title_text_shadow_horizontal_length_tablet=”0px” closed_title_text_shadow_vertical_length_tablet=”0px” closed_title_text_shadow_blur_strength_tablet=”1px” body_text_shadow_horizontal_length_tablet=”0px” body_text_shadow_vertical_length_tablet=”0px” body_text_shadow_blur_strength_tablet=”1px” body_link_text_shadow_horizontal_length_tablet=”0px” body_link_text_shadow_vertical_length_tablet=”0px” body_link_text_shadow_blur_strength_tablet=”1px” body_ul_text_shadow_horizontal_length_tablet=”0px” body_ul_text_shadow_vertical_length_tablet=”0px” body_ul_text_shadow_blur_strength_tablet=”1px” body_ol_text_shadow_horizontal_length_tablet=”0px” body_ol_text_shadow_vertical_length_tablet=”0px” body_ol_text_shadow_blur_strength_tablet=”1px” body_quote_text_shadow_horizontal_length_tablet=”0px” body_quote_text_shadow_vertical_length_tablet=”0px” body_quote_text_shadow_blur_strength_tablet=”1px” border_radii=”on|5px|5px|5px|5px” border_color_all=”#8cc63f” box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” text_shadow_horizontal_length_tablet=”0px” text_shadow_vertical_length_tablet=”0px” text_shadow_blur_strength_tablet=”1px” global_colors_info=”{}”]<\/p>\n

      Hans Rainer Sepp<\/p>\n

      Das maskierte Selbst. Zu einer oikologischen Ph\u00e4nomenologie der Person<\/strong><\/p>\n

       <\/p>\n

      Kentar\u014d Otagiri<\/p>\n

      Wiedererinnern und Nachahmen im japanischen N\u014d-Spiel<\/strong><\/p>\n

       <\/p>\n

      Cathrin Nielsen<\/p>\n

      Nietzsche und die Musik<\/strong><\/p>\n

       <\/p>\n

      Ilya Inishev<\/p>\n

      Medialit\u00e4t als Grundbegriff der gegenw\u00e4rtigen Ph\u00e4nomenologie<\/strong><\/p>\n

       <\/p>\n

      Pedro M. S. Alves<\/p>\n

      Non-Declarative Sentences and Communication in Husserl\u2019s Logical Investigations<\/em><\/strong><\/p>\n

       <\/p>\n

      Martin Nitsche<\/p>\n

      The Topology of Metaphysical Viewpoints in the Light of Heidegger\u2019s Return to Aristotle<\/strong><\/p>\n

       <\/p>\n

      Ingeborg Sch\u00fcssler<\/p>\n

      Le premier et l\u2019autre commencement de la philosophie selon les Apports \u00e0 la philosophie<\/em> de Martin Heidegger<\/strong><\/p>\n

       <\/p>\n

      Karel Novotn\u00fd<\/p>\n

      Grenzen der klassischen Ph\u00e4nomenologie: das Antlitz bei E. L\u00e9vinas und das Geben, la donation<\/em>, bei J.-L. Marion<\/strong><\/p>\n

       <\/p>\n

      Bence Peter Marosan<\/p>\n

      Sartre\u2019s Radical Reduction to the Incarnated Subjectivity. The Metaphysics of Contingency<\/strong><\/p>\n

       <\/p>\n

      Chung-Chi Yu<\/p>\n

      The Hopeless Quest for Taiwanese Identity. An Analysis of Orphan of Asia<\/em> from Sartre\u2019s Perspective<\/strong><\/p>\n

       <\/p>\n

      Donatella Di Cesare<\/p>\n

      \u201eDer gr\u00f6\u00dfte j\u00fcdische Denker ist nur ein Talent. (Ich z. B.)\u201c Wittgensteins versagtes Judentum<\/strong><\/p>\n

       <\/p>\n

      Adriano Fabris<\/p>\n

      The Biblical God and Violence<\/strong><\/p>\n

       <\/p>\n

      Lester Embree<\/p>\n

      Cultural Anthropology in Schutzian Perspective<\/strong><\/p>\n

       <\/p>\n

      Dean Komel<\/p>\n

      \u201eH\u00f6her als die Wirklichkeit steht die M\u00f6glichkeit\u201c. Zur \u00dcberlieferung und philosophischen Aktualit\u00e4t der Ph\u00e4nomenologie<\/strong><\/p>\n

       <\/p>\n

      Izvle\u010dki \u2013 Abstracts<\/em><\/p>\n

      \u00a0<\/em><\/p>\n

      Addresses of the Contributors<\/em><\/p>\n

      \u00a0<\/em><\/p>\n

      Navodila pri oddaji tekstov<\/em><\/p>\n

      \u00a0<\/em><\/p>\n

      Instructions for Authors<\/em><\/p>\n

      [\/et_pb_toggle][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”2_5,3_5″ _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” module_alignment=”center” z_index_tablet=”500″ box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” global_colors_info=”{}”][et_pb_column type=”2_5″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_image src=”https:\/\/www.phainomena.com\/en\/wp-content\/uploads\/2019\/11\/PHI-72-73.jpg” _builder_version=”4.16″ width=”80%” z_index_tablet=”500″ box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”3_5″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.16″ text_font=”||||||||” text_font_size=”18px” width=”80%” z_index_tablet=”500″ text_text_shadow_horizontal_length_tablet=”0px” text_text_shadow_vertical_length_tablet=”0px” text_text_shadow_blur_strength_tablet=”1px” link_text_shadow_horizontal_length_tablet=”0px” link_text_shadow_vertical_length_tablet=”0px” link_text_shadow_blur_strength_tablet=”1px” ul_text_shadow_horizontal_length_tablet=”0px” ul_text_shadow_vertical_length_tablet=”0px” ul_text_shadow_blur_strength_tablet=”1px” ol_text_shadow_horizontal_length_tablet=”0px” ol_text_shadow_vertical_length_tablet=”0px” ol_text_shadow_blur_strength_tablet=”1px” quote_text_shadow_horizontal_length_tablet=”0px” quote_text_shadow_vertical_length_tablet=”0px” quote_text_shadow_blur_strength_tablet=”1px” header_text_shadow_horizontal_length_tablet=”0px” header_text_shadow_vertical_length_tablet=”0px” header_text_shadow_blur_strength_tablet=”1px” header_2_text_shadow_horizontal_length_tablet=”0px” header_2_text_shadow_vertical_length_tablet=”0px” header_2_text_shadow_blur_strength_tablet=”1px” header_3_text_shadow_horizontal_length_tablet=”0px” header_3_text_shadow_vertical_length_tablet=”0px” header_3_text_shadow_blur_strength_tablet=”1px” header_4_text_shadow_horizontal_length_tablet=”0px” header_4_text_shadow_vertical_length_tablet=”0px” header_4_text_shadow_blur_strength_tablet=”1px” header_5_text_shadow_horizontal_length_tablet=”0px” header_5_text_shadow_vertical_length_tablet=”0px” header_5_text_shadow_blur_strength_tablet=”1px” header_6_text_shadow_horizontal_length_tablet=”0px” header_6_text_shadow_vertical_length_tablet=”0px” header_6_text_shadow_blur_strength_tablet=”1px” box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” global_colors_info=”{}”]<\/p>\n

      Phainomena 19 <\/em>| 72-73 <\/em>| Junij 2010<\/em><\/p>\n

      \u00bbAnalogije\u00ab<\/strong><\/p>\n

      >>><\/a><\/p>\n

      [\/et_pb_text][et_pb_toggle title=” KAZALO | TABLE OF CONTENTS ” open_toggle_background_color=”#ffffff” closed_toggle_background_color=”#ffffff” icon_color=”#8cc63f” use_icon_font_size=”on” icon_font_size=”18px” open_icon_color=”#8cc63f” open_use_icon_font_size=”on” open_icon_font_size=”18px” _builder_version=”4.16″ title_level=”h6″ title_font=”||||||||” closed_title_font=”||||||||” body_font=”||||||||” width=”80%” custom_padding=”10px||10px” z_index_tablet=”500″ title_text_shadow_horizontal_length_tablet=”0px” title_text_shadow_vertical_length_tablet=”0px” title_text_shadow_blur_strength_tablet=”1px” closed_title_text_shadow_horizontal_length_tablet=”0px” closed_title_text_shadow_vertical_length_tablet=”0px” closed_title_text_shadow_blur_strength_tablet=”1px” body_text_shadow_horizontal_length_tablet=”0px” body_text_shadow_vertical_length_tablet=”0px” body_text_shadow_blur_strength_tablet=”1px” body_link_text_shadow_horizontal_length_tablet=”0px” body_link_text_shadow_vertical_length_tablet=”0px” body_link_text_shadow_blur_strength_tablet=”1px” body_ul_text_shadow_horizontal_length_tablet=”0px” body_ul_text_shadow_vertical_length_tablet=”0px” body_ul_text_shadow_blur_strength_tablet=”1px” body_ol_text_shadow_horizontal_length_tablet=”0px” body_ol_text_shadow_vertical_length_tablet=”0px” body_ol_text_shadow_blur_strength_tablet=”1px” body_quote_text_shadow_horizontal_length_tablet=”0px” body_quote_text_shadow_vertical_length_tablet=”0px” body_quote_text_shadow_blur_strength_tablet=”1px” border_radii=”on|5px|5px|5px|5px” border_color_all=”#8cc63f” box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” text_shadow_horizontal_length_tablet=”0px” text_shadow_vertical_length_tablet=”0px” text_shadow_blur_strength_tablet=”1px” global_colors_info=”{}”]<\/p>\n

      Plotin<\/p>\n

      O lepem (1.6.1\u22123)<\/strong><\/p>\n

       <\/p>\n

      Kristina Tomc<\/p>\n

      Fidijev Zevs<\/em>: o umetni\u0161kem ustvarjanju pri Plotinu<\/strong><\/p>\n

       <\/p>\n

      Robert Petkov\u0161ek<\/p>\n

      Pojem prese\u017enega od Platona do Plotina<\/strong><\/p>\n

       <\/p>\n

      Damir Barbari\u0107<\/p>\n

      Utele\u0161enje<\/strong><\/p>\n

       <\/p>\n

      Petar \u0160egedin<\/p>\n

      Du\u0161a in polis<\/em> v Dr\u017eavi<\/em><\/strong><\/p>\n

       <\/p>\n

      Andrina Tonkli Komel<\/p>\n

      Spomin pod \u010drto<\/strong><\/p>\n

       <\/p>\n

      Igor Mikecin<\/p>\n

      Heraklitov \u03bb\u03cc\u03b3\u03bf\u03c2<\/strong><\/p>\n

       <\/p>\n

      Athanassia Glycofrydi-Leontsini<\/p>\n

      Demetrij Kidones, prevajalec latinskih spisov<\/strong><\/p>\n

       <\/p>\n

      Eleni Leontsini<\/p>\n

      MacIntyrov dana\u0161nji aristotelizem: aristotelizem kot tradicija<\/strong><\/p>\n

       <\/p>\n

      Babette Babich<\/p>\n

      Nietzschejeva presoja stila in Humov donkihotski okus: O veseli znanosti estetike oz. igranje satira<\/strong><\/p>\n

       <\/p>\n

      Dennis J. Schmidt<\/p>\n

      O jeziku in slepoti: nekaj opazk o gr\u0161kem pojmu<\/strong><\/p>\n

       <\/p>\n

      Barbara Horvat<\/p>\n

      Fragment znotraj hermenevti\u010dne teorije Friedricha Schlegla<\/strong><\/p>\n

       <\/p>\n

      Toma\u017e Verdev<\/p>\n

      Prispevek k vpra\u0161anju umestnosti pojmovanja teksta Sodba in bit<\/em> kot H\u00f6lderlinove kritike Fichteja<\/strong><\/p>\n

       <\/p>\n

      Ale\u0161 Ko\u0161ar<\/p>\n

      Eksistenca resnice<\/strong><\/p>\n

       <\/p>\n

      Wei Zhang<\/p>\n

      Pomeni Schelerjeva kritika Kantovega pojmovanja apriorija \u00bbptolemejsko kontrarevolucijo\u00ab?<\/strong><\/p>\n

       <\/p>\n

      Ma\u0161a Gedrih<\/p>\n

      Trije vidiki budisti\u010dne etike<\/strong><\/p>\n

       <\/p>\n

      RECENZIJA<\/p>\n

       <\/p>\n

      Madalina Diaconu: Tasten, Riechen, Schmecken \u2013 Eine \u00c4sthetik der an\u00e4sthesierten Sinne <\/strong>(Tina Bilban<\/em>)<\/p>\n

       <\/p>\n

      Izvle\u010dki \u2013 Abstracts<\/em><\/p>\n

      \u00a0<\/em><\/p>\n

      Addresses of the Contributors<\/em><\/p>\n

      \u00a0<\/em><\/p>\n

      Navodila pri oddaji tekstov<\/em><\/p>\n

      \u00a0<\/em><\/p>\n

      Instructions for Authors<\/em><\/p>\n

      [\/et_pb_toggle][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”2_5,3_5″ _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” module_alignment=”center” z_index_tablet=”500″ box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” global_colors_info=”{}”][et_pb_column type=”2_5″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_image src=”https:\/\/www.phainomena.com\/en\/wp-content\/uploads\/2019\/11\/PHI-70-71.jpg” _builder_version=”4.16″ width=”80%” z_index_tablet=”500″ box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”3_5″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.16″ text_font=”||||||||” text_font_size=”18px” width=”80%” z_index_tablet=”500″ text_text_shadow_horizontal_length_tablet=”0px” text_text_shadow_vertical_length_tablet=”0px” text_text_shadow_blur_strength_tablet=”1px” link_text_shadow_horizontal_length_tablet=”0px” link_text_shadow_vertical_length_tablet=”0px” link_text_shadow_blur_strength_tablet=”1px” ul_text_shadow_horizontal_length_tablet=”0px” ul_text_shadow_vertical_length_tablet=”0px” ul_text_shadow_blur_strength_tablet=”1px” ol_text_shadow_horizontal_length_tablet=”0px” ol_text_shadow_vertical_length_tablet=”0px” ol_text_shadow_blur_strength_tablet=”1px” quote_text_shadow_horizontal_length_tablet=”0px” quote_text_shadow_vertical_length_tablet=”0px” quote_text_shadow_blur_strength_tablet=”1px” header_text_shadow_horizontal_length_tablet=”0px” header_text_shadow_vertical_length_tablet=”0px” header_text_shadow_blur_strength_tablet=”1px” header_2_text_shadow_horizontal_length_tablet=”0px” header_2_text_shadow_vertical_length_tablet=”0px” header_2_text_shadow_blur_strength_tablet=”1px” header_3_text_shadow_horizontal_length_tablet=”0px” header_3_text_shadow_vertical_length_tablet=”0px” header_3_text_shadow_blur_strength_tablet=”1px” header_4_text_shadow_horizontal_length_tablet=”0px” header_4_text_shadow_vertical_length_tablet=”0px” header_4_text_shadow_blur_strength_tablet=”1px” header_5_text_shadow_horizontal_length_tablet=”0px” header_5_text_shadow_vertical_length_tablet=”0px” header_5_text_shadow_blur_strength_tablet=”1px” header_6_text_shadow_horizontal_length_tablet=”0px” header_6_text_shadow_vertical_length_tablet=”0px” header_6_text_shadow_blur_strength_tablet=”1px” box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” global_colors_info=”{}”]<\/p>\n

      Phainomena 18 <\/em>| 70-71 <\/em>| November 2009<\/em><\/p>\n

      \u00bbPonovitev\u00ab<\/strong><\/p>\n

      >>><\/a><\/p>\n

      [\/et_pb_text][et_pb_toggle title=” KAZALO | TABLE OF CONTENTS ” open_toggle_background_color=”#ffffff” closed_toggle_background_color=”#ffffff” icon_color=”#8cc63f” use_icon_font_size=”on” icon_font_size=”18px” open_icon_color=”#8cc63f” open_use_icon_font_size=”on” open_icon_font_size=”18px” _builder_version=”4.16″ title_level=”h6″ title_font=”||||||||” closed_title_font=”||||||||” body_font=”||||||||” width=”80%” custom_padding=”10px||10px” z_index_tablet=”500″ title_text_shadow_horizontal_length_tablet=”0px” title_text_shadow_vertical_length_tablet=”0px” title_text_shadow_blur_strength_tablet=”1px” closed_title_text_shadow_horizontal_length_tablet=”0px” closed_title_text_shadow_vertical_length_tablet=”0px” closed_title_text_shadow_blur_strength_tablet=”1px” body_text_shadow_horizontal_length_tablet=”0px” body_text_shadow_vertical_length_tablet=”0px” body_text_shadow_blur_strength_tablet=”1px” body_link_text_shadow_horizontal_length_tablet=”0px” body_link_text_shadow_vertical_length_tablet=”0px” body_link_text_shadow_blur_strength_tablet=”1px” body_ul_text_shadow_horizontal_length_tablet=”0px” body_ul_text_shadow_vertical_length_tablet=”0px” body_ul_text_shadow_blur_strength_tablet=”1px” body_ol_text_shadow_horizontal_length_tablet=”0px” body_ol_text_shadow_vertical_length_tablet=”0px” body_ol_text_shadow_blur_strength_tablet=”1px” body_quote_text_shadow_horizontal_length_tablet=”0px” body_quote_text_shadow_vertical_length_tablet=”0px” body_quote_text_shadow_blur_strength_tablet=”1px” border_radii=”on|5px|5px|5px|5px” border_color_all=”#8cc63f” box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” text_shadow_horizontal_length_tablet=”0px” text_shadow_vertical_length_tablet=”0px” text_shadow_blur_strength_tablet=”1px” global_colors_info=”{}”]<\/p>\n

      FENOMENOLOGIJA<\/p>\n

       <\/p>\n

      Dean Komel<\/p>\n

      Sodobnost fenomenologije<\/strong><\/p>\n

       <\/p>\n

      Teo Vadnjal<\/p>\n

      Mesto subjektivnosti med transcendentalno in naravno naravnanostjo<\/strong><\/p>\n

       <\/p>\n

      Stephan G\u00fcnzel<\/p>\n

      Fenomenologija prostorskosti: topologija<\/strong><\/p>\n

       <\/p>\n

      INTERKULTURNOST<\/p>\n

       <\/p>\n

      Toru Tani<\/p>\n

      Fenomenologija in kriza interkulturnosti<\/strong><\/p>\n

       <\/p>\n

      Giovanni Leghissa<\/p>\n

      Vpra\u0161anje medkulturnosti in arhiv humanisti\u010dnih ved<\/strong><\/p>\n

       <\/p>\n

      Alessandro Salice<\/p>\n

      Konstruiranje socialnih dejstev in kulturnih pomenov<\/strong><\/p>\n

       <\/p>\n

      Lenart \u0160kof<\/p>\n

      \u017divljenje drugega: pragmatizem v medkulturnem klju\u010du<\/strong><\/p>\n

       <\/p>\n

      Toma\u017e Gru\u0161ovnik<\/p>\n

      Globoko strinjanje? Razmi\u0161ljanje o filozofskih tradicijah in aktivnosti<\/strong><\/p>\n

       <\/p>\n

      POLITI\u010cNO<\/p>\n

       <\/p>\n

      \u017darko Pai\u0107<\/p>\n

      Melanholija in revolucija: Kultura v postkomunisti\u010dnem izrednem stanju<\/strong><\/p>\n

       <\/p>\n

      Jurij Ver\u010d<\/p>\n

      Kaj je levica?<\/strong><\/p>\n

       <\/p>\n

      Rok Svetli\u010d<\/p>\n

      Pomen Hobbesove politi\u010dne filozofije za razvoj koncepta \u010dlovekovih pravic<\/strong><\/p>\n

       <\/p>\n

      TEKST<\/p>\n

       <\/p>\n

      Hans-Georg Gadamer<\/p>\n

      Tekst in interpretacija<\/strong><\/p>\n

       <\/p>\n

      Emil Angehrn<\/p>\n

      Tekst kot model? O branju in razumevanju sveta<\/strong><\/p>\n

       <\/p>\n

      Tina Bilban<\/p>\n

      Informacija na sti\u010di\u0161\u010du sodobne filozofije, znanosti in literature<\/strong><\/p>\n

       <\/p>\n

      POZABA IN SPOMIN<\/p>\n

       <\/p>\n

      Andrej Bo\u017ei\u010d<\/p>\n

      \u00bbReci, da Jeruzalem je<\/em>\u00ab. Paul Celan in vpra\u0161anje judovstva<\/strong><\/p>\n

       <\/p>\n

      Andrina Tonkli Komel<\/p>\n

      Filozofski spomin. Spomin za konec. O zadnji ljubezni.<\/strong><\/p>\n

       <\/p>\n

      Izvle\u010dki \u2013 Abstracts<\/em><\/p>\n

       <\/p>\n

      Addresses of the Contributors<\/em><\/p>\n

       <\/p>\n

      Navodila pri oddaji tekstov<\/em><\/p>\n

       <\/p>\n

      Instructions for Authors<\/em><\/p>\n

      [\/et_pb_toggle][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”2_5,3_5″ _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” module_alignment=”center” z_index_tablet=”500″ box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” global_colors_info=”{}”][et_pb_column type=”2_5″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_image src=”https:\/\/www.phainomena.com\/en\/wp-content\/uploads\/2019\/11\/PHI-68-69.jpg” _builder_version=”4.16″ width=”80%” z_index_tablet=”500″ box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”3_5″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.16″ text_font=”||||||||” text_font_size=”18px” width=”80%” z_index_tablet=”500″ text_text_shadow_horizontal_length_tablet=”0px” text_text_shadow_vertical_length_tablet=”0px” text_text_shadow_blur_strength_tablet=”1px” link_text_shadow_horizontal_length_tablet=”0px” link_text_shadow_vertical_length_tablet=”0px” link_text_shadow_blur_strength_tablet=”1px” ul_text_shadow_horizontal_length_tablet=”0px” ul_text_shadow_vertical_length_tablet=”0px” ul_text_shadow_blur_strength_tablet=”1px” ol_text_shadow_horizontal_length_tablet=”0px” ol_text_shadow_vertical_length_tablet=”0px” ol_text_shadow_blur_strength_tablet=”1px” quote_text_shadow_horizontal_length_tablet=”0px” quote_text_shadow_vertical_length_tablet=”0px” quote_text_shadow_blur_strength_tablet=”1px” header_text_shadow_horizontal_length_tablet=”0px” header_text_shadow_vertical_length_tablet=”0px” header_text_shadow_blur_strength_tablet=”1px” header_2_text_shadow_horizontal_length_tablet=”0px” header_2_text_shadow_vertical_length_tablet=”0px” header_2_text_shadow_blur_strength_tablet=”1px” header_3_text_shadow_horizontal_length_tablet=”0px” header_3_text_shadow_vertical_length_tablet=”0px” header_3_text_shadow_blur_strength_tablet=”1px” header_4_text_shadow_horizontal_length_tablet=”0px” header_4_text_shadow_vertical_length_tablet=”0px” header_4_text_shadow_blur_strength_tablet=”1px” header_5_text_shadow_horizontal_length_tablet=”0px” header_5_text_shadow_vertical_length_tablet=”0px” header_5_text_shadow_blur_strength_tablet=”1px” header_6_text_shadow_horizontal_length_tablet=”0px” header_6_text_shadow_vertical_length_tablet=”0px” header_6_text_shadow_blur_strength_tablet=”1px” box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” global_colors_info=”{}”]<\/p>\n

      Phainomena 18 <\/em>| 68-69 <\/em>| June 2009<\/em><\/p>\n

      Dean Komel \u2013 Mira Miladinovi\u0107 Zalaznik (eds.):<\/p>\n

      \u201cFaces of Europe\u201d \u2013 \u201eDie Gesichter Europas\u201c \u2013 \u00ab\u00a0Les visages de l\u2019Europe\u00a0\u00bb<\/strong><\/p>\n

      >>><\/a><\/p>\n

      [\/et_pb_text][et_pb_toggle title=” KAZALO | TABLE OF CONTENTS ” open_toggle_background_color=”#ffffff” closed_toggle_background_color=”#ffffff” icon_color=”#8cc63f” use_icon_font_size=”on” icon_font_size=”18px” open_icon_color=”#8cc63f” open_use_icon_font_size=”on” open_icon_font_size=”18px” _builder_version=”4.16″ title_level=”h6″ title_font=”||||||||” closed_title_font=”||||||||” body_font=”||||||||” width=”80%” custom_padding=”10px||10px” z_index_tablet=”500″ title_text_shadow_horizontal_length_tablet=”0px” title_text_shadow_vertical_length_tablet=”0px” title_text_shadow_blur_strength_tablet=”1px” closed_title_text_shadow_horizontal_length_tablet=”0px” closed_title_text_shadow_vertical_length_tablet=”0px” closed_title_text_shadow_blur_strength_tablet=”1px” body_text_shadow_horizontal_length_tablet=”0px” body_text_shadow_vertical_length_tablet=”0px” body_text_shadow_blur_strength_tablet=”1px” body_link_text_shadow_horizontal_length_tablet=”0px” body_link_text_shadow_vertical_length_tablet=”0px” body_link_text_shadow_blur_strength_tablet=”1px” body_ul_text_shadow_horizontal_length_tablet=”0px” body_ul_text_shadow_vertical_length_tablet=”0px” body_ul_text_shadow_blur_strength_tablet=”1px” body_ol_text_shadow_horizontal_length_tablet=”0px” body_ol_text_shadow_vertical_length_tablet=”0px” body_ol_text_shadow_blur_strength_tablet=”1px” body_quote_text_shadow_horizontal_length_tablet=”0px” body_quote_text_shadow_vertical_length_tablet=”0px” body_quote_text_shadow_blur_strength_tablet=”1px” border_radii=”on|5px|5px|5px|5px” border_color_all=”#8cc63f” box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” text_shadow_horizontal_length_tablet=”0px” text_shadow_vertical_length_tablet=”0px” text_shadow_blur_strength_tablet=”1px” global_colors_info=”{}”]<\/p>\n

      Dean Komel<\/p>\n

      Topics of the Conference \u201cEurope, World and Humanity in the 21st<\/sup> Century: Dialogue in Culture\u2014Dialogue between Cultures\u201d<\/strong><\/p>\n

       <\/p>\n

      Ioanna Ku\u00e7uradi<\/p>\n

      The Idea of Europe<\/strong><\/p>\n

       <\/p>\n

      R\u00e9mi Brague<\/p>\n

      En de\u00e7\u00e0 du bien et du mal<\/strong><\/p>\n

       <\/p>\n

      Adel Theodor Khoury<\/p>\n

      Religion und kulturelle Identit\u00e4t. Am Beispiel des Islams in Europa<\/strong><\/p>\n

       <\/p>\n

      Valentin Tine Hribar<\/p>\n

      Die europ\u00e4ische goldene Regel<\/strong><\/p>\n

       <\/p>\n

      Umberto Galimberti<\/p>\n

      Man in the Age of Technology<\/strong><\/p>\n

       <\/p>\n

      Bernhard Waldenfels<\/p>\n

      Mehrstimmiges Europa<\/strong><\/p>\n

       <\/p>\n

      Dean Komel<\/p>\n

      Europas Contemporalit\u00e4t<\/strong><\/p>\n

       <\/p>\n

      Adam Michnik<\/p>\n

      Europe between Identity and Universalism<\/strong><\/p>\n

       <\/p>\n

      Andrei Marga<\/p>\n

      Competitiveness, Values, Vision (European Aspects)<\/strong><\/p>\n

       <\/p>\n

      Bronis\u0142aw Geremek<\/p>\n

      Craintes et esp\u00e9rances\u00a0: L\u2019utopie europ\u00e9enne au seuil du XXIe<\/sup> si\u00e8cle <\/strong><\/p>\n

       <\/p>\n

      Alenka Puhar<\/p>\n

      Dialogues above the Black Hole<\/strong><\/p>\n

       <\/p>\n

      Gy\u00f6rgy Dalos<\/p>\n

      Europa: Vision und Wirklichkeit<\/strong><\/p>\n

       <\/p>\n

      Karl-Markus Gauss<\/p>\n

      Europa, terra incognita<\/strong><\/p>\n

       <\/p>\n

      Vidosav Stevanovi\u0107<\/p>\n

      Europe\u00a0: culture et standardisation<\/strong><\/p>\n

       <\/p>\n

      Drago Jan\u010dar<\/p>\n

      \u201cJust as Everything Becomes Forgotten in Paris.\u201d On the Topic of Literature and European Dialogue<\/strong><\/p>\n

       <\/p>\n

      Report from Participants<\/em><\/p>\n

       <\/p>\n

      Mitteilung der Teilnehmer<\/em><\/p>\n

       <\/p>\n

      Message des participants<\/em><\/p>\n

       <\/p>\n

      Abstracts<\/em><\/p>\n

      \u00a0<\/em><\/p>\n

      Povzetki<\/em><\/p>\n

      [\/et_pb_toggle][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”2_5,3_5″ _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” module_alignment=”center” z_index_tablet=”500″ box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” global_colors_info=”{}”][et_pb_column type=”2_5″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_image src=”https:\/\/www.phainomena.com\/en\/wp-content\/uploads\/2019\/10\/PHI-66-67.jpg” _builder_version=”4.16″ width=”80%” z_index_tablet=”500″ box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”3_5″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.16″ text_font_size=”18px” width=”80%” z_index_tablet=”500″ text_text_shadow_horizontal_length_tablet=”0px” text_text_shadow_vertical_length_tablet=”0px” text_text_shadow_blur_strength_tablet=”1px” link_text_shadow_horizontal_length_tablet=”0px” link_text_shadow_vertical_length_tablet=”0px” link_text_shadow_blur_strength_tablet=”1px” ul_text_shadow_horizontal_length_tablet=”0px” ul_text_shadow_vertical_length_tablet=”0px” ul_text_shadow_blur_strength_tablet=”1px” ol_text_shadow_horizontal_length_tablet=”0px” ol_text_shadow_vertical_length_tablet=”0px” ol_text_shadow_blur_strength_tablet=”1px” quote_text_shadow_horizontal_length_tablet=”0px” quote_text_shadow_vertical_length_tablet=”0px” quote_text_shadow_blur_strength_tablet=”1px” header_text_shadow_horizontal_length_tablet=”0px” header_text_shadow_vertical_length_tablet=”0px” header_text_shadow_blur_strength_tablet=”1px” header_2_text_shadow_horizontal_length_tablet=”0px” header_2_text_shadow_vertical_length_tablet=”0px” header_2_text_shadow_blur_strength_tablet=”1px” header_3_text_shadow_horizontal_length_tablet=”0px” header_3_text_shadow_vertical_length_tablet=”0px” header_3_text_shadow_blur_strength_tablet=”1px” header_4_text_shadow_horizontal_length_tablet=”0px” header_4_text_shadow_vertical_length_tablet=”0px” header_4_text_shadow_blur_strength_tablet=”1px” header_5_text_shadow_horizontal_length_tablet=”0px” header_5_text_shadow_vertical_length_tablet=”0px” header_5_text_shadow_blur_strength_tablet=”1px” header_6_text_shadow_horizontal_length_tablet=”0px” header_6_text_shadow_vertical_length_tablet=”0px” header_6_text_shadow_blur_strength_tablet=”1px” box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” global_colors_info=”{}”]<\/p>\n

      Phainomena 17 <\/em>| 66-67 <\/em>| November 2008<\/em><\/p>\n

      Jo\u017eef Muhovi\u010d (Hrsg.):<\/p>\n

      \u00bbKunst und Form\u00ab<\/strong><\/p>\n

      >>><\/strong><\/a><\/p>\n

      [\/et_pb_text][et_pb_toggle title=” KAZALO | TABLE OF CONTENTS ” open_toggle_background_color=”#ffffff” closed_toggle_background_color=”#ffffff” icon_color=”#8cc63f” use_icon_font_size=”on” icon_font_size=”18px” open_icon_color=”#8cc63f” open_use_icon_font_size=”on” open_icon_font_size=”18px” _builder_version=”4.16″ title_level=”h6″ width=”80%” custom_padding=”10px||10px” z_index_tablet=”500″ title_text_shadow_horizontal_length_tablet=”0px” title_text_shadow_vertical_length_tablet=”0px” title_text_shadow_blur_strength_tablet=”1px” closed_title_text_shadow_horizontal_length_tablet=”0px” closed_title_text_shadow_vertical_length_tablet=”0px” closed_title_text_shadow_blur_strength_tablet=”1px” body_text_shadow_horizontal_length_tablet=”0px” body_text_shadow_vertical_length_tablet=”0px” body_text_shadow_blur_strength_tablet=”1px” body_link_text_shadow_horizontal_length_tablet=”0px” body_link_text_shadow_vertical_length_tablet=”0px” body_link_text_shadow_blur_strength_tablet=”1px” body_ul_text_shadow_horizontal_length_tablet=”0px” body_ul_text_shadow_vertical_length_tablet=”0px” body_ul_text_shadow_blur_strength_tablet=”1px” body_ol_text_shadow_horizontal_length_tablet=”0px” body_ol_text_shadow_vertical_length_tablet=”0px” body_ol_text_shadow_blur_strength_tablet=”1px” body_quote_text_shadow_horizontal_length_tablet=”0px” body_quote_text_shadow_vertical_length_tablet=”0px” body_quote_text_shadow_blur_strength_tablet=”1px” border_radii=”on|5px|5px|5px|5px” border_color_all=”#8cc63f” box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” text_shadow_horizontal_length_tablet=”0px” text_shadow_vertical_length_tablet=”0px” text_shadow_blur_strength_tablet=”1px” global_colors_info=”{}”]<\/p>\n

      Jo\u017eef Muhovi\u010d<\/p>\n

      Kunst und Form. Was hei\u00dft \u201eForm\u201c in einer postmodernen Kunst?<\/strong><\/p>\n

       <\/p>\n

      Dean Komel<\/p>\n

      Zur Erfahrung der Kunst (Ein Versuch)<\/strong><\/p>\n

       <\/p>\n

      Harald Wolter-von dem Knesebeck<\/p>\n

      mappa mundi id est forma mundi<\/em><\/strong>. Fragen von Form und Inhalt bei ausgew\u00e4hlten Weltbildern des Mittelalters<\/strong><\/p>\n

       <\/p>\n

      Emerik Bernard<\/p>\n

      Form \u2013 auch dem Zweifel dienend<\/strong><\/p>\n

       <\/p>\n

      Johannes Meinhardt<\/p>\n

      Das Verschwinden der \u00e4sthetischen Einstellung<\/strong><\/p>\n

       <\/p>\n

      Harry Lehmann<\/p>\n

      Avantgarde heute. Ein Theoriemodell der \u00e4sthetischen Moderne<\/strong><\/p>\n

       <\/p>\n

      Ale\u0161 Erjavec<\/p>\n

      Einige Beobachtungen zur Postmoderne<\/strong><\/p>\n

       <\/p>\n

      Brane Senega\u010dnik<\/p>\n

      Die Form als \u00f6ffnender Schluss<\/strong><\/p>\n

       <\/p>\n

      Paul Good<\/p>\n

      Den Str\u00f6men folgen<\/strong><\/p>\n

       <\/p>\n

      Janez Strehovec<\/p>\n

      Die Form als Filter und Referenz. \u00dcber flexible Formen und Funktionsver\u00e4nderungen der neumedialen Kunst<\/strong><\/p>\n

       <\/p>\n

      Jo\u017eef Muhovi\u010d<\/p>\n

      Kunstform zwischen L\u00f3gos<\/em> und T\u00f3pos<\/em> \u2013 oder: \u00dcber die Psychosomatik des Zeitgeistes<\/strong><\/p>\n

       <\/p>\n

      Die Autoren<\/em><\/p>\n

      \u00a0<\/em><\/p>\n

      Povzetki \u2013 Abstracts<\/em><\/p>\n

      \u00a0<\/em><\/p>\n

      Adressen der Teilnehmer<\/em><\/p>\n

      \u00a0<\/em><\/p>\n

      Instructions for Authors<\/em><\/p>\n

      [\/et_pb_toggle][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”2_5,3_5″ _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” module_alignment=”center” z_index_tablet=”500″ box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” global_colors_info=”{}”][et_pb_column type=”2_5″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_image src=”https:\/\/www.phainomena.com\/en\/wp-content\/uploads\/2019\/10\/PHI-64-65.jpg” _builder_version=”4.16″ width=”80%” z_index_tablet=”500″ box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”3_5″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.16″ text_font_size=”18px” width=”80%” z_index_tablet=”500″ text_text_shadow_horizontal_length_tablet=”0px” text_text_shadow_vertical_length_tablet=”0px” text_text_shadow_blur_strength_tablet=”1px” link_text_shadow_horizontal_length_tablet=”0px” link_text_shadow_vertical_length_tablet=”0px” link_text_shadow_blur_strength_tablet=”1px” ul_text_shadow_horizontal_length_tablet=”0px” ul_text_shadow_vertical_length_tablet=”0px” ul_text_shadow_blur_strength_tablet=”1px” ol_text_shadow_horizontal_length_tablet=”0px” ol_text_shadow_vertical_length_tablet=”0px” ol_text_shadow_blur_strength_tablet=”1px” quote_text_shadow_horizontal_length_tablet=”0px” quote_text_shadow_vertical_length_tablet=”0px” quote_text_shadow_blur_strength_tablet=”1px” header_text_shadow_horizontal_length_tablet=”0px” header_text_shadow_vertical_length_tablet=”0px” header_text_shadow_blur_strength_tablet=”1px” header_2_text_shadow_horizontal_length_tablet=”0px” header_2_text_shadow_vertical_length_tablet=”0px” header_2_text_shadow_blur_strength_tablet=”1px” header_3_text_shadow_horizontal_length_tablet=”0px” header_3_text_shadow_vertical_length_tablet=”0px” header_3_text_shadow_blur_strength_tablet=”1px” header_4_text_shadow_horizontal_length_tablet=”0px” header_4_text_shadow_vertical_length_tablet=”0px” header_4_text_shadow_blur_strength_tablet=”1px” header_5_text_shadow_horizontal_length_tablet=”0px” header_5_text_shadow_vertical_length_tablet=”0px” header_5_text_shadow_blur_strength_tablet=”1px” header_6_text_shadow_horizontal_length_tablet=”0px” header_6_text_shadow_vertical_length_tablet=”0px” header_6_text_shadow_blur_strength_tablet=”1px” box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” global_colors_info=”{}”]<\/p>\n

      Phainomena 17 <\/em>| 64-65 <\/em>| Junij 2008<\/em><\/p>\n

      \u00bbDedukcije\u00ab<\/strong><\/p>\n

      >>><\/strong><\/a><\/p>\n

      [\/et_pb_text][et_pb_toggle title=” KAZALO | TABLE OF CONTENTS ” open_toggle_background_color=”#ffffff” closed_toggle_background_color=”#ffffff” icon_color=”#8cc63f” use_icon_font_size=”on” icon_font_size=”18px” open_icon_color=”#8cc63f” open_use_icon_font_size=”on” open_icon_font_size=”18px” _builder_version=”4.16″ title_level=”h6″ width=”80%” custom_padding=”10px||10px” z_index_tablet=”500″ title_text_shadow_horizontal_length_tablet=”0px” title_text_shadow_vertical_length_tablet=”0px” title_text_shadow_blur_strength_tablet=”1px” closed_title_text_shadow_horizontal_length_tablet=”0px” closed_title_text_shadow_vertical_length_tablet=”0px” closed_title_text_shadow_blur_strength_tablet=”1px” body_text_shadow_horizontal_length_tablet=”0px” body_text_shadow_vertical_length_tablet=”0px” body_text_shadow_blur_strength_tablet=”1px” body_link_text_shadow_horizontal_length_tablet=”0px” body_link_text_shadow_vertical_length_tablet=”0px” body_link_text_shadow_blur_strength_tablet=”1px” body_ul_text_shadow_horizontal_length_tablet=”0px” body_ul_text_shadow_vertical_length_tablet=”0px” body_ul_text_shadow_blur_strength_tablet=”1px” body_ol_text_shadow_horizontal_length_tablet=”0px” body_ol_text_shadow_vertical_length_tablet=”0px” body_ol_text_shadow_blur_strength_tablet=”1px” body_quote_text_shadow_horizontal_length_tablet=”0px” body_quote_text_shadow_vertical_length_tablet=”0px” body_quote_text_shadow_blur_strength_tablet=”1px” border_radii=”on|5px|5px|5px|5px” border_color_all=”#8cc63f” box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” text_shadow_horizontal_length_tablet=”0px” text_shadow_vertical_length_tablet=”0px” text_shadow_blur_strength_tablet=”1px” global_colors_info=”{}”]<\/p>\n

      Tadashi Ogawa<\/p>\n

      Kaj konfucijanska filozofija danes prispeva k internacionalnemu in interkulturnemu razumevanju? Primerjava z evropsko filozofijo<\/strong><\/p>\n

       <\/p>\n

      James Mensch<\/p>\n

      Politika in svoboda<\/strong><\/p>\n

       <\/p>\n

      Klemen Klun<\/p>\n

      Od Dekaloga do naravnega prava. Iz filozofije Filona Aleksandrijskega<\/strong><\/p>\n

       <\/p>\n

      Jan Princl<\/p>\n

      O \u00bbkoncu\u00ab brezmejne umetnosti<\/strong><\/p>\n

       <\/p>\n

      Dejan Aubreht<\/p>\n

      Nietzsche: od diskurza k metafori<\/strong><\/p>\n

       <\/p>\n

      Gregor Moder<\/p>\n

      Heidegger z Brentanom. Tubit kot vpra\u0161anje gibanja<\/strong><\/p>\n

       <\/p>\n

      Toma\u017e Gru\u0161ovnik<\/p>\n

      Wittgenstein in Heidegger. Perspektiva primerjave in argument za prakti\u010dnost filozofije<\/strong><\/p>\n

       <\/p>\n

      Robert Simoni\u010d<\/p>\n

      O razmerju \u010dloveka in tehnike onkraj instrumentalnosti<\/strong><\/p>\n

       <\/p>\n

      Andrej Bo\u017ei\u010d<\/p>\n

      S\u00e1mo-predstavljanje biti. Hermenevti\u010dna ontologija in vpra\u0161anje umetnosti pri Hansu-Georgu Gadamerju<\/strong><\/p>\n

       <\/p>\n

      Urban Vovk<\/p>\n

      Hermenevti\u010dno razumevanje ontologije umetni\u0161kega dela. Kantova zasnova estetike na pojmih okusa in genija ter Gadamerjeva hermenevti\u010dna analiza<\/strong><\/p>\n

       <\/p>\n

      Jo\u017ee Horvat<\/p>\n

      Svet kot filozofski problem<\/strong><\/p>\n

       <\/p>\n

      Tina Bilban<\/p>\n

      Sodobne filozofske teorije \u010dasa<\/strong><\/p>\n

       <\/p>\n

      Izar Luna\u010dek<\/p>\n

      K filozofiji ciklizma: heroji in po\u0161asti<\/strong><\/p>\n

       <\/p>\n

      Dean Komel<\/p>\n

      Marginalije <\/strong><\/p>\n

       <\/p>\n

      IZVLE\u010cKI \u2013 ABSTRACTS<\/p>\n

       <\/p>\n

      NOTES ON CONTRIBUTORS<\/p>\n

       <\/p>\n

      NAVODILA PRI ODDAJI TEKSTOV<\/p>\n

       <\/p>\n

      INSTRUCTIONS FOR AUTHORS<\/p>\n

      [\/et_pb_toggle][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”2_5,3_5″ _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” module_alignment=”center” z_index_tablet=”500″ box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” global_colors_info=”{}”][et_pb_column type=”2_5″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_image src=”https:\/\/www.phainomena.com\/en\/wp-content\/uploads\/2019\/11\/PHI-62-63.jpg” _builder_version=”4.16″ width=”80%” z_index_tablet=”500″ box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”3_5″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.16″ text_font_size=”18px” width=”80%” z_index_tablet=”500″ text_text_shadow_horizontal_length_tablet=”0px” text_text_shadow_vertical_length_tablet=”0px” text_text_shadow_blur_strength_tablet=”1px” link_text_shadow_horizontal_length_tablet=”0px” link_text_shadow_vertical_length_tablet=”0px” link_text_shadow_blur_strength_tablet=”1px” ul_text_shadow_horizontal_length_tablet=”0px” ul_text_shadow_vertical_length_tablet=”0px” ul_text_shadow_blur_strength_tablet=”1px” ol_text_shadow_horizontal_length_tablet=”0px” ol_text_shadow_vertical_length_tablet=”0px” ol_text_shadow_blur_strength_tablet=”1px” quote_text_shadow_horizontal_length_tablet=”0px” quote_text_shadow_vertical_length_tablet=”0px” quote_text_shadow_blur_strength_tablet=”1px” header_text_shadow_horizontal_length_tablet=”0px” header_text_shadow_vertical_length_tablet=”0px” header_text_shadow_blur_strength_tablet=”1px” header_2_text_shadow_horizontal_length_tablet=”0px” header_2_text_shadow_vertical_length_tablet=”0px” header_2_text_shadow_blur_strength_tablet=”1px” header_3_text_shadow_horizontal_length_tablet=”0px” header_3_text_shadow_vertical_length_tablet=”0px” header_3_text_shadow_blur_strength_tablet=”1px” header_4_text_shadow_horizontal_length_tablet=”0px” header_4_text_shadow_vertical_length_tablet=”0px” header_4_text_shadow_blur_strength_tablet=”1px” header_5_text_shadow_horizontal_length_tablet=”0px” header_5_text_shadow_vertical_length_tablet=”0px” header_5_text_shadow_blur_strength_tablet=”1px” header_6_text_shadow_horizontal_length_tablet=”0px” header_6_text_shadow_vertical_length_tablet=”0px” header_6_text_shadow_blur_strength_tablet=”1px” box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” global_colors_info=”{}”]<\/p>\n

      Phainomena 16\u00a0<\/em>| 62-63 <\/em>| November 2007<\/em><\/p>\n

      Andrina Tonkli-Komel (ur.):<\/p>\n

      \u00bbEvropa, svet in humanost v 21. stoletju: fenomenolo\u0161ke perspektive\u00ab<\/strong><\/p>\n

      >>><\/a><\/p>\n

      [\/et_pb_text][et_pb_toggle title=” KAZALO | TABLE OF CONTENTS ” open_toggle_background_color=”#ffffff” closed_toggle_background_color=”#ffffff” icon_color=”#8cc63f” use_icon_font_size=”on” icon_font_size=”18px” open_icon_color=”#8cc63f” open_use_icon_font_size=”on” open_icon_font_size=”18px” _builder_version=”4.16″ title_level=”h6″ width=”80%” custom_padding=”10px||10px” z_index_tablet=”500″ title_text_shadow_horizontal_length_tablet=”0px” title_text_shadow_vertical_length_tablet=”0px” title_text_shadow_blur_strength_tablet=”1px” closed_title_text_shadow_horizontal_length_tablet=”0px” closed_title_text_shadow_vertical_length_tablet=”0px” closed_title_text_shadow_blur_strength_tablet=”1px” body_text_shadow_horizontal_length_tablet=”0px” body_text_shadow_vertical_length_tablet=”0px” body_text_shadow_blur_strength_tablet=”1px” body_link_text_shadow_horizontal_length_tablet=”0px” body_link_text_shadow_vertical_length_tablet=”0px” body_link_text_shadow_blur_strength_tablet=”1px” body_ul_text_shadow_horizontal_length_tablet=”0px” body_ul_text_shadow_vertical_length_tablet=”0px” body_ul_text_shadow_blur_strength_tablet=”1px” body_ol_text_shadow_horizontal_length_tablet=”0px” body_ol_text_shadow_vertical_length_tablet=”0px” body_ol_text_shadow_blur_strength_tablet=”1px” body_quote_text_shadow_horizontal_length_tablet=”0px” body_quote_text_shadow_vertical_length_tablet=”0px” body_quote_text_shadow_blur_strength_tablet=”1px” border_radii=”on|5px|5px|5px|5px” border_color_all=”#8cc63f” box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” text_shadow_horizontal_length_tablet=”0px” text_shadow_vertical_length_tablet=”0px” text_shadow_blur_strength_tablet=”1px” global_colors_info=”{}”]<\/p>\n

      \u010cetrta srednje- in vzhodnoevropska fenomenolo\u0161ka konferenca<\/strong><\/p>\n

       <\/p>\n

      Klaus Held<\/p>\n

      K fenomenolo\u0161kemu rehabilitiranju etosa<\/strong><\/p>\n

       <\/p>\n

      EVROPA<\/p>\n

       <\/p>\n

      Peter Trawny<\/p>\n

      Evropski etos od Platona in Aristotela<\/strong><\/p>\n

       <\/p>\n

      M\u0103d\u0103lina Diaconu<\/p>\n

      Gramatika evropske bitne zgodovine<\/strong><\/p>\n

       <\/p>\n

      Karel Novotn\u00fd<\/p>\n

      Evropa in Poevropa v filozofski refleksiji Jana Pato\uf672ke<\/strong><\/p>\n

       <\/p>\n

      HUMANIZEM<\/p>\n

       <\/p>\n

      Tatiana Shchyttsova<\/p>\n

      Memento nasci. O aktualnosti Diotiminega nauka za sodobno filozofijo biti-z-drugimi<\/strong><\/p>\n

       <\/p>\n

      Valentin Kalan<\/p>\n

      Politi\u010dne razse\u017enosti diaita<\/em> kot prostorskosti bivanja in na\u010dina \u017eivljenja<\/strong><\/p>\n

       <\/p>\n

      Janko M. Lozar<\/p>\n

      Ontolo\u0161ka razse\u017enost mahinalne dejavnosti<\/strong><\/p>\n

       <\/p>\n

      Branko Klun<\/p>\n

      Smisel in neskon\u010dnost. Fenomenolo\u0161ki izziv<\/strong><\/p>\n

       <\/p>\n

      Yvanka B. Raynova<\/p>\n

      Odgovornost za \u010dlove\u0161tvo v 21. stoletju. H konceptu odgovornosti Paula Ricoeurja<\/strong><\/p>\n

       <\/p>\n

      DRU\u017dBA<\/p>\n

       <\/p>\n

      Tine Hribar<\/p>\n

      Svetovni etos in evropska civilna religija<\/strong><\/p>\n

       <\/p>\n

      Rainer Thurnher<\/p>\n

      Domesticirano, latentno in eruptivno nasilje v aktualnem kontekstu<\/strong><\/p>\n

       <\/p>\n

      Vakhtang Kebuladze<\/p>\n

      Fenomenologija javnosti<\/strong><\/p>\n

       <\/p>\n

      Rok Svetli\u010d<\/p>\n

      Problem sodobne politi\u010dne filozofije. Transfer individualne odgovornosti<\/strong><\/p>\n

       <\/p>\n

      Jes\u00fas Adri\u00e1n Escudero<\/p>\n

      Fenomen \u00bbglokalizacije\u00ab. Globalizacija in identiteta v razmre\u017eeni dru\u017ebi<\/strong><\/p>\n

       <\/p>\n

      Izar Luna\u010dek<\/p>\n

      Karneval in utopija<\/strong><\/p>\n

       <\/p>\n

      SVET<\/p>\n

       <\/p>\n

      Mario Ruggenini<\/p>\n

      Resnica, identiteta, diferenca<\/strong><\/p>\n

       <\/p>\n

      Mirko Wischke<\/p>\n

      Brez volila. K fenomenologiji tradicije, spomina in jezika<\/strong><\/p>\n

       <\/p>\n

      Dimitri Ginev<\/p>\n

      Kognitivni eksistencializem in fenomenologija teoretskih objektov znanosti<\/strong><\/p>\n

       <\/p>\n

      Fabio Polidori<\/p>\n

      Vzvratni koraki<\/strong><\/p>\n

       <\/p>\n

      Cathrin Nielsen<\/p>\n

      Dejanskost kot neskon\u010dni progres<\/strong><\/p>\n

       <\/p>\n

      Dean Komel<\/p>\n

      Multikulturalizem in interkulturnost. Neko fenomenolo\u0161ko razlikovanje<\/strong><\/p>\n

       <\/p>\n

      IZVLE\u010cKI \u2013 ABSTRACTS<\/p>\n

       <\/p>\n

      ADDRESSES OF THE CONTRIBUTORS<\/p>\n

       <\/p>\n

      NAVODILA PRI ODDAJI TEKSTOV<\/p>\n

      [\/et_pb_toggle][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”2_5,3_5″ _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” module_alignment=”center” z_index_tablet=”500″ box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” global_colors_info=”{}”][et_pb_column type=”2_5″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_image src=”https:\/\/www.phainomena.com\/en\/wp-content\/uploads\/2019\/11\/PHI-60-61.jpg” _builder_version=”4.16″ width=”80%” z_index_tablet=”500″ box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”3_5″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.16″ text_font_size=”18px” width=”80%” z_index_tablet=”500″ text_text_shadow_horizontal_length_tablet=”0px” text_text_shadow_vertical_length_tablet=”0px” text_text_shadow_blur_strength_tablet=”1px” link_text_shadow_horizontal_length_tablet=”0px” link_text_shadow_vertical_length_tablet=”0px” link_text_shadow_blur_strength_tablet=”1px” ul_text_shadow_horizontal_length_tablet=”0px” ul_text_shadow_vertical_length_tablet=”0px” ul_text_shadow_blur_strength_tablet=”1px” ol_text_shadow_horizontal_length_tablet=”0px” ol_text_shadow_vertical_length_tablet=”0px” ol_text_shadow_blur_strength_tablet=”1px” quote_text_shadow_horizontal_length_tablet=”0px” quote_text_shadow_vertical_length_tablet=”0px” quote_text_shadow_blur_strength_tablet=”1px” header_text_shadow_horizontal_length_tablet=”0px” header_text_shadow_vertical_length_tablet=”0px” header_text_shadow_blur_strength_tablet=”1px” header_2_text_shadow_horizontal_length_tablet=”0px” header_2_text_shadow_vertical_length_tablet=”0px” header_2_text_shadow_blur_strength_tablet=”1px” header_3_text_shadow_horizontal_length_tablet=”0px” header_3_text_shadow_vertical_length_tablet=”0px” header_3_text_shadow_blur_strength_tablet=”1px” header_4_text_shadow_horizontal_length_tablet=”0px” header_4_text_shadow_vertical_length_tablet=”0px” header_4_text_shadow_blur_strength_tablet=”1px” header_5_text_shadow_horizontal_length_tablet=”0px” header_5_text_shadow_vertical_length_tablet=”0px” header_5_text_shadow_blur_strength_tablet=”1px” header_6_text_shadow_horizontal_length_tablet=”0px” header_6_text_shadow_vertical_length_tablet=”0px” header_6_text_shadow_blur_strength_tablet=”1px” box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” global_colors_info=”{}”]<\/p>\n

      Phainomena 16 <\/em>| 60-61 <\/em>| June 2007<\/em><\/p>\n

      Andrina Tonkli-Komel (ed.):<\/p>\n

      \u201cEurope, World and Humanity in the 21st<\/sup> Century: Phenomenological Perspectives\u201d<\/strong><\/p>\n

      >>><\/a><\/p>\n

      [\/et_pb_text][et_pb_toggle title=” KAZALO | TABLE OF CONTENTS ” open_toggle_background_color=”#ffffff” closed_toggle_background_color=”#ffffff” icon_color=”#8cc63f” use_icon_font_size=”on” icon_font_size=”18px” open_icon_color=”#8cc63f” open_use_icon_font_size=”on” open_icon_font_size=”18px” _builder_version=”4.16″ title_level=”h6″ width=”80%” custom_padding=”10px||10px” z_index_tablet=”500″ title_text_shadow_horizontal_length_tablet=”0px” title_text_shadow_vertical_length_tablet=”0px” title_text_shadow_blur_strength_tablet=”1px” closed_title_text_shadow_horizontal_length_tablet=”0px” closed_title_text_shadow_vertical_length_tablet=”0px” closed_title_text_shadow_blur_strength_tablet=”1px” body_text_shadow_horizontal_length_tablet=”0px” body_text_shadow_vertical_length_tablet=”0px” body_text_shadow_blur_strength_tablet=”1px” body_link_text_shadow_horizontal_length_tablet=”0px” body_link_text_shadow_vertical_length_tablet=”0px” body_link_text_shadow_blur_strength_tablet=”1px” body_ul_text_shadow_horizontal_length_tablet=”0px” body_ul_text_shadow_vertical_length_tablet=”0px” body_ul_text_shadow_blur_strength_tablet=”1px” body_ol_text_shadow_horizontal_length_tablet=”0px” body_ol_text_shadow_vertical_length_tablet=”0px” body_ol_text_shadow_blur_strength_tablet=”1px” body_quote_text_shadow_horizontal_length_tablet=”0px” body_quote_text_shadow_vertical_length_tablet=”0px” body_quote_text_shadow_blur_strength_tablet=”1px” border_radii=”on|5px|5px|5px|5px” border_color_all=”#8cc63f” box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” text_shadow_horizontal_length_tablet=”0px” text_shadow_vertical_length_tablet=”0px” text_shadow_blur_strength_tablet=”1px” global_colors_info=”{}”]<\/p>\n

      The Fourth Central and Eastern European Conference on Phenomenology<\/strong><\/p>\n

       <\/p>\n

      Vierte mittel- und osteurop\u00e4ische ph\u00e4nomenologische Konferenz<\/strong><\/p>\n

       <\/p>\n

      Klaus Held<\/p>\n

      Zur ph\u00e4nomenologischen Rehabilitierung des Ethos<\/strong><\/p>\n

       <\/p>\n

      EUROPE\/EUROPA<\/p>\n

       <\/p>\n

      Peter Trawny<\/p>\n

      Europ\u00e4isches Ethos seit Platon und Aristoteles<\/strong><\/p>\n

       <\/p>\n

      M\u0103d\u0103lina Diaconu<\/p>\n

      Die Grammatik der europ\u00e4ischen Seinsgeschichte<\/strong><\/p>\n

       <\/p>\n

      Karel Novotn\u00fd<\/p>\n

      Europa und Nacheuropa in der philosophischen Reflexion Jan Pato\u010dkas<\/strong><\/p>\n

       <\/p>\n

      HUMANISM\/HUMANISMUS<\/p>\n

       <\/p>\n

      Tatiana Shchyttsova<\/p>\n

      Memento nasci. Zur Aktualit\u00e4t der Lehre von Diotima f\u00fcr die gegenw\u00e4rtige Philosophie des Miteinanderseins<\/strong><\/p>\n

       <\/p>\n

      Valentin Kalan<\/p>\n

      Einige politischen Dimensionen der diaita<\/em> als R\u00e4umlichkeit des Daseins und als Lebensweise<\/strong><\/p>\n

       <\/p>\n

      Janko M. Lozar<\/p>\n

      Ontological Dimension of Mechanical Activity<\/strong><\/p>\n

       <\/p>\n

      Branko Klun<\/p>\n

      Sinn und Unendlichkeit. Eine ph\u00e4nomenologische Herausforderung<\/strong><\/p>\n

       <\/p>\n

      Yvanka B. Raynova<\/p>\n

      Verantwortung f\u00fcr die Menschheit im 21. Jahrhundert. Zu Paul Ricoeurs Verantwortungskonzept<\/strong><\/p>\n

       <\/p>\n

      SOCIETY\/GESELLSCHAFT<\/p>\n

       <\/p>\n

      Tine Hribar<\/p>\n

      Weltethos und die europ\u00e4ische Zivilreligion<\/strong><\/p>\n

       <\/p>\n

      Rainer Thurnher<\/p>\n

      Domestizierte, latente und eruptive Gewalt im aktuellen Kontext<\/strong><\/p>\n

       <\/p>\n

      Vakhtang Kebuladze<\/p>\n

      Ph\u00e4nomenologie der \u00d6ffentlichkeit<\/strong><\/p>\n

       <\/p>\n

      Rok Svetli\u010d<\/p>\n

      Das Problem der zeitgen\u00f6ssischen politischen Philosophie. Der Transfer der individuellen Verantwortlichkeit<\/strong><\/p>\n

       <\/p>\n

      Jes\u00fas Adri\u00e1n Escudero<\/p>\n

      Das Ph\u00e4nomen der \u201eGlokalisierung\u201c. Globalisierung und Identit\u00e4t in der vernetzten Gesellschaft<\/strong><\/p>\n

       <\/p>\n

      Izar Luna\u010dek<\/p>\n

      Carnival Today<\/strong><\/p>\n

       <\/p>\n

      WORLD\/WELT<\/p>\n

       <\/p>\n

      Mario Ruggenini<\/p>\n

      Wahrheit, Identit\u00e4t, Differenz<\/strong><\/p>\n

       <\/p>\n

      Mirko Wischke<\/p>\n

      Ohne Verm\u00e4chtnis. Zur Ph\u00e4nomenologie von Tradition, Ged\u00e4chtnis und Sprache<\/strong><\/p>\n

       <\/p>\n

      Dimitri Ginev<\/p>\n

      Cognitive Existentialism and Phenomenology of Science\u2019s Theoretical Objects<\/strong><\/p>\n

       <\/p>\n

      Fabio Polidori<\/p>\n

      Steps Back<\/strong><\/p>\n

       <\/p>\n

      Cathrin Nielsen<\/p>\n

      Wirklichkeit als unendlicher Progress<\/strong><\/p>\n

       <\/p>\n

      Dean Komel<\/p>\n

      Multikulturalismus und Interkulturalit\u00e4t. Eine ph\u00e4nomenologische Unterscheidung<\/strong><\/p>\n

       <\/p>\n

      IZVLE\u010cKI \u2013 ABSTRACTS<\/p>\n

       <\/p>\n

      ADDRESSES OF THE CONTRIBUTORS<\/p>\n

       <\/p>\n

      INSTRUCTIONS FOR AUTHORS<\/p>\n

      [\/et_pb_toggle][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”2_5,3_5″ _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” module_alignment=”center” z_index_tablet=”500″ box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” global_colors_info=”{}”][et_pb_column type=”2_5″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_image src=”https:\/\/www.phainomena.com\/en\/wp-content\/uploads\/2019\/11\/PHI-59.jpg” _builder_version=”4.16″ width=”80%” z_index_tablet=”500″ box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”3_5″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.16″ text_font_size=”18px” width=”80%” z_index_tablet=”500″ text_text_shadow_horizontal_length_tablet=”0px” text_text_shadow_vertical_length_tablet=”0px” text_text_shadow_blur_strength_tablet=”1px” link_text_shadow_horizontal_length_tablet=”0px” link_text_shadow_vertical_length_tablet=”0px” link_text_shadow_blur_strength_tablet=”1px” ul_text_shadow_horizontal_length_tablet=”0px” ul_text_shadow_vertical_length_tablet=”0px” ul_text_shadow_blur_strength_tablet=”1px” ol_text_shadow_horizontal_length_tablet=”0px” ol_text_shadow_vertical_length_tablet=”0px” ol_text_shadow_blur_strength_tablet=”1px” quote_text_shadow_horizontal_length_tablet=”0px” quote_text_shadow_vertical_length_tablet=”0px” quote_text_shadow_blur_strength_tablet=”1px” header_text_shadow_horizontal_length_tablet=”0px” header_text_shadow_vertical_length_tablet=”0px” header_text_shadow_blur_strength_tablet=”1px” header_2_text_shadow_horizontal_length_tablet=”0px” header_2_text_shadow_vertical_length_tablet=”0px” header_2_text_shadow_blur_strength_tablet=”1px” header_3_text_shadow_horizontal_length_tablet=”0px” header_3_text_shadow_vertical_length_tablet=”0px” header_3_text_shadow_blur_strength_tablet=”1px” header_4_text_shadow_horizontal_length_tablet=”0px” header_4_text_shadow_vertical_length_tablet=”0px” header_4_text_shadow_blur_strength_tablet=”1px” header_5_text_shadow_horizontal_length_tablet=”0px” header_5_text_shadow_vertical_length_tablet=”0px” header_5_text_shadow_blur_strength_tablet=”1px” header_6_text_shadow_horizontal_length_tablet=”0px” header_6_text_shadow_vertical_length_tablet=”0px” header_6_text_shadow_blur_strength_tablet=”1px” box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” global_colors_info=”{}”]<\/p>\n

      Phainomena 15 <\/em>| 59 <\/em>| November 2006<\/em><\/p>\n

      \u201cHumanism and Culture\u201d<\/strong><\/p>\n

      >>><\/a><\/p>\n

      [\/et_pb_text][et_pb_toggle title=” KAZALO | TABLE OF CONTENTS ” open_toggle_background_color=”#ffffff” closed_toggle_background_color=”#ffffff” icon_color=”#8cc63f” use_icon_font_size=”on” icon_font_size=”18px” open_icon_color=”#8cc63f” open_use_icon_font_size=”on” open_icon_font_size=”18px” _builder_version=”4.16″ title_level=”h6″ width=”80%” custom_padding=”10px||10px” z_index_tablet=”500″ title_text_shadow_horizontal_length_tablet=”0px” title_text_shadow_vertical_length_tablet=”0px” title_text_shadow_blur_strength_tablet=”1px” closed_title_text_shadow_horizontal_length_tablet=”0px” closed_title_text_shadow_vertical_length_tablet=”0px” closed_title_text_shadow_blur_strength_tablet=”1px” body_text_shadow_horizontal_length_tablet=”0px” body_text_shadow_vertical_length_tablet=”0px” body_text_shadow_blur_strength_tablet=”1px” body_link_text_shadow_horizontal_length_tablet=”0px” body_link_text_shadow_vertical_length_tablet=”0px” body_link_text_shadow_blur_strength_tablet=”1px” body_ul_text_shadow_horizontal_length_tablet=”0px” body_ul_text_shadow_vertical_length_tablet=”0px” body_ul_text_shadow_blur_strength_tablet=”1px” body_ol_text_shadow_horizontal_length_tablet=”0px” body_ol_text_shadow_vertical_length_tablet=”0px” body_ol_text_shadow_blur_strength_tablet=”1px” body_quote_text_shadow_horizontal_length_tablet=”0px” body_quote_text_shadow_vertical_length_tablet=”0px” body_quote_text_shadow_blur_strength_tablet=”1px” border_radii=”on|5px|5px|5px|5px” border_color_all=”#8cc63f” box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” text_shadow_horizontal_length_tablet=”0px” text_shadow_vertical_length_tablet=”0px” text_shadow_blur_strength_tablet=”1px” global_colors_info=”{}”]<\/p>\n

      Tadashi Ogawa<\/p>\n

      Cartesian Philosophy and the Political Dynamics for Peace<\/strong><\/p>\n

       <\/p>\n

      Fran\u00e7oise Dastur<\/p>\n

      The Question of Transcendence in Heidegger and Sartre<\/strong><\/p>\n

       <\/p>\n

      Adriano Fabris<\/p>\n

      Die Person als kommunikationsf\u00e4higes Wesen zwischen Natur und Konsens<\/strong><\/p>\n

       <\/p>\n

      Tomas Ka\u010derauskas<\/p>\n

      Existential Humanism as Human Creativeness<\/strong><\/p>\n

       <\/p>\n

      Hans Rainer Sepp<\/p>\n

      Ph\u00e4nomenologische \u00c4sthetik. Ein geschichtlicher Abriss<\/strong><\/p>\n

       <\/p>\n

      Dean Komel<\/p>\n

      Philosophy in Interculturality<\/strong><\/p>\n

       <\/p>\n

      Chung-Chi Yu<\/p>\n

      Heimwelt, Fremdwelt und die Zwischenwelten<\/strong><\/p>\n

       <\/p>\n

      Gespr\u00e4ch mit Bernhard Waldenfels<\/strong> (Andrina Tonkli-Komel<\/em>)<\/p>\n

       <\/p>\n

      ABSTRACTS<\/p>\n

       <\/p>\n

      ADDRESSES OF THE CONTRIBUTORS<\/p>\n

       <\/p>\n

      INSTRUCTIONS FOR AUTHORS<\/p>\n

      [\/et_pb_toggle][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”2_5,3_5″ _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” module_alignment=”center” z_index_tablet=”500″ box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” global_colors_info=”{}”][et_pb_column type=”2_5″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_image src=”https:\/\/www.phainomena.com\/en\/wp-content\/uploads\/2019\/11\/PHI-57-58.jpg” _builder_version=”4.16″ width=”80%” z_index_tablet=”500″ box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”3_5″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.16″ text_font_size=”18px” width=”80%” z_index_tablet=”500″ text_text_shadow_horizontal_length_tablet=”0px” text_text_shadow_vertical_length_tablet=”0px” text_text_shadow_blur_strength_tablet=”1px” link_text_shadow_horizontal_length_tablet=”0px” link_text_shadow_vertical_length_tablet=”0px” link_text_shadow_blur_strength_tablet=”1px” ul_text_shadow_horizontal_length_tablet=”0px” ul_text_shadow_vertical_length_tablet=”0px” ul_text_shadow_blur_strength_tablet=”1px” ol_text_shadow_horizontal_length_tablet=”0px” ol_text_shadow_vertical_length_tablet=”0px” ol_text_shadow_blur_strength_tablet=”1px” quote_text_shadow_horizontal_length_tablet=”0px” quote_text_shadow_vertical_length_tablet=”0px” quote_text_shadow_blur_strength_tablet=”1px” header_text_shadow_horizontal_length_tablet=”0px” header_text_shadow_vertical_length_tablet=”0px” header_text_shadow_blur_strength_tablet=”1px” header_2_text_shadow_horizontal_length_tablet=”0px” header_2_text_shadow_vertical_length_tablet=”0px” header_2_text_shadow_blur_strength_tablet=”1px” header_3_text_shadow_horizontal_length_tablet=”0px” header_3_text_shadow_vertical_length_tablet=”0px” header_3_text_shadow_blur_strength_tablet=”1px” header_4_text_shadow_horizontal_length_tablet=”0px” header_4_text_shadow_vertical_length_tablet=”0px” header_4_text_shadow_blur_strength_tablet=”1px” header_5_text_shadow_horizontal_length_tablet=”0px” header_5_text_shadow_vertical_length_tablet=”0px” header_5_text_shadow_blur_strength_tablet=”1px” header_6_text_shadow_horizontal_length_tablet=”0px” header_6_text_shadow_vertical_length_tablet=”0px” header_6_text_shadow_blur_strength_tablet=”1px” box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” global_colors_info=”{}”]<\/p>\n

      Phainomena 15 <\/em>| 57-58<\/em> | September-oktober 2006<\/em><\/p>\n

      Tine Hribar, Klemen Klun, Janko M. Lozar:<\/p>\n

      \u00bbGlobalizacija: svetovni mir in svetovni etos\u00ab<\/strong><\/p>\n

      >>><\/a><\/p>\n

      [\/et_pb_text][et_pb_toggle title=” KAZALO | TABLE OF CONTENTS ” open_toggle_background_color=”#ffffff” closed_toggle_background_color=”#ffffff” icon_color=”#8cc63f” use_icon_font_size=”on” icon_font_size=”18px” open_icon_color=”#8cc63f” open_use_icon_font_size=”on” open_icon_font_size=”18px” _builder_version=”4.16″ title_level=”h6″ width=”80%” custom_padding=”10px||10px” z_index_tablet=”500″ title_text_shadow_horizontal_length_tablet=”0px” title_text_shadow_vertical_length_tablet=”0px” title_text_shadow_blur_strength_tablet=”1px” closed_title_text_shadow_horizontal_length_tablet=”0px” closed_title_text_shadow_vertical_length_tablet=”0px” closed_title_text_shadow_blur_strength_tablet=”1px” body_text_shadow_horizontal_length_tablet=”0px” body_text_shadow_vertical_length_tablet=”0px” body_text_shadow_blur_strength_tablet=”1px” body_link_text_shadow_horizontal_length_tablet=”0px” body_link_text_shadow_vertical_length_tablet=”0px” body_link_text_shadow_blur_strength_tablet=”1px” body_ul_text_shadow_horizontal_length_tablet=”0px” body_ul_text_shadow_vertical_length_tablet=”0px” body_ul_text_shadow_blur_strength_tablet=”1px” body_ol_text_shadow_horizontal_length_tablet=”0px” body_ol_text_shadow_vertical_length_tablet=”0px” body_ol_text_shadow_blur_strength_tablet=”1px” body_quote_text_shadow_horizontal_length_tablet=”0px” body_quote_text_shadow_vertical_length_tablet=”0px” body_quote_text_shadow_blur_strength_tablet=”1px” border_radii=”on|5px|5px|5px|5px” border_color_all=”#8cc63f” box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” text_shadow_horizontal_length_tablet=”0px” text_shadow_vertical_length_tablet=”0px” text_shadow_blur_strength_tablet=”1px” global_colors_info=”{}”]<\/p>\n

      I. UVOD<\/p>\n

      II. MIR IN VOJNE V DOBI GLOBALIZACIJE<\/p>\n

      III. OD SPOPADA DO ZAVENI\u0160TVA CIVILIZACIJ<\/p>\n

      IV. SVETOVNE RELIGIJE\/CIVILIZACIJE O \u010cLOVEKOVIH PRAVICAH, VOJNI IN MIRU<\/p>\n

      V. POLITI\u010cNA ETIKA V DOBI TERORIZMA: ODLO\u010cANJE O VE\u010cJEM IN MANJ\u0160EM ZLU<\/p>\n

      VI. SVETOVNI ETOS, EVROPSKA CIVILNA RELIGIJA IN VERSTVA NA SLOVENSKEM<\/p>\n

      VII. LITERATURA<\/p>\n

      VIII. UGOTOVITVE IN PREDLOGI<\/p>\n

      [\/et_pb_toggle][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”2_5,3_5″ _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” module_alignment=”center” z_index_tablet=”500″ box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” global_colors_info=”{}”][et_pb_column type=”2_5″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_image src=”https:\/\/www.phainomena.com\/en\/wp-content\/uploads\/2019\/11\/PHI-55-56.jpg” _builder_version=”4.16″ width=”80%” z_index_tablet=”500″ box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”3_5″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.16″ text_font_size=”18px” width=”80%” z_index_tablet=”500″ text_text_shadow_horizontal_length_tablet=”0px” text_text_shadow_vertical_length_tablet=”0px” text_text_shadow_blur_strength_tablet=”1px” link_text_shadow_horizontal_length_tablet=”0px” link_text_shadow_vertical_length_tablet=”0px” link_text_shadow_blur_strength_tablet=”1px” ul_text_shadow_horizontal_length_tablet=”0px” ul_text_shadow_vertical_length_tablet=”0px” ul_text_shadow_blur_strength_tablet=”1px” ol_text_shadow_horizontal_length_tablet=”0px” ol_text_shadow_vertical_length_tablet=”0px” ol_text_shadow_blur_strength_tablet=”1px” quote_text_shadow_horizontal_length_tablet=”0px” quote_text_shadow_vertical_length_tablet=”0px” quote_text_shadow_blur_strength_tablet=”1px” header_text_shadow_horizontal_length_tablet=”0px” header_text_shadow_vertical_length_tablet=”0px” header_text_shadow_blur_strength_tablet=”1px” header_2_text_shadow_horizontal_length_tablet=”0px” header_2_text_shadow_vertical_length_tablet=”0px” header_2_text_shadow_blur_strength_tablet=”1px” header_3_text_shadow_horizontal_length_tablet=”0px” header_3_text_shadow_vertical_length_tablet=”0px” header_3_text_shadow_blur_strength_tablet=”1px” header_4_text_shadow_horizontal_length_tablet=”0px” header_4_text_shadow_vertical_length_tablet=”0px” header_4_text_shadow_blur_strength_tablet=”1px” header_5_text_shadow_horizontal_length_tablet=”0px” header_5_text_shadow_vertical_length_tablet=”0px” header_5_text_shadow_blur_strength_tablet=”1px” header_6_text_shadow_horizontal_length_tablet=”0px” header_6_text_shadow_vertical_length_tablet=”0px” header_6_text_shadow_blur_strength_tablet=”1px” box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” global_colors_info=”{}”]<\/p>\n

      Phainomena 15 <\/em>| 55-56 <\/em>| Junij 2006<\/em><\/p>\n

      \u00bbHermenevtika in humanistika II\u00ab<\/strong><\/p>\n

      >>><\/a><\/p>\n

      [\/et_pb_text][et_pb_toggle title=” KAZALO | TABLE OF CONTENTS ” open_toggle_background_color=”#ffffff” closed_toggle_background_color=”#ffffff” icon_color=”#8cc63f” use_icon_font_size=”on” icon_font_size=”18px” open_icon_color=”#8cc63f” open_use_icon_font_size=”on” open_icon_font_size=”18px” _builder_version=”4.16″ title_level=”h6″ width=”80%” custom_padding=”10px||10px” z_index_tablet=”500″ title_text_shadow_horizontal_length_tablet=”0px” title_text_shadow_vertical_length_tablet=”0px” title_text_shadow_blur_strength_tablet=”1px” closed_title_text_shadow_horizontal_length_tablet=”0px” closed_title_text_shadow_vertical_length_tablet=”0px” closed_title_text_shadow_blur_strength_tablet=”1px” body_text_shadow_horizontal_length_tablet=”0px” body_text_shadow_vertical_length_tablet=”0px” body_text_shadow_blur_strength_tablet=”1px” body_link_text_shadow_horizontal_length_tablet=”0px” body_link_text_shadow_vertical_length_tablet=”0px” body_link_text_shadow_blur_strength_tablet=”1px” body_ul_text_shadow_horizontal_length_tablet=”0px” body_ul_text_shadow_vertical_length_tablet=”0px” body_ul_text_shadow_blur_strength_tablet=”1px” body_ol_text_shadow_horizontal_length_tablet=”0px” body_ol_text_shadow_vertical_length_tablet=”0px” body_ol_text_shadow_blur_strength_tablet=”1px” body_quote_text_shadow_horizontal_length_tablet=”0px” body_quote_text_shadow_vertical_length_tablet=”0px” body_quote_text_shadow_blur_strength_tablet=”1px” border_radii=”on|5px|5px|5px|5px” border_color_all=”#8cc63f” box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” text_shadow_horizontal_length_tablet=”0px” text_shadow_vertical_length_tablet=”0px” text_shadow_blur_strength_tablet=”1px” global_colors_info=”{}”]<\/p>\n

      HERMENEVTIKA<\/p>\n

       <\/p>\n

      Rainer Thurnher<\/p>\n

      Hermenevtika kot metoda in izvr\u0161evanje<\/strong><\/p>\n

       <\/p>\n

      Jean Grondin<\/p>\n

      Vattimova latinizacija hermenevtike. Zakaj se je Gadamer upiral postmodernizmu?<\/strong><\/p>\n

       <\/p>\n

      Dean Komel<\/p>\n

      O hermenevti\u010dnem odnosu<\/strong><\/p>\n

       <\/p>\n

      JEZIK<\/p>\n

       <\/p>\n

      Wilhelm von Humboldt<\/p>\n

      O razli\u010dnosti \u010dlove\u0161ke jezikovne gradnje<\/strong><\/p>\n

       <\/p>\n

      Donatella Di Cesare<\/p>\n

      Humboldtova dialo\u0161ka hermenevtika<\/strong><\/p>\n

       <\/p>\n

      KULTURA<\/p>\n

       <\/p>\n

      R\u00e9mi Brague<\/p>\n

      Evropska kulturna zgodovina<\/strong><\/p>\n

       <\/p>\n

      Izar Luna\u010dek<\/p>\n

      K filozofiji ciklizma: In quo Tempore?<\/strong><\/p>\n

       <\/p>\n

      NIHILIZEM<\/p>\n

       <\/p>\n

      Cathrin Nielsen<\/p>\n

      O titani\u010dnem. Vpra\u0161anje bistva \u00bbrazbrzdane\u00ab tehnike<\/strong><\/p>\n

       <\/p>\n

      Janko M. Lozar<\/p>\n

      Nietzsche in vekovito vra\u010danje enakega<\/strong><\/p>\n

       <\/p>\n

      Rober Simoni\u010d<\/p>\n

      Vpra\u0161anje bistva v Heideggrovem spisu O bistvu resnice<\/em><\/strong><\/p>\n

       <\/p>\n

      UMETNOST<\/p>\n

       <\/p>\n

      Friedrich Wilhelm Joseph von Schelling<\/p>\n

      Predavanja o metodi akademskega \u0161tudija<\/strong><\/p>\n

       <\/p>\n

      Damir Barbari\u0107<\/p>\n

      O bistvu lepote pri Schellingu<\/strong><\/p>\n

       <\/p>\n

      Dennis J. Schmidt<\/p>\n

      O poeziji, filozofiji in politi\u010dnem. \u010cemu hermenevtika?<\/strong><\/p>\n

       <\/p>\n

      Mirko Wischke<\/p>\n

      K hermenevtiki umetni\u0161kega dela pri Hansu-Georgu Gadamerju <\/strong><\/p>\n

       <\/p>\n

      SANJE<\/p>\n

       <\/p>\n

      Julia V. Iribarne<\/p>\n

      Prispevki k fenomenologiji sanj<\/strong><\/p>\n

       <\/p>\n

      BRANJE<\/p>\n

       <\/p>\n

        \n
      1. Stoller \u2013 V. Vasterling \u2013 L. Fisher (ur.): Feministische Ph\u00e4nomenologie und Hermeneutik<\/strong> (Andrina Tonkli Komel<\/em>)<\/li>\n<\/ol>\n

         <\/p>\n

        DOKUMENTI<\/p>\n

         <\/p>\n

        Andrzej Wierci\u0144ski<\/p>\n

        Hermeneutic Legacy <\/strong><\/p>\n

         <\/p>\n

          \n
        1. F. Gethmann \u2013 D. Langewiesche \u2013 J. Mittelstra\u00df \u2013 D. Simon \u2013 G. Stock<\/li>\n<\/ol>\n

          Manifest Geisteswissenschaft<\/strong><\/p>\n

          [\/et_pb_toggle][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”2_5,3_5″ _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” module_alignment=”center” z_index_tablet=”500″ box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” global_colors_info=”{}”][et_pb_column type=”2_5″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_image src=”https:\/\/www.phainomena.com\/en\/wp-content\/uploads\/2019\/11\/PHI-53-54.jpg” _builder_version=”4.16″ width=”80%” z_index_tablet=”500″ box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”3_5″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.16″ text_font_size=”18px” width=”80%” z_index_tablet=”500″ text_text_shadow_horizontal_length_tablet=”0px” text_text_shadow_vertical_length_tablet=”0px” text_text_shadow_blur_strength_tablet=”1px” link_text_shadow_horizontal_length_tablet=”0px” link_text_shadow_vertical_length_tablet=”0px” link_text_shadow_blur_strength_tablet=”1px” ul_text_shadow_horizontal_length_tablet=”0px” ul_text_shadow_vertical_length_tablet=”0px” ul_text_shadow_blur_strength_tablet=”1px” ol_text_shadow_horizontal_length_tablet=”0px” ol_text_shadow_vertical_length_tablet=”0px” ol_text_shadow_blur_strength_tablet=”1px” quote_text_shadow_horizontal_length_tablet=”0px” quote_text_shadow_vertical_length_tablet=”0px” quote_text_shadow_blur_strength_tablet=”1px” header_text_shadow_horizontal_length_tablet=”0px” header_text_shadow_vertical_length_tablet=”0px” header_text_shadow_blur_strength_tablet=”1px” header_2_text_shadow_horizontal_length_tablet=”0px” header_2_text_shadow_vertical_length_tablet=”0px” header_2_text_shadow_blur_strength_tablet=”1px” header_3_text_shadow_horizontal_length_tablet=”0px” header_3_text_shadow_vertical_length_tablet=”0px” header_3_text_shadow_blur_strength_tablet=”1px” header_4_text_shadow_horizontal_length_tablet=”0px” header_4_text_shadow_vertical_length_tablet=”0px” header_4_text_shadow_blur_strength_tablet=”1px” header_5_text_shadow_horizontal_length_tablet=”0px” header_5_text_shadow_vertical_length_tablet=”0px” header_5_text_shadow_blur_strength_tablet=”1px” header_6_text_shadow_horizontal_length_tablet=”0px” header_6_text_shadow_vertical_length_tablet=”0px” header_6_text_shadow_blur_strength_tablet=”1px” box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” global_colors_info=”{}”]<\/p>\n

          Phainomena 14 <\/em>| 53-54 <\/em>| November 2005<\/em><\/p>\n

          \u00bbHermenevtika in humanistika I\u00ab<\/strong><\/p>\n

          >>><\/a><\/p>\n

          [\/et_pb_text][et_pb_toggle title=” KAZALO | TABLE OF CONTENTS ” open_toggle_background_color=”#ffffff” closed_toggle_background_color=”#ffffff” icon_color=”#8cc63f” use_icon_font_size=”on” icon_font_size=”18px” open_icon_color=”#8cc63f” open_use_icon_font_size=”on” open_icon_font_size=”18px” _builder_version=”4.16″ title_level=”h6″ width=”80%” custom_padding=”10px||10px” z_index_tablet=”500″ title_text_shadow_horizontal_length_tablet=”0px” title_text_shadow_vertical_length_tablet=”0px” title_text_shadow_blur_strength_tablet=”1px” closed_title_text_shadow_horizontal_length_tablet=”0px” closed_title_text_shadow_vertical_length_tablet=”0px” closed_title_text_shadow_blur_strength_tablet=”1px” body_text_shadow_horizontal_length_tablet=”0px” body_text_shadow_vertical_length_tablet=”0px” body_text_shadow_blur_strength_tablet=”1px” body_link_text_shadow_horizontal_length_tablet=”0px” body_link_text_shadow_vertical_length_tablet=”0px” body_link_text_shadow_blur_strength_tablet=”1px” body_ul_text_shadow_horizontal_length_tablet=”0px” body_ul_text_shadow_vertical_length_tablet=”0px” body_ul_text_shadow_blur_strength_tablet=”1px” body_ol_text_shadow_horizontal_length_tablet=”0px” body_ol_text_shadow_vertical_length_tablet=”0px” body_ol_text_shadow_blur_strength_tablet=”1px” body_quote_text_shadow_horizontal_length_tablet=”0px” body_quote_text_shadow_vertical_length_tablet=”0px” body_quote_text_shadow_blur_strength_tablet=”1px” border_radii=”on|5px|5px|5px|5px” border_color_all=”#8cc63f” box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” text_shadow_horizontal_length_tablet=”0px” text_shadow_vertical_length_tablet=”0px” text_shadow_blur_strength_tablet=”1px” global_colors_info=”{}”]<\/p>\n

          DUHOVNA ZGODOVINA<\/p>\n

           <\/p>\n

          Hans-Georg Gadamer<\/p>\n

          Resnica in metoda. Za\u010detek prabesedila<\/strong><\/p>\n

           <\/p>\n

          Paul Ricoeur<\/p>\n

          Humanistika med znanostjo in umetnostjo<\/strong><\/p>\n

           <\/p>\n

          Hans-Ulrich Lessing<\/p>\n

          Hermenevtika v Diltheyevi utemeljitvi duhoslovnih znanosti<\/strong><\/p>\n

           <\/p>\n

          Dimitri Ginev<\/p>\n

          K hermenevti\u010dno-filozofski zgodovini duhoslovnih ved<\/strong><\/p>\n

           <\/p>\n

          Yvanka B. Raynova<\/p>\n

          Prispevek Paula Ricoeurja k fenomenolo\u0161ki hermenevtiki evropske zgodovine in vrednot<\/strong><\/p>\n

           <\/p>\n

          Dean Komel<\/p>\n

          Sodobnost: filozofsko vpra\u0161anje ali vpra\u0161anje filozofije<\/strong><\/p>\n

           <\/p>\n

          RAZUMEVANJE<\/p>\n

           <\/p>\n

          G\u00fcnter Figal<\/p>\n

          Kant in filozofska hermenevtika<\/strong><\/p>\n

           <\/p>\n

          Richard Rorty<\/p>\n

          Analiti\u010dna filozofija in filozofija preobrazbe<\/strong><\/p>\n

           <\/p>\n

          Mario Ruggenini<\/p>\n

          Komunikacija. Kaj se re\u010de in kaj se ne pusti re\u010di<\/strong><\/p>\n

           <\/p>\n

          DRU\u017dBA<\/p>\n

           <\/p>\n

          Charles Taylor<\/p>\n

          Dve teoriji modernosti<\/strong><\/p>\n

           <\/p>\n

          Ugo Vlaisavljevi\u0107<\/p>\n

          Komunisti\u010dna politika, dru\u017eboslovje in humanistika<\/strong><\/p>\n

           <\/p>\n

          Mario Kopi\u0107<\/p>\n

          Vpra\u0161anje hermenevtike politike<\/strong><\/p>\n

           <\/p>\n

          Rok Svetli\u010d<\/p>\n

          Pravna hermenevtika Ronalda Dworkina in nezapisana \u00bbpolovica\u00ab prava<\/strong><\/p>\n

           <\/p>\n

          UMETNOST<\/p>\n

           <\/p>\n

          Jo\u017eef Muhovi\u010d<\/p>\n

          O duhovnem in telesnem v umetnosti. Pet etud o psihosomatiki (postmodernega) umetni\u0161kega prakticiranja<\/strong><\/p>\n

           <\/p>\n

          Leon Stefanija<\/p>\n

          Izhodi\u0161\u010da hermenevtike glasbe: \u0161tirje pogledi<\/strong><\/p>\n

           <\/p>\n

          Mateja Kurir<\/p>\n

          Razumevanje arhitekture v hermenevti\u010dni filozofiji<\/strong><\/p>\n

           <\/p>\n

          BRANJE<\/p>\n

          Andrina Tonkli Komel<\/p>\n

          Pomisleki o zgodovini filozofije (Ob robu Realejeve Zgodovini anti\u010dne filozofije<\/em>)<\/strong><\/p>\n

           <\/p>\n

          Phenomenology on the Stage: The World Congress at Oxford<\/strong> (Carmen Cozma<\/em>)<\/p>\n

           <\/p>\n

          Christian Ciocan (ur.): Translating Heidegger\u2019s Sein und Zeit<\/em><\/strong> (Studia Phaenomenologica<\/em>)<\/p>\n

           <\/p>\n

          IZVLE\u010cKI\/ABSTRACTS<\/p>\n

          [\/et_pb_toggle][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”2_5,3_5″ _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” module_alignment=”center” z_index_tablet=”500″ box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” global_colors_info=”{}”][et_pb_column type=”2_5″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_image src=”https:\/\/www.phainomena.com\/en\/wp-content\/uploads\/2019\/11\/PHI-51-52.jpg” _builder_version=”4.16″ width=”80%” z_index_tablet=”500″ box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”3_5″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.16″ text_font_size=”18px” width=”80%” z_index_tablet=”500″ text_text_shadow_horizontal_length_tablet=”0px” text_text_shadow_vertical_length_tablet=”0px” text_text_shadow_blur_strength_tablet=”1px” link_text_shadow_horizontal_length_tablet=”0px” link_text_shadow_vertical_length_tablet=”0px” link_text_shadow_blur_strength_tablet=”1px” ul_text_shadow_horizontal_length_tablet=”0px” ul_text_shadow_vertical_length_tablet=”0px” ul_text_shadow_blur_strength_tablet=”1px” ol_text_shadow_horizontal_length_tablet=”0px” ol_text_shadow_vertical_length_tablet=”0px” ol_text_shadow_blur_strength_tablet=”1px” quote_text_shadow_horizontal_length_tablet=”0px” quote_text_shadow_vertical_length_tablet=”0px” quote_text_shadow_blur_strength_tablet=”1px” header_text_shadow_horizontal_length_tablet=”0px” header_text_shadow_vertical_length_tablet=”0px” header_text_shadow_blur_strength_tablet=”1px” header_2_text_shadow_horizontal_length_tablet=”0px” header_2_text_shadow_vertical_length_tablet=”0px” header_2_text_shadow_blur_strength_tablet=”1px” header_3_text_shadow_horizontal_length_tablet=”0px” header_3_text_shadow_vertical_length_tablet=”0px” header_3_text_shadow_blur_strength_tablet=”1px” header_4_text_shadow_horizontal_length_tablet=”0px” header_4_text_shadow_vertical_length_tablet=”0px” header_4_text_shadow_blur_strength_tablet=”1px” header_5_text_shadow_horizontal_length_tablet=”0px” header_5_text_shadow_vertical_length_tablet=”0px” header_5_text_shadow_blur_strength_tablet=”1px” header_6_text_shadow_horizontal_length_tablet=”0px” header_6_text_shadow_vertical_length_tablet=”0px” header_6_text_shadow_blur_strength_tablet=”1px” box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” global_colors_info=”{}”]<\/p>\n

          Phainomena 14 <\/em>| 51-52 <\/em>| Julij 2005<\/em><\/p>\n

          \u00bbFilozofska nare\u010dja\u00ab<\/strong><\/p>\n

          >>><\/a><\/p>\n

          [\/et_pb_text][et_pb_toggle title=” KAZALO | TABLE OF CONTENTS ” open_toggle_background_color=”#ffffff” closed_toggle_background_color=”#ffffff” icon_color=”#8cc63f” use_icon_font_size=”on” icon_font_size=”18px” open_icon_color=”#8cc63f” open_use_icon_font_size=”on” open_icon_font_size=”18px” _builder_version=”4.16″ title_level=”h6″ width=”80%” custom_padding=”10px||10px” z_index_tablet=”500″ title_text_shadow_horizontal_length_tablet=”0px” title_text_shadow_vertical_length_tablet=”0px” title_text_shadow_blur_strength_tablet=”1px” closed_title_text_shadow_horizontal_length_tablet=”0px” closed_title_text_shadow_vertical_length_tablet=”0px” closed_title_text_shadow_blur_strength_tablet=”1px” body_text_shadow_horizontal_length_tablet=”0px” body_text_shadow_vertical_length_tablet=”0px” body_text_shadow_blur_strength_tablet=”1px” body_link_text_shadow_horizontal_length_tablet=”0px” body_link_text_shadow_vertical_length_tablet=”0px” body_link_text_shadow_blur_strength_tablet=”1px” body_ul_text_shadow_horizontal_length_tablet=”0px” body_ul_text_shadow_vertical_length_tablet=”0px” body_ul_text_shadow_blur_strength_tablet=”1px” body_ol_text_shadow_horizontal_length_tablet=”0px” body_ol_text_shadow_vertical_length_tablet=”0px” body_ol_text_shadow_blur_strength_tablet=”1px” body_quote_text_shadow_horizontal_length_tablet=”0px” body_quote_text_shadow_vertical_length_tablet=”0px” body_quote_text_shadow_blur_strength_tablet=”1px” border_radii=”on|5px|5px|5px|5px” border_color_all=”#8cc63f” box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” text_shadow_horizontal_length_tablet=”0px” text_shadow_vertical_length_tablet=”0px” text_shadow_blur_strength_tablet=”1px” global_colors_info=”{}”]<\/p>\n

          FENOMENOLO\u0160KA ARHEOLOGIJA<\/p>\n

           <\/p>\n

          Edmund Husserl<\/p>\n

          Fenomenolo\u0161ka arheologija<\/strong><\/p>\n

           <\/p>\n

          Stephan G\u00fcnzel<\/p>\n

          \u00bbCikcak\u00ab. Fenomenolo\u0161ka arheologija Edmunda Husserla<\/strong><\/p>\n

           <\/p>\n

          Jo\u017ee Hrovat<\/p>\n

          Arheologija biti. Telesnost med subjektiviteto in objektiviteto<\/strong><\/p>\n

           <\/p>\n

          Andrina Tonkli Komel<\/p>\n

          \u00bbPrevrat kopernikanskega nauka\u00ab pri Edmundu Husserlu<\/strong><\/p>\n

           <\/p>\n

          John Sallis<\/p>\n

          Eksorbitantna logika. Na meji metafizike protislovja<\/strong><\/p>\n

           <\/p>\n

          Bo\u017eidar Kante<\/p>\n

          Husserl in Ingarden o sliki (podobi)<\/strong><\/p>\n

           <\/p>\n

          KOZMOLOGIJA<\/p>\n

           <\/p>\n

          Valentin Kalan<\/p>\n

          Fenomenolo\u0161ke interpretacije Aristotelove kozmologije<\/strong><\/p>\n

           <\/p>\n

          Aristoteles<\/p>\n

          O nastajanju in minevanju (Prva knjiga A: nastajanje in minevanje, spreminjanje, dejavnost in trpnost)<\/strong><\/p>\n

           <\/p>\n

          ETIKA IN JEZIK<\/p>\n

           <\/p>\n

          Volker Gerhardt<\/p>\n

          Svoboda, ki jo menimo<\/p>\n

           <\/p>\n

          Peter Trawny<\/p>\n

          O eti\u010dnem pomenu sojenja. Interpretacija Kantove \u00bbrazsodne mo\u010di\u00ab kot eti\u010dne hermenevtike pri Hannah Arendt<\/strong><\/p>\n

           <\/p>\n

          Alon Segev<\/p>\n

          Optimizem in pesimizem v Gadamerjevi knjigi o Celanu<\/strong><\/p>\n

           <\/p>\n

          Damjan Mandelc<\/p>\n

          Savatrova Vpra\u0161anja \u017eivljenja<\/em><\/strong><\/p>\n

           <\/p>\n

          Richard Rorty<\/p>\n

          Wittgenstein in Heidegger in postvarjenje jezika<\/strong><\/p>\n

           <\/p>\n

          Toma\u017e Gru\u0161ovnik<\/p>\n

          Etika neizrekljivega pri Ludwigu Wittgensteinu<\/strong><\/p>\n

           <\/p>\n

          Matthias Flatscher<\/p>\n

          Derridajev \u00bbcoup de don\u00ab in Heideggrov \u00bbes gibt\u00ab. Govorica kot dajanje<\/strong><\/p>\n

           <\/p>\n

          SLOVAR<\/p>\n

           <\/p>\n

          Primo\u017e Ponikvar<\/p>\n

          Jezikovna kompatibilnost definicij in razumevanja filozofskih terminov v splo\u0161nem slovarju. Slovar\u010dek kratkih razlag filozofskih terminov<\/strong><\/p>\n

           <\/p>\n

          IZVLE\u010cKI \u2013 ABSTRACTS<\/p>\n

          [\/et_pb_toggle][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”2_5,3_5″ _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” module_alignment=”center” z_index_tablet=”500″ box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” global_colors_info=”{}”][et_pb_column type=”2_5″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_image src=”https:\/\/www.phainomena.com\/en\/wp-content\/uploads\/2019\/11\/PHI-49-50.jpg” _builder_version=”4.16″ width=”80%” z_index_tablet=”500″ box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”3_5″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.16″ text_font_size=”18px” width=”80%” z_index_tablet=”500″ text_text_shadow_horizontal_length_tablet=”0px” text_text_shadow_vertical_length_tablet=”0px” text_text_shadow_blur_strength_tablet=”1px” link_text_shadow_horizontal_length_tablet=”0px” link_text_shadow_vertical_length_tablet=”0px” link_text_shadow_blur_strength_tablet=”1px” ul_text_shadow_horizontal_length_tablet=”0px” ul_text_shadow_vertical_length_tablet=”0px” ul_text_shadow_blur_strength_tablet=”1px” ol_text_shadow_horizontal_length_tablet=”0px” ol_text_shadow_vertical_length_tablet=”0px” ol_text_shadow_blur_strength_tablet=”1px” quote_text_shadow_horizontal_length_tablet=”0px” quote_text_shadow_vertical_length_tablet=”0px” quote_text_shadow_blur_strength_tablet=”1px” header_text_shadow_horizontal_length_tablet=”0px” header_text_shadow_vertical_length_tablet=”0px” header_text_shadow_blur_strength_tablet=”1px” header_2_text_shadow_horizontal_length_tablet=”0px” header_2_text_shadow_vertical_length_tablet=”0px” header_2_text_shadow_blur_strength_tablet=”1px” header_3_text_shadow_horizontal_length_tablet=”0px” header_3_text_shadow_vertical_length_tablet=”0px” header_3_text_shadow_blur_strength_tablet=”1px” header_4_text_shadow_horizontal_length_tablet=”0px” header_4_text_shadow_vertical_length_tablet=”0px” header_4_text_shadow_blur_strength_tablet=”1px” header_5_text_shadow_horizontal_length_tablet=”0px” header_5_text_shadow_vertical_length_tablet=”0px” header_5_text_shadow_blur_strength_tablet=”1px” header_6_text_shadow_horizontal_length_tablet=”0px” header_6_text_shadow_vertical_length_tablet=”0px” header_6_text_shadow_blur_strength_tablet=”1px” box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” global_colors_info=”{}”]<\/p>\n

          Phainomena 13 <\/em>| 49-50 <\/em>| December 2004<\/em><\/p>\n

          \u00bbKulturnost \u2013 slikovnost \u2013 pojmovnost\u00ab<\/strong><\/p>\n

          >>><\/a><\/p>\n

          [\/et_pb_text][et_pb_toggle title=” KAZALO | TABLE OF CONTENTS ” open_toggle_background_color=”#ffffff” closed_toggle_background_color=”#ffffff” icon_color=”#8cc63f” use_icon_font_size=”on” icon_font_size=”18px” open_icon_color=”#8cc63f” open_use_icon_font_size=”on” open_icon_font_size=”18px” _builder_version=”4.16″ title_level=”h6″ width=”80%” custom_padding=”10px||10px” z_index_tablet=”500″ title_text_shadow_horizontal_length_tablet=”0px” title_text_shadow_vertical_length_tablet=”0px” title_text_shadow_blur_strength_tablet=”1px” closed_title_text_shadow_horizontal_length_tablet=”0px” closed_title_text_shadow_vertical_length_tablet=”0px” closed_title_text_shadow_blur_strength_tablet=”1px” body_text_shadow_horizontal_length_tablet=”0px” body_text_shadow_vertical_length_tablet=”0px” body_text_shadow_blur_strength_tablet=”1px” body_link_text_shadow_horizontal_length_tablet=”0px” body_link_text_shadow_vertical_length_tablet=”0px” body_link_text_shadow_blur_strength_tablet=”1px” body_ul_text_shadow_horizontal_length_tablet=”0px” body_ul_text_shadow_vertical_length_tablet=”0px” body_ul_text_shadow_blur_strength_tablet=”1px” body_ol_text_shadow_horizontal_length_tablet=”0px” body_ol_text_shadow_vertical_length_tablet=”0px” body_ol_text_shadow_blur_strength_tablet=”1px” body_quote_text_shadow_horizontal_length_tablet=”0px” body_quote_text_shadow_vertical_length_tablet=”0px” body_quote_text_shadow_blur_strength_tablet=”1px” border_radii=”on|5px|5px|5px|5px” border_color_all=”#8cc63f” box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” text_shadow_horizontal_length_tablet=”0px” text_shadow_vertical_length_tablet=”0px” text_shadow_blur_strength_tablet=”1px” global_colors_info=”{}”]<\/p>\n

          INTERKULTURNOST<\/p>\n

           <\/p>\n

          Hans Rainer Sepp<\/p>\n

          Homogenizacija brez nasilja? K fenomenologiji interkulturnosti po Husserlu<\/strong><\/p>\n

           <\/p>\n

          Cathrin Nielsen<\/p>\n

          Heidegger in Zahod<\/strong><\/p>\n

           <\/p>\n

          Javier San Martin<\/p>\n

          Husserl in Ortega. O kritiki kulture v fenomenologiji<\/strong><\/p>\n

           <\/p>\n

          Detlef Thiel<\/p>\n

          Jacques Derrida. Od krize evropskega duha do novega kozmopolitizma<\/strong><\/p>\n

           <\/p>\n

          Ram Adar Mall<\/p>\n

          Evropa: Od ideje univerzalnosti do univerzalnosti ideje: medkulturnostna fenomenolo\u0161ka perspektiva<\/strong><\/p>\n

           <\/p>\n

          Lenart \u0160kof<\/p>\n

          Upani\u0161ade, hermenevtika in indijska tradicija<\/strong><\/p>\n

           <\/p>\n

          Ishiro Yamaguchi<\/p>\n

          Ki kot temelj medtelesnosti <\/strong><\/p>\n

           <\/p>\n

          Dean Komel<\/p>\n

          Kaj je interkulturnost?<\/strong><\/p>\n

           <\/p>\n

          SLIKA<\/p>\n

           <\/p>\n

          Bernhard Waldenfels<\/p>\n

          Zrcalo, sled in pogled<\/strong><\/p>\n

           <\/p>\n

          LOGIKA POJMA<\/p>\n

           <\/p>\n

          Mario Kopi\u0107<\/p>\n

          Kant o filozofiji in matematiki<\/strong><\/p>\n

           <\/p>\n

          Jan Princl<\/p>\n

          Vloga absolutnega vedenja v filozofiji kot sistemu izkustva<\/strong><\/p>\n

           <\/p>\n

          HERMENEVTIKA POJMA<\/p>\n

           <\/p>\n

          Friedrich-Wilhelm von Herrmann:<\/p>\n

          Hermenevtika in pojmovnost v bitnozgodovinskem mi\u0161ljenju<\/strong><\/p>\n

           <\/p>\n

          Jes\u00fas Adrian<\/p>\n

          Hermenevtika in tvorjenje pojmov<\/strong><\/p>\n

           <\/p>\n

          Andrina Tonkli-Komel<\/p>\n

          Husserl v Biti in \u010dasu<\/em><\/strong><\/p>\n

           <\/p>\n

          RECENZIJA<\/p>\n

           <\/p>\n

          Arno Baruzzi: Europas Autonomie <\/strong>(Jan Bednarik<\/em>)<\/p>\n

           <\/p>\n

          POVZETKI \u2013 ABSTRACTS<\/p>\n

          [\/et_pb_toggle][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”2_5,3_5″ _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” module_alignment=”center” z_index_tablet=”500″ box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” global_colors_info=”{}”][et_pb_column type=”2_5″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_image src=”https:\/\/www.phainomena.com\/en\/wp-content\/uploads\/2019\/11\/PHI-47-48.jpg” _builder_version=”4.16″ width=”80%” z_index_tablet=”500″ box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”3_5″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.16″ text_font_size=”18px” width=”80%” z_index_tablet=”500″ text_text_shadow_horizontal_length_tablet=”0px” text_text_shadow_vertical_length_tablet=”0px” text_text_shadow_blur_strength_tablet=”1px” link_text_shadow_horizontal_length_tablet=”0px” link_text_shadow_vertical_length_tablet=”0px” link_text_shadow_blur_strength_tablet=”1px” ul_text_shadow_horizontal_length_tablet=”0px” ul_text_shadow_vertical_length_tablet=”0px” ul_text_shadow_blur_strength_tablet=”1px” ol_text_shadow_horizontal_length_tablet=”0px” ol_text_shadow_vertical_length_tablet=”0px” ol_text_shadow_blur_strength_tablet=”1px” quote_text_shadow_horizontal_length_tablet=”0px” quote_text_shadow_vertical_length_tablet=”0px” quote_text_shadow_blur_strength_tablet=”1px” header_text_shadow_horizontal_length_tablet=”0px” header_text_shadow_vertical_length_tablet=”0px” header_text_shadow_blur_strength_tablet=”1px” header_2_text_shadow_horizontal_length_tablet=”0px” header_2_text_shadow_vertical_length_tablet=”0px” header_2_text_shadow_blur_strength_tablet=”1px” header_3_text_shadow_horizontal_length_tablet=”0px” header_3_text_shadow_vertical_length_tablet=”0px” header_3_text_shadow_blur_strength_tablet=”1px” header_4_text_shadow_horizontal_length_tablet=”0px” header_4_text_shadow_vertical_length_tablet=”0px” header_4_text_shadow_blur_strength_tablet=”1px” header_5_text_shadow_horizontal_length_tablet=”0px” header_5_text_shadow_vertical_length_tablet=”0px” header_5_text_shadow_blur_strength_tablet=”1px” header_6_text_shadow_horizontal_length_tablet=”0px” header_6_text_shadow_vertical_length_tablet=”0px” header_6_text_shadow_blur_strength_tablet=”1px” box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” global_colors_info=”{}”]<\/p>\n

          Phainomena 13 <\/em>| 47-48 <\/em>| September 2004<\/em><\/p>\n

          \u00bbSignatura\u00ab<\/strong><\/p>\n

          >>><\/a><\/p>\n

          [\/et_pb_text][et_pb_toggle title=” KAZALO | TABLE OF CONTENTS ” open_toggle_background_color=”#ffffff” closed_toggle_background_color=”#ffffff” icon_color=”#8cc63f” use_icon_font_size=”on” icon_font_size=”18px” open_icon_color=”#8cc63f” open_use_icon_font_size=”on” open_icon_font_size=”18px” _builder_version=”4.16″ title_level=”h6″ width=”80%” custom_padding=”10px||10px” z_index_tablet=”500″ title_text_shadow_horizontal_length_tablet=”0px” title_text_shadow_vertical_length_tablet=”0px” title_text_shadow_blur_strength_tablet=”1px” closed_title_text_shadow_horizontal_length_tablet=”0px” closed_title_text_shadow_vertical_length_tablet=”0px” closed_title_text_shadow_blur_strength_tablet=”1px” body_text_shadow_horizontal_length_tablet=”0px” body_text_shadow_vertical_length_tablet=”0px” body_text_shadow_blur_strength_tablet=”1px” body_link_text_shadow_horizontal_length_tablet=”0px” body_link_text_shadow_vertical_length_tablet=”0px” body_link_text_shadow_blur_strength_tablet=”1px” body_ul_text_shadow_horizontal_length_tablet=”0px” body_ul_text_shadow_vertical_length_tablet=”0px” body_ul_text_shadow_blur_strength_tablet=”1px” body_ol_text_shadow_horizontal_length_tablet=”0px” body_ol_text_shadow_vertical_length_tablet=”0px” body_ol_text_shadow_blur_strength_tablet=”1px” body_quote_text_shadow_horizontal_length_tablet=”0px” body_quote_text_shadow_vertical_length_tablet=”0px” body_quote_text_shadow_blur_strength_tablet=”1px” border_radii=”on|5px|5px|5px|5px” border_color_all=”#8cc63f” box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” text_shadow_horizontal_length_tablet=”0px” text_shadow_vertical_length_tablet=”0px” text_shadow_blur_strength_tablet=”1px” global_colors_info=”{}”]<\/p>\n

          \u0160IBKA MISEL<\/p>\n

           <\/p>\n

          Gianni Vattimo<\/p>\n

          Italijanska filozofija in \u0161ibka misel<\/strong><\/p>\n

           <\/p>\n

          Pier Aldo Rovatti<\/p>\n

          U\u010dinki \u0161ibke misli<\/strong><\/p>\n

           <\/p>\n

          Giovanni Leghissa<\/p>\n

          \u0160ibka misel: italijanska pot v postmoderno<\/strong><\/p>\n

           <\/p>\n

          Veronika Brecelj<\/p>\n

          Pogovora z Giannijem Vattimom in Pierom Aldom Rovattijem<\/strong><\/p>\n

           <\/p>\n

          INTERPRETACIJE<\/p>\n

           <\/p>\n

          J\u00f6rg Wernecke<\/p>\n

          Francis Bacon: Mo\u010d znanja in vpra\u0161anje njegove legitimacije<\/strong><\/p>\n

           <\/p>\n

          \u017darko Pai\u0107<\/p>\n

          Ideologija kulturnih razlik<\/strong><\/p>\n

           <\/p>\n

          Karen Joisten<\/p>\n

          Iskanje domovine ali: \u010dlovek med prebivanjem in odhajanjem<\/strong><\/p>\n

           <\/p>\n

          Tine Hribar<\/p>\n

          Jonasova rehabilitacija nesmrtnosti<\/strong><\/p>\n

           <\/p>\n

          Valentin Kalan<\/p>\n

          \u00bbMiselno sonce pravi\u010dnosti\u00ab. Platon in predplatonsko pravno mi\u0161ljenje<\/strong><\/p>\n

           <\/p>\n

          Janko Lozar<\/p>\n

          Zgradba zgodovinskega sveta (z ozirom na razpolo\u017eenje)<\/strong><\/p>\n

           <\/p>\n

          Izar Luna\u010dek<\/p>\n

          Kako so se smejali<\/strong><\/p>\n

           <\/p>\n

          Boris Jovanovi\u010d<\/p>\n

          Razmerje med ozna\u010deval\u010devo in spekulativno logiko, ekstrapolirano iz izpeljave dokaza protislovnosti prve<\/strong><\/p>\n

           <\/p>\n

          Tarik Muranovi\u0107<\/p>\n

          Fenomenolo\u0161ka obravnava potencialne vsebinsko-umetni\u0161ke vrednosti v polifoniji 20. stoletja<\/strong><\/p>\n

           <\/p>\n

          RECENZIJE<\/p>\n

           <\/p>\n

          Andr\u00e9 LaCocque \u2013 Paul Ricoeur: Misliti biblijo<\/strong> (Tia Benko<\/em>)<\/p>\n

           <\/p>\n

          Martin Heidegger: Predavanja in sestavki <\/strong>(Janko Lozar<\/em>)<\/p>\n

           <\/p>\n

          IZVLE\u010cKI \u2013 ABSTRACTS<\/p>\n

          [\/et_pb_toggle][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”2_5,3_5″ _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” module_alignment=”center” z_index_tablet=”500″ box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” global_colors_info=”{}”][et_pb_column type=”2_5″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_image src=”https:\/\/www.phainomena.com\/en\/wp-content\/uploads\/2019\/11\/PHI-45-46.jpg” _builder_version=”4.16″ width=”80%” z_index_tablet=”500″ box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”3_5″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.16″ text_font_size=”18px” width=”80%” z_index_tablet=”500″ text_text_shadow_horizontal_length_tablet=”0px” text_text_shadow_vertical_length_tablet=”0px” text_text_shadow_blur_strength_tablet=”1px” link_text_shadow_horizontal_length_tablet=”0px” link_text_shadow_vertical_length_tablet=”0px” link_text_shadow_blur_strength_tablet=”1px” ul_text_shadow_horizontal_length_tablet=”0px” ul_text_shadow_vertical_length_tablet=”0px” ul_text_shadow_blur_strength_tablet=”1px” ol_text_shadow_horizontal_length_tablet=”0px” ol_text_shadow_vertical_length_tablet=”0px” ol_text_shadow_blur_strength_tablet=”1px” quote_text_shadow_horizontal_length_tablet=”0px” quote_text_shadow_vertical_length_tablet=”0px” quote_text_shadow_blur_strength_tablet=”1px” header_text_shadow_horizontal_length_tablet=”0px” header_text_shadow_vertical_length_tablet=”0px” header_text_shadow_blur_strength_tablet=”1px” header_2_text_shadow_horizontal_length_tablet=”0px” header_2_text_shadow_vertical_length_tablet=”0px” header_2_text_shadow_blur_strength_tablet=”1px” header_3_text_shadow_horizontal_length_tablet=”0px” header_3_text_shadow_vertical_length_tablet=”0px” header_3_text_shadow_blur_strength_tablet=”1px” header_4_text_shadow_horizontal_length_tablet=”0px” header_4_text_shadow_vertical_length_tablet=”0px” header_4_text_shadow_blur_strength_tablet=”1px” header_5_text_shadow_horizontal_length_tablet=”0px” header_5_text_shadow_vertical_length_tablet=”0px” header_5_text_shadow_blur_strength_tablet=”1px” header_6_text_shadow_horizontal_length_tablet=”0px” header_6_text_shadow_vertical_length_tablet=”0px” header_6_text_shadow_blur_strength_tablet=”1px” box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” global_colors_info=”{}”]<\/p>\n

          Phainomena 12 <\/em>| 45-46 <\/em>| November 2003<\/em><\/p>\n

          \u00bbEvropsko sporazumevanje \u2013 filozofsko razumevanje\u00ab<\/strong><\/p>\n

          >>><\/a><\/p>\n

          [\/et_pb_text][et_pb_toggle title=” KAZALO | TABLE OF CONTENTS ” open_toggle_background_color=”#ffffff” closed_toggle_background_color=”#ffffff” icon_color=”#8cc63f” use_icon_font_size=”on” icon_font_size=”18px” open_icon_color=”#8cc63f” open_use_icon_font_size=”on” open_icon_font_size=”18px” _builder_version=”4.16″ title_level=”h6″ width=”80%” custom_padding=”10px||10px” z_index_tablet=”500″ title_text_shadow_horizontal_length_tablet=”0px” title_text_shadow_vertical_length_tablet=”0px” title_text_shadow_blur_strength_tablet=”1px” closed_title_text_shadow_horizontal_length_tablet=”0px” closed_title_text_shadow_vertical_length_tablet=”0px” closed_title_text_shadow_blur_strength_tablet=”1px” body_text_shadow_horizontal_length_tablet=”0px” body_text_shadow_vertical_length_tablet=”0px” body_text_shadow_blur_strength_tablet=”1px” body_link_text_shadow_horizontal_length_tablet=”0px” body_link_text_shadow_vertical_length_tablet=”0px” body_link_text_shadow_blur_strength_tablet=”1px” body_ul_text_shadow_horizontal_length_tablet=”0px” body_ul_text_shadow_vertical_length_tablet=”0px” body_ul_text_shadow_blur_strength_tablet=”1px” body_ol_text_shadow_horizontal_length_tablet=”0px” body_ol_text_shadow_vertical_length_tablet=”0px” body_ol_text_shadow_blur_strength_tablet=”1px” body_quote_text_shadow_horizontal_length_tablet=”0px” body_quote_text_shadow_vertical_length_tablet=”0px” body_quote_text_shadow_blur_strength_tablet=”1px” border_radii=”on|5px|5px|5px|5px” border_color_all=”#8cc63f” box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” text_shadow_horizontal_length_tablet=”0px” text_shadow_vertical_length_tablet=”0px” text_shadow_blur_strength_tablet=”1px” global_colors_info=”{}”]<\/p>\n

          EVROPSKO SPORAZUMEVANJE<\/p>\n

           <\/p>\n

          Edmund Husserl<\/p>\n

          Kriza evropskih znanosti in transcendentalna fenomenologija<\/strong><\/p>\n

           <\/p>\n

          Aristoteles<\/p>\n

          Politika, 3. knjiga (1274b\u20131277b) <\/strong><\/p>\n

           <\/p>\n

          Klaus Held<\/p>\n

          Mo\u017enosti in meje medkulturnega sporazumevanja<\/strong><\/p>\n

           <\/p>\n

          Andrina Tonkli-Komel<\/p>\n

          Evropa kot Lebenswelt<\/strong><\/p>\n

           <\/p>\n

          Ferdinand Felmann<\/p>\n

          Kriza evropskega sveta \u017eivljenja<\/strong><\/p>\n

           <\/p>\n

          Martin Cajthami<\/p>\n

          Evropa kot skrb za du\u0161o<\/strong><\/p>\n

           <\/p>\n

          Mario Kopi\u0107<\/p>\n

          Heideggrova vznesenost nad Vzhodom<\/strong><\/p>\n

           <\/p>\n

          Dean Komel<\/p>\n

          Metapolitika, metapolitika<\/strong><\/p>\n

           <\/p>\n

          FILOZOFSKO RAZUMEVANJE<\/p>\n

           <\/p>\n

          Carlo Michelstaedter<\/p>\n

          Prepri\u010danje in retorika<\/strong><\/p>\n

           <\/p>\n

          Jan Bednarik<\/p>\n

          Morje besed. Filozofska misel Carla Michelstaedterja<\/strong><\/p>\n

           <\/p>\n

          Hans Rainer Sepp<\/p>\n

          Osvoboditev sredine<\/strong><\/p>\n

           <\/p>\n

          Viktor Mol\u010danov<\/p>\n

          Predpostavka identitete in analitika razlik<\/strong><\/p>\n

           <\/p>\n

          Tatyana Shchyttsova<\/p>\n

          Dogodek in diferenca. Uvod v Bahtinovo filozofijo<\/strong><\/p>\n

           <\/p>\n

          Boris Vezjak<\/p>\n

          Bog, du\u0161a in sebstvo v Alkibiadu Prvem<\/strong><\/p>\n

           <\/p>\n

          Janez Vodi\u010dar<\/p>\n

          Poeti\u010dno poimenovanje Boga pri Paulu Ricoeurju<\/strong><\/p>\n

           <\/p>\n

          DOGODKI IN OBJAVE<\/p>\n

           <\/p>\n

          Organization of Phenomenological Organizations<\/strong><\/p>\n

           <\/p>\n

          Central and Eastern European Conference of Phenomenology<\/strong><\/p>\n

           <\/p>\n

          Ph\u00e4nomen Europa<\/em><\/strong><\/p>\n

           <\/p>\n

          Magazzino di filosofia<\/strong><\/p>\n

           <\/p>\n

          Studia Phaenomenologica <\/strong><\/p>\n

           <\/p>\n

          Tine Hribar: Evangelij po Nietzscheju<\/strong> (Janko Lozar<\/em>)<\/p>\n

           <\/p>\n

          Uganke \u2013 odpiranja<\/strong> (Valentin Kalan<\/em>)<\/p>\n

           <\/p>\n

          Raziskovalno mesto Fenomenolo\u0161kega dru\u0161tva pri Oddelku za filozofijo Filozofske fakultete v Ljubljani <\/strong>(Dean Komel<\/em>)<\/p>\n

           <\/p>\n

          IZVLE\u010cKI\/ABSTRACTS<\/p>\n

          [\/et_pb_toggle][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”2_5,3_5″ _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” module_alignment=”center” z_index_tablet=”500″ box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” global_colors_info=”{}”][et_pb_column type=”2_5″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_image src=”https:\/\/www.phainomena.com\/en\/wp-content\/uploads\/2019\/11\/PHI-43-44.jpg” _builder_version=”4.16″ width=”80%” z_index_tablet=”500″ box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”3_5″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.16″ text_font_size=”18px” width=”80%” z_index_tablet=”500″ text_text_shadow_horizontal_length_tablet=”0px” text_text_shadow_vertical_length_tablet=”0px” text_text_shadow_blur_strength_tablet=”1px” link_text_shadow_horizontal_length_tablet=”0px” link_text_shadow_vertical_length_tablet=”0px” link_text_shadow_blur_strength_tablet=”1px” ul_text_shadow_horizontal_length_tablet=”0px” ul_text_shadow_vertical_length_tablet=”0px” ul_text_shadow_blur_strength_tablet=”1px” ol_text_shadow_horizontal_length_tablet=”0px” ol_text_shadow_vertical_length_tablet=”0px” ol_text_shadow_blur_strength_tablet=”1px” quote_text_shadow_horizontal_length_tablet=”0px” quote_text_shadow_vertical_length_tablet=”0px” quote_text_shadow_blur_strength_tablet=”1px” header_text_shadow_horizontal_length_tablet=”0px” header_text_shadow_vertical_length_tablet=”0px” header_text_shadow_blur_strength_tablet=”1px” header_2_text_shadow_horizontal_length_tablet=”0px” header_2_text_shadow_vertical_length_tablet=”0px” header_2_text_shadow_blur_strength_tablet=”1px” header_3_text_shadow_horizontal_length_tablet=”0px” header_3_text_shadow_vertical_length_tablet=”0px” header_3_text_shadow_blur_strength_tablet=”1px” header_4_text_shadow_horizontal_length_tablet=”0px” header_4_text_shadow_vertical_length_tablet=”0px” header_4_text_shadow_blur_strength_tablet=”1px” header_5_text_shadow_horizontal_length_tablet=”0px” header_5_text_shadow_vertical_length_tablet=”0px” header_5_text_shadow_blur_strength_tablet=”1px” header_6_text_shadow_horizontal_length_tablet=”0px” header_6_text_shadow_vertical_length_tablet=”0px” header_6_text_shadow_blur_strength_tablet=”1px” box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” global_colors_info=”{}”]<\/p>\n

          Phainomena 12 <\/em>| 43-44 <\/em>| Junij 2002<\/em><\/p>\n

          \u00bbZa\u010detki\u00ab<\/strong><\/p>\n

          >>><\/a><\/p>\n

          [\/et_pb_text][et_pb_toggle title=” KAZALO | TABLE OF CONTENTS ” open_toggle_background_color=”#ffffff” closed_toggle_background_color=”#ffffff” icon_color=”#8cc63f” use_icon_font_size=”on” icon_font_size=”18px” open_icon_color=”#8cc63f” open_use_icon_font_size=”on” open_icon_font_size=”18px” _builder_version=”4.16″ title_level=”h6″ width=”80%” custom_padding=”10px||10px” z_index_tablet=”500″ title_text_shadow_horizontal_length_tablet=”0px” title_text_shadow_vertical_length_tablet=”0px” title_text_shadow_blur_strength_tablet=”1px” closed_title_text_shadow_horizontal_length_tablet=”0px” closed_title_text_shadow_vertical_length_tablet=”0px” closed_title_text_shadow_blur_strength_tablet=”1px” body_text_shadow_horizontal_length_tablet=”0px” body_text_shadow_vertical_length_tablet=”0px” body_text_shadow_blur_strength_tablet=”1px” body_link_text_shadow_horizontal_length_tablet=”0px” body_link_text_shadow_vertical_length_tablet=”0px” body_link_text_shadow_blur_strength_tablet=”1px” body_ul_text_shadow_horizontal_length_tablet=”0px” body_ul_text_shadow_vertical_length_tablet=”0px” body_ul_text_shadow_blur_strength_tablet=”1px” body_ol_text_shadow_horizontal_length_tablet=”0px” body_ol_text_shadow_vertical_length_tablet=”0px” body_ol_text_shadow_blur_strength_tablet=”1px” body_quote_text_shadow_horizontal_length_tablet=”0px” body_quote_text_shadow_vertical_length_tablet=”0px” body_quote_text_shadow_blur_strength_tablet=”1px” border_radii=”on|5px|5px|5px|5px” border_color_all=”#8cc63f” box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” text_shadow_horizontal_length_tablet=”0px” text_shadow_vertical_length_tablet=”0px” text_shadow_blur_strength_tablet=”1px” global_colors_info=”{}”]<\/p>\n

          Andrina Tonkli Komel<\/p>\n

          O premaknjenosti filozofije<\/strong><\/p>\n

           <\/p>\n

          Peter Trawny<\/p>\n

          Apolon in za\u010detek filozofije<\/strong><\/p>\n

           <\/p>\n

          Damir Barbari\u0107<\/p>\n

          O kraju filozofiranja<\/strong><\/p>\n

           <\/p>\n

          Dean Komel<\/p>\n

          Hermenevti\u010dni eros<\/strong><\/p>\n

           <\/p>\n

          Valentin Kalan<\/p>\n

          Du\u0161a in resnica<\/strong><\/p>\n

           <\/p>\n

          Tine Hribar<\/p>\n

          Hermenevti\u010dnost in kategorialnost<\/strong><\/p>\n

           <\/p>\n

          Janko Lozar<\/p>\n

          Posluh za izro\u010dilo. Na poti k razpolo\u017eenju<\/strong><\/p>\n

           <\/p>\n

          Klemen Klun<\/p>\n

          Filon Aleksandrijski med Svetim pismom in filozofijo<\/strong><\/p>\n

           <\/p>\n

          Teja Oblak<\/p>\n

          Berkeleyjev Alkifron ali o bo\u017eji govorici<\/strong><\/p>\n

           <\/p>\n

          Ale\u0161 Ko\u0161ar<\/p>\n

          Friedrich H\u00f6lderlin in sedanja svetovna doba<\/strong><\/p>\n

           <\/p>\n

          Stephan G\u00fcnzel<\/p>\n

          O arheologiji zemlje, telesa in \u017eivljenjskega sveta<\/strong><\/p>\n

           <\/p>\n

          Rok Svetli\u010d<\/p>\n

          Razvitje konceptualnega problema fenomenolo\u0161ke etike<\/strong><\/p>\n

           <\/p>\n

          Jo\u017ee Hrovat<\/p>\n

          Robovi vidnega<\/strong><\/p>\n

           <\/p>\n

          Bo\u0161tjan Narat<\/p>\n

          Glasbeno delo in izvedba<\/strong><\/p>\n

           <\/p>\n

          IZVLE\u010cKI \u2013 ABSTRACTS<\/p>\n

          [\/et_pb_toggle][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”2_5,3_5″ _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” module_alignment=”center” z_index_tablet=”500″ box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” global_colors_info=”{}”][et_pb_column type=”2_5″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_image src=”https:\/\/www.phainomena.com\/en\/wp-content\/uploads\/2019\/11\/PHI-41-42.jpg” _builder_version=”4.16″ width=”80%” z_index_tablet=”500″ box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”3_5″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.16″ text_font_size=”18px” width=”80%” z_index_tablet=”500″ text_text_shadow_horizontal_length_tablet=”0px” text_text_shadow_vertical_length_tablet=”0px” text_text_shadow_blur_strength_tablet=”1px” link_text_shadow_horizontal_length_tablet=”0px” link_text_shadow_vertical_length_tablet=”0px” link_text_shadow_blur_strength_tablet=”1px” ul_text_shadow_horizontal_length_tablet=”0px” ul_text_shadow_vertical_length_tablet=”0px” ul_text_shadow_blur_strength_tablet=”1px” ol_text_shadow_horizontal_length_tablet=”0px” ol_text_shadow_vertical_length_tablet=”0px” ol_text_shadow_blur_strength_tablet=”1px” quote_text_shadow_horizontal_length_tablet=”0px” quote_text_shadow_vertical_length_tablet=”0px” quote_text_shadow_blur_strength_tablet=”1px” header_text_shadow_horizontal_length_tablet=”0px” header_text_shadow_vertical_length_tablet=”0px” header_text_shadow_blur_strength_tablet=”1px” header_2_text_shadow_horizontal_length_tablet=”0px” header_2_text_shadow_vertical_length_tablet=”0px” header_2_text_shadow_blur_strength_tablet=”1px” header_3_text_shadow_horizontal_length_tablet=”0px” header_3_text_shadow_vertical_length_tablet=”0px” header_3_text_shadow_blur_strength_tablet=”1px” header_4_text_shadow_horizontal_length_tablet=”0px” header_4_text_shadow_vertical_length_tablet=”0px” header_4_text_shadow_blur_strength_tablet=”1px” header_5_text_shadow_horizontal_length_tablet=”0px” header_5_text_shadow_vertical_length_tablet=”0px” header_5_text_shadow_blur_strength_tablet=”1px” header_6_text_shadow_horizontal_length_tablet=”0px” header_6_text_shadow_vertical_length_tablet=”0px” header_6_text_shadow_blur_strength_tablet=”1px” box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” global_colors_info=”{}”]<\/p>\n

          Phainomena 11 <\/em>| 41-42 <\/em>| 2002<\/em><\/p>\n

          \u00bbBivanje v interpretaciji\u00ab<\/strong><\/p>\n

          >>><\/a><\/p>\n

          [\/et_pb_text][et_pb_toggle title=” KAZALO | TABLE OF CONTENTS ” open_toggle_background_color=”#ffffff” closed_toggle_background_color=”#ffffff” icon_color=”#8cc63f” use_icon_font_size=”on” icon_font_size=”18px” open_icon_color=”#8cc63f” open_use_icon_font_size=”on” open_icon_font_size=”18px” _builder_version=”4.16″ title_level=”h6″ width=”80%” custom_padding=”10px||10px” z_index_tablet=”500″ title_text_shadow_horizontal_length_tablet=”0px” title_text_shadow_vertical_length_tablet=”0px” title_text_shadow_blur_strength_tablet=”1px” closed_title_text_shadow_horizontal_length_tablet=”0px” closed_title_text_shadow_vertical_length_tablet=”0px” closed_title_text_shadow_blur_strength_tablet=”1px” body_text_shadow_horizontal_length_tablet=”0px” body_text_shadow_vertical_length_tablet=”0px” body_text_shadow_blur_strength_tablet=”1px” body_link_text_shadow_horizontal_length_tablet=”0px” body_link_text_shadow_vertical_length_tablet=”0px” body_link_text_shadow_blur_strength_tablet=”1px” body_ul_text_shadow_horizontal_length_tablet=”0px” body_ul_text_shadow_vertical_length_tablet=”0px” body_ul_text_shadow_blur_strength_tablet=”1px” body_ol_text_shadow_horizontal_length_tablet=”0px” body_ol_text_shadow_vertical_length_tablet=”0px” body_ol_text_shadow_blur_strength_tablet=”1px” body_quote_text_shadow_horizontal_length_tablet=”0px” body_quote_text_shadow_vertical_length_tablet=”0px” body_quote_text_shadow_blur_strength_tablet=”1px” border_radii=”on|5px|5px|5px|5px” border_color_all=”#8cc63f” box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” text_shadow_horizontal_length_tablet=”0px” text_shadow_vertical_length_tablet=”0px” text_shadow_blur_strength_tablet=”1px” global_colors_info=”{}”]<\/p>\n

          ARISTOTEL<\/p>\n

           <\/p>\n

          Aristotel<\/p>\n

          Fizika (I. knjiga, 1.\u20133., 7. in 9. poglavje)<\/strong><\/p>\n

           <\/p>\n

          Valentin Kalan<\/p>\n

          Krisis peri tes aletheias<\/em> \u2013 Odlo\u010ditev o resnici: k odnosu med fiziko in metafiziko v Aristotelovi filozofiji 19<\/strong><\/p>\n

           <\/p>\n

          Branko Klun<\/p>\n

          Recepcija Aristotelovega boga pri Toma\u017eu Akvinskem<\/strong><\/p>\n

           <\/p>\n

          ZVEN IN POSLUH<\/p>\n

           <\/p>\n

          Trasibulos G. Georgiades<\/p>\n

          Imenovanje in zazvenjanje. \u010cas kot logos<\/strong><\/p>\n

           <\/p>\n

          Holger Schmid<\/p>\n

          Poslu\u0161anje. Druga stran transcendentalne poetike<\/strong><\/p>\n

           <\/p>\n

          POJMOVNA ZGODOVINA<\/p>\n

           <\/p>\n

          Andrina Tonkli-Komel<\/p>\n

          Uvod v pojmovno zgodovino<\/strong><\/p>\n

           <\/p>\n

          Gunter Scholtz<\/p>\n

          Kaj je pojmovna zgodovina in \u010demu se z njo ukvarjamo<\/strong><\/p>\n

           <\/p>\n

          Alfredo Marini<\/p>\n

          Meje razumevanja in tvorjenje pojmov pri Wilhelmu Diltheyu<\/strong><\/p>\n

           <\/p>\n

          Manfred Riedel<\/p>\n

          Univerzalnost evropske znanosti kot pojmovnozgodovinski in znanstvenozgodovinski problem<\/strong><\/p>\n

          \u00a0<\/strong><\/p>\n

          Jan Bednarik<\/p>\n

          Vicove besede<\/strong><\/p>\n

           <\/p>\n

          KRITIKA UMA IN KRIZA MODERNOSTI<\/p>\n

           <\/p>\n

          Dimitri Ginev<\/p>\n

          Spopad za pometafizi\u010dno mi\u0161ljenje <\/strong><\/p>\n

           <\/p>\n

          Oliver Cosmus<\/p>\n

          Heideggrova destrukcija subjekta<\/strong><\/p>\n

           <\/p>\n

          \u017darko Pai\u0107<\/p>\n

          Nietzsche in postmoderna kritika uma<\/strong><\/p>\n

           <\/p>\n

          Dean Komel<\/p>\n

          Nietzschejev interpretativni izziv<\/strong><\/p>\n

           <\/p>\n

          IZVLE\u010cKI \u2013 ABSTRACTS<\/p>\n

          [\/et_pb_toggle][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”2_5,3_5″ _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” module_alignment=”center” z_index_tablet=”500″ box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” global_colors_info=”{}”][et_pb_column type=”2_5″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_image src=”https:\/\/www.phainomena.com\/en\/wp-content\/uploads\/2019\/11\/PHI-39-40.jpg” _builder_version=”4.16″ width=”80%” z_index_tablet=”500″ box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”3_5″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.16″ text_font_size=”18px” width=”80%” z_index_tablet=”500″ text_text_shadow_horizontal_length_tablet=”0px” text_text_shadow_vertical_length_tablet=”0px” text_text_shadow_blur_strength_tablet=”1px” link_text_shadow_horizontal_length_tablet=”0px” link_text_shadow_vertical_length_tablet=”0px” link_text_shadow_blur_strength_tablet=”1px” ul_text_shadow_horizontal_length_tablet=”0px” ul_text_shadow_vertical_length_tablet=”0px” ul_text_shadow_blur_strength_tablet=”1px” ol_text_shadow_horizontal_length_tablet=”0px” ol_text_shadow_vertical_length_tablet=”0px” ol_text_shadow_blur_strength_tablet=”1px” quote_text_shadow_horizontal_length_tablet=”0px” quote_text_shadow_vertical_length_tablet=”0px” quote_text_shadow_blur_strength_tablet=”1px” header_text_shadow_horizontal_length_tablet=”0px” header_text_shadow_vertical_length_tablet=”0px” header_text_shadow_blur_strength_tablet=”1px” header_2_text_shadow_horizontal_length_tablet=”0px” header_2_text_shadow_vertical_length_tablet=”0px” header_2_text_shadow_blur_strength_tablet=”1px” header_3_text_shadow_horizontal_length_tablet=”0px” header_3_text_shadow_vertical_length_tablet=”0px” header_3_text_shadow_blur_strength_tablet=”1px” header_4_text_shadow_horizontal_length_tablet=”0px” header_4_text_shadow_vertical_length_tablet=”0px” header_4_text_shadow_blur_strength_tablet=”1px” header_5_text_shadow_horizontal_length_tablet=”0px” header_5_text_shadow_vertical_length_tablet=”0px” header_5_text_shadow_blur_strength_tablet=”1px” header_6_text_shadow_horizontal_length_tablet=”0px” header_6_text_shadow_vertical_length_tablet=”0px” header_6_text_shadow_blur_strength_tablet=”1px” box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” global_colors_info=”{}”]<\/p>\n

          Phainomena 11 <\/em>| 39-40 <\/em>| 2002<\/em><\/p>\n

          \u00bbRisbe, razrisi\u00ab<\/strong><\/p>\n

          >>><\/a><\/p>\n

          [\/et_pb_text][et_pb_toggle title=” KAZALO | TABLE OF CONTENTS ” open_toggle_background_color=”#ffffff” closed_toggle_background_color=”#ffffff” icon_color=”#8cc63f” use_icon_font_size=”on” icon_font_size=”18px” open_icon_color=”#8cc63f” open_use_icon_font_size=”on” open_icon_font_size=”18px” _builder_version=”4.16″ title_level=”h6″ width=”80%” custom_padding=”10px||10px” z_index_tablet=”500″ title_text_shadow_horizontal_length_tablet=”0px” title_text_shadow_vertical_length_tablet=”0px” title_text_shadow_blur_strength_tablet=”1px” closed_title_text_shadow_horizontal_length_tablet=”0px” closed_title_text_shadow_vertical_length_tablet=”0px” closed_title_text_shadow_blur_strength_tablet=”1px” body_text_shadow_horizontal_length_tablet=”0px” body_text_shadow_vertical_length_tablet=”0px” body_text_shadow_blur_strength_tablet=”1px” body_link_text_shadow_horizontal_length_tablet=”0px” body_link_text_shadow_vertical_length_tablet=”0px” body_link_text_shadow_blur_strength_tablet=”1px” body_ul_text_shadow_horizontal_length_tablet=”0px” body_ul_text_shadow_vertical_length_tablet=”0px” body_ul_text_shadow_blur_strength_tablet=”1px” body_ol_text_shadow_horizontal_length_tablet=”0px” body_ol_text_shadow_vertical_length_tablet=”0px” body_ol_text_shadow_blur_strength_tablet=”1px” body_quote_text_shadow_horizontal_length_tablet=”0px” body_quote_text_shadow_vertical_length_tablet=”0px” body_quote_text_shadow_blur_strength_tablet=”1px” border_radii=”on|5px|5px|5px|5px” border_color_all=”#8cc63f” box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” text_shadow_horizontal_length_tablet=”0px” text_shadow_vertical_length_tablet=”0px” text_shadow_blur_strength_tablet=”1px” global_colors_info=”{}”]<\/p>\n

          UMETNOST IN MI\u0160LJENJE<\/p>\n

           <\/p>\n

          Martin Heidegger \u2013 Shinichi Hisamatsu<\/p>\n

          Umetnost in mi\u0161ljenje<\/strong><\/p>\n

           <\/p>\n

          Tine Hribar<\/p>\n

          Fenomen Bernikovega slikarstva<\/strong><\/p>\n

           <\/p>\n

          ESTETIKA IN ETIKA<\/p>\n

           <\/p>\n

          Janko Lozar<\/p>\n

          Frederic Jameson in postmoderna umetnost<\/strong><\/p>\n

           <\/p>\n

          Rok Svetli\u010d<\/p>\n

          Lyotardov prispevek k sodobni etiki<\/strong><\/p>\n

           <\/p>\n

          Valentina Hribar Sor\u010dan<\/p>\n

          Kritika Heideggrove recepcije Nietzscheja v sodobni francoski filozofiji<\/strong><\/p>\n

           <\/p>\n

          \u010cAS, RITEM, PROSTOR, MERA<\/p>\n

           <\/p>\n

          Evanghelos A. Moutsopoulos<\/p>\n

          Pojem kairosa (pravega trenutka) in njegovi sodobni filozofski vidiki<\/strong><\/p>\n

           <\/p>\n

          Tracy Colony<\/p>\n

          \u010cas in umetni\u0161ko delo<\/strong><\/p>\n

           <\/p>\n

          Bernhard Waldenfels<\/p>\n

          O ritmu \u010dutov<\/strong><\/p>\n

           <\/p>\n

          Miguel de Beistegui<\/p>\n

          Heidegger in kraj arhitekture<\/strong><\/p>\n

           <\/p>\n

          Damir Barbari\u0107<\/p>\n

          Umetnost in mera<\/strong><\/p>\n

           <\/p>\n

          Jo\u017ee Hrovat<\/p>\n

          Telo in lepotni ideal<\/strong><\/p>\n

           <\/p>\n

          DOBA PODOBE SVETA<\/p>\n

           <\/p>\n

          Renato Cristin<\/p>\n

          Razum in subjektiviteta po postmoderni<\/strong><\/p>\n

           <\/p>\n

          Dean Komel<\/p>\n

          Apriorij svetovnosti, hermenevtika vmesnosti in medkulturnost<\/strong><\/p>\n

           <\/p>\n

          RECENZIJE<\/p>\n

           <\/p>\n

          Eugen Fink: Igra kao simbol svijeta<\/strong> (Andrina Tonkli Komel<\/em>)<\/p>\n

           <\/p>\n

          IZVLE\u010cKI \u2013 ABSTRACTS<\/p>\n

          [\/et_pb_toggle][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”2_5,3_5″ _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” module_alignment=”center” z_index_tablet=”500″ box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” global_colors_info=”{}”][et_pb_column type=”2_5″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_image src=”https:\/\/www.phainomena.com\/en\/wp-content\/uploads\/2019\/11\/PHI-37-38.jpg” _builder_version=”4.16″ width=”80%” z_index_tablet=”500″ box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”3_5″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.16″ text_font_size=”18px” width=”80%” z_index_tablet=”500″ text_text_shadow_horizontal_length_tablet=”0px” text_text_shadow_vertical_length_tablet=”0px” text_text_shadow_blur_strength_tablet=”1px” link_text_shadow_horizontal_length_tablet=”0px” link_text_shadow_vertical_length_tablet=”0px” link_text_shadow_blur_strength_tablet=”1px” ul_text_shadow_horizontal_length_tablet=”0px” ul_text_shadow_vertical_length_tablet=”0px” ul_text_shadow_blur_strength_tablet=”1px” ol_text_shadow_horizontal_length_tablet=”0px” ol_text_shadow_vertical_length_tablet=”0px” ol_text_shadow_blur_strength_tablet=”1px” quote_text_shadow_horizontal_length_tablet=”0px” quote_text_shadow_vertical_length_tablet=”0px” quote_text_shadow_blur_strength_tablet=”1px” header_text_shadow_horizontal_length_tablet=”0px” header_text_shadow_vertical_length_tablet=”0px” header_text_shadow_blur_strength_tablet=”1px” header_2_text_shadow_horizontal_length_tablet=”0px” header_2_text_shadow_vertical_length_tablet=”0px” header_2_text_shadow_blur_strength_tablet=”1px” header_3_text_shadow_horizontal_length_tablet=”0px” header_3_text_shadow_vertical_length_tablet=”0px” header_3_text_shadow_blur_strength_tablet=”1px” header_4_text_shadow_horizontal_length_tablet=”0px” header_4_text_shadow_vertical_length_tablet=”0px” header_4_text_shadow_blur_strength_tablet=”1px” header_5_text_shadow_horizontal_length_tablet=”0px” header_5_text_shadow_vertical_length_tablet=”0px” header_5_text_shadow_blur_strength_tablet=”1px” header_6_text_shadow_horizontal_length_tablet=”0px” header_6_text_shadow_vertical_length_tablet=”0px” header_6_text_shadow_blur_strength_tablet=”1px” box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” global_colors_info=”{}”]<\/p>\n

          Phainomena 10 <\/em>| 37-38 <\/em>| 2001<\/em><\/p>\n

          \u00bbHorizonti in perspektive\u00ab<\/strong><\/p>\n

          >>><\/a><\/p>\n

          [\/et_pb_text][et_pb_toggle title=” KAZALO | TABLE OF CONTENTS ” open_toggle_background_color=”#ffffff” closed_toggle_background_color=”#ffffff” icon_color=”#8cc63f” use_icon_font_size=”on” icon_font_size=”18px” open_icon_color=”#8cc63f” open_use_icon_font_size=”on” open_icon_font_size=”18px” _builder_version=”4.16″ title_level=”h6″ width=”80%” custom_padding=”10px||10px” z_index_tablet=”500″ title_text_shadow_horizontal_length_tablet=”0px” title_text_shadow_vertical_length_tablet=”0px” title_text_shadow_blur_strength_tablet=”1px” closed_title_text_shadow_horizontal_length_tablet=”0px” closed_title_text_shadow_vertical_length_tablet=”0px” closed_title_text_shadow_blur_strength_tablet=”1px” body_text_shadow_horizontal_length_tablet=”0px” body_text_shadow_vertical_length_tablet=”0px” body_text_shadow_blur_strength_tablet=”1px” body_link_text_shadow_horizontal_length_tablet=”0px” body_link_text_shadow_vertical_length_tablet=”0px” body_link_text_shadow_blur_strength_tablet=”1px” body_ul_text_shadow_horizontal_length_tablet=”0px” body_ul_text_shadow_vertical_length_tablet=”0px” body_ul_text_shadow_blur_strength_tablet=”1px” body_ol_text_shadow_horizontal_length_tablet=”0px” body_ol_text_shadow_vertical_length_tablet=”0px” body_ol_text_shadow_blur_strength_tablet=”1px” body_quote_text_shadow_horizontal_length_tablet=”0px” body_quote_text_shadow_vertical_length_tablet=”0px” body_quote_text_shadow_blur_strength_tablet=”1px” border_radii=”on|5px|5px|5px|5px” border_color_all=”#8cc63f” box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” text_shadow_horizontal_length_tablet=”0px” text_shadow_vertical_length_tablet=”0px” text_shadow_blur_strength_tablet=”1px” global_colors_info=”{}”]<\/p>\n

          HERMENEVTIKA<\/p>\n

           <\/p>\n

          G\u00fcnter Figal<\/p>\n

          Vzvratne vezi novega<\/strong><\/p>\n

           <\/p>\n

          Pavel Kouba<\/p>\n

          Nietzschejeva moralna ontologija<\/strong><\/p>\n

           <\/p>\n

          Bernhard Waldenfels<\/p>\n

          Onstran smisla in razumevanja<\/strong><\/p>\n

           <\/p>\n

          Eric Sean Nelson<\/p>\n

          Schleiermacher, hermenevtika in neizrekljivo<\/strong><\/p>\n

           <\/p>\n

          Dean Komel<\/p>\n

          Hermenevti\u010dno vpra\u0161anje filozofije<\/strong><\/p>\n

           <\/p>\n

          FENOMENOLOGIJA<\/p>\n

           <\/p>\n

          Edmund Husserl<\/p>\n

          Pismo L\u00e9vy-Bruhlu<\/strong><\/p>\n

           <\/p>\n

          Andrina Tonkli-Komel<\/p>\n

          Komentar k Husserlovemu pismu L\u00e9vy-Bruhlu<\/strong><\/p>\n

          Dan Zahavi<\/p>\n

          Metafizi\u010dna nevtralnost v \u00bbLogi\u010dnih raziskavah\u00ab<\/strong><\/p>\n

           <\/p>\n

          \u00d6nay S\u00f6zer<\/p>\n

          Samo-konstitucija transcendentne narave v fenomenolo\u0161kem duhu: \u00bbblodni krog\u00ab?<\/strong><\/p>\n

           <\/p>\n

          Philip Buckley<\/p>\n

          Racionalnost in odgovornost v Heideggrovem in Husserlovem pogledu na tehnologijo<\/strong><\/p>\n

           <\/p>\n

          Ivan Blecha<\/p>\n

          Kant, pragmati\u010dni antirealizem in Husserlova fenomenologija<\/strong><\/p>\n

           <\/p>\n

          Guy van Kerckhoven<\/p>\n

          Intencionalnost in \u017eivljenjski odno\u0161aj<\/strong><\/p>\n

           <\/p>\n

          Ion Copoeru<\/p>\n

          Logik v galeriji slik <\/strong><\/p>\n

          \u00a0<\/strong><\/p>\n

          Silvia Stoller<\/p>\n

          Spolna diferenca s svojim izhodi\u0161\u010dem pri Merleau-Pontyju<\/strong><\/p>\n

           <\/p>\n

          DOKUMENTI<\/p>\n

           <\/p>\n

          Janko Pajk<\/p>\n

          Doneski k filozofi\u010dnej terminologiji<\/strong><\/p>\n

           <\/p>\n

          RECENZIJE<\/p>\n

           <\/p>\n

          Bernhard Waldenfels: Verfremdung der Moderne. Ph\u00e4nomenologische Grenzg\u00e4nge <\/strong>(Dean Komel<\/em>)<\/p>\n

           <\/p>\n

          Friedrich-Wilhelm v. Herrmann: Hermeneutik und Reflexion. Der Begriff der Ph\u00e4nomenologie bei Heidegger und Husserl <\/strong>(Andrina Tonkli Komel<\/em>)<\/p>\n

           <\/p>\n

          Stephanie Bohlen: Die \u00dcbermacht des Seins. Heideggers Auslegung des Bezuges von Mensch und Natur und H\u00f6lderlins Dichtung des Heiligen<\/strong> (Dean Komel<\/em>)<\/p>\n

           <\/p>\n

          G\u00fcnther Neumann: Die ph\u00e4nomenologische Frage nach dem Ursprung der mathematisch-naturwissenschaftlichen Raumauffassung bei Husserl und Heidegger<\/strong> (Andrina Tonkli Komel<\/em>)<\/p>\n

           <\/p>\n

          Studia Phaenomenologica. Romanian Journal for Phenomenology<\/strong> (Dean Komel<\/em>)<\/p>\n

           <\/p>\n

            \n
          1. Figal \u2013 J. Grondin \u2013 D. J. Schmidt (ur.): Hermeneutische Wege. Hans-Georg Gadamer zum Hundertsten<\/strong> (Dean Komel<\/em>)<\/li>\n<\/ol>\n

             <\/p>\n

            Gunter Scholtz: Ethik und Hermeneutik. Schleiermachers Grundlegung der Geisteswissenschaften<\/strong> (Minja Fabjan<\/em>)<\/p>\n

             <\/p>\n

            Marijan Krivak: Filozofijsko tematiziranje postmoderne<\/strong> (Dean Komel<\/em>)<\/p>\n

             <\/p>\n

            PORO\u010cILA<\/p>\n

             <\/p>\n

            Janko Lozar<\/p>\n

            Poletna fenomenolo\u0161ka \u0161ola v Pragi 2001<\/strong><\/p>\n

             <\/p>\n

            IZVLE\u010cKI<\/p>\n

            [\/et_pb_toggle][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”2_5,3_5″ _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” module_alignment=”center” z_index_tablet=”500″ box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” global_colors_info=”{}”][et_pb_column type=”2_5″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_image src=”https:\/\/www.phainomena.com\/en\/wp-content\/uploads\/2019\/11\/PHI-35-36.jpg” _builder_version=”4.16″ width=”80%” z_index_tablet=”500″ box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”3_5″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.16″ text_font_size=”18px” width=”80%” z_index_tablet=”500″ text_text_shadow_horizontal_length_tablet=”0px” text_text_shadow_vertical_length_tablet=”0px” text_text_shadow_blur_strength_tablet=”1px” link_text_shadow_horizontal_length_tablet=”0px” link_text_shadow_vertical_length_tablet=”0px” link_text_shadow_blur_strength_tablet=”1px” ul_text_shadow_horizontal_length_tablet=”0px” ul_text_shadow_vertical_length_tablet=”0px” ul_text_shadow_blur_strength_tablet=”1px” ol_text_shadow_horizontal_length_tablet=”0px” ol_text_shadow_vertical_length_tablet=”0px” ol_text_shadow_blur_strength_tablet=”1px” quote_text_shadow_horizontal_length_tablet=”0px” quote_text_shadow_vertical_length_tablet=”0px” quote_text_shadow_blur_strength_tablet=”1px” header_text_shadow_horizontal_length_tablet=”0px” header_text_shadow_vertical_length_tablet=”0px” header_text_shadow_blur_strength_tablet=”1px” header_2_text_shadow_horizontal_length_tablet=”0px” header_2_text_shadow_vertical_length_tablet=”0px” header_2_text_shadow_blur_strength_tablet=”1px” header_3_text_shadow_horizontal_length_tablet=”0px” header_3_text_shadow_vertical_length_tablet=”0px” header_3_text_shadow_blur_strength_tablet=”1px” header_4_text_shadow_horizontal_length_tablet=”0px” header_4_text_shadow_vertical_length_tablet=”0px” header_4_text_shadow_blur_strength_tablet=”1px” header_5_text_shadow_horizontal_length_tablet=”0px” header_5_text_shadow_vertical_length_tablet=”0px” header_5_text_shadow_blur_strength_tablet=”1px” header_6_text_shadow_horizontal_length_tablet=”0px” header_6_text_shadow_vertical_length_tablet=”0px” header_6_text_shadow_blur_strength_tablet=”1px” box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” global_colors_info=”{}”]<\/p>\n

            Phainomena 10 <\/em>| 35-36 <\/em>| 2001<\/em><\/p>\n

            \u00bbIzvornosti\u00ab<\/strong><\/p>\n

            >>><\/a><\/p>\n

            [\/et_pb_text][et_pb_toggle title=” KAZALO | TABLE OF CONTENTS ” open_toggle_background_color=”#ffffff” closed_toggle_background_color=”#ffffff” icon_color=”#8cc63f” use_icon_font_size=”on” icon_font_size=”18px” open_icon_color=”#8cc63f” open_use_icon_font_size=”on” open_icon_font_size=”18px” _builder_version=”4.16″ title_level=”h6″ width=”80%” custom_padding=”10px||10px” z_index_tablet=”500″ title_text_shadow_horizontal_length_tablet=”0px” title_text_shadow_vertical_length_tablet=”0px” title_text_shadow_blur_strength_tablet=”1px” closed_title_text_shadow_horizontal_length_tablet=”0px” closed_title_text_shadow_vertical_length_tablet=”0px” closed_title_text_shadow_blur_strength_tablet=”1px” body_text_shadow_horizontal_length_tablet=”0px” body_text_shadow_vertical_length_tablet=”0px” body_text_shadow_blur_strength_tablet=”1px” body_link_text_shadow_horizontal_length_tablet=”0px” body_link_text_shadow_vertical_length_tablet=”0px” body_link_text_shadow_blur_strength_tablet=”1px” body_ul_text_shadow_horizontal_length_tablet=”0px” body_ul_text_shadow_vertical_length_tablet=”0px” body_ul_text_shadow_blur_strength_tablet=”1px” body_ol_text_shadow_horizontal_length_tablet=”0px” body_ol_text_shadow_vertical_length_tablet=”0px” body_ol_text_shadow_blur_strength_tablet=”1px” body_quote_text_shadow_horizontal_length_tablet=”0px” body_quote_text_shadow_vertical_length_tablet=”0px” body_quote_text_shadow_blur_strength_tablet=”1px” border_radii=”on|5px|5px|5px|5px” border_color_all=”#8cc63f” box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” text_shadow_horizontal_length_tablet=”0px” text_shadow_vertical_length_tablet=”0px” text_shadow_blur_strength_tablet=”1px” global_colors_info=”{}”]<\/p>\n

            KULTURA<\/p>\n

             <\/p>\n

            Johann Gottfried Herder<\/p>\n

            Razprava o izvoru jezika<\/strong><\/p>\n

             <\/p>\n

            Fritjof Rodi<\/p>\n

            Kultura in civilizacija<\/strong><\/p>\n

             <\/p>\n

            Ichiro Yamaguchi<\/p>\n

            O metodi interkulturne filozofije<\/strong><\/p>\n

             <\/p>\n

            Lester Embree<\/p>\n

            Konstitucija osnovne kulture<\/strong><\/p>\n

             <\/p>\n

            Dean Komel<\/p>\n

            Filozofija v medkulturnosti<\/strong><\/p>\n

             <\/p>\n

            PHYSIS<\/p>\n

             <\/p>\n

            Martin Heidegger<\/p>\n

            Physis<\/em>, o njenem bistvu in pojmu (Aristoteles, Fizika B, 1)<\/strong><\/p>\n

             <\/p>\n

            Valentin Kalan<\/p>\n

            Heideggrovo razumevanje physis<\/em> kot a-letheia<\/em><\/strong><\/p>\n

             <\/p>\n

            POSTMODERNA RELIGIJA<\/p>\n

             <\/p>\n

            Don Cupitt<\/p>\n

            Religija po bogovih<\/strong><\/p>\n

             <\/p>\n

            Valentin Hribar<\/p>\n

            \u010cisti jaz kot causa sui<\/strong><\/p>\n

             <\/p>\n

            Klemen Klun<\/p>\n

            Dostojanstvo osebe v judovskem pravu<\/strong><\/p>\n

             <\/p>\n

            Mario Ruggenini<\/p>\n

            Odsotni bog<\/strong><\/p>\n

             <\/p>\n

            HERMENEVTI\u010cNA IZHODI\u0160\u010cA<\/p>\n

             <\/p>\n

            Franci Zore<\/p>\n

            Platonski obrat k logosom in hermenevti\u010dni posluh<\/strong><\/p>\n

             <\/p>\n

            \u017deljko Pavi\u0107<\/p>\n

            Jarem razumevanja. Heideggrov zgodnji pristop k Schleiermacherjevi hermenevtiki<\/strong><\/p>\n

             <\/p>\n

            Josip Osli\u0107<\/p>\n

            Heideggrov zgodnji pristop k Pavlovemu razumevanju \u00bbprakr\u0161\u010danske religioznosti\u00ab<\/strong><\/p>\n

             <\/p>\n

            RECENZIJE<\/p>\n

             <\/p>\n

              \n
            1. A. C. Otto: Das Fest. Zu einer Ph\u00e4nomenologie der Ausnahme<\/strong> (Arno Baruzzi<\/em>)<\/li>\n<\/ol>\n

               <\/p>\n

              Claude Ozankom: Herkunft bleibt Zukunft<\/strong> (Andrina Tonkli Komel<\/em>)<\/p>\n

               <\/p>\n

              Hans-Christian G\u00fcnther: Aletheia und Doxa. Das Pro\u00f6mium des Gedichts des Parmenides <\/strong>(Andrina Tonkli Komel<\/em>)<\/p>\n

               <\/p>\n

              POVZETKI \u2013 ABSTRACTS<\/p>\n

              [\/et_pb_toggle][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”2_5,3_5″ _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” module_alignment=”center” z_index_tablet=”500″ box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” global_colors_info=”{}”][et_pb_column type=”2_5″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_image src=”https:\/\/www.phainomena.com\/en\/wp-content\/uploads\/2019\/11\/PHI-33-34.jpg” _builder_version=”4.16″ width=”80%” z_index_tablet=”500″ box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”3_5″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.16″ text_font_size=”18px” width=”80%” z_index_tablet=”500″ text_text_shadow_horizontal_length_tablet=”0px” text_text_shadow_vertical_length_tablet=”0px” text_text_shadow_blur_strength_tablet=”1px” link_text_shadow_horizontal_length_tablet=”0px” link_text_shadow_vertical_length_tablet=”0px” link_text_shadow_blur_strength_tablet=”1px” ul_text_shadow_horizontal_length_tablet=”0px” ul_text_shadow_vertical_length_tablet=”0px” ul_text_shadow_blur_strength_tablet=”1px” ol_text_shadow_horizontal_length_tablet=”0px” ol_text_shadow_vertical_length_tablet=”0px” ol_text_shadow_blur_strength_tablet=”1px” quote_text_shadow_horizontal_length_tablet=”0px” quote_text_shadow_vertical_length_tablet=”0px” quote_text_shadow_blur_strength_tablet=”1px” header_text_shadow_horizontal_length_tablet=”0px” header_text_shadow_vertical_length_tablet=”0px” header_text_shadow_blur_strength_tablet=”1px” header_2_text_shadow_horizontal_length_tablet=”0px” header_2_text_shadow_vertical_length_tablet=”0px” header_2_text_shadow_blur_strength_tablet=”1px” header_3_text_shadow_horizontal_length_tablet=”0px” header_3_text_shadow_vertical_length_tablet=”0px” header_3_text_shadow_blur_strength_tablet=”1px” header_4_text_shadow_horizontal_length_tablet=”0px” header_4_text_shadow_vertical_length_tablet=”0px” header_4_text_shadow_blur_strength_tablet=”1px” header_5_text_shadow_horizontal_length_tablet=”0px” header_5_text_shadow_vertical_length_tablet=”0px” header_5_text_shadow_blur_strength_tablet=”1px” header_6_text_shadow_horizontal_length_tablet=”0px” header_6_text_shadow_vertical_length_tablet=”0px” header_6_text_shadow_blur_strength_tablet=”1px” box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” global_colors_info=”{}”]<\/p>\n

              Phainomena 9 <\/em>| 33-34 <\/em>| 2000<\/em><\/p>\n

              \u00bbFenomeni in pomeni\u00ab<\/strong><\/p>\n

              >>><\/a><\/p>\n

              [\/et_pb_text][et_pb_toggle title=” KAZALO | TABLE OF CONTENTS ” open_toggle_background_color=”#ffffff” closed_toggle_background_color=”#ffffff” icon_color=”#8cc63f” use_icon_font_size=”on” icon_font_size=”18px” open_icon_color=”#8cc63f” open_use_icon_font_size=”on” open_icon_font_size=”18px” _builder_version=”4.16″ title_level=”h6″ width=”80%” custom_padding=”10px||10px” z_index_tablet=”500″ title_text_shadow_horizontal_length_tablet=”0px” title_text_shadow_vertical_length_tablet=”0px” title_text_shadow_blur_strength_tablet=”1px” closed_title_text_shadow_horizontal_length_tablet=”0px” closed_title_text_shadow_vertical_length_tablet=”0px” closed_title_text_shadow_blur_strength_tablet=”1px” body_text_shadow_horizontal_length_tablet=”0px” body_text_shadow_vertical_length_tablet=”0px” body_text_shadow_blur_strength_tablet=”1px” body_link_text_shadow_horizontal_length_tablet=”0px” body_link_text_shadow_vertical_length_tablet=”0px” body_link_text_shadow_blur_strength_tablet=”1px” body_ul_text_shadow_horizontal_length_tablet=”0px” body_ul_text_shadow_vertical_length_tablet=”0px” body_ul_text_shadow_blur_strength_tablet=”1px” body_ol_text_shadow_horizontal_length_tablet=”0px” body_ol_text_shadow_vertical_length_tablet=”0px” body_ol_text_shadow_blur_strength_tablet=”1px” body_quote_text_shadow_horizontal_length_tablet=”0px” body_quote_text_shadow_vertical_length_tablet=”0px” body_quote_text_shadow_blur_strength_tablet=”1px” border_radii=”on|5px|5px|5px|5px” border_color_all=”#8cc63f” box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” text_shadow_horizontal_length_tablet=”0px” text_shadow_vertical_length_tablet=”0px” text_shadow_blur_strength_tablet=”1px” global_colors_info=”{}”]<\/p>\n

              FENOMENI IN POMENI<\/p>\n

               <\/p>\n

              Andrina Tonkli-Komel<\/p>\n

              Fenomeni in pomeni<\/strong><\/p>\n

               <\/p>\n

              Edmund Husserl<\/p>\n

              Raziskave k fenomenologiji in teoriji spoznanja \u2013 uvod<\/strong><\/p>\n

               <\/p>\n

              Edmund Husserl<\/p>\n

              Izraz in pomen<\/strong><\/p>\n

               <\/p>\n

              Edmund Husserl<\/p>\n

              Intencionalni do\u017eivljaji in njihove vsebine<\/strong><\/p>\n

               <\/p>\n

              Edmund Husserl<\/p>\n

              Elementi fenomenolo\u0161ke razjasnitve spoznanja<\/strong><\/p>\n

               <\/p>\n

              Edmund Husserl<\/p>\n

              \u010cutna in kategorialna zrenja<\/strong><\/p>\n

               <\/p>\n

              Edmund Husserl<\/p>\n

              Ideal adekvacije \u2013 evidenca in resnica<\/strong><\/p>\n

               <\/p>\n

              Wilhelm Dilthey<\/p>\n

              Kategorije \u017eivljenja<\/strong><\/p>\n

               <\/p>\n

              Wilhelm Dilthey \u2013 Edmund Husserl<\/p>\n

              Pisma<\/strong><\/p>\n

               <\/p>\n

              Gustav \u0160pet<\/p>\n

              Hermenevtika in njeni problemi<\/strong><\/p>\n

               <\/p>\n

              Martin Heidegger<\/p>\n

              Formalizacija in formalna naznaka<\/strong><\/p>\n

               <\/p>\n

              Martin Heidegger<\/p>\n

              O principu \u00bbK stvarem samim\u00ab<\/strong><\/p>\n

               <\/p>\n

              France Veber<\/p>\n

              Nova disertacija iz filozofije<\/strong><\/p>\n

               <\/p>\n

              Dean Komel<\/p>\n

              Umetnost, fenomenologija in evropska \u010dlove\u0161kost<\/strong><\/p>\n

               <\/p>\n

              Tine Hribar<\/p>\n

              Skrivnost transcendence v imanenci<\/strong><\/p>\n

               <\/p>\n

              Paul Ricoeur<\/p>\n

              Fenomenologija in hermenevtika<\/strong><\/p>\n

               <\/p>\n

              Hans Rainer Sepp<\/p>\n

              Epoch\u00e9 kot razprtje kroga<\/strong><\/p>\n

               <\/p>\n

              Felix Duque<\/p>\n

              Prispevek k \u0161panski poti v hermenevtiko<\/strong><\/p>\n

               <\/p>\n

              Tadashi Ogawa<\/p>\n

              Qi in fenomenologija vetra<\/strong><\/p>\n

               <\/p>\n

              Arno Baruzzi<\/p>\n

              Kritika moderne<\/strong><\/p>\n

               <\/p>\n

              Vlado Milovanovi\u0107<\/p>\n

              Igra virtualne resni\u010dnosti<\/strong><\/p>\n

               <\/p>\n

              Fellmann \u2013 Grondin \u2013 B\u00fchler \u2013 Mainzer<\/p>\n

              Ali bi bilo treba hermenevtiko operacionalizirati?<\/strong><\/p>\n

               <\/p>\n

              Damir Barbari\u0107<\/p>\n

              Igra jezika<\/strong><\/p>\n

               <\/p>\n

                \n
              1. W. Leibniz<\/li>\n<\/ol>\n

                O besedah in jeziku<\/strong><\/p>\n

                 <\/p>\n

                POVZETKI<\/p>\n

                [\/et_pb_toggle][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”2_5,3_5″ _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” module_alignment=”center” z_index_tablet=”500″ box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” global_colors_info=”{}”][et_pb_column type=”2_5″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_image src=”https:\/\/www.phainomena.com\/en\/wp-content\/uploads\/2019\/11\/PHI-31-32.jpg” _builder_version=”4.16″ width=”80%” z_index_tablet=”500″ box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”3_5″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.16″ text_font_size=”18px” width=”80%” z_index_tablet=”500″ text_text_shadow_horizontal_length_tablet=”0px” text_text_shadow_vertical_length_tablet=”0px” text_text_shadow_blur_strength_tablet=”1px” link_text_shadow_horizontal_length_tablet=”0px” link_text_shadow_vertical_length_tablet=”0px” link_text_shadow_blur_strength_tablet=”1px” ul_text_shadow_horizontal_length_tablet=”0px” ul_text_shadow_vertical_length_tablet=”0px” ul_text_shadow_blur_strength_tablet=”1px” ol_text_shadow_horizontal_length_tablet=”0px” ol_text_shadow_vertical_length_tablet=”0px” ol_text_shadow_blur_strength_tablet=”1px” quote_text_shadow_horizontal_length_tablet=”0px” quote_text_shadow_vertical_length_tablet=”0px” quote_text_shadow_blur_strength_tablet=”1px” header_text_shadow_horizontal_length_tablet=”0px” header_text_shadow_vertical_length_tablet=”0px” header_text_shadow_blur_strength_tablet=”1px” header_2_text_shadow_horizontal_length_tablet=”0px” header_2_text_shadow_vertical_length_tablet=”0px” header_2_text_shadow_blur_strength_tablet=”1px” header_3_text_shadow_horizontal_length_tablet=”0px” header_3_text_shadow_vertical_length_tablet=”0px” header_3_text_shadow_blur_strength_tablet=”1px” header_4_text_shadow_horizontal_length_tablet=”0px” header_4_text_shadow_vertical_length_tablet=”0px” header_4_text_shadow_blur_strength_tablet=”1px” header_5_text_shadow_horizontal_length_tablet=”0px” header_5_text_shadow_vertical_length_tablet=”0px” header_5_text_shadow_blur_strength_tablet=”1px” header_6_text_shadow_horizontal_length_tablet=”0px” header_6_text_shadow_vertical_length_tablet=”0px” header_6_text_shadow_blur_strength_tablet=”1px” box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” global_colors_info=”{}”]<\/p>\n

                Phainomena 9 <\/em>| 31-32 <\/em>| 2000<\/em><\/p>\n

                \u00bbNihilizem\u00ab<\/strong><\/p>\n

                >>><\/a><\/p>\n

                [\/et_pb_text][et_pb_toggle title=” KAZALO | TABLE OF CONTENTS ” open_toggle_background_color=”#ffffff” closed_toggle_background_color=”#ffffff” icon_color=”#8cc63f” use_icon_font_size=”on” icon_font_size=”18px” open_icon_color=”#8cc63f” open_use_icon_font_size=”on” open_icon_font_size=”18px” _builder_version=”4.16″ title_level=”h6″ width=”80%” custom_padding=”10px||10px” z_index_tablet=”500″ title_text_shadow_horizontal_length_tablet=”0px” title_text_shadow_vertical_length_tablet=”0px” title_text_shadow_blur_strength_tablet=”1px” closed_title_text_shadow_horizontal_length_tablet=”0px” closed_title_text_shadow_vertical_length_tablet=”0px” closed_title_text_shadow_blur_strength_tablet=”1px” body_text_shadow_horizontal_length_tablet=”0px” body_text_shadow_vertical_length_tablet=”0px” body_text_shadow_blur_strength_tablet=”1px” body_link_text_shadow_horizontal_length_tablet=”0px” body_link_text_shadow_vertical_length_tablet=”0px” body_link_text_shadow_blur_strength_tablet=”1px” body_ul_text_shadow_horizontal_length_tablet=”0px” body_ul_text_shadow_vertical_length_tablet=”0px” body_ul_text_shadow_blur_strength_tablet=”1px” body_ol_text_shadow_horizontal_length_tablet=”0px” body_ol_text_shadow_vertical_length_tablet=”0px” body_ol_text_shadow_blur_strength_tablet=”1px” body_quote_text_shadow_horizontal_length_tablet=”0px” body_quote_text_shadow_vertical_length_tablet=”0px” body_quote_text_shadow_blur_strength_tablet=”1px” border_radii=”on|5px|5px|5px|5px” border_color_all=”#8cc63f” box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” text_shadow_horizontal_length_tablet=”0px” text_shadow_vertical_length_tablet=”0px” text_shadow_blur_strength_tablet=”1px” global_colors_info=”{}”]<\/p>\n

                NIETZSCHE<\/p>\n

                 <\/p>\n

                Friedrich Nietzsche<\/p>\n

                Kaj je romantika?<\/strong><\/p>\n

                 <\/p>\n

                Janko Lozar<\/p>\n

                Nihilizem pred Nietzschejem<\/strong><\/p>\n

                 <\/p>\n

                Metka Lebar<\/p>\n

                O svobodi volje pri Schopenhauerju in Nietzscheju<\/strong><\/p>\n

                 <\/p>\n

                Jean-Paul Ferrand<\/p>\n

                Vpra\u0161anje nihilizma<\/strong><\/p>\n

                 <\/p>\n

                Alexis Philonenko<\/p>\n

                Nietzsche \u2013 filozof \u017eivljenja (Pogovor z Didierom Raymondom)<\/strong><\/p>\n

                 <\/p>\n

                Mathieu Kessler<\/p>\n

                Filozof umetnik<\/strong><\/p>\n

                 <\/p>\n

                Fran\u00e7ois Guery<\/p>\n

                Zaratustrov zverinjak<\/strong><\/p>\n

                 <\/p>\n

                Tine Hribar<\/p>\n

                Amor: patos volje do mo\u010di<\/strong><\/p>\n

                 <\/p>\n

                Martin Heidegger<\/p>\n

                Nietzschejeve besede \u00bbBog je mrtev\u00ab<\/strong><\/p>\n

                 <\/p>\n

                BOGOVI<\/p>\n

                 <\/p>\n

                Peter Trawny<\/p>\n

                Prihajajo\u010di in poslednji bog pri H\u00f6lderlinu in Heideggru<\/strong><\/p>\n

                 <\/p>\n

                LOGIKA<\/p>\n

                 <\/p>\n

                Martin Heidegger<\/p>\n

                Osnovni stavki mi\u0161ljenja<\/strong><\/p>\n

                 <\/p>\n

                Valentin Kalan<\/p>\n

                Logi\u010dni aksiomi in pesni\u0161ko mi\u0161ljenje<\/strong><\/p>\n

                 <\/p>\n

                BOLE\u010cINA IN ZGODOVINSKOST<\/p>\n

                 <\/p>\n

                Dean Komel<\/p>\n

                Indiferenca v biti<\/strong><\/p>\n

                 <\/p>\n

                Emanuele Severino<\/p>\n

                Jarem. K izvoru uma: Ajshil<\/strong><\/p>\n

                 <\/p>\n

                Jan Bednarik<\/p>\n

                Premi\u0161ljevanje o zgodovinskem smislu evropskosti pri E. Severinu<\/strong><\/p>\n

                 <\/p>\n

                ODPRTA TEMA: DRUGI KOPERNIKANSKI OBRAT<\/p>\n

                 <\/p>\n

                Klaus Held<\/p>\n

                Zemlja in nebo kot nespremenljivki naravnega \u017eivljenjskega sveta<\/strong><\/p>\n

                 <\/p>\n

                Dean Komel<\/p>\n

                Zemeljskost kot fenomenolo\u0161ka tema<\/strong><\/p>\n

                 <\/p>\n

                RECENZIJE<\/p>\n

                 <\/p>\n

                Edmund Husserl \u2013 Martin Heidegger: Ph\u00e4nomenologie (1927) <\/strong>(Andrina Tonkli-Komel<\/em>)<\/p>\n

                 <\/p>\n

                Holger Helting: Heidegger und Meister Eckehart<\/strong> (Andrina Tonkli-Komel<\/em>)<\/p>\n

                 <\/p>\n

                Daniela Neu: Die Notwendigkeit der Gr\u00fcndung im Zeitalter der Dekonstruktion<\/strong> (Andrina Tonkli-Komel<\/em>)<\/p>\n

                 <\/p>\n

                 <\/p>\n

                POVZETKI<\/p>\n

                [\/et_pb_toggle][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”2_5,3_5″ _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” module_alignment=”center” z_index_tablet=”500″ box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” global_colors_info=”{}”][et_pb_column type=”2_5″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_image src=”https:\/\/www.phainomena.com\/en\/wp-content\/uploads\/2019\/11\/PHI-29-30.jpg” _builder_version=”4.16″ width=”80%” z_index_tablet=”500″ box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”3_5″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.16″ text_font_size=”18px” width=”80%” z_index_tablet=”500″ text_text_shadow_horizontal_length_tablet=”0px” text_text_shadow_vertical_length_tablet=”0px” text_text_shadow_blur_strength_tablet=”1px” link_text_shadow_horizontal_length_tablet=”0px” link_text_shadow_vertical_length_tablet=”0px” link_text_shadow_blur_strength_tablet=”1px” ul_text_shadow_horizontal_length_tablet=”0px” ul_text_shadow_vertical_length_tablet=”0px” ul_text_shadow_blur_strength_tablet=”1px” ol_text_shadow_horizontal_length_tablet=”0px” ol_text_shadow_vertical_length_tablet=”0px” ol_text_shadow_blur_strength_tablet=”1px” quote_text_shadow_horizontal_length_tablet=”0px” quote_text_shadow_vertical_length_tablet=”0px” quote_text_shadow_blur_strength_tablet=”1px” header_text_shadow_horizontal_length_tablet=”0px” header_text_shadow_vertical_length_tablet=”0px” header_text_shadow_blur_strength_tablet=”1px” header_2_text_shadow_horizontal_length_tablet=”0px” header_2_text_shadow_vertical_length_tablet=”0px” header_2_text_shadow_blur_strength_tablet=”1px” header_3_text_shadow_horizontal_length_tablet=”0px” header_3_text_shadow_vertical_length_tablet=”0px” header_3_text_shadow_blur_strength_tablet=”1px” header_4_text_shadow_horizontal_length_tablet=”0px” header_4_text_shadow_vertical_length_tablet=”0px” header_4_text_shadow_blur_strength_tablet=”1px” header_5_text_shadow_horizontal_length_tablet=”0px” header_5_text_shadow_vertical_length_tablet=”0px” header_5_text_shadow_blur_strength_tablet=”1px” header_6_text_shadow_horizontal_length_tablet=”0px” header_6_text_shadow_vertical_length_tablet=”0px” header_6_text_shadow_blur_strength_tablet=”1px” box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” global_colors_info=”{}”]<\/p>\n

                Phainomena 8 <\/em>| 29-30 <\/em>| 1999<\/em><\/p>\n

                \u00bbMetapolitika\u00ab<\/strong><\/p>\n

                >>><\/a><\/p>\n

                [\/et_pb_text][et_pb_toggle title=” KAZALO | TABLE OF CONTENTS ” open_toggle_background_color=”#ffffff” closed_toggle_background_color=”#ffffff” icon_color=”#8cc63f” use_icon_font_size=”on” icon_font_size=”18px” open_icon_color=”#8cc63f” open_use_icon_font_size=”on” open_icon_font_size=”18px” _builder_version=”4.16″ title_level=”h6″ width=”80%” custom_padding=”10px||10px” z_index_tablet=”500″ title_text_shadow_horizontal_length_tablet=”0px” title_text_shadow_vertical_length_tablet=”0px” title_text_shadow_blur_strength_tablet=”1px” closed_title_text_shadow_horizontal_length_tablet=”0px” closed_title_text_shadow_vertical_length_tablet=”0px” closed_title_text_shadow_blur_strength_tablet=”1px” body_text_shadow_horizontal_length_tablet=”0px” body_text_shadow_vertical_length_tablet=”0px” body_text_shadow_blur_strength_tablet=”1px” body_link_text_shadow_horizontal_length_tablet=”0px” body_link_text_shadow_vertical_length_tablet=”0px” body_link_text_shadow_blur_strength_tablet=”1px” body_ul_text_shadow_horizontal_length_tablet=”0px” body_ul_text_shadow_vertical_length_tablet=”0px” body_ul_text_shadow_blur_strength_tablet=”1px” body_ol_text_shadow_horizontal_length_tablet=”0px” body_ol_text_shadow_vertical_length_tablet=”0px” body_ol_text_shadow_blur_strength_tablet=”1px” body_quote_text_shadow_horizontal_length_tablet=”0px” body_quote_text_shadow_vertical_length_tablet=”0px” body_quote_text_shadow_blur_strength_tablet=”1px” border_radii=”on|5px|5px|5px|5px” border_color_all=”#8cc63f” box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” text_shadow_horizontal_length_tablet=”0px” text_shadow_vertical_length_tablet=”0px” text_shadow_blur_strength_tablet=”1px” global_colors_info=”{}”]<\/p>\n

                BIT IN ZGODOVINA<\/p>\n

                 <\/p>\n

                Franciscus Su\u00e1rez<\/p>\n

                Disputationes metaphysicae<\/strong><\/p>\n

                 <\/p>\n

                Jan Bednarik<\/p>\n

                Pojem bitja pri Su\u00e1rezu<\/strong><\/p>\n

                 <\/p>\n

                Martin Heidegger<\/p>\n

                 <\/p>\n

                \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Zgodovina biti<\/strong><\/p>\n

                \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/strong><\/p>\n

                \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Konec novega veka v zgodovini biti<\/strong><\/p>\n

                \u00a0<\/strong><\/p>\n

                \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Prevladanje metafizike<\/strong><\/p>\n

                 <\/p>\n

                Dean Komel<\/p>\n

                Zgodovinska fenomenologija<\/strong><\/p>\n

                 <\/p>\n

                POLIS IN BOGOVI<\/p>\n

                 <\/p>\n

                Martin Heidegger<\/p>\n

                Razlika med gr\u0161kimi bogovi in kr\u0161\u010danskim Bogom<\/strong><\/p>\n

                 <\/p>\n

                POLIS IN BESEDA<\/p>\n

                 <\/p>\n

                Heinrich H\u00fcni<\/p>\n

                Govorica v Platonovem Kratilu<\/em><\/strong><\/p>\n

                 <\/p>\n

                SKUPNOST IN INDIVIDUUM<\/p>\n

                 <\/p>\n

                  \n
                1. E. Jensen<\/li>\n<\/ol>\n

                  Obredne usmrtitve in krvave daritve<\/strong><\/p>\n

                   <\/p>\n

                  Branko Klun<\/p>\n

                  Skrb, smrt in vest<\/strong><\/p>\n

                   <\/p>\n

                  RESNICA O RESNICI<\/p>\n

                   <\/p>\n

                  Slavoj \u017di\u017eek<\/p>\n

                  Zakaj je resnica monstruozna?<\/strong><\/p>\n

                   <\/p>\n

                  POLITIKA INTERPRETACIJE<\/p>\n

                   <\/p>\n

                  Richard Rorty<\/p>\n

                  Filozofija brez zrcal<\/strong><\/p>\n

                   <\/p>\n

                  Hans-Georg Gadamer<\/p>\n

                  Destrukcija in dekonstrukcija<\/strong><\/p>\n

                   <\/p>\n

                  Janez \u0160enk<\/p>\n

                  Dobra volja za destrukcijo in dekonstrukcijo<\/strong><\/p>\n

                   <\/p>\n

                  Jo\u017ee Hrovat<\/p>\n

                  Norost kot subjekt interpretacije<\/strong><\/p>\n

                   <\/p>\n

                  Rok Svetli\u010d<\/p>\n

                  In dubio pro reo<\/strong><\/p>\n

                   <\/p>\n

                  POVZETKI<\/p>\n

                  [\/et_pb_toggle][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”2_5,3_5″ _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” module_alignment=”center” z_index_tablet=”500″ box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” global_colors_info=”{}”][et_pb_column type=”2_5″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_image src=”https:\/\/www.phainomena.com\/en\/wp-content\/uploads\/2019\/11\/PHI-27-28.jpg” _builder_version=”4.16″ width=”80%” z_index_tablet=”500″ box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”3_5″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.16″ text_font_size=”18px” width=”80%” z_index_tablet=”500″ text_text_shadow_horizontal_length_tablet=”0px” text_text_shadow_vertical_length_tablet=”0px” text_text_shadow_blur_strength_tablet=”1px” link_text_shadow_horizontal_length_tablet=”0px” link_text_shadow_vertical_length_tablet=”0px” link_text_shadow_blur_strength_tablet=”1px” ul_text_shadow_horizontal_length_tablet=”0px” ul_text_shadow_vertical_length_tablet=”0px” ul_text_shadow_blur_strength_tablet=”1px” ol_text_shadow_horizontal_length_tablet=”0px” ol_text_shadow_vertical_length_tablet=”0px” ol_text_shadow_blur_strength_tablet=”1px” quote_text_shadow_horizontal_length_tablet=”0px” quote_text_shadow_vertical_length_tablet=”0px” quote_text_shadow_blur_strength_tablet=”1px” header_text_shadow_horizontal_length_tablet=”0px” header_text_shadow_vertical_length_tablet=”0px” header_text_shadow_blur_strength_tablet=”1px” header_2_text_shadow_horizontal_length_tablet=”0px” header_2_text_shadow_vertical_length_tablet=”0px” header_2_text_shadow_blur_strength_tablet=”1px” header_3_text_shadow_horizontal_length_tablet=”0px” header_3_text_shadow_vertical_length_tablet=”0px” header_3_text_shadow_blur_strength_tablet=”1px” header_4_text_shadow_horizontal_length_tablet=”0px” header_4_text_shadow_vertical_length_tablet=”0px” header_4_text_shadow_blur_strength_tablet=”1px” header_5_text_shadow_horizontal_length_tablet=”0px” header_5_text_shadow_vertical_length_tablet=”0px” header_5_text_shadow_blur_strength_tablet=”1px” header_6_text_shadow_horizontal_length_tablet=”0px” header_6_text_shadow_vertical_length_tablet=”0px” header_6_text_shadow_blur_strength_tablet=”1px” box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” global_colors_info=”{}”]<\/p>\n

                  Phainomena 8 <\/em>| 27-28 <\/em>| 1999<\/em><\/p>\n

                  \u00bbTradicija in prestop\u00ab<\/strong><\/p>\n

                  >>><\/a><\/p>\n

                  [\/et_pb_text][et_pb_toggle title=” KAZALO | TABLE OF CONTENTS ” open_toggle_background_color=”#ffffff” closed_toggle_background_color=”#ffffff” icon_color=”#8cc63f” use_icon_font_size=”on” icon_font_size=”18px” open_icon_color=”#8cc63f” open_use_icon_font_size=”on” open_icon_font_size=”18px” _builder_version=”4.16″ title_level=”h6″ width=”80%” custom_padding=”10px||10px” z_index_tablet=”500″ title_text_shadow_horizontal_length_tablet=”0px” title_text_shadow_vertical_length_tablet=”0px” title_text_shadow_blur_strength_tablet=”1px” closed_title_text_shadow_horizontal_length_tablet=”0px” closed_title_text_shadow_vertical_length_tablet=”0px” closed_title_text_shadow_blur_strength_tablet=”1px” body_text_shadow_horizontal_length_tablet=”0px” body_text_shadow_vertical_length_tablet=”0px” body_text_shadow_blur_strength_tablet=”1px” body_link_text_shadow_horizontal_length_tablet=”0px” body_link_text_shadow_vertical_length_tablet=”0px” body_link_text_shadow_blur_strength_tablet=”1px” body_ul_text_shadow_horizontal_length_tablet=”0px” body_ul_text_shadow_vertical_length_tablet=”0px” body_ul_text_shadow_blur_strength_tablet=”1px” body_ol_text_shadow_horizontal_length_tablet=”0px” body_ol_text_shadow_vertical_length_tablet=”0px” body_ol_text_shadow_blur_strength_tablet=”1px” body_quote_text_shadow_horizontal_length_tablet=”0px” body_quote_text_shadow_vertical_length_tablet=”0px” body_quote_text_shadow_blur_strength_tablet=”1px” border_radii=”on|5px|5px|5px|5px” border_color_all=”#8cc63f” box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” text_shadow_horizontal_length_tablet=”0px” text_shadow_vertical_length_tablet=”0px” text_shadow_blur_strength_tablet=”1px” global_colors_info=”{}”]<\/p>\n

                  SIMPOZIJ O BITI IN \u010cASU<\/p>\n

                   <\/p>\n

                  Damir Barbari\u0107<\/p>\n

                  \u00bbIzgubljena pri\u010dujo\u010dnost\u00ab<\/strong><\/p>\n

                   <\/p>\n

                  Pavel Kouba<\/p>\n

                  Smisel prisotnosti<\/strong><\/p>\n

                   <\/p>\n

                  Rainer Thurnher<\/p>\n

                  Obrat pred obratom \u2013 spremembe v Heideggrovem pojmu filozofije po Biti in \u010dasu<\/em><\/strong><\/p>\n

                   <\/p>\n

                  Dietmar Koch<\/p>\n

                  Dvozna\u010dna temeljna zasnova Biti in \u010dasa<\/em> in tu-biti v \u010dloveku<\/strong><\/p>\n

                   <\/p>\n

                  Heinrich H\u00fcni<\/p>\n

                  Kako pride fenomenologija do zgodovine?<\/strong><\/p>\n

                   <\/p>\n

                  Peter Trawny<\/p>\n

                  Bogatost ali ubo\u0161tvo?<\/strong><\/p>\n

                   <\/p>\n

                  Ivan Urban\u010di\u010d<\/p>\n

                  Interpretiranje in\/ali mi\u0161ljenje<\/strong><\/p>\n

                   <\/p>\n

                  MED INTERPRETI: DERRIDA IN GADAMER<\/p>\n

                   <\/p>\n

                  Jacques Derrida<\/p>\n

                  Dobra volja do mo\u010di (I.)<\/strong><\/p>\n

                   <\/p>\n

                  Hans-Georg Gadamer<\/p>\n

                  In vendarle mo\u010d dobre volje<\/strong><\/p>\n

                   <\/p>\n

                  Jacques Derrida<\/p>\n

                  Dobra volja do mo\u010di (II.)<\/strong><\/p>\n

                   <\/p>\n

                  HERMENEVTIKA<\/p>\n

                   <\/p>\n

                  Baruch de Spinoza<\/p>\n

                  Teolo\u0161ko-politi\u010dna razprava<\/strong><\/p>\n

                   <\/p>\n

                  Wilhelm Dilthey<\/p>\n

                  Zgradba zgodovinskega sveta v duhoslovnih znanostih<\/strong><\/p>\n

                   <\/p>\n

                  Jean Grondin<\/p>\n

                  Gadamer in Avgu\u0161tin<\/strong><\/p>\n

                   <\/p>\n

                  G\u00fcnter Figal<\/p>\n

                  Kompleksnost filozofske hermenevtike<\/strong><\/p>\n

                   <\/p>\n

                  Dimitri Ginev<\/p>\n

                  O raz\u0161iritvi eksistencialno-ontolo\u0161ke interpretacije znanosti<\/strong><\/p>\n

                   <\/p>\n

                  Dean Komel<\/p>\n

                  Naznake k zasnutku filozofske hermenevtike<\/strong><\/p>\n

                   <\/p>\n

                  FENOMENOLOGIJA V ITALIJI<\/p>\n

                   <\/p>\n

                  Jan Bednarik<\/p>\n

                  Temeljni koncepti filozofije Enza Pacija \u2013 pojem sveta<\/strong><\/p>\n

                   <\/p>\n

                  Renato Cristin<\/p>\n

                  Kri\u017ei\u0161\u010de stez\u00e1<\/strong><\/p>\n

                   <\/p>\n

                  POVZETKI<\/p>\n

                  [\/et_pb_toggle][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”2_5,3_5″ _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” module_alignment=”center” z_index_tablet=”500″ box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” global_colors_info=”{}”][et_pb_column type=”2_5″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_image src=”https:\/\/www.phainomena.com\/en\/wp-content\/uploads\/2019\/11\/PHI-25-26.jpg” _builder_version=”4.16″ width=”80%” z_index_tablet=”500″ box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”3_5″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.16″ text_font_size=”18px” width=”80%” z_index_tablet=”500″ text_text_shadow_horizontal_length_tablet=”0px” text_text_shadow_vertical_length_tablet=”0px” text_text_shadow_blur_strength_tablet=”1px” link_text_shadow_horizontal_length_tablet=”0px” link_text_shadow_vertical_length_tablet=”0px” link_text_shadow_blur_strength_tablet=”1px” ul_text_shadow_horizontal_length_tablet=”0px” ul_text_shadow_vertical_length_tablet=”0px” ul_text_shadow_blur_strength_tablet=”1px” ol_text_shadow_horizontal_length_tablet=”0px” ol_text_shadow_vertical_length_tablet=”0px” ol_text_shadow_blur_strength_tablet=”1px” quote_text_shadow_horizontal_length_tablet=”0px” quote_text_shadow_vertical_length_tablet=”0px” quote_text_shadow_blur_strength_tablet=”1px” header_text_shadow_horizontal_length_tablet=”0px” header_text_shadow_vertical_length_tablet=”0px” header_text_shadow_blur_strength_tablet=”1px” header_2_text_shadow_horizontal_length_tablet=”0px” header_2_text_shadow_vertical_length_tablet=”0px” header_2_text_shadow_blur_strength_tablet=”1px” header_3_text_shadow_horizontal_length_tablet=”0px” header_3_text_shadow_vertical_length_tablet=”0px” header_3_text_shadow_blur_strength_tablet=”1px” header_4_text_shadow_horizontal_length_tablet=”0px” header_4_text_shadow_vertical_length_tablet=”0px” header_4_text_shadow_blur_strength_tablet=”1px” header_5_text_shadow_horizontal_length_tablet=”0px” header_5_text_shadow_vertical_length_tablet=”0px” header_5_text_shadow_blur_strength_tablet=”1px” header_6_text_shadow_horizontal_length_tablet=”0px” header_6_text_shadow_vertical_length_tablet=”0px” header_6_text_shadow_blur_strength_tablet=”1px” box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” global_colors_info=”{}”]<\/p>\n

                  Phainomena 7 <\/em>| 25-26 <\/em>| 1998<\/em><\/p>\n

                  \u00bbEtika \u2013 poetika\u00ab<\/strong><\/p>\n

                  >>><\/a><\/p>\n

                  [\/et_pb_text][et_pb_toggle title=” KAZALO | TABLE OF CONTENTS ” open_toggle_background_color=”#ffffff” closed_toggle_background_color=”#ffffff” icon_color=”#8cc63f” use_icon_font_size=”on” icon_font_size=”18px” open_icon_color=”#8cc63f” open_use_icon_font_size=”on” open_icon_font_size=”18px” _builder_version=”4.16″ title_level=”h6″ width=”80%” custom_padding=”10px||10px” z_index_tablet=”500″ title_text_shadow_horizontal_length_tablet=”0px” title_text_shadow_vertical_length_tablet=”0px” title_text_shadow_blur_strength_tablet=”1px” closed_title_text_shadow_horizontal_length_tablet=”0px” closed_title_text_shadow_vertical_length_tablet=”0px” closed_title_text_shadow_blur_strength_tablet=”1px” body_text_shadow_horizontal_length_tablet=”0px” body_text_shadow_vertical_length_tablet=”0px” body_text_shadow_blur_strength_tablet=”1px” body_link_text_shadow_horizontal_length_tablet=”0px” body_link_text_shadow_vertical_length_tablet=”0px” body_link_text_shadow_blur_strength_tablet=”1px” body_ul_text_shadow_horizontal_length_tablet=”0px” body_ul_text_shadow_vertical_length_tablet=”0px” body_ul_text_shadow_blur_strength_tablet=”1px” body_ol_text_shadow_horizontal_length_tablet=”0px” body_ol_text_shadow_vertical_length_tablet=”0px” body_ol_text_shadow_blur_strength_tablet=”1px” body_quote_text_shadow_horizontal_length_tablet=”0px” body_quote_text_shadow_vertical_length_tablet=”0px” body_quote_text_shadow_blur_strength_tablet=”1px” border_radii=”on|5px|5px|5px|5px” border_color_all=”#8cc63f” box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” text_shadow_horizontal_length_tablet=”0px” text_shadow_vertical_length_tablet=”0px” text_shadow_blur_strength_tablet=”1px” global_colors_info=”{}”]<\/p>\n

                  GIRARDOVA TEORIJA LUSTRACIJE<\/p>\n

                   <\/p>\n

                  Tine Hribar<\/p>\n

                  Sveta \u017ertev: Girard in Freud<\/strong><\/p>\n

                   <\/p>\n

                  Sigmund Freud<\/p>\n

                  Infantilna vrnitev totemizma<\/strong><\/p>\n

                   <\/p>\n

                  Ren\u00e9 Girard<\/p>\n

                  \u00a0<\/strong><\/p>\n

                  \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Nasilje in svet<\/strong><\/p>\n

                  \u00a0<\/strong><\/p>\n

                  \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Bolje je, da en \u010dlovek umre \u2026<\/strong><\/p>\n

                  \u00a0<\/strong><\/p>\n

                  \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Utemeljitveni umor v Nietzschejevi misli<\/strong><\/p>\n

                   <\/p>\n

                  Jean Greisch<\/p>\n

                  Homo mimeticus<\/strong><\/p>\n

                   <\/p>\n

                  Tine Hribar<\/p>\n

                  Nietzsche, Girard in teologi<\/strong><\/p>\n

                   <\/p>\n

                  HERMENEVTIKA<\/p>\n

                   <\/p>\n

                  Friedrich Schleiermacher<\/p>\n

                  Hermenevtika in kritika s posebnim ozirom na Novo zavezo<\/strong><\/p>\n

                   <\/p>\n

                  Wilhelm Dilthey<\/p>\n

                  Nastanek hermenevtike<\/strong><\/p>\n

                   <\/p>\n

                  Paul Ricoeur<\/p>\n

                  Kaj je tekst?<\/strong><\/p>\n

                   <\/p>\n

                  ODPRTE TEME<\/p>\n

                   <\/p>\n

                  Peter Trawny<\/p>\n

                  O ljubezni<\/strong><\/p>\n

                   <\/p>\n

                  VPRA\u0160ANJE UMETNOSTI<\/p>\n

                   <\/p>\n

                  Martin Heidegger<\/p>\n

                  \u00bbMetafizika\u00ab in izvor umetni\u0161kega dela<\/strong><\/p>\n

                   <\/p>\n

                  Martin Heidegger<\/p>\n

                  Neizogibnost tu-biti (\u00bbnuja\u00ab) in umetnost v svoji nujnosti<\/strong><\/p>\n

                   <\/p>\n

                  Martin Heidegger<\/p>\n

                  Poreklo umetnosti in dolo\u010ditev mi\u0161ljenja<\/strong><\/p>\n

                   <\/p>\n

                  Christoph Jamme<\/p>\n

                  Izguba stvari<\/strong><\/p>\n

                   <\/p>\n

                  Dean Komel<\/p>\n

                  Umetnost kot mo\u017enost filozofije<\/strong><\/p>\n

                   <\/p>\n

                  POVZETKA<\/p>\n

                  [\/et_pb_toggle][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”2_5,3_5″ _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” module_alignment=”center” z_index_tablet=”500″ box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” global_colors_info=”{}”][et_pb_column type=”2_5″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_image src=”https:\/\/www.phainomena.com\/en\/wp-content\/uploads\/2019\/11\/PHI-23-24.jpg” _builder_version=”4.16″ width=”80%” z_index_tablet=”500″ box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”3_5″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.16″ text_font_size=”18px” width=”80%” z_index_tablet=”500″ text_text_shadow_horizontal_length_tablet=”0px” text_text_shadow_vertical_length_tablet=”0px” text_text_shadow_blur_strength_tablet=”1px” link_text_shadow_horizontal_length_tablet=”0px” link_text_shadow_vertical_length_tablet=”0px” link_text_shadow_blur_strength_tablet=”1px” ul_text_shadow_horizontal_length_tablet=”0px” ul_text_shadow_vertical_length_tablet=”0px” ul_text_shadow_blur_strength_tablet=”1px” ol_text_shadow_horizontal_length_tablet=”0px” ol_text_shadow_vertical_length_tablet=”0px” ol_text_shadow_blur_strength_tablet=”1px” quote_text_shadow_horizontal_length_tablet=”0px” quote_text_shadow_vertical_length_tablet=”0px” quote_text_shadow_blur_strength_tablet=”1px” header_text_shadow_horizontal_length_tablet=”0px” header_text_shadow_vertical_length_tablet=”0px” header_text_shadow_blur_strength_tablet=”1px” header_2_text_shadow_horizontal_length_tablet=”0px” header_2_text_shadow_vertical_length_tablet=”0px” header_2_text_shadow_blur_strength_tablet=”1px” header_3_text_shadow_horizontal_length_tablet=”0px” header_3_text_shadow_vertical_length_tablet=”0px” header_3_text_shadow_blur_strength_tablet=”1px” header_4_text_shadow_horizontal_length_tablet=”0px” header_4_text_shadow_vertical_length_tablet=”0px” header_4_text_shadow_blur_strength_tablet=”1px” header_5_text_shadow_horizontal_length_tablet=”0px” header_5_text_shadow_vertical_length_tablet=”0px” header_5_text_shadow_blur_strength_tablet=”1px” header_6_text_shadow_horizontal_length_tablet=”0px” header_6_text_shadow_vertical_length_tablet=”0px” header_6_text_shadow_blur_strength_tablet=”1px” box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” global_colors_info=”{}”]<\/p>\n

                  Phainomena 7 <\/em>| 23-24 <\/em>| 1998<\/em><\/p>\n

                  \u00bbOkro\u017eja smisla\u00ab<\/strong><\/p>\n

                  >>><\/a><\/p>\n

                  [\/et_pb_text][et_pb_toggle title=” KAZALO | TABLE OF CONTENTS ” open_toggle_background_color=”#ffffff” closed_toggle_background_color=”#ffffff” icon_color=”#8cc63f” use_icon_font_size=”on” icon_font_size=”18px” open_icon_color=”#8cc63f” open_use_icon_font_size=”on” open_icon_font_size=”18px” _builder_version=”4.16″ title_level=”h6″ width=”80%” custom_padding=”10px||10px” z_index_tablet=”500″ title_text_shadow_horizontal_length_tablet=”0px” title_text_shadow_vertical_length_tablet=”0px” title_text_shadow_blur_strength_tablet=”1px” closed_title_text_shadow_horizontal_length_tablet=”0px” closed_title_text_shadow_vertical_length_tablet=”0px” closed_title_text_shadow_blur_strength_tablet=”1px” body_text_shadow_horizontal_length_tablet=”0px” body_text_shadow_vertical_length_tablet=”0px” body_text_shadow_blur_strength_tablet=”1px” body_link_text_shadow_horizontal_length_tablet=”0px” body_link_text_shadow_vertical_length_tablet=”0px” body_link_text_shadow_blur_strength_tablet=”1px” body_ul_text_shadow_horizontal_length_tablet=”0px” body_ul_text_shadow_vertical_length_tablet=”0px” body_ul_text_shadow_blur_strength_tablet=”1px” body_ol_text_shadow_horizontal_length_tablet=”0px” body_ol_text_shadow_vertical_length_tablet=”0px” body_ol_text_shadow_blur_strength_tablet=”1px” body_quote_text_shadow_horizontal_length_tablet=”0px” body_quote_text_shadow_vertical_length_tablet=”0px” body_quote_text_shadow_blur_strength_tablet=”1px” border_radii=”on|5px|5px|5px|5px” border_color_all=”#8cc63f” box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” text_shadow_horizontal_length_tablet=”0px” text_shadow_vertical_length_tablet=”0px” text_shadow_blur_strength_tablet=”1px” global_colors_info=”{}”]<\/p>\n

                  HERMENEVTIKA<\/p>\n

                   <\/p>\n

                  Avrelij Avgu\u0161tin<\/p>\n

                  De doctrina christiana<\/strong><\/p>\n

                   <\/p>\n

                  Jan Bednarik<\/p>\n

                  Avrelij Avgu\u0161tin o stvareh in znakih<\/strong><\/p>\n

                   <\/p>\n

                  Bonaventura da Bagnoregio<\/p>\n

                  Collationes in Hexa\u00ebmeron<\/strong><\/p>\n

                   <\/p>\n

                  Hans-Georg Gadamer<\/p>\n

                  Kaj je resnica?<\/strong><\/p>\n

                   <\/p>\n

                  Martin Heidegger<\/p>\n

                  Kaj se pravi misliti?<\/strong><\/p>\n

                   <\/p>\n

                  Dietmar Koch<\/p>\n

                  Hermenevti\u010dno v mi\u0161ljenju dogodja pri Martinu Heideggru<\/strong><\/p>\n

                   <\/p>\n

                  SIMPOZIJ O BITI IN \u010cASU<\/p>\n

                   <\/p>\n

                  Dean Komel<\/p>\n

                  Fenomenolo\u0161ka interferenca<\/strong><\/p>\n

                   <\/p>\n

                  Franci Zore<\/p>\n

                  Platonska aporetika bivajo\u010dega kot izhodi\u0161\u010de Heldeggrovega dela Bit in \u010das<\/em><\/strong><\/p>\n

                   <\/p>\n

                  Robert Petkov\u0161ek<\/p>\n

                  Platon v delu Bit in \u010das<\/em><\/strong><\/p>\n

                   <\/p>\n

                  Valentin Kalan<\/p>\n

                  Du\u0161a (psyche) in tubit<\/strong><\/p>\n

                   <\/p>\n

                  Andrina Tonkli-Komel<\/p>\n

                  Kaj pa jezik in \u010das?<\/strong><\/p>\n

                   <\/p>\n

                  FILOZOFIJA RELIGIJE<\/p>\n

                   <\/p>\n

                  Tine Hribar<\/p>\n

                  Plotinovo nad-bo\u0161tveno eno kot brezmejna mo\u010d<\/strong><\/p>\n

                   <\/p>\n

                  Nijaz Ibrulj<\/p>\n

                  Heteroglossa: mo\u017enost filozofije religije<\/strong><\/p>\n

                   <\/p>\n

                  ODPRTA TEMA: GALILEO<\/p>\n

                   <\/p>\n

                  Galileo Galilei<\/p>\n

                  Pismo Kristini Lorenski, nadvojvodinji toskanski 1615<\/strong><\/p>\n

                   <\/p>\n

                  FENOMENOLOGIJA IN SPOLNA DIFERENCA<\/p>\n

                   <\/p>\n

                  Hans Rainer Sepp<\/p>\n

                  Spolna razlika \u2013 tema za Husserlovo fenomenologijo?<\/strong><\/p>\n

                   <\/p>\n

                  Bernhard Waldenfels<\/p>\n

                  Tujost drugega spola<\/strong><\/p>\n

                   <\/p>\n

                  Linda Mart\u00edn Alcoff<\/p>\n

                  Fenomenologija, poststrukturalizem in feministi\u010dna teorija<\/strong><\/p>\n

                   <\/p>\n

                  Hilge Landweer<\/p>\n

                  Ali mo\u0161ki \u010dutijo druga\u010de?<\/strong><\/p>\n

                   <\/p>\n

                  Andrina Tonkli-Komel<\/p>\n

                  Subjektiviteta spolnosti<\/strong><\/p>\n

                   <\/p>\n

                  PORO\u010cILO<\/p>\n

                   <\/p>\n

                  Dean Komel<\/p>\n

                  Vpra\u0161anje biti in odgovor \u010dasa<\/strong><\/p>\n

                   <\/p>\n

                  POVZETKI<\/p>\n

                  [\/et_pb_toggle][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”2_5,3_5″ _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” module_alignment=”center” z_index_tablet=”500″ box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” global_colors_info=”{}”][et_pb_column type=”2_5″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_image src=”https:\/\/www.phainomena.com\/en\/wp-content\/uploads\/2019\/11\/PHI-21-22.jpg” _builder_version=”4.16″ width=”80%” z_index_tablet=”500″ box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”3_5″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.16″ text_font_size=”18px” width=”80%” z_index_tablet=”500″ text_text_shadow_horizontal_length_tablet=”0px” text_text_shadow_vertical_length_tablet=”0px” text_text_shadow_blur_strength_tablet=”1px” link_text_shadow_horizontal_length_tablet=”0px” link_text_shadow_vertical_length_tablet=”0px” link_text_shadow_blur_strength_tablet=”1px” ul_text_shadow_horizontal_length_tablet=”0px” ul_text_shadow_vertical_length_tablet=”0px” ul_text_shadow_blur_strength_tablet=”1px” ol_text_shadow_horizontal_length_tablet=”0px” ol_text_shadow_vertical_length_tablet=”0px” ol_text_shadow_blur_strength_tablet=”1px” quote_text_shadow_horizontal_length_tablet=”0px” quote_text_shadow_vertical_length_tablet=”0px” quote_text_shadow_blur_strength_tablet=”1px” header_text_shadow_horizontal_length_tablet=”0px” header_text_shadow_vertical_length_tablet=”0px” header_text_shadow_blur_strength_tablet=”1px” header_2_text_shadow_horizontal_length_tablet=”0px” header_2_text_shadow_vertical_length_tablet=”0px” header_2_text_shadow_blur_strength_tablet=”1px” header_3_text_shadow_horizontal_length_tablet=”0px” header_3_text_shadow_vertical_length_tablet=”0px” header_3_text_shadow_blur_strength_tablet=”1px” header_4_text_shadow_horizontal_length_tablet=”0px” header_4_text_shadow_vertical_length_tablet=”0px” header_4_text_shadow_blur_strength_tablet=”1px” header_5_text_shadow_horizontal_length_tablet=”0px” header_5_text_shadow_vertical_length_tablet=”0px” header_5_text_shadow_blur_strength_tablet=”1px” header_6_text_shadow_horizontal_length_tablet=”0px” header_6_text_shadow_vertical_length_tablet=”0px” header_6_text_shadow_blur_strength_tablet=”1px” box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” global_colors_info=”{}”]<\/p>\n

                  Phainomena 6 <\/em>| 21-22 <\/em>| 1997<\/em><\/p>\n

                  \u00bbKrog razumevanja\u00ab<\/strong><\/p>\n

                  >>><\/a><\/p>\n

                  [\/et_pb_text][et_pb_toggle title=” KAZALO | TABLE OF CONTENTS ” open_toggle_background_color=”#ffffff” closed_toggle_background_color=”#ffffff” icon_color=”#8cc63f” use_icon_font_size=”on” icon_font_size=”18px” open_icon_color=”#8cc63f” open_use_icon_font_size=”on” open_icon_font_size=”18px” _builder_version=”4.16″ title_level=”h6″ width=”80%” custom_padding=”10px||10px” z_index_tablet=”500″ title_text_shadow_horizontal_length_tablet=”0px” title_text_shadow_vertical_length_tablet=”0px” title_text_shadow_blur_strength_tablet=”1px” closed_title_text_shadow_horizontal_length_tablet=”0px” closed_title_text_shadow_vertical_length_tablet=”0px” closed_title_text_shadow_blur_strength_tablet=”1px” body_text_shadow_horizontal_length_tablet=”0px” body_text_shadow_vertical_length_tablet=”0px” body_text_shadow_blur_strength_tablet=”1px” body_link_text_shadow_horizontal_length_tablet=”0px” body_link_text_shadow_vertical_length_tablet=”0px” body_link_text_shadow_blur_strength_tablet=”1px” body_ul_text_shadow_horizontal_length_tablet=”0px” body_ul_text_shadow_vertical_length_tablet=”0px” body_ul_text_shadow_blur_strength_tablet=”1px” body_ol_text_shadow_horizontal_length_tablet=”0px” body_ol_text_shadow_vertical_length_tablet=”0px” body_ol_text_shadow_blur_strength_tablet=”1px” body_quote_text_shadow_horizontal_length_tablet=”0px” body_quote_text_shadow_vertical_length_tablet=”0px” body_quote_text_shadow_blur_strength_tablet=”1px” border_radii=”on|5px|5px|5px|5px” border_color_all=”#8cc63f” box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” text_shadow_horizontal_length_tablet=”0px” text_shadow_vertical_length_tablet=”0px” text_shadow_blur_strength_tablet=”1px” global_colors_info=”{}”]<\/p>\n

                  HERMENEVTIKA<\/p>\n

                   <\/p>\n

                  Matija Vla\u010di\u0107<\/p>\n

                  Napotila k branju svetega pisma, zbrana ali zami\u0161ljena po na\u0161i presoji <\/strong><\/p>\n

                   <\/p>\n

                  Hans-Georg Gadamer<\/p>\n

                  Hermenevtika in ontolo\u0161ka diferenca<\/strong><\/p>\n

                   <\/p>\n

                  Jan Bednarik<\/p>\n

                  \u010cas ponovitve<\/strong><\/p>\n

                   <\/p>\n

                  Peter Trawny<\/p>\n

                  O kraju umetnosti v mi\u0161ljenju Martina Heideggra<\/strong><\/p>\n

                   <\/p>\n

                  Dean Komel<\/p>\n

                  Filozofski prevod kot pot do govorice<\/strong><\/p>\n

                   <\/p>\n

                  O \u010cASU<\/p>\n

                   <\/p>\n

                  Aristoteles<\/p>\n

                  \u010cas: Bit in bistvo \u010dasa<\/strong><\/p>\n

                   <\/p>\n

                  Martin Heidegger<\/p>\n

                  Pojem \u010dasa v zgodovinski vedi<\/strong><\/p>\n

                   <\/p>\n

                  Valentin Kalan<\/p>\n

                  Dve razpravi o \u010dasu<\/strong><\/p>\n

                   <\/p>\n

                  VPRA\u0160ANJA O BOGU IN NESMRTNOSTI<\/p>\n

                   <\/p>\n

                  Tine Hribar<\/p>\n

                  O dokazljivosti boga<\/strong><\/p>\n

                   <\/p>\n

                  Helmuth Vetter<\/p>\n

                  Teologijo po\u010dastimo s tem, da o njej mol\u010dimo<\/strong><\/p>\n

                   <\/p>\n

                  Hans Jonas<\/p>\n

                  Nesmrtnost in dana\u0161nja eksistenca<\/strong><\/p>\n

                   <\/p>\n

                  MARTIN HEIDEGGER: SODBE IN OBSODBE 1933\u20131949<\/p>\n

                   <\/p>\n

                  \u00bbTudi moj o\u010de se je uprl.\u00ab Pogovor s Hermannom Heideggrom<\/strong><\/p>\n

                   <\/p>\n

                  Pismo Elfride Heidegger Malvini Husserl<\/strong><\/p>\n

                   <\/p>\n

                  Martin Heidegger<\/p>\n

                  Samouveljavitev nem\u0161ke univerze<\/strong><\/p>\n

                  \u00a0<\/strong><\/p>\n

                  Martin Heidegger<\/p>\n

                  Rektorat 1933\/34<\/strong><\/p>\n

                   <\/p>\n

                  Pisma iz korespondence Jaspers\u2013Heidegger (I. del)<\/strong><\/p>\n

                   <\/p>\n

                  Martin Heidegger<\/p>\n

                  O bistveni razliki gr\u0161ke in nem\u0161ke tubiti<\/strong><\/p>\n

                   <\/p>\n

                  Pisma iz korespondence Jaspers\u2013Heidegger (II. del)<\/strong><\/p>\n

                   <\/p>\n

                  Martin Heidegger<\/p>\n

                  Eksistencializem<\/strong><\/p>\n

                   <\/p>\n

                  Martin Heidegger<\/p>\n

                  Ubo\u0161tvo<\/strong><\/p>\n

                   <\/p>\n

                  PORO\u010cILO<\/p>\n

                   <\/p>\n

                  Klemen Fele<\/p>\n

                  Ustanovitev \u0161tudentske hermenevti\u010dno-fenomenolo\u0161ke sekcije pri Fenomenolo\u0161kem dru\u0161tvu<\/strong><\/p>\n

                  \u00a0<\/em><\/p>\n

                  POVZETKI<\/p>\n

                  [\/et_pb_toggle][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”2_5,3_5″ _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” module_alignment=”center” z_index_tablet=”500″ box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” global_colors_info=”{}”][et_pb_column type=”2_5″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_image src=”https:\/\/www.phainomena.com\/en\/wp-content\/uploads\/2019\/11\/PHI-19-20.jpg” _builder_version=”4.16″ width=”80%” z_index_tablet=”500″ box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”3_5″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.16″ text_font_size=”18px” width=”80%” z_index_tablet=”500″ text_text_shadow_horizontal_length_tablet=”0px” text_text_shadow_vertical_length_tablet=”0px” text_text_shadow_blur_strength_tablet=”1px” link_text_shadow_horizontal_length_tablet=”0px” link_text_shadow_vertical_length_tablet=”0px” link_text_shadow_blur_strength_tablet=”1px” ul_text_shadow_horizontal_length_tablet=”0px” ul_text_shadow_vertical_length_tablet=”0px” ul_text_shadow_blur_strength_tablet=”1px” ol_text_shadow_horizontal_length_tablet=”0px” ol_text_shadow_vertical_length_tablet=”0px” ol_text_shadow_blur_strength_tablet=”1px” quote_text_shadow_horizontal_length_tablet=”0px” quote_text_shadow_vertical_length_tablet=”0px” quote_text_shadow_blur_strength_tablet=”1px” header_text_shadow_horizontal_length_tablet=”0px” header_text_shadow_vertical_length_tablet=”0px” header_text_shadow_blur_strength_tablet=”1px” header_2_text_shadow_horizontal_length_tablet=”0px” header_2_text_shadow_vertical_length_tablet=”0px” header_2_text_shadow_blur_strength_tablet=”1px” header_3_text_shadow_horizontal_length_tablet=”0px” header_3_text_shadow_vertical_length_tablet=”0px” header_3_text_shadow_blur_strength_tablet=”1px” header_4_text_shadow_horizontal_length_tablet=”0px” header_4_text_shadow_vertical_length_tablet=”0px” header_4_text_shadow_blur_strength_tablet=”1px” header_5_text_shadow_horizontal_length_tablet=”0px” header_5_text_shadow_vertical_length_tablet=”0px” header_5_text_shadow_blur_strength_tablet=”1px” header_6_text_shadow_horizontal_length_tablet=”0px” header_6_text_shadow_vertical_length_tablet=”0px” header_6_text_shadow_blur_strength_tablet=”1px” box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” global_colors_info=”{}”]<\/p>\n

                  Phainomena 6 <\/em>| 19-20 <\/em>| 1997<\/em><\/p>\n

                  \u00bbSubjekt in eksistenca\u00ab<\/strong><\/p>\n

                  >>><\/a><\/p>\n

                  [\/et_pb_text][et_pb_toggle title=” KAZALO | TABLE OF CONTENTS ” open_toggle_background_color=”#ffffff” closed_toggle_background_color=”#ffffff” icon_color=”#8cc63f” use_icon_font_size=”on” icon_font_size=”18px” open_icon_color=”#8cc63f” open_use_icon_font_size=”on” open_icon_font_size=”18px” _builder_version=”4.16″ title_level=”h6″ width=”80%” custom_padding=”10px||10px” z_index_tablet=”500″ title_text_shadow_horizontal_length_tablet=”0px” title_text_shadow_vertical_length_tablet=”0px” title_text_shadow_blur_strength_tablet=”1px” closed_title_text_shadow_horizontal_length_tablet=”0px” closed_title_text_shadow_vertical_length_tablet=”0px” closed_title_text_shadow_blur_strength_tablet=”1px” body_text_shadow_horizontal_length_tablet=”0px” body_text_shadow_vertical_length_tablet=”0px” body_text_shadow_blur_strength_tablet=”1px” body_link_text_shadow_horizontal_length_tablet=”0px” body_link_text_shadow_vertical_length_tablet=”0px” body_link_text_shadow_blur_strength_tablet=”1px” body_ul_text_shadow_horizontal_length_tablet=”0px” body_ul_text_shadow_vertical_length_tablet=”0px” body_ul_text_shadow_blur_strength_tablet=”1px” body_ol_text_shadow_horizontal_length_tablet=”0px” body_ol_text_shadow_vertical_length_tablet=”0px” body_ol_text_shadow_blur_strength_tablet=”1px” body_quote_text_shadow_horizontal_length_tablet=”0px” body_quote_text_shadow_vertical_length_tablet=”0px” body_quote_text_shadow_blur_strength_tablet=”1px” border_radii=”on|5px|5px|5px|5px” border_color_all=”#8cc63f” box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” text_shadow_horizontal_length_tablet=”0px” text_shadow_vertical_length_tablet=”0px” text_shadow_blur_strength_tablet=”1px” global_colors_info=”{}”]<\/p>\n

                  Giambattista Vico<\/p>\n

                  Scienza nuova (1744)<\/strong><\/p>\n

                   <\/p>\n

                  Jan Bednarik<\/p>\n

                  Giambattista Vico<\/strong><\/p>\n

                   <\/p>\n

                  Immanuel Kant<\/p>\n

                   <\/p>\n

                  \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Antropologija v pragmati\u010dnem oziru<\/strong><\/p>\n

                   <\/p>\n

                  \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 O pedagogiki<\/strong><\/p>\n

                   <\/p>\n

                  Edmund Husserl<\/p>\n

                  Fenomenologija in antropologija<\/strong><\/p>\n

                   <\/p>\n

                  Max Scheler<\/p>\n

                  \u010clovek kot ekscentrik \u017eivljenja<\/strong><\/p>\n

                   <\/p>\n

                  Helmuth Plessner<\/p>\n

                  \u010clovek kot \u017eivo bitje<\/strong><\/p>\n

                   <\/p>\n

                  Martin Heidegger<\/p>\n

                  \u00a0<\/strong><\/p>\n

                  \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Utemeljitev metafizike v antropologiji<\/strong><\/p>\n

                  \u00a0<\/strong><\/p>\n

                  \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Tri pisma Martina Heideggra Karlu L\u00f6withu<\/strong><\/p>\n

                  \u00a0<\/strong><\/p>\n

                  Ivo Urban\u010di\u010d<\/p>\n

                  O \u0161tudiju filozofije danes \u2013 na koncu filozofije<\/strong><\/p>\n

                   <\/p>\n

                  Damir Barbari\u0107<\/p>\n

                  \u010clovek v no\u010di<\/strong><\/p>\n

                   <\/p>\n

                  Dean Komel<\/p>\n

                  Nekaj izhodi\u0161\u010d za refleksijo gr\u0161kega porekla etike<\/strong><\/p>\n

                   <\/p>\n

                  L\u00e1szl\u00f3 Tengelyi<\/p>\n

                  Dileme moralne avtonomije<\/strong><\/p>\n

                   <\/p>\n

                  Rudolf Bernet<\/p>\n

                  Subjektiviteta kot volja in predstava<\/strong><\/p>\n

                   <\/p>\n

                  Valentin Kalan<\/p>\n

                  Descartes in Heidegger<\/strong><\/p>\n

                   <\/p>\n

                  Bernhard Waldenfels<\/p>\n

                  Izkustvo tujega med prisvojitvijo in odsvojitvijo<\/strong><\/p>\n

                   <\/p>\n

                  Katarina Majerhold<\/p>\n

                  Prihodnost neke kulture<\/strong><\/p>\n

                   <\/p>\n

                  Robert M. Pirsic<\/p>\n

                  Lila<\/strong><\/p>\n

                   <\/p>\n

                  ODPRTA TEMA<\/p>\n

                   <\/p>\n

                  Hans Rainer Sepp<\/p>\n

                  Intencionalnost in videz<\/strong><\/p>\n

                   <\/p>\n

                  SINOPSISI<\/p>\n

                  [\/et_pb_toggle][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”2_5,3_5″ _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” module_alignment=”center” z_index_tablet=”500″ box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” global_colors_info=”{}”][et_pb_column type=”2_5″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_image src=”https:\/\/www.phainomena.com\/en\/wp-content\/uploads\/2019\/11\/PHI-17-18.jpg” _builder_version=”4.16″ width=”80%” z_index_tablet=”500″ box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”3_5″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.16″ text_font_size=”18px” width=”80%” z_index_tablet=”500″ text_text_shadow_horizontal_length_tablet=”0px” text_text_shadow_vertical_length_tablet=”0px” text_text_shadow_blur_strength_tablet=”1px” link_text_shadow_horizontal_length_tablet=”0px” link_text_shadow_vertical_length_tablet=”0px” link_text_shadow_blur_strength_tablet=”1px” ul_text_shadow_horizontal_length_tablet=”0px” ul_text_shadow_vertical_length_tablet=”0px” ul_text_shadow_blur_strength_tablet=”1px” ol_text_shadow_horizontal_length_tablet=”0px” ol_text_shadow_vertical_length_tablet=”0px” ol_text_shadow_blur_strength_tablet=”1px” quote_text_shadow_horizontal_length_tablet=”0px” quote_text_shadow_vertical_length_tablet=”0px” quote_text_shadow_blur_strength_tablet=”1px” header_text_shadow_horizontal_length_tablet=”0px” header_text_shadow_vertical_length_tablet=”0px” header_text_shadow_blur_strength_tablet=”1px” header_2_text_shadow_horizontal_length_tablet=”0px” header_2_text_shadow_vertical_length_tablet=”0px” header_2_text_shadow_blur_strength_tablet=”1px” header_3_text_shadow_horizontal_length_tablet=”0px” header_3_text_shadow_vertical_length_tablet=”0px” header_3_text_shadow_blur_strength_tablet=”1px” header_4_text_shadow_horizontal_length_tablet=”0px” header_4_text_shadow_vertical_length_tablet=”0px” header_4_text_shadow_blur_strength_tablet=”1px” header_5_text_shadow_horizontal_length_tablet=”0px” header_5_text_shadow_vertical_length_tablet=”0px” header_5_text_shadow_blur_strength_tablet=”1px” header_6_text_shadow_horizontal_length_tablet=”0px” header_6_text_shadow_vertical_length_tablet=”0px” header_6_text_shadow_blur_strength_tablet=”1px” box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” global_colors_info=”{}”]<\/p>\n

                  Phainomena 5 <\/em>| 17-18 <\/em>| 1996<\/em><\/p>\n

                  \u00bbDescartes\u00ab<\/strong><\/p>\n

                  >>><\/a><\/p>\n

                  [\/et_pb_text][et_pb_toggle title=” KAZALO | TABLE OF CONTENTS ” open_toggle_background_color=”#ffffff” closed_toggle_background_color=”#ffffff” icon_color=”#8cc63f” use_icon_font_size=”on” icon_font_size=”18px” open_icon_color=”#8cc63f” open_use_icon_font_size=”on” open_icon_font_size=”18px” _builder_version=”4.16″ title_level=”h6″ width=”80%” custom_padding=”10px||10px” z_index_tablet=”500″ title_text_shadow_horizontal_length_tablet=”0px” title_text_shadow_vertical_length_tablet=”0px” title_text_shadow_blur_strength_tablet=”1px” closed_title_text_shadow_horizontal_length_tablet=”0px” closed_title_text_shadow_vertical_length_tablet=”0px” closed_title_text_shadow_blur_strength_tablet=”1px” body_text_shadow_horizontal_length_tablet=”0px” body_text_shadow_vertical_length_tablet=”0px” body_text_shadow_blur_strength_tablet=”1px” body_link_text_shadow_horizontal_length_tablet=”0px” body_link_text_shadow_vertical_length_tablet=”0px” body_link_text_shadow_blur_strength_tablet=”1px” body_ul_text_shadow_horizontal_length_tablet=”0px” body_ul_text_shadow_vertical_length_tablet=”0px” body_ul_text_shadow_blur_strength_tablet=”1px” body_ol_text_shadow_horizontal_length_tablet=”0px” body_ol_text_shadow_vertical_length_tablet=”0px” body_ol_text_shadow_blur_strength_tablet=”1px” body_quote_text_shadow_horizontal_length_tablet=”0px” body_quote_text_shadow_vertical_length_tablet=”0px” body_quote_text_shadow_blur_strength_tablet=”1px” border_radii=”on|5px|5px|5px|5px” border_color_all=”#8cc63f” box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” text_shadow_horizontal_length_tablet=”0px” text_shadow_vertical_length_tablet=”0px” text_shadow_blur_strength_tablet=”1px” global_colors_info=”{}”]<\/p>\n

                  Tine Hribar<\/p>\n

                  Ob \u0161tiristoletnici rojstva R. Descartesa<\/strong><\/p>\n

                   <\/p>\n

                  O PRVI FILOZOFIJI<\/p>\n

                   <\/p>\n

                  Ren\u00e9 Descartes<\/p>\n

                  Misli k dokazu bivanja Boga in razlike med du\u0161o in telesom urejene po geometrijski metodi<\/strong><\/p>\n

                   <\/p>\n

                  Edmund Husserl<\/p>\n

                  Kartezijanske meditacije (Husserlov pregled vsebine prateksta)<\/strong><\/p>\n

                   <\/p>\n

                  Edmund Husserl<\/p>\n

                  Descartesov samonesporazum<\/strong><\/p>\n

                   <\/p>\n

                  Martin Heidegger<\/p>\n

                  Ideja kot repraesentans aliquid in kot repraesentatum ter razlika med njima; realitas objectiva in realitas formalis sive actualis<\/strong><\/p>\n

                   <\/p>\n

                  Martin Heidegger<\/p>\n

                  Tradicionalni preskok vpra\u0161anja svetnosti sveta v Descartesovem primeru<\/strong><\/p>\n

                   <\/p>\n

                  Emmanuel Levinas<\/p>\n

                  Ko Bog se\u017ee v misel (Uvod)<\/strong><\/p>\n

                   <\/p>\n

                  Jean-Luc Marion<\/p>\n

                  Vpogled v metafiziko<\/strong><\/p>\n

                   <\/p>\n

                  Tine Hribar<\/p>\n

                  Objektivna realnost ideje Boga<\/strong><\/p>\n

                   <\/p>\n

                  Dean Komel<\/p>\n

                  Dvom in razbor<\/strong><\/p>\n

                   <\/p>\n

                  O EVROPI<\/p>\n

                   <\/p>\n

                  Mario Ruggenini<\/p>\n

                  Krisis: evropski nihilizem in usoda subjekta<\/strong><\/p>\n

                   <\/p>\n

                  Pavel Kouba<\/p>\n

                  O nujnosti krize<\/strong><\/p>\n

                   <\/p>\n

                  Alfredo Marini<\/p>\n

                  Smisel odnosa med idejo Evrope in fenomenologijo<\/strong><\/p>\n

                   <\/p>\n

                  Renato Cristin<\/p>\n

                  Evropa: fenomenologija in razlogi za interkulturnost<\/strong><\/p>\n

                   <\/p>\n

                  Bernhard Waldenfels<\/p>\n

                  Evropa spri\u010do tujega<\/strong><\/p>\n

                   <\/p>\n

                  Klaus Held<\/p>\n

                  Razkritje sveta kot izvor Evrope \u2013 razmi\u0161ljanje s Heraklitom<\/strong><\/p>\n

                   <\/p>\n

                  SINOPSISI<\/p>\n

                  [\/et_pb_toggle][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”2_5,3_5″ _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” module_alignment=”center” z_index_tablet=”500″ box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” global_colors_info=”{}”][et_pb_column type=”2_5″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_image src=”https:\/\/www.phainomena.com\/en\/wp-content\/uploads\/2019\/11\/PHI-15-16.jpg” _builder_version=”4.16″ width=”80%” z_index_tablet=”500″ box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”3_5″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.16″ text_font_size=”18px” width=”80%” z_index_tablet=”500″ text_text_shadow_horizontal_length_tablet=”0px” text_text_shadow_vertical_length_tablet=”0px” text_text_shadow_blur_strength_tablet=”1px” link_text_shadow_horizontal_length_tablet=”0px” link_text_shadow_vertical_length_tablet=”0px” link_text_shadow_blur_strength_tablet=”1px” ul_text_shadow_horizontal_length_tablet=”0px” ul_text_shadow_vertical_length_tablet=”0px” ul_text_shadow_blur_strength_tablet=”1px” ol_text_shadow_horizontal_length_tablet=”0px” ol_text_shadow_vertical_length_tablet=”0px” ol_text_shadow_blur_strength_tablet=”1px” quote_text_shadow_horizontal_length_tablet=”0px” quote_text_shadow_vertical_length_tablet=”0px” quote_text_shadow_blur_strength_tablet=”1px” header_text_shadow_horizontal_length_tablet=”0px” header_text_shadow_vertical_length_tablet=”0px” header_text_shadow_blur_strength_tablet=”1px” header_2_text_shadow_horizontal_length_tablet=”0px” header_2_text_shadow_vertical_length_tablet=”0px” header_2_text_shadow_blur_strength_tablet=”1px” header_3_text_shadow_horizontal_length_tablet=”0px” header_3_text_shadow_vertical_length_tablet=”0px” header_3_text_shadow_blur_strength_tablet=”1px” header_4_text_shadow_horizontal_length_tablet=”0px” header_4_text_shadow_vertical_length_tablet=”0px” header_4_text_shadow_blur_strength_tablet=”1px” header_5_text_shadow_horizontal_length_tablet=”0px” header_5_text_shadow_vertical_length_tablet=”0px” header_5_text_shadow_blur_strength_tablet=”1px” header_6_text_shadow_horizontal_length_tablet=”0px” header_6_text_shadow_vertical_length_tablet=”0px” header_6_text_shadow_blur_strength_tablet=”1px” box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” global_colors_info=”{}”]<\/p>\n

                  Phainomena 5 <\/em>| 15-16 <\/em>| 1996<\/em><\/p>\n

                  \u00bbAristotel\u00ab<\/strong><\/p>\n

                  >>><\/a><\/p>\n

                  [\/et_pb_text][et_pb_toggle title=” KAZALO | TABLE OF CONTENTS ” open_toggle_background_color=”#ffffff” closed_toggle_background_color=”#ffffff” icon_color=”#8cc63f” use_icon_font_size=”on” icon_font_size=”18px” open_icon_color=”#8cc63f” open_use_icon_font_size=”on” open_icon_font_size=”18px” _builder_version=”4.16″ title_level=”h6″ width=”80%” custom_padding=”10px||10px” z_index_tablet=”500″ title_text_shadow_horizontal_length_tablet=”0px” title_text_shadow_vertical_length_tablet=”0px” title_text_shadow_blur_strength_tablet=”1px” closed_title_text_shadow_horizontal_length_tablet=”0px” closed_title_text_shadow_vertical_length_tablet=”0px” closed_title_text_shadow_blur_strength_tablet=”1px” body_text_shadow_horizontal_length_tablet=”0px” body_text_shadow_vertical_length_tablet=”0px” body_text_shadow_blur_strength_tablet=”1px” body_link_text_shadow_horizontal_length_tablet=”0px” body_link_text_shadow_vertical_length_tablet=”0px” body_link_text_shadow_blur_strength_tablet=”1px” body_ul_text_shadow_horizontal_length_tablet=”0px” body_ul_text_shadow_vertical_length_tablet=”0px” body_ul_text_shadow_blur_strength_tablet=”1px” body_ol_text_shadow_horizontal_length_tablet=”0px” body_ol_text_shadow_vertical_length_tablet=”0px” body_ol_text_shadow_blur_strength_tablet=”1px” body_quote_text_shadow_horizontal_length_tablet=”0px” body_quote_text_shadow_vertical_length_tablet=”0px” body_quote_text_shadow_blur_strength_tablet=”1px” border_radii=”on|5px|5px|5px|5px” border_color_all=”#8cc63f” box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” text_shadow_horizontal_length_tablet=”0px” text_shadow_vertical_length_tablet=”0px” text_shadow_blur_strength_tablet=”1px” global_colors_info=”{}”]<\/p>\n

                  Aristoteles<\/p>\n

                  O razlaganju<\/strong><\/p>\n

                   <\/p>\n

                  Martin Heidegger<\/p>\n

                  Fenomenolo\u0161ke interpretacije k Aristotelu<\/strong><\/p>\n

                   <\/p>\n

                  Martin Heidegger<\/p>\n

                  Razjasnitev izraza \u00bbFenomenologija’\u00ab. Povratek k Aristotelu<\/strong><\/p>\n

                   <\/p>\n

                  Dean Komel<\/p>\n

                  K nastanku fenomenolo\u0161ke hermenevtike<\/strong><\/p>\n

                   <\/p>\n

                  Franci Zore<\/p>\n

                  Resni\u010dnost imen in govora pri Platonu in Aristotelu<\/strong><\/p>\n

                   <\/p>\n

                  Franco Volpi<\/p>\n

                  Bit in \u010das: homologije k Nikomahovi etiki<\/strong><\/p>\n

                   <\/p>\n

                  Valentin Kalan<\/p>\n

                  Heidegger in Aristoteles \u2013 \u00bbLogika\u00ab, teorija resnice in vpra\u0161anje zgodovinskosti \u0391-\u039b\u0397\u0398\u0395\u0399\u0391-resnice<\/strong><\/p>\n

                   <\/p>\n

                  Mario Kopi\u0107<\/p>\n

                  Vpra\u0161anje o resnici kot filozofski patos (Stopnje v razvoju)<\/strong><\/p>\n

                   <\/p>\n

                  Ingeborg Sch\u00fc\u00dfler<\/p>\n

                  Vpra\u0161anje narave na za\u010detku zahodnoevropske misli: razdejanje ali ohranitev? \u2013 Razmi\u0161ljanja glede na Parmenidovo Pesnitev<\/strong><\/p>\n

                   <\/p>\n

                  Andrina Tonkli Komel<\/p>\n

                  O prepri\u010dljivosti govora<\/strong><\/p>\n

                   <\/p>\n

                  Pogovor z Bernhardom Waldenfelsom<\/strong><\/p>\n

                   <\/p>\n

                  POVZETKI<\/p>\n

                  [\/et_pb_toggle][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”2_5,3_5″ _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” module_alignment=”center” z_index_tablet=”500″ box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” global_colors_info=”{}”][et_pb_column type=”2_5″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_image src=”https:\/\/www.phainomena.com\/en\/wp-content\/uploads\/2019\/11\/PHI-13-14.jpg” _builder_version=”4.16″ width=”80%” z_index_tablet=”500″ box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”3_5″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.16″ text_font_size=”18px” width=”80%” z_index_tablet=”500″ text_text_shadow_horizontal_length_tablet=”0px” text_text_shadow_vertical_length_tablet=”0px” text_text_shadow_blur_strength_tablet=”1px” link_text_shadow_horizontal_length_tablet=”0px” link_text_shadow_vertical_length_tablet=”0px” link_text_shadow_blur_strength_tablet=”1px” ul_text_shadow_horizontal_length_tablet=”0px” ul_text_shadow_vertical_length_tablet=”0px” ul_text_shadow_blur_strength_tablet=”1px” ol_text_shadow_horizontal_length_tablet=”0px” ol_text_shadow_vertical_length_tablet=”0px” ol_text_shadow_blur_strength_tablet=”1px” quote_text_shadow_horizontal_length_tablet=”0px” quote_text_shadow_vertical_length_tablet=”0px” quote_text_shadow_blur_strength_tablet=”1px” header_text_shadow_horizontal_length_tablet=”0px” header_text_shadow_vertical_length_tablet=”0px” header_text_shadow_blur_strength_tablet=”1px” header_2_text_shadow_horizontal_length_tablet=”0px” header_2_text_shadow_vertical_length_tablet=”0px” header_2_text_shadow_blur_strength_tablet=”1px” header_3_text_shadow_horizontal_length_tablet=”0px” header_3_text_shadow_vertical_length_tablet=”0px” header_3_text_shadow_blur_strength_tablet=”1px” header_4_text_shadow_horizontal_length_tablet=”0px” header_4_text_shadow_vertical_length_tablet=”0px” header_4_text_shadow_blur_strength_tablet=”1px” header_5_text_shadow_horizontal_length_tablet=”0px” header_5_text_shadow_vertical_length_tablet=”0px” header_5_text_shadow_blur_strength_tablet=”1px” header_6_text_shadow_horizontal_length_tablet=”0px” header_6_text_shadow_vertical_length_tablet=”0px” header_6_text_shadow_blur_strength_tablet=”1px” box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” global_colors_info=”{}”]<\/p>\n

                  Phainomena 4 <\/em>| 13-14 <\/em>| 1995<\/em><\/p>\n

                  \u00bbMartin Heidegger\u00ab<\/strong><\/p>\n

                  >>><\/a><\/p>\n

                  [\/et_pb_text][et_pb_toggle title=” KAZALO | TABLE OF CONTENTS ” open_toggle_background_color=”#ffffff” closed_toggle_background_color=”#ffffff” icon_color=”#8cc63f” use_icon_font_size=”on” icon_font_size=”18px” open_icon_color=”#8cc63f” open_use_icon_font_size=”on” open_icon_font_size=”18px” _builder_version=”4.16″ title_level=”h6″ width=”80%” custom_padding=”10px||10px” z_index_tablet=”500″ title_text_shadow_horizontal_length_tablet=”0px” title_text_shadow_vertical_length_tablet=”0px” title_text_shadow_blur_strength_tablet=”1px” closed_title_text_shadow_horizontal_length_tablet=”0px” closed_title_text_shadow_vertical_length_tablet=”0px” closed_title_text_shadow_blur_strength_tablet=”1px” body_text_shadow_horizontal_length_tablet=”0px” body_text_shadow_vertical_length_tablet=”0px” body_text_shadow_blur_strength_tablet=”1px” body_link_text_shadow_horizontal_length_tablet=”0px” body_link_text_shadow_vertical_length_tablet=”0px” body_link_text_shadow_blur_strength_tablet=”1px” body_ul_text_shadow_horizontal_length_tablet=”0px” body_ul_text_shadow_vertical_length_tablet=”0px” body_ul_text_shadow_blur_strength_tablet=”1px” body_ol_text_shadow_horizontal_length_tablet=”0px” body_ol_text_shadow_vertical_length_tablet=”0px” body_ol_text_shadow_blur_strength_tablet=”1px” body_quote_text_shadow_horizontal_length_tablet=”0px” body_quote_text_shadow_vertical_length_tablet=”0px” body_quote_text_shadow_blur_strength_tablet=”1px” border_radii=”on|5px|5px|5px|5px” border_color_all=”#8cc63f” box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” text_shadow_horizontal_length_tablet=”0px” text_shadow_vertical_length_tablet=”0px” text_shadow_blur_strength_tablet=”1px” global_colors_info=”{}”]<\/p>\n

                  MARTIN HEIDEGGER<\/p>\n

                  Moja pot v fenomenologijo<\/p>\n

                  I.<\/p>\n

                  Znanost in osmislitev<\/p>\n

                  Konec filozofije in naloga mi\u0161ljenja<\/p>\n

                  Vpra\u0161anje dolo\u010ditve stvari mi\u0161ljenja<\/p>\n

                  II.<\/p>\n

                  Seminar v Le Thoru<\/p>\n

                  III.<\/p>\n

                  Pogovor s Heideggrom (Spiegel) <\/p>\n

                  Heideggrovi odgovori (Wisser)<\/p>\n

                  [\/et_pb_toggle][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”2_5,3_5″ _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” module_alignment=”center” z_index_tablet=”500″ box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” global_colors_info=”{}”][et_pb_column type=”2_5″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_image src=”https:\/\/www.phainomena.com\/en\/wp-content\/uploads\/2019\/11\/PHI-11-12.jpg” _builder_version=”4.16″ width=”80%” z_index_tablet=”500″ box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”3_5″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.16″ text_font_size=”18px” width=”80%” z_index_tablet=”500″ text_text_shadow_horizontal_length_tablet=”0px” text_text_shadow_vertical_length_tablet=”0px” text_text_shadow_blur_strength_tablet=”1px” link_text_shadow_horizontal_length_tablet=”0px” link_text_shadow_vertical_length_tablet=”0px” link_text_shadow_blur_strength_tablet=”1px” ul_text_shadow_horizontal_length_tablet=”0px” ul_text_shadow_vertical_length_tablet=”0px” ul_text_shadow_blur_strength_tablet=”1px” ol_text_shadow_horizontal_length_tablet=”0px” ol_text_shadow_vertical_length_tablet=”0px” ol_text_shadow_blur_strength_tablet=”1px” quote_text_shadow_horizontal_length_tablet=”0px” quote_text_shadow_vertical_length_tablet=”0px” quote_text_shadow_blur_strength_tablet=”1px” header_text_shadow_horizontal_length_tablet=”0px” header_text_shadow_vertical_length_tablet=”0px” header_text_shadow_blur_strength_tablet=”1px” header_2_text_shadow_horizontal_length_tablet=”0px” header_2_text_shadow_vertical_length_tablet=”0px” header_2_text_shadow_blur_strength_tablet=”1px” header_3_text_shadow_horizontal_length_tablet=”0px” header_3_text_shadow_vertical_length_tablet=”0px” header_3_text_shadow_blur_strength_tablet=”1px” header_4_text_shadow_horizontal_length_tablet=”0px” header_4_text_shadow_vertical_length_tablet=”0px” header_4_text_shadow_blur_strength_tablet=”1px” header_5_text_shadow_horizontal_length_tablet=”0px” header_5_text_shadow_vertical_length_tablet=”0px” header_5_text_shadow_blur_strength_tablet=”1px” header_6_text_shadow_horizontal_length_tablet=”0px” header_6_text_shadow_vertical_length_tablet=”0px” header_6_text_shadow_blur_strength_tablet=”1px” box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” global_colors_info=”{}”]<\/p>\n

                  Phainomena 4 <\/em>| 11-12 <\/em>| 1995<\/em><\/p>\n

                  \u00bbPlaton\u00ab<\/strong><\/p>\n

                  >>><\/a><\/p>\n

                  [\/et_pb_text][et_pb_toggle title=” KAZALO | TABLE OF CONTENTS ” open_toggle_background_color=”#ffffff” closed_toggle_background_color=”#ffffff” icon_color=”#8cc63f” use_icon_font_size=”on” icon_font_size=”18px” open_icon_color=”#8cc63f” open_use_icon_font_size=”on” open_icon_font_size=”18px” _builder_version=”4.16″ title_level=”h6″ width=”80%” custom_padding=”10px||10px” z_index_tablet=”500″ title_text_shadow_horizontal_length_tablet=”0px” title_text_shadow_vertical_length_tablet=”0px” title_text_shadow_blur_strength_tablet=”1px” closed_title_text_shadow_horizontal_length_tablet=”0px” closed_title_text_shadow_vertical_length_tablet=”0px” closed_title_text_shadow_blur_strength_tablet=”1px” body_text_shadow_horizontal_length_tablet=”0px” body_text_shadow_vertical_length_tablet=”0px” body_text_shadow_blur_strength_tablet=”1px” body_link_text_shadow_horizontal_length_tablet=”0px” body_link_text_shadow_vertical_length_tablet=”0px” body_link_text_shadow_blur_strength_tablet=”1px” body_ul_text_shadow_horizontal_length_tablet=”0px” body_ul_text_shadow_vertical_length_tablet=”0px” body_ul_text_shadow_blur_strength_tablet=”1px” body_ol_text_shadow_horizontal_length_tablet=”0px” body_ol_text_shadow_vertical_length_tablet=”0px” body_ol_text_shadow_blur_strength_tablet=”1px” body_quote_text_shadow_horizontal_length_tablet=”0px” body_quote_text_shadow_vertical_length_tablet=”0px” body_quote_text_shadow_blur_strength_tablet=”1px” border_radii=”on|5px|5px|5px|5px” border_color_all=”#8cc63f” box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” text_shadow_horizontal_length_tablet=”0px” text_shadow_vertical_length_tablet=”0px” text_shadow_blur_strength_tablet=”1px” global_colors_info=”{}”]<\/p>\n

                  Damir Barbari\u0107<\/p>\n

                  Platonova filozofija<\/strong><\/p>\n

                  \u00a0<\/strong><\/p>\n

                  Walter Hirsch<\/p>\n

                  Platonov nauk o resnici<\/strong><\/p>\n

                   <\/p>\n

                  Tine Hribar<\/p>\n

                  Nadbo\u0161tvenost ideje dobrega<\/strong><\/p>\n

                   <\/p>\n

                  Davor Buinjac<\/p>\n

                  O Platonovem Parmenidu<\/strong><\/p>\n

                   <\/p>\n

                  Franci Zore<\/p>\n

                  Logos in resnica pri poznem Platonu<\/strong><\/p>\n

                   <\/p>\n

                  Andrina Tonkli-Komel<\/p>\n

                  K problemu dokse<\/strong><\/p>\n

                   <\/p>\n

                   <\/p>\n

                  Martin Heidegger<\/p>\n

                  Evropa in nem\u0161ka filozofija<\/strong><\/p>\n

                   <\/p>\n

                  SINOPSISI<\/p>\n

                  [\/et_pb_toggle][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”2_5,3_5″ _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” module_alignment=”center” z_index_tablet=”500″ box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” global_colors_info=”{}”][et_pb_column type=”2_5″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_image src=”https:\/\/www.phainomena.com\/en\/wp-content\/uploads\/2019\/11\/PHI-9-10.jpg” _builder_version=”4.16″ width=”80%” z_index_tablet=”500″ box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”3_5″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.16″ text_font_size=”18px” width=”80%” z_index_tablet=”500″ text_text_shadow_horizontal_length_tablet=”0px” text_text_shadow_vertical_length_tablet=”0px” text_text_shadow_blur_strength_tablet=”1px” link_text_shadow_horizontal_length_tablet=”0px” link_text_shadow_vertical_length_tablet=”0px” link_text_shadow_blur_strength_tablet=”1px” ul_text_shadow_horizontal_length_tablet=”0px” ul_text_shadow_vertical_length_tablet=”0px” ul_text_shadow_blur_strength_tablet=”1px” ol_text_shadow_horizontal_length_tablet=”0px” ol_text_shadow_vertical_length_tablet=”0px” ol_text_shadow_blur_strength_tablet=”1px” quote_text_shadow_horizontal_length_tablet=”0px” quote_text_shadow_vertical_length_tablet=”0px” quote_text_shadow_blur_strength_tablet=”1px” header_text_shadow_horizontal_length_tablet=”0px” header_text_shadow_vertical_length_tablet=”0px” header_text_shadow_blur_strength_tablet=”1px” header_2_text_shadow_horizontal_length_tablet=”0px” header_2_text_shadow_vertical_length_tablet=”0px” header_2_text_shadow_blur_strength_tablet=”1px” header_3_text_shadow_horizontal_length_tablet=”0px” header_3_text_shadow_vertical_length_tablet=”0px” header_3_text_shadow_blur_strength_tablet=”1px” header_4_text_shadow_horizontal_length_tablet=”0px” header_4_text_shadow_vertical_length_tablet=”0px” header_4_text_shadow_blur_strength_tablet=”1px” header_5_text_shadow_horizontal_length_tablet=”0px” header_5_text_shadow_vertical_length_tablet=”0px” header_5_text_shadow_blur_strength_tablet=”1px” header_6_text_shadow_horizontal_length_tablet=”0px” header_6_text_shadow_vertical_length_tablet=”0px” header_6_text_shadow_blur_strength_tablet=”1px” box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” global_colors_info=”{}”]<\/p>\n

                  Phainomena 3 <\/em>| 9-10 <\/em>| 1994<\/em><\/p>\n

                  \u00bbFenomenologija in teologija\u00ab<\/strong><\/p>\n

                  >>><\/a><\/p>\n

                  [\/et_pb_text][et_pb_toggle title=” KAZALO | TABLE OF CONTENTS ” open_toggle_background_color=”#ffffff” closed_toggle_background_color=”#ffffff” icon_color=”#8cc63f” use_icon_font_size=”on” icon_font_size=”18px” open_icon_color=”#8cc63f” open_use_icon_font_size=”on” open_icon_font_size=”18px” _builder_version=”4.16″ title_level=”h6″ width=”80%” custom_padding=”10px||10px” z_index_tablet=”500″ title_text_shadow_horizontal_length_tablet=”0px” title_text_shadow_vertical_length_tablet=”0px” title_text_shadow_blur_strength_tablet=”1px” closed_title_text_shadow_horizontal_length_tablet=”0px” closed_title_text_shadow_vertical_length_tablet=”0px” closed_title_text_shadow_blur_strength_tablet=”1px” body_text_shadow_horizontal_length_tablet=”0px” body_text_shadow_vertical_length_tablet=”0px” body_text_shadow_blur_strength_tablet=”1px” body_link_text_shadow_horizontal_length_tablet=”0px” body_link_text_shadow_vertical_length_tablet=”0px” body_link_text_shadow_blur_strength_tablet=”1px” body_ul_text_shadow_horizontal_length_tablet=”0px” body_ul_text_shadow_vertical_length_tablet=”0px” body_ul_text_shadow_blur_strength_tablet=”1px” body_ol_text_shadow_horizontal_length_tablet=”0px” body_ol_text_shadow_vertical_length_tablet=”0px” body_ol_text_shadow_blur_strength_tablet=”1px” body_quote_text_shadow_horizontal_length_tablet=”0px” body_quote_text_shadow_vertical_length_tablet=”0px” body_quote_text_shadow_blur_strength_tablet=”1px” border_radii=”on|5px|5px|5px|5px” border_color_all=”#8cc63f” box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” text_shadow_horizontal_length_tablet=”0px” text_shadow_vertical_length_tablet=”0px” text_shadow_blur_strength_tablet=”1px” global_colors_info=”{}”]<\/p>\n

                  TEOLOGIJA IN FENOMENOLOGIJA<\/p>\n

                   <\/p>\n

                  Tine Hribar<\/p>\n

                  Ali je bog fenomen<\/strong><\/p>\n

                   <\/p>\n

                  Edmund Husserl<\/p>\n

                  Izklopljena transcendenca boga<\/strong><\/p>\n

                   <\/p>\n

                  Toma\u017e Akvinski<\/p>\n

                  Trinitarna teologija<\/strong><\/p>\n

                   <\/p>\n

                  Edith Stein<\/p>\n

                  Pogovor med Edmundom Husserlom in Toma\u017eem Akvinskim<\/strong><\/p>\n

                   <\/p>\n

                  Max Scheler<\/p>\n

                  Metafizi\u010dno razmerje \u010dloveka do temelja stvari<\/strong><\/p>\n

                   <\/p>\n

                  Ludwig Wittgenstein<\/p>\n

                  Predavanje o etiki<\/strong><\/p>\n

                   <\/p>\n

                  Martin Heidegger<\/p>\n

                   <\/p>\n

                  \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Fenomenologija in teologija<\/strong><\/p>\n

                  \u00a0<\/strong><\/p>\n

                  \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Z\u00fcri\u0161ki seminar<\/strong><\/p>\n

                  \u00a0<\/strong><\/p>\n

                  \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Govorica (odlomek) <\/strong><\/p>\n

                   <\/p>\n

                  Tine Hribar<\/p>\n

                  Zemlja in nebo, ljudje in bogovi<\/strong><\/p>\n

                   <\/p>\n

                  Dean Komel<\/p>\n

                  Sredina raz-kritja<\/strong><\/p>\n

                   <\/p>\n

                  Emmanuel Levinas<\/p>\n

                  Onkraj biti<\/strong><\/p>\n

                   <\/p>\n

                  Jean-Luc Marion<\/p>\n

                  Ontolo\u0161ka hipoteka<\/strong><\/p>\n

                   <\/p>\n

                  Jacques Derrida<\/p>\n

                  Kako ne govoriti <\/strong><\/p>\n

                   <\/p>\n

                  O MOLITVI<\/p>\n

                   <\/p>\n

                  Gorazd Kocijan\u010di\u010d<\/p>\n

                  Metafizika in molitev<\/strong><\/p>\n

                  \u00a0<\/strong><\/p>\n

                    \n
                  1. Marko Ivan Rupnik<\/li>\n<\/ol>\n

                    Umetnost in molitev pri Vja\u010deslavu Ivanovi\u010du<\/strong><\/p>\n

                     <\/p>\n

                    Pavle Rak<\/p>\n

                    O molitveni teologiji arhimandrita Sofronija <\/strong><\/p>\n

                     <\/p>\n

                    Tine Hribar<\/p>\n

                    Odprtost za odprtost (Dichten, denken, danken)<\/strong><\/p>\n

                     <\/p>\n

                    Igor \u0160kamperle<\/p>\n

                    Molitev in psihoanaliza<\/strong><\/p>\n

                     <\/p>\n

                    Vid Snoj<\/p>\n

                    Dekonstrukcija in negativna teologija<\/strong><\/p>\n

                     <\/p>\n

                    SINOPSISI<\/p>\n

                    [\/et_pb_toggle][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”2_5,3_5″ _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” module_alignment=”center” z_index_tablet=”500″ box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” global_colors_info=”{}”][et_pb_column type=”2_5″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_image src=”https:\/\/www.phainomena.com\/en\/wp-content\/uploads\/2019\/11\/PHI-7-8.jpg” _builder_version=”4.16″ width=”80%” z_index_tablet=”500″ box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”3_5″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.16″ text_font_size=”18px” width=”80%” z_index_tablet=”500″ text_text_shadow_horizontal_length_tablet=”0px” text_text_shadow_vertical_length_tablet=”0px” text_text_shadow_blur_strength_tablet=”1px” link_text_shadow_horizontal_length_tablet=”0px” link_text_shadow_vertical_length_tablet=”0px” link_text_shadow_blur_strength_tablet=”1px” ul_text_shadow_horizontal_length_tablet=”0px” ul_text_shadow_vertical_length_tablet=”0px” ul_text_shadow_blur_strength_tablet=”1px” ol_text_shadow_horizontal_length_tablet=”0px” ol_text_shadow_vertical_length_tablet=”0px” ol_text_shadow_blur_strength_tablet=”1px” quote_text_shadow_horizontal_length_tablet=”0px” quote_text_shadow_vertical_length_tablet=”0px” quote_text_shadow_blur_strength_tablet=”1px” header_text_shadow_horizontal_length_tablet=”0px” header_text_shadow_vertical_length_tablet=”0px” header_text_shadow_blur_strength_tablet=”1px” header_2_text_shadow_horizontal_length_tablet=”0px” header_2_text_shadow_vertical_length_tablet=”0px” header_2_text_shadow_blur_strength_tablet=”1px” header_3_text_shadow_horizontal_length_tablet=”0px” header_3_text_shadow_vertical_length_tablet=”0px” header_3_text_shadow_blur_strength_tablet=”1px” header_4_text_shadow_horizontal_length_tablet=”0px” header_4_text_shadow_vertical_length_tablet=”0px” header_4_text_shadow_blur_strength_tablet=”1px” header_5_text_shadow_horizontal_length_tablet=”0px” header_5_text_shadow_vertical_length_tablet=”0px” header_5_text_shadow_blur_strength_tablet=”1px” header_6_text_shadow_horizontal_length_tablet=”0px” header_6_text_shadow_vertical_length_tablet=”0px” header_6_text_shadow_blur_strength_tablet=”1px” box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” global_colors_info=”{}”]<\/p>\n

                    Phainomena 3 <\/em>| 7-8 <\/em>| 1994<\/em><\/p>\n

                    \u00bbNietzsche\u00ab<\/strong><\/p>\n

                    >>><\/a><\/p>\n

                    [\/et_pb_text][et_pb_toggle title=” KAZALO | TABLE OF CONTENTS ” open_toggle_background_color=”#ffffff” closed_toggle_background_color=”#ffffff” icon_color=”#8cc63f” use_icon_font_size=”on” icon_font_size=”18px” open_icon_color=”#8cc63f” open_use_icon_font_size=”on” open_icon_font_size=”18px” _builder_version=”4.16″ title_level=”h6″ width=”80%” custom_padding=”10px||10px” z_index_tablet=”500″ title_text_shadow_horizontal_length_tablet=”0px” title_text_shadow_vertical_length_tablet=”0px” title_text_shadow_blur_strength_tablet=”1px” closed_title_text_shadow_horizontal_length_tablet=”0px” closed_title_text_shadow_vertical_length_tablet=”0px” closed_title_text_shadow_blur_strength_tablet=”1px” body_text_shadow_horizontal_length_tablet=”0px” body_text_shadow_vertical_length_tablet=”0px” body_text_shadow_blur_strength_tablet=”1px” body_link_text_shadow_horizontal_length_tablet=”0px” body_link_text_shadow_vertical_length_tablet=”0px” body_link_text_shadow_blur_strength_tablet=”1px” body_ul_text_shadow_horizontal_length_tablet=”0px” body_ul_text_shadow_vertical_length_tablet=”0px” body_ul_text_shadow_blur_strength_tablet=”1px” body_ol_text_shadow_horizontal_length_tablet=”0px” body_ol_text_shadow_vertical_length_tablet=”0px” body_ol_text_shadow_blur_strength_tablet=”1px” body_quote_text_shadow_horizontal_length_tablet=”0px” body_quote_text_shadow_vertical_length_tablet=”0px” body_quote_text_shadow_blur_strength_tablet=”1px” border_radii=”on|5px|5px|5px|5px” border_color_all=”#8cc63f” box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” text_shadow_horizontal_length_tablet=”0px” text_shadow_vertical_length_tablet=”0px” text_shadow_blur_strength_tablet=”1px” global_colors_info=”{}”]<\/p>\n

                    OB STOPETDESETI OBLETNICI ROJSTVA FRIEDRICHA NIETZSCHEJA<\/p>\n

                     <\/p>\n

                    Friedrich Nietzsche<\/p>\n

                    Vesela znanost<\/strong><\/p>\n

                     <\/p>\n

                    Martin Heidegger<\/p>\n

                    Kdo je Nietzschejev Zaratustra<\/strong><\/p>\n

                     <\/p>\n

                    Damir Barbari\u0107<\/p>\n

                    Dioniz proti kri\u017eanemu<\/strong><\/p>\n

                     <\/p>\n

                    G\u00fcnter Figal<\/p>\n

                    Poslednja bogova pri Nietzscheju in Heideggru <\/strong><\/p>\n

                     <\/p>\n

                    Tine Hribar<\/p>\n

                    Postmetafizika<\/strong><\/p>\n

                     <\/p>\n

                    Dean Komel<\/p>\n

                    Nietzsche in fenomenologija<\/strong><\/p>\n

                     <\/p>\n

                    Andrina Tonkli-Komel<\/p>\n

                    Kako je resni\u010dnost postala basen<\/strong><\/p>\n

                     <\/p>\n

                    Ivan Urban\u010di\u010d<\/p>\n

                    Razlaga Parmenida iz ozira na Heziodovo Teogonijo<\/em><\/strong><\/p>\n

                     <\/p>\n

                    O ZNANOSTI<\/p>\n

                     <\/p>\n

                    Martin Heidegger<\/p>\n

                    Stavki o \u00bbznanosti\u00ab<\/strong><\/p>\n

                     <\/p>\n

                    Valentin Kalan<\/p>\n

                    Znanost in univerza v evropski optiki \u2013 Martin Heidegger<\/strong><\/p>\n

                     <\/p>\n

                    SINOPSISI<\/p>\n

                    [\/et_pb_toggle][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”2_5,3_5″ _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” module_alignment=”center” z_index_tablet=”500″ box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” global_colors_info=”{}”][et_pb_column type=”2_5″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_image src=”https:\/\/www.phainomena.com\/en\/wp-content\/uploads\/2019\/10\/PHI-5-6.jpg” _builder_version=”4.16″ width=”80%” z_index_tablet=”500″ box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”3_5″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.16″ text_font_size=”18px” width=”80%” z_index_tablet=”500″ text_text_shadow_horizontal_length_tablet=”0px” text_text_shadow_vertical_length_tablet=”0px” text_text_shadow_blur_strength_tablet=”1px” link_text_shadow_horizontal_length_tablet=”0px” link_text_shadow_vertical_length_tablet=”0px” link_text_shadow_blur_strength_tablet=”1px” ul_text_shadow_horizontal_length_tablet=”0px” ul_text_shadow_vertical_length_tablet=”0px” ul_text_shadow_blur_strength_tablet=”1px” ol_text_shadow_horizontal_length_tablet=”0px” ol_text_shadow_vertical_length_tablet=”0px” ol_text_shadow_blur_strength_tablet=”1px” quote_text_shadow_horizontal_length_tablet=”0px” quote_text_shadow_vertical_length_tablet=”0px” quote_text_shadow_blur_strength_tablet=”1px” header_text_shadow_horizontal_length_tablet=”0px” header_text_shadow_vertical_length_tablet=”0px” header_text_shadow_blur_strength_tablet=”1px” header_2_text_shadow_horizontal_length_tablet=”0px” header_2_text_shadow_vertical_length_tablet=”0px” header_2_text_shadow_blur_strength_tablet=”1px” header_3_text_shadow_horizontal_length_tablet=”0px” header_3_text_shadow_vertical_length_tablet=”0px” header_3_text_shadow_blur_strength_tablet=”1px” header_4_text_shadow_horizontal_length_tablet=”0px” header_4_text_shadow_vertical_length_tablet=”0px” header_4_text_shadow_blur_strength_tablet=”1px” header_5_text_shadow_horizontal_length_tablet=”0px” header_5_text_shadow_vertical_length_tablet=”0px” header_5_text_shadow_blur_strength_tablet=”1px” header_6_text_shadow_horizontal_length_tablet=”0px” header_6_text_shadow_vertical_length_tablet=”0px” header_6_text_shadow_blur_strength_tablet=”1px” box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” global_colors_info=”{}”]<\/p>\n

                    Phainomena 2 <\/em>| 5-6 <\/em>| 1993<\/em><\/p>\n

                    \u00bbIntencionalnost in jezik\u00ab<\/strong><\/p>\n

                    >>><\/a><\/p>\n

                    [\/et_pb_text][et_pb_toggle title=” KAZALO | TABLE OF CONTENTS ” open_toggle_background_color=”#ffffff” closed_toggle_background_color=”#ffffff” icon_color=”#8cc63f” use_icon_font_size=”on” icon_font_size=”18px” open_icon_color=”#8cc63f” open_use_icon_font_size=”on” open_icon_font_size=”18px” _builder_version=”4.16″ title_level=”h6″ width=”80%” custom_padding=”10px||10px” z_index_tablet=”500″ title_text_shadow_horizontal_length_tablet=”0px” title_text_shadow_vertical_length_tablet=”0px” title_text_shadow_blur_strength_tablet=”1px” closed_title_text_shadow_horizontal_length_tablet=”0px” closed_title_text_shadow_vertical_length_tablet=”0px” closed_title_text_shadow_blur_strength_tablet=”1px” body_text_shadow_horizontal_length_tablet=”0px” body_text_shadow_vertical_length_tablet=”0px” body_text_shadow_blur_strength_tablet=”1px” body_link_text_shadow_horizontal_length_tablet=”0px” body_link_text_shadow_vertical_length_tablet=”0px” body_link_text_shadow_blur_strength_tablet=”1px” body_ul_text_shadow_horizontal_length_tablet=”0px” body_ul_text_shadow_vertical_length_tablet=”0px” body_ul_text_shadow_blur_strength_tablet=”1px” body_ol_text_shadow_horizontal_length_tablet=”0px” body_ol_text_shadow_vertical_length_tablet=”0px” body_ol_text_shadow_blur_strength_tablet=”1px” body_quote_text_shadow_horizontal_length_tablet=”0px” body_quote_text_shadow_vertical_length_tablet=”0px” body_quote_text_shadow_blur_strength_tablet=”1px” border_radii=”on|5px|5px|5px|5px” border_color_all=”#8cc63f” box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” text_shadow_horizontal_length_tablet=”0px” text_shadow_vertical_length_tablet=”0px” text_shadow_blur_strength_tablet=”1px” global_colors_info=”{}”]<\/p>\n

                    INTENCIONALNOST<\/p>\n

                     <\/p>\n

                    Martin Heidegger<\/p>\n

                    Intencionalnost <\/strong><\/p>\n

                     <\/p>\n

                    Tine Hribar<\/p>\n

                    Izvor intencionalnosti <\/strong><\/p>\n

                     <\/p>\n

                    FENOMENOLOGIJA JEZIKA<\/p>\n

                     <\/p>\n

                    Edmund Husserl<\/p>\n

                    Izraz in pomen (\u00a7 11, \u00a7 12, \u00a7 13) <\/strong><\/p>\n

                     <\/p>\n

                    Martin Heidegger<\/p>\n

                    Biti-tu in govor. Jezik (Bit in \u010das \u00a7 34)<\/strong><\/p>\n

                     <\/p>\n

                    Andrina Tonkli-Komel<\/p>\n

                    Jezik kot izrazni govor<\/strong><\/p>\n

                     <\/p>\n

                    Dean Komel<\/p>\n

                    Vebrov program fenomenologije jezika in opredelitev kraja govorice <\/strong><\/p>\n

                     <\/p>\n

                    DIALOG<\/p>\n

                     <\/p>\n

                    Renato Cristin<\/p>\n

                     <\/p>\n

                    Harmonija izvora. Pesni\u0161tvo in gr\u0161kost mi\u0161ljenja pri Heideggru<\/strong><\/p>\n

                     <\/p>\n

                    Pogovor z Renatom Cristinom<\/strong><\/p>\n

                     <\/p>\n

                    RELIGIOLOGIJA<\/p>\n

                     <\/p>\n

                    Ale\u0161 Debeljak<\/p>\n

                    \u00bbSmisel\u00ab v Webrovi sociologiji religije <\/strong><\/p>\n

                     <\/p>\n

                    RECENZIJE<\/p>\n

                     <\/p>\n

                    POVZETKI<\/p>\n

                    [\/et_pb_toggle][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”2_5,3_5″ _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” module_alignment=”center” z_index_tablet=”500″ box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” global_colors_info=”{}”][et_pb_column type=”2_5″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_image src=”https:\/\/www.phainomena.com\/en\/wp-content\/uploads\/2019\/10\/PHI-4.jpg” _builder_version=”4.16″ width=”80%” z_index_tablet=”500″ box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”3_5″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.16″ text_font_size=”18px” width=”80%” z_index_tablet=”500″ text_text_shadow_horizontal_length_tablet=”0px” text_text_shadow_vertical_length_tablet=”0px” text_text_shadow_blur_strength_tablet=”1px” link_text_shadow_horizontal_length_tablet=”0px” link_text_shadow_vertical_length_tablet=”0px” link_text_shadow_blur_strength_tablet=”1px” ul_text_shadow_horizontal_length_tablet=”0px” ul_text_shadow_vertical_length_tablet=”0px” ul_text_shadow_blur_strength_tablet=”1px” ol_text_shadow_horizontal_length_tablet=”0px” ol_text_shadow_vertical_length_tablet=”0px” ol_text_shadow_blur_strength_tablet=”1px” quote_text_shadow_horizontal_length_tablet=”0px” quote_text_shadow_vertical_length_tablet=”0px” quote_text_shadow_blur_strength_tablet=”1px” header_text_shadow_horizontal_length_tablet=”0px” header_text_shadow_vertical_length_tablet=”0px” header_text_shadow_blur_strength_tablet=”1px” header_2_text_shadow_horizontal_length_tablet=”0px” header_2_text_shadow_vertical_length_tablet=”0px” header_2_text_shadow_blur_strength_tablet=”1px” header_3_text_shadow_horizontal_length_tablet=”0px” header_3_text_shadow_vertical_length_tablet=”0px” header_3_text_shadow_blur_strength_tablet=”1px” header_4_text_shadow_horizontal_length_tablet=”0px” header_4_text_shadow_vertical_length_tablet=”0px” header_4_text_shadow_blur_strength_tablet=”1px” header_5_text_shadow_horizontal_length_tablet=”0px” header_5_text_shadow_vertical_length_tablet=”0px” header_5_text_shadow_blur_strength_tablet=”1px” header_6_text_shadow_horizontal_length_tablet=”0px” header_6_text_shadow_vertical_length_tablet=”0px” header_6_text_shadow_blur_strength_tablet=”1px” box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” global_colors_info=”{}”]<\/p>\n

                    Phainomena 1<\/em> | 4 <\/em>| 1992<\/em><\/p>\n

                    \u00bbFranz Brentano in za\u010detki fenomenologije\u00ab<\/strong><\/p>\n

                    >>>\u00a0<\/strong><\/a><\/p>\n

                    [\/et_pb_text][et_pb_toggle title=” KAZALO | TABLE OF CONTENTS ” open_toggle_background_color=”#ffffff” closed_toggle_background_color=”#ffffff” icon_color=”#8cc63f” use_icon_font_size=”on” icon_font_size=”18px” open_icon_color=”#8cc63f” open_use_icon_font_size=”on” open_icon_font_size=”18px” _builder_version=”4.16″ title_level=”h6″ width=”80%” custom_padding=”10px||10px” z_index_tablet=”500″ title_text_shadow_horizontal_length_tablet=”0px” title_text_shadow_vertical_length_tablet=”0px” title_text_shadow_blur_strength_tablet=”1px” closed_title_text_shadow_horizontal_length_tablet=”0px” closed_title_text_shadow_vertical_length_tablet=”0px” closed_title_text_shadow_blur_strength_tablet=”1px” body_text_shadow_horizontal_length_tablet=”0px” body_text_shadow_vertical_length_tablet=”0px” body_text_shadow_blur_strength_tablet=”1px” body_link_text_shadow_horizontal_length_tablet=”0px” body_link_text_shadow_vertical_length_tablet=”0px” body_link_text_shadow_blur_strength_tablet=”1px” body_ul_text_shadow_horizontal_length_tablet=”0px” body_ul_text_shadow_vertical_length_tablet=”0px” body_ul_text_shadow_blur_strength_tablet=”1px” body_ol_text_shadow_horizontal_length_tablet=”0px” body_ol_text_shadow_vertical_length_tablet=”0px” body_ol_text_shadow_blur_strength_tablet=”1px” body_quote_text_shadow_horizontal_length_tablet=”0px” body_quote_text_shadow_vertical_length_tablet=”0px” body_quote_text_shadow_blur_strength_tablet=”1px” border_radii=”on|5px|5px|5px|5px” border_color_all=”#8cc63f” box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” text_shadow_horizontal_length_tablet=”0px” text_shadow_vertical_length_tablet=”0px” text_shadow_blur_strength_tablet=”1px” global_colors_info=”{}”]<\/p>\n

                    FENOMENOLOGIJA DANES<\/p>\n

                     <\/p>\n

                    Tine Hribar<\/p>\n

                    Fenomenolo\u0161kost<\/strong><\/p>\n

                     <\/p>\n

                    Andrina Tonkli-Komel<\/p>\n

                    Fenomenologija kot metoda<\/strong><\/p>\n

                     <\/p>\n

                    NASTANEK IN PREBOJ FENOMENOLOGIJE<\/p>\n

                     <\/p>\n

                    Martin Heidegger<\/p>\n

                    Nastanek in prvi preboj fenomenolo\u0161kega raziskovanja<\/strong><\/p>\n

                     <\/p>\n

                    Franz Brentano<\/p>\n

                     <\/p>\n

                    \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 O mnogoterih pomenih bivajo\u010dega pri Aristotelu (Uvod)<\/strong><\/p>\n

                     <\/p>\n

                    \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 O razliki med fizi\u010dnimi in psihi\u010dnimi fenomeni<\/strong><\/p>\n

                     <\/p>\n

                    \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Bivajo\u010de v smislu resni\u010dnega<\/strong><\/p>\n

                     <\/p>\n

                    \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 O takoimenovanem \u00bbimanentnem\u00ab <intencionalnem> objektu<\/strong><\/p>\n

                     <\/p>\n

                    \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Kaj je filozofija?<\/strong><\/p>\n

                     <\/p>\n

                    Bibliografija Franza Brentana<\/strong><\/p>\n

                     <\/p>\n

                    Cene Logar<\/p>\n

                    Franz Brentano<\/strong><\/p>\n

                     <\/p>\n

                    Dean Komel<\/p>\n

                    O pomenu Husserlove kritike koncepta \u00bbintencionalne eksistence\u00ab <\/strong><\/p>\n

                     <\/p>\n

                      \n
                    1. Baumgartner \u2013 M. Potr\u010d<\/li>\n<\/ol>\n

                      Brentano, filozof preteklosti in prihodnosti <\/strong><\/p>\n

                       <\/p>\n

                      PORO\u010cILA<\/p>\n

                       <\/p>\n

                      SINOPSISI<\/p>\n

                       <\/p>\n

                      KAZALO ZA LETO 1992<\/p>\n

                      [\/et_pb_toggle][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”2_5,3_5″ _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” module_alignment=”center” z_index_tablet=”500″ box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” global_colors_info=”{}”][et_pb_column type=”2_5″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_image src=”https:\/\/www.phainomena.com\/en\/wp-content\/uploads\/2019\/10\/PHI-2-3.jpg” _builder_version=”4.16″ width=”80%” z_index_tablet=”500″ box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”3_5″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.16″ text_font_size=”18px” width=”80%” z_index_tablet=”500″ text_text_shadow_horizontal_length_tablet=”0px” text_text_shadow_vertical_length_tablet=”0px” text_text_shadow_blur_strength_tablet=”1px” link_text_shadow_horizontal_length_tablet=”0px” link_text_shadow_vertical_length_tablet=”0px” link_text_shadow_blur_strength_tablet=”1px” ul_text_shadow_horizontal_length_tablet=”0px” ul_text_shadow_vertical_length_tablet=”0px” ul_text_shadow_blur_strength_tablet=”1px” ol_text_shadow_horizontal_length_tablet=”0px” ol_text_shadow_vertical_length_tablet=”0px” ol_text_shadow_blur_strength_tablet=”1px” quote_text_shadow_horizontal_length_tablet=”0px” quote_text_shadow_vertical_length_tablet=”0px” quote_text_shadow_blur_strength_tablet=”1px” header_text_shadow_horizontal_length_tablet=”0px” header_text_shadow_vertical_length_tablet=”0px” header_text_shadow_blur_strength_tablet=”1px” header_2_text_shadow_horizontal_length_tablet=”0px” header_2_text_shadow_vertical_length_tablet=”0px” header_2_text_shadow_blur_strength_tablet=”1px” header_3_text_shadow_horizontal_length_tablet=”0px” header_3_text_shadow_vertical_length_tablet=”0px” header_3_text_shadow_blur_strength_tablet=”1px” header_4_text_shadow_horizontal_length_tablet=”0px” header_4_text_shadow_vertical_length_tablet=”0px” header_4_text_shadow_blur_strength_tablet=”1px” header_5_text_shadow_horizontal_length_tablet=”0px” header_5_text_shadow_vertical_length_tablet=”0px” header_5_text_shadow_blur_strength_tablet=”1px” header_6_text_shadow_horizontal_length_tablet=”0px” header_6_text_shadow_vertical_length_tablet=”0px” header_6_text_shadow_blur_strength_tablet=”1px” box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” global_colors_info=”{}”]<\/p>\n

                      Phainomena 1 <\/em>| 2-3 <\/em>| 1992<\/em><\/p>\n

                      \u00bbO resnici\u00ab<\/strong><\/p>\n

                      >>><\/em>\u00a0<\/strong><\/a><\/p>\n

                      [\/et_pb_text][et_pb_toggle title=” KAZALO | TABLE OF CONTENTS ” open_toggle_background_color=”#ffffff” closed_toggle_background_color=”#ffffff” icon_color=”#8cc63f” use_icon_font_size=”on” icon_font_size=”18px” open_icon_color=”#8cc63f” open_use_icon_font_size=”on” open_icon_font_size=”18px” _builder_version=”4.16″ title_level=”h6″ width=”80%” custom_padding=”10px||10px” z_index_tablet=”500″ title_text_shadow_horizontal_length_tablet=”0px” title_text_shadow_vertical_length_tablet=”0px” title_text_shadow_blur_strength_tablet=”1px” closed_title_text_shadow_horizontal_length_tablet=”0px” closed_title_text_shadow_vertical_length_tablet=”0px” closed_title_text_shadow_blur_strength_tablet=”1px” body_text_shadow_horizontal_length_tablet=”0px” body_text_shadow_vertical_length_tablet=”0px” body_text_shadow_blur_strength_tablet=”1px” body_link_text_shadow_horizontal_length_tablet=”0px” body_link_text_shadow_vertical_length_tablet=”0px” body_link_text_shadow_blur_strength_tablet=”1px” body_ul_text_shadow_horizontal_length_tablet=”0px” body_ul_text_shadow_vertical_length_tablet=”0px” body_ul_text_shadow_blur_strength_tablet=”1px” body_ol_text_shadow_horizontal_length_tablet=”0px” body_ol_text_shadow_vertical_length_tablet=”0px” body_ol_text_shadow_blur_strength_tablet=”1px” body_quote_text_shadow_horizontal_length_tablet=”0px” body_quote_text_shadow_vertical_length_tablet=”0px” body_quote_text_shadow_blur_strength_tablet=”1px” border_radii=”on|5px|5px|5px|5px” border_color_all=”#8cc63f” box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” text_shadow_horizontal_length_tablet=”0px” text_shadow_vertical_length_tablet=”0px” text_shadow_blur_strength_tablet=”1px” global_colors_info=”{}”]<\/p>\n

                      \u017dIVLJENJSKI SVET<\/p>\n

                       <\/p>\n

                      Andrina Tonkli Komel<\/p>\n

                      Znanost in svet \u017eivljenja <\/strong><\/p>\n

                       <\/p>\n

                      Ivan Urban\u010di\u010d<\/p>\n

                      Svet \u017eivljenja in znanost pri poznem Husserlu <\/strong><\/p>\n

                       <\/p>\n

                      Ariana Volari\u010d<\/p>\n

                      Lebenswelt in humanisti\u010dne znanosti v filozofiji M. Merleau-Pontyja <\/strong><\/p>\n

                       <\/p>\n

                      Dean Komel<\/p>\n

                      Resnica, njen obrat <\/strong><\/p>\n

                       <\/p>\n

                      Tine Hribar<\/p>\n

                      Ontologija in fenomenologija \u017eivljenjskega sveta<\/strong><\/p>\n

                       <\/p>\n

                      ONTOLOGIJA IN FENOMENOLOGIJA<\/p>\n

                       <\/p>\n

                      Edmund Husserl<\/p>\n

                      Pomen konstitucijskega problema \u2013 fenomenologija in ontologija<\/strong><\/p>\n

                       <\/p>\n

                      Martin Heidegger<\/p>\n

                      Metodi\u010dna raven ontologije \u2013 trije temeljni elementi fenomenolo\u0161ke metode <\/strong><\/p>\n

                       <\/p>\n

                      Friedrich-Wilhelm v. Herrmann<\/p>\n

                      \u00bbTemeljni problemi fenomenologije\u00ab in mi\u0161ljenje dogodja<\/strong><\/p>\n

                       <\/p>\n

                      FENOMENOLOGIJA IN TEOLOGIJA<\/p>\n

                       <\/p>\n

                      Aristoteles<\/p>\n

                      Metafizika Lambda (XII. knjiga)<\/strong><\/p>\n

                       <\/p>\n

                      Franci Zore<\/p>\n

                      \u010clovek, umevanje in bog v Aristotelovi filozofiji <\/strong><\/p>\n

                       <\/p>\n

                      Martin Heidegger<\/p>\n

                      Razmerje med teologijo kot pozitivno znanostjo in filozofijo<\/strong><\/p>\n

                       <\/p>\n

                      Ale\u0161 Debeljak<\/p>\n

                      Bog \u2013 kritika negativnega platonizma <\/strong><\/p>\n

                       <\/p>\n

                      POST-ONTO-TEO-LOGIJA<\/p>\n

                       <\/p>\n

                      Tomo Virk<\/p>\n

                      Strogost mi\u0161ljenja, \u00bbVerwindung\u00ab in \u00bbAufgabe des Denkens\u00ab<\/strong><\/p>\n

                       <\/p>\n

                      SINOPSISI<\/p>\n

                      [\/et_pb_toggle][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”2_5,3_5″ _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” module_alignment=”center” z_index_tablet=”500″ box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” global_colors_info=”{}”][et_pb_column type=”2_5″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_image src=”https:\/\/www.phainomena.com\/en\/wp-content\/uploads\/2019\/10\/PHI-1.jpg” _builder_version=”4.16″ width=”80%” z_index_tablet=”500″ box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”3_5″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.16″ text_font_size=”18px” width=”80%” z_index_tablet=”500″ text_text_shadow_horizontal_length_tablet=”0px” text_text_shadow_vertical_length_tablet=”0px” text_text_shadow_blur_strength_tablet=”1px” link_text_shadow_horizontal_length_tablet=”0px” link_text_shadow_vertical_length_tablet=”0px” link_text_shadow_blur_strength_tablet=”1px” ul_text_shadow_horizontal_length_tablet=”0px” ul_text_shadow_vertical_length_tablet=”0px” ul_text_shadow_blur_strength_tablet=”1px” ol_text_shadow_horizontal_length_tablet=”0px” ol_text_shadow_vertical_length_tablet=”0px” ol_text_shadow_blur_strength_tablet=”1px” quote_text_shadow_horizontal_length_tablet=”0px” quote_text_shadow_vertical_length_tablet=”0px” quote_text_shadow_blur_strength_tablet=”1px” header_text_shadow_horizontal_length_tablet=”0px” header_text_shadow_vertical_length_tablet=”0px” header_text_shadow_blur_strength_tablet=”1px” header_2_text_shadow_horizontal_length_tablet=”0px” header_2_text_shadow_vertical_length_tablet=”0px” header_2_text_shadow_blur_strength_tablet=”1px” header_3_text_shadow_horizontal_length_tablet=”0px” header_3_text_shadow_vertical_length_tablet=”0px” header_3_text_shadow_blur_strength_tablet=”1px” header_4_text_shadow_horizontal_length_tablet=”0px” header_4_text_shadow_vertical_length_tablet=”0px” header_4_text_shadow_blur_strength_tablet=”1px” header_5_text_shadow_horizontal_length_tablet=”0px” header_5_text_shadow_vertical_length_tablet=”0px” header_5_text_shadow_blur_strength_tablet=”1px” header_6_text_shadow_horizontal_length_tablet=”0px” header_6_text_shadow_vertical_length_tablet=”0px” header_6_text_shadow_blur_strength_tablet=”1px” box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” global_colors_info=”{}”]<\/p>\n

                      Phainomena 1 <\/em>| 1<\/em> | 1992<\/em><\/p>\n

                      \u00bbSvet \u017eivljenja\u00ab<\/strong><\/p>\n

                      >>><\/a><\/p>\n

                      [\/et_pb_text][et_pb_toggle title=” KAZALO | TABLE OF CONTENTS ” open_toggle_background_color=”#ffffff” closed_toggle_background_color=”#ffffff” icon_color=”#8cc63f” use_icon_font_size=”on” icon_font_size=”18px” open_icon_color=”#8cc63f” open_use_icon_font_size=”on” open_icon_font_size=”18px” _builder_version=”4.16″ title_level=”h6″ width=”80%” custom_padding=”10px||10px” z_index_tablet=”500″ title_text_shadow_horizontal_length_tablet=”0px” title_text_shadow_vertical_length_tablet=”0px” title_text_shadow_blur_strength_tablet=”1px” closed_title_text_shadow_horizontal_length_tablet=”0px” closed_title_text_shadow_vertical_length_tablet=”0px” closed_title_text_shadow_blur_strength_tablet=”1px” body_text_shadow_horizontal_length_tablet=”0px” body_text_shadow_vertical_length_tablet=”0px” body_text_shadow_blur_strength_tablet=”1px” body_link_text_shadow_horizontal_length_tablet=”0px” body_link_text_shadow_vertical_length_tablet=”0px” body_link_text_shadow_blur_strength_tablet=”1px” body_ul_text_shadow_horizontal_length_tablet=”0px” body_ul_text_shadow_vertical_length_tablet=”0px” body_ul_text_shadow_blur_strength_tablet=”1px” body_ol_text_shadow_horizontal_length_tablet=”0px” body_ol_text_shadow_vertical_length_tablet=”0px” body_ol_text_shadow_blur_strength_tablet=”1px” body_quote_text_shadow_horizontal_length_tablet=”0px” body_quote_text_shadow_vertical_length_tablet=”0px” body_quote_text_shadow_blur_strength_tablet=”1px” border_radii=”on|5px|5px|5px|5px” border_color_all=”#8cc63f” box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” text_shadow_horizontal_length_tablet=”0px” text_shadow_vertical_length_tablet=”0px” text_shadow_blur_strength_tablet=”1px” global_colors_info=”{}”]<\/p>\n

                      O stvareh samih<\/strong><\/p>\n

                       <\/p>\n

                      FENOMENOLOGIJA<\/p>\n

                       <\/p>\n

                      Edmund Husserl<\/p>\n

                      Ideje za \u010disto fenomenologijo <\/strong><\/p>\n

                       <\/p>\n

                      G.W.F Hegel<\/p>\n

                      Fenomenologija duha <\/strong><\/p>\n

                       <\/p>\n

                      Martin Heidegger<\/p>\n

                      Moja pot v fenomenologijo <\/strong><\/p>\n

                       <\/p>\n

                      RESNICA<\/p>\n

                       <\/p>\n

                      Ivan Urban\u010di\u010d<\/p>\n

                      Vpra\u0161anje uma in resnice v filozofiji E. Husserla <\/strong><\/p>\n

                       <\/p>\n

                      Andrina Tonkli Komel<\/p>\n

                      Strukture do\u017eivljaja <\/strong><\/p>\n

                       <\/p>\n

                      Dean Komel<\/p>\n

                      Psihologizem in vpra\u0161anje resnice <\/strong><\/p>\n

                       <\/p>\n

                      POSLEDNJI BOG<\/p>\n

                       <\/p>\n

                      Martin Heidegger<\/p>\n

                      Poslednji bog <\/strong><\/p>\n

                       <\/p>\n

                      Augustinus Karl Wucherer<\/p>\n

                      Heideggrov poslednji bog nasproti kr\u0161\u010danskemu Bogu <\/strong><\/p>\n

                       <\/p>\n

                      Tine Hribar<\/p>\n

                      Prihodnost poslednjega boga <\/strong><\/p>\n

                       <\/p>\n

                      PORO\u010cILI<\/p>\n

                       <\/p>\n

                      Poro\u010dilo o ustanovitvi in delu Fenomenolo\u0161kega dru\u0161tva<\/strong><\/p>\n

                       <\/p>\n

                      Poro\u010dilo o ustanovitvi in delu Religiolo\u0161kega dru\u0161tva<\/strong><\/p>\n

                       <\/p>\n

                      SINOPSISI<\/p>\n

                      [\/et_pb_toggle][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”3.23.3″ inner_width_tablet=”50px” inner_max_width_tablet=”50px” custom_margin=”|||” custom_padding=”0px||0px|” z_index_tablet=”500″ border_width_top=”3px” border_color_top=”#8cc63f” border_width_bottom=”3px” border_color_bottom=”#8cc63f” border_width_top_tablet=”3px” border_width_top_phone=”3px” border_width_bottom_tablet=”3px” border_width_bottom_phone=”3px” box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” global_module=”82″ global_colors_info=”{}”][et_pb_row column_structure=”1_4,1_4,1_4,1_4″ module_class=” et_pb_row_fullwidth et_pb_row_fullwidth et_pb_row_fullwidth et_pb_row_fullwidth et_pb_row_fullwidth et_pb_row_fullwidth et_pb_row_fullwidth et_pb_row_fullwidth et_pb_row_fullwidth et_pb_row_fullwidth et_pb_row_fullwidth et_pb_row_fullwidth et_pb_row_fullwidth et_pb_row_fullwidth et_pb_row_fullwidth et_pb_row_fullwidth et_pb_row_fullwidth et_pb_row_fullwidth et_pb_row_fullwidth et_pb_row_fullwidth et_pb_row_fullwidth et_pb_row_fullwidth et_pb_row_fullwidth et_pb_row_fullwidth et_pb_row_fullwidth et_pb_row_fullwidth et_pb_row_fullwidth et_pb_row_fullwidth et_pb_row_fullwidth” _builder_version=”4.16″ width=”89%” width_tablet=”80%” width_phone=”” width_last_edited=”on|desktop” max_width=”89%” max_width_tablet=”80%” max_width_phone=”” max_width_last_edited=”on|desktop” custom_margin=”||0px|” custom_padding=”||0px|” make_fullwidth=”on” global_colors_info=”{}”][et_pb_column type=”1_4″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.16″ text_font=”||||||||” text_text_color=”#8cc63f” custom_margin=”||5px” custom_padding=”||” global_colors_info=”{}”]<\/p>\n

                      PHAINOMENA<\/p>\n

                      [\/et_pb_text][et_pb_text _builder_version=”4.16″ text_font_size=”13px” text_line_height=”1.2em” z_index_tablet=”500″ text_text_shadow_horizontal_length_tablet=”0px” text_text_shadow_vertical_length_tablet=”0px” text_text_shadow_blur_strength_tablet=”1px” link_text_shadow_horizontal_length_tablet=”0px” link_text_shadow_vertical_length_tablet=”0px” link_text_shadow_blur_strength_tablet=”1px” ul_text_shadow_horizontal_length_tablet=”0px” ul_text_shadow_vertical_length_tablet=”0px” ul_text_shadow_blur_strength_tablet=”1px” ol_text_shadow_horizontal_length_tablet=”0px” ol_text_shadow_vertical_length_tablet=”0px” ol_text_shadow_blur_strength_tablet=”1px” quote_text_shadow_horizontal_length_tablet=”0px” quote_text_shadow_vertical_length_tablet=”0px” quote_text_shadow_blur_strength_tablet=”1px” header_text_shadow_horizontal_length_tablet=”0px” header_text_shadow_vertical_length_tablet=”0px” header_text_shadow_blur_strength_tablet=”1px” header_2_text_shadow_horizontal_length_tablet=”0px” header_2_text_shadow_vertical_length_tablet=”0px” header_2_text_shadow_blur_strength_tablet=”1px” header_3_text_shadow_horizontal_length_tablet=”0px” header_3_text_shadow_vertical_length_tablet=”0px” header_3_text_shadow_blur_strength_tablet=”1px” header_4_text_shadow_horizontal_length_tablet=”0px” header_4_text_shadow_vertical_length_tablet=”0px” header_4_text_shadow_blur_strength_tablet=”1px” header_5_text_shadow_horizontal_length_tablet=”0px” header_5_text_shadow_vertical_length_tablet=”0px” header_5_text_shadow_blur_strength_tablet=”1px” header_6_text_shadow_horizontal_length_tablet=”0px” header_6_text_shadow_vertical_length_tablet=”0px” header_6_text_shadow_blur_strength_tablet=”1px” box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” global_colors_info=”{}”]<\/p>\n

                      Journal of Phenomenology and Hermeneutics<\/strong><\/p>\n

                       <\/p>\n

                      UDC: 1<\/p>\n

                       <\/p>\n

                      p-ISSN: 1318-3362<\/p>\n

                      e-ISSN: 2232-6650<\/p>\n

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                      PUBLISHERS<\/p>\n

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                      CONTACT<\/p>\n

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                      PUBLISHED: December 23, 2025Phainomena 34 | 134-135 | June 2025 Witold P\u0142otka & Andrej Bo\u017ei\u010d (Eds.) The Thought of Leopold Blaustein in Context. Critical Essays and Materials >>>TABLE OF CONTENTS | KAZALO   INTRODUCTION | UVOD   Witold P\u0142otka The Thought of Leopold Blaustein in Context. An Introduction >>> Konteksti misli Leopolda Blausteina. Uvod   […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":4,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"class_list":["post-418","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.phainomena.com\/en\/wp-json\/wp\/v2\/pages\/418","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.phainomena.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.phainomena.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.phainomena.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.phainomena.com\/en\/wp-json\/wp\/v2\/comments?post=418"}],"version-history":[{"count":28,"href":"https:\/\/www.phainomena.com\/en\/wp-json\/wp\/v2\/pages\/418\/revisions"}],"predecessor-version":[{"id":1147,"href":"https:\/\/www.phainomena.com\/en\/wp-json\/wp\/v2\/pages\/418\/revisions\/1147"}],"wp:attachment":[{"href":"https:\/\/www.phainomena.com\/en\/wp-json\/wp\/v2\/media?parent=418"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}